Time flies and we’ve now been here four days. We visited T-Site yesterday; still one of my favorite retail experiences, even though I can’t use half the things they have. It’s a pop culture magazine as physical space: something we all need since the internet killed everything.
Arrived in Tokyo sleepless and went straight to line up for 3 hours to get into Nakiryu, a 1 Michelin-starred ramen joint near Ikebukuro. Intense take on tantanmen, and nearly worth the wait. After a break, went to an izakaya for dinner where we discovered the magic of yuzukosho.
I knew nothing about Tasmania before setting off; not even that it’s a whole separate island from mainland Australia. My schedule leading up to the trip was too busy for me to even think about it, let alone look it up on a map. Because everything had been planned by my in-laws, I just had to show up. All I knew was that I’d probably get a few good landscape photos out of it, and be horrified by the lack of fast internet access.
On the first point, it turned out to be quite a beautiful place indeed, if not very convenient to get around. You’re in for hours of driving between small towns if you want to visit the main attractions, and some of the windy roads literally border on death traps—you can slip down the side of a mountain with a swerve.
You never use the cameras you have as much as you do when there’s a new one ordered and on the way. I’ve just bought a Panasonic LX10 online to take the place of my 6(!) year old Sony RX100mk1—a compact travel camera with a big-enough 1″ sensor and useful 3x-ish zoom range.
Below: a recent shot from my RX100.
That the LX10 has been on the market for 2 years says something about my changing habits. Buying last year’s model used to be unthinkable, and I’d pay a premium for buying that way. But the industry has changed and now hardware updates come every few years instead of annually, and the average price has gone over the $1000 mark to compensate for the drop in sales. Buying late nets you a nice discount back to pre-smartphone prices.
Anyway, while waiting for that camera to come and prove wrong my fears that I’ve given my money to a scammy HK website, I’ve been using my iPhone X and RX100 a bit around the neighborhood and workplace.
I can’t stress enough how much the Halide camera app + Adobe’s new and improved Lightroom Mobile have changed the way I shoot and edit RAW images on iPhone. (I still love and use Darkroom too, it just doesn’t do RAW as well as Lightroom anymore.)
Shooting koi in a rippling pool with an iPhone requires you to go full manual, and while the thought of fiddling with shutter speeds and ISO and manual focus on a touchscreen used to make me shudder, it’s actually doable with Halide’s well-considered control layout and gestures. I just wish you could lock focus peaking to always-on.
Honestly, I had no idea you could get this kind of sharpness and microcontrast out of an iPhone. I’ll be saving JPEGs and Live Photos for quick grab shots and moving scenes from now on. Given that I’ve taken a few holidays with just my iPhone, this is all making me wonder if I should have bought a new dedicated camera at all.
Okay okay, while shooting in RAW preserves highlights and deals with tricky lighting such as the above shot in the late afternoon, I’ll admit to enhancing that flare with Lens Distortions. It’s all about creating the scene you saw with your eyes, right??
Assuming the camera comes on time, I’ll probably bring it with me to Tasmania when I go in a few weeks. Seems like a landscape kinda place, so I have doubts about bringing my other cameras: a Ricoh GR (28mm) and Fujifilm X100T (35mm). 🤔
We paid Tokyo and Osaka a visit last fall, following up on my life’s goal of visiting Japan at least once every two years, and nothing disappointed — not the food, people, weather, galleries, nor multi-storey complexes designed to make me buy media and electronics. As Craig Mod alluded to recently on Twitter, Tokyo is a place that fulfills the city’s promise as a tool for human life.
The thing I love about its density and intensity is how that translates into support for all manner of subcultures and obscure hobbies. Today, you can barely find a functioning and interesting bookstore in Singapore, while in Tokyo it’s not just bookstores that thrive. One can wander into massive stores selling model train and forest diorama-building supplies, or records curated from a specific period, or vintage camera parts emporiums. We’re not large enough to incubate that kind of diversity, and the city dweller’s life suffers for it.
In the midst of a busy June, between jobs and dealing with a massive electrical wiring failure where we live, there was time for a week in Melbourne where it’s currently winter. Being one of the few places in the world where it’s cool right now may have had something to do with that decision. As much as I love Japan, there isn’t enough curry rice or fresh sushi in the country to make another summer visit worthwhile.
I’d decided before leaving to only shoot in B&W, but just couldn’t keep it up after a few photos. The warm, fall-like colors and architectural textures just sort of demand it. Also, I had new VSCO Film X filters (Kodak Gold 200!) to play with. I’ve found myself really enjoying shooting RAW on iPhone and stretching the dynamic range. Along the way, I noticed that I’d pretty much stopped using the iPhone 7 Plus’s Depth Effect after the first few months. I’m not sure why that is. I guess it’s not very accessible or prominent in the UI? Ideally, it would behave like Auto HDR and just capture both normal and edited stills when you’re using the tele lens.
We didn’t really have time to do anything out of the ordinary. A few exhibitions here and there, a couple of bars, some coffee, and visiting friends. But it was the right kind of city for the break I needed. In particular, rediscovering the joy of bookstores! The book retail scene in Singapore is at its lowest point ever now, with the only large chain left being Kinokuniya, and small bookstores with deliberately curated and stimulating selections are simply non-existent. I bought a couple of interesting books, and then promptly loaded up ebook versions on my phone for convenience. I can’t deal with the hassle of paper products, but I really like the store experience.
How’s everyone doing? I recently went to New York for the first time ever, and did a bunch of touristy things. It was also my first time in the U.S. in over a decade, and maybe overestimated how bad the TSA and airport immigration situation would be. It’s the last thing you want after 20 hours of flying: to be stuck in an hour-long line with people barking at you to take your clothes off. But we got in and out of JFK without much hassle.
Having an Uber account is fast becoming the most important thing to a traveler after having maps on your smartphone and watch. It lets you integrate with any city with no more difficulty or delay than if it were your own. There’s no need to plan an airport transfer in advance, find out if tipping’s expected, or get flustered if you’re late for a show downtown.
We got into a performance of Hamilton literally against all odds. The show is sold out for the next year, and resale tickets are pretty much unaffordable, but there’s a daily online lottery where you can get front row seats for $10. I heard somewhere that tens of thousands of people enter each day, and it can take months of trying. Kim somehow managed to win tickets a day into our second week. It was the first day of Javier Muñoz’s permanent run as Hamilton after Lin-Manuel Miranda stepped down, and he killed it. I was sick and shivering with a fever, and it was still incredible and unforgettable.
You can’t take any photos during the show, so I don’t have any. And despite bringing my Fujifilm X100T on the trip, I didn’t even use it once. Not one frame. Maybe it was the summer heat and not wanting to be encumbered or precious about one more thing to avoid banging about/losing/getting stolen, or maybe I just wanted to keep it casual, but my iPhone did everything. Fusion HDR and ProCamera’s LowLight+ mode helped in extreme lighting conditions. For shooting distant subjects in good light, I think it’s really close to what the X100T would have got. As holiday snapshots go, I’m happy with what I got. This fall’s iPhone 6SE/X/whatever will close the gap even more.
The one thing photos can’t do is capture other aspects of the experience, but Live Photos and 360º panoramas can be better at it than the usual 2D stills. We recently got a Ricoh Theta S at work, and now I want to take something like it on my next vacation. Being able to grab everything in a scene with a single button, and re-enter that environment later with a VR headset… why wouldn’t you? I’ll hold out for the next model with better image quality, but it’s one thing your smartphone camera won’t compete with for awhile. If you have the time to stand in one spot for a few minutes though, you can use Google’s oddly branded Street View app to capture spherical photos.
Real talk: I didn’t get to see that much of the city, relatively, but it was pretty cool to visit. In terms of livability, though, it’s not topping Tokyo for me in any of the categories. I’m probably the worst person when it comes to dealing with loud crowds, germs, heat, public transport breakdowns, the threat of impending personal harm — basically i’m a paranoid baby. Living in New York probably wouldn’t play to any of my strengths. But between Ktown and David Chang’s Momofuku Ssam, I think they’re doing a great job with Korean food! It was far from my favorite cuisine before, but now I’m a convert.
I spent the month of January shooting photos only in black and white. Not just the ones I posted on Instagram, but everything in my camera roll got converted and saved in black and white. When I scroll through my timeline in the future, this block of 60 or so shots is going to stand out.
I got the idea from @espresso on Twitter who shot monochrome photos for the entire year of 2015. That’s dedication. It only came to my attention in December when he started mentioning how much he looked forward to color again in the new year. You can see his Storehouse collection of photos here.
It was absolutely worth it. You can always learn a lot in any creative endeavor by putting restrictions in place; I think because it’s too easy to try to grow in many ways at once, especially when taking photos, you can go from landscapes to close ups to street scenes in a single day, and play with a dozen photo processes and apps at a time. Taking away some options can make you focus long enough in one direction to notice something new. Taking color away immediately makes you think about lines and composition and texture. All the habits you’ve formed around what looks interesting and when to raise your camera are rendered unreliable, and you’re made to look at everything through new criteria that you’re forming through practice.
It reminds you that the absence of color is actually a powerful tool that has gotten too closely associated with making statements or establishing mood. It’s a legitimate way of directing attention, and a different set of skills when doing post-processing. And it frees you up from taking photos of every meal, because it’s quickly apparent that most won’t turn out very appetizing.
If anything, a month might be too little time, especially with the demands of work and other hobbies. Now that it’s over, I intend to keep doing it, maybe at a 1:3 ratio with color photos.
Everyone should try it out some time (with the #bwchallenge hashtag). I highly recommend the Darkroom app, as always, because it gives you a ton of control over how tones are converted and shifted, going beyond the emulation of simple color lens filters.
Also check out my friend Cong’s feed, who did the challenge with me and stuck with it even through a trip to Osaka, which took some guts.
Edit: Forgot to add an observation. A lot of these photos were taken with my iPhone, and I found that turning a photo black and white negates the weaknesses of small smartphone sensors. Noise and muddy colors in dark scenes are no big deal, and the quality of available light (in gradations) seems to increase when you combine the color channels.
I was in the market for a Sony RX1R because I’d heard that the price had come down to as low as $2,400 SGD at third-party retailers, whereas Sony’s own retail stores still sells them for about $3,800. I know that’s a lot of money for a fixed-lens camera, but it was intriguing. I bought a Ricoh GR earlier this year as a birthday present to myself, and have only used it sparingly. The guilt! How could I justify a camera for Christmas too?
This particular fit of consumer madness began when a friend started looking at the new model, confusingly named the Sony RX1RII, or RX1Rm2, and which costs $5,000, for his own needs (isn’t that how it always starts?). He eventually decided to go even further upmarket with a Leica, but that’s a different story.
In the end, I hesitated too long because of the asking price and the unbearable judgment of my already adequate camera shelf, and discovered earlier this week that the older RX1R was no longer available at every third-party camera store I called and visited. My guess is Sony wanted better control of the price, and to remove competition for the new $5,000 model. It’s better, but it’s not $2,600 better.
So after a bit more research and the use of a friend’s Fujifilm X100S for a few days, I got the beautiful X100T you see above. It’s nearly a thousand dollars cheaper than the Sony would have been. It’s not a fair comparison because the sensor is APS-C sized instead of full frame, but its 35mm prime lens barrel is a lot shorter and less conspicuous as a result. Fuji’s color reproduction and JPEG quality is also quite lovely, and I’m happy with the way things look straight out of the camera. I often find the Ricoh GR series’ 28mm field of view too wide for most purposes, and with many other compacts now starting at 24mm (like Sony’s RX100), it feels great to finally shoot with The Standard.
A quick recap of the specs, if you have the time:
- Fixed 35mm f2 Fujinon lens
- 16mp CMOS sensor with phase detection autofocus
- An integrated hybrid viewfinder that switches from optical to electronic with the flick of a switch (only the new RX1R has an EVF)
- Built-in WiFI for transferring photos to a smartphone via Fuji’s barely functional app
- Software emulation of Fujifilm’s classic film stocks (perhaps more in name than reality): Provia, Velvia, and Astia
- A little bigger than the RX1R, although more compact on the whole thanks to a smaller lens
- An ND filter and electronic shutter mode for really fast captures in bright light
Here are some shots from a photo walk I took yesterday, which happened to coincide with the Hello Kitty Fun Run. I never knew it was such a big deal. Two observations: Having a camera around your neck makes you more liable to be asked to take someone’s photo, and if people notice you pointing one in their direction, they’re more likely to flash you a peace sign.
I haven’t been in the mood for this trip this past week; too many things on my mind at work and home. But a friend just told me how they would kill to switch places right now, traveling alone (well, for a few days until I’m joined by some friends), getting away from a nagging partner, responsibilities, etc. and I have to say, it woke me right up for this.
It’s super uncool to not have gone on a holiday alone before (I’m guessing being abroad to study doesn’t count), but yeah I’ve never done it. There’s always someone else to plan with, figure out transport with, make decisions and compromises with (or force into compromises most of the time -_-), so now I think I’m going to be a little lost. Wandering and just seeing what happens. Not really my nature!
T1 Link West, Changi, Singapore, Singapore
A little over a year ago, I was eating a KFC rice bucket (it’s popcorn chicken and a cream sauce over greasy Singaporean chicken rice for $4) when some friends on holiday sent photos of themselves by the pool looking trim and fit. Major mirror shame. That same day I started on a diet and ultimately lost about 10 kilos over the following months.
Not knowing anything, I did the most logical thing and went with calorie counting. Over a few weeks and several conversations, I worked out that it was far better to eat protein-rich salads, embrace fats, cut down on carbs, and eliminate unnecessary sugars. Only lately did I learn that eating like this continuously is the most important thing; if you’re only doing it every other day and not letting your body get into a rhythm of ignoring carbs and burning fat, it’s useless.
So lately I’ve been trying to get back into eating healthily because I’ve spent the last 4 months of this year being careless and having too many nasi lemak breakfasts near work. There’s a lot of salad in the CBD area, but it’s awfully generic, especially if you’re looking at the ones in hawker centers. Gotta break it up once in awhile. Which is why I’m really glad to have found Grain Traders at the new Capital Green building diagonally across from Lau Pa Sat.
I’m not sure how they describe their concept, but since I’m a copywriter I’m gonna go with “fancy ass salads made with freaking tasty shit”.
I dropped in in the morning for a cup of coffee and a takeaway bowl of roast pork brown rice porridge ($8) which was more pork than porridge. I tried to spoon some rice up for a photo but couldn’t get enough of it because of all the baby corn and avocado and egg in the way. That’s a really good problem to have. The boiled egg, by the way, was perfect: soft and runny in the center.
In our corner of the CBD, breakfast ranges from $2 for some plain fried beehoon to $15 for an expat-friendly wrap. As I ate the porridge, I couldn’t help but imagine how much some of the places around would charge for something like that. Not $8. Maybe $12? A bowl of tomato soup goes for $10 at one place!
People say I can get a bit obsessive, but if those jerks are too undisciplined to eat the same thing for 6 months straight, I don’t care what they think. So naturally I went back again a few hours later to check out the $16 bowls. You can get them on white sushi rice, brown rice, quinoa, salad leaves, soba, or bulgur wheat.
I’m impressed by the amount of care that seems to go into the individual components, like this “crunchy medley of greens” they put in some of the recipes; it’s conceptually one whole unit, but some vegetables in it just pop, like they were cooked and flavored in a separate process, and it elevates the whole thing with complexity. And that’s just one of the 6 or 7 things that was in my “Rooster’s Crow” quinoa bowl today, alongside chicken, roasted peppers, nuts, a mixed bean Pico de Gallo, basil dressing, and… leek?
Every ingredient has its own thing going on, which should justify the cost easily when compared to one of the popular salad chains nearby, which ungenerously spoons in pre-processed chopped olives and cold cherry tomatoes for nearly the same price. I read one comment on Facebook that said $16 was prohibitive and they’d maybe eat there once a month! Sadly, if you’re trying to eat low-carb, there’s no way around spending more since all the cheap stuff is rice and noodles with half a handful of deep-fried protein thrown in.
Anyway, I’ll be going back tomorrow to make sure it wasn’t a fluke, but damn I liked what I saw.
Update: Oatmeal with banana, apple, and cinnamon for breakfast the next day. Pretty good along with this bottled white cold brew.
As a user of the first-generation Pebble since last December, I eagerly ordered the new Time Steel model when it hit Kickstarter earlier this year. And then the Apple Watch went on sale in Singapore earlier than I’d expected it to, and that’s a whole other story about my irrational spending.
Fast forward to the present, and my new Pebble has arrived! But I’m probably selling it!
There’s the Pebble Time Steel (which ships on a genuine Italian leather band, this one’s a gunmetal gray body, so the band is a matching gray/black), and a separate box containing the steel link bracelet in gunmetal. As a Kickstarter edition, it comes with both. With the retail model, the steel bracelet will be sold separately for US$50.
Previous Pebble watches have had pretty lackluster packaging, so this is quite a step up. Look at that display box; it’s good enough to be sold on the accessory shelves of an Apple Store, except they won’t be.
Here’s the back of the box with a list of standout features. Of course, the main improvement to the hardware is a new color e-ink/e-paper display. It’s always on, unlike the Apple Watch’s, so you can glance at it any time over the 10 DAYS that its battery will last, and know the time or your latest notification, without having to raise your wrist or press any buttons. It’s got a microphone now, which is useful for Android users who can dictate responses to messages and emails. It’s slightly less useful for iPhone users. And of course, it’s still waterproof to 30M. I don’t think anything else is.
Here it is next to my Apple Watch on the right. The watch case is very slightly smaller than the Apple one, and is also gently curved on the underside to sit neatly on your wrist. In that regard, it’s very nice and possibly more comfortable and natural looking on the wrist.
Here it is all set up and charging via a magnetic cable attached to the back. Nothing as sexy as Apple’s inductive charger; this one only uses magnets to draw two magnetic points to their respective spots. It works.
As you can see, the e-paper display shows colors even when not lit, although they’re not as vibrant as you’d see on a printed page. The sun icon has a mild yellow to it, and blue shows up very well. In direct sunlight, it looks crisp and strong, and is easy to read. Indoors, it can be a little muddy and dark, perhaps a touch dimmer looking than even the original Pebble. A backlight comes on when you press a button or flick your wrist. This also looks dimmer than I remember the original Pebble being, but perhaps I’ve just been spoilt by the Apple Watch’s super bright and colorful OLED display (which wantonly consumes more power in a day than the Pebble Time Steel does in 2 weeks).
Here’s what it looks like on the wrist (thanks to my dumb use of a wide-angle lens, the watch looks larger here than it is). I wear a 42mm Apple Watch and it looks smaller than this, and as shown above, the Pebble is even smaller than Apple’s. So if you normally wear a 38mm Apple Watch, this is probably what the Pebble Time Steel will look like on you.
Here’s a more accurate shot, this time with an imitation Casio watchface complete with Timex Indiglo color scheme. That statement alone tells you who the Pebble is aimed at; you have so much opportunity to customise the face of this. Many of the color faces I saw let you specify the color of every element and make your own themes. It strikes me as the sort of thing some people jailbreak iPhones or choose Android smartphones to be able to do. I’ve decided I’m not that person these days, so I’m probably going to sell it. But the build quality is solid and the leather strap is really quite soft and lovely. It’s a real improvement from Pebble, and if they can get the cost down, it might work out.
Oh, the new software works as advertised, but without using it for a few days, it’s hard to say how useful seeing your apps and events laid out on a timeline is. On paper it sounds like a great idea and it was one of the main reasons I ordered this at the time. Apple’s watchOS 2 is also going to have something along the same lines with its Time Travel feature, so I guess it doesn’t matter what platform you eventually choose — we will all soon be consuming time-sensitive content on our timepieces using contextual timeline interfaces.*
*Did it strike anyone else as odd that after Pebble showed their hand with Timeline on Kickstarter, Jonny Ive or someone on his team dropped a casual interview comment that they had tried a similar concept in an earlier prototype of the Apple Watch, but it didn’t work out? And then a few months later we see Time Travel as one of the key new features of the next watchOS?