One more week to Tokyo, and I’m super excited to finally have Hinoya Curry. Here’s a photo of a sumo wrestler painted on the shutters of an outlet I passed the last time around. Chris “The Foreigner Who Loves Curry” Kohler added them to his list, so my expectations are HIGH.
I knew nothing about Tasmania before setting off; not even that it’s a whole separate island from mainland Australia. My schedule leading up to the trip was too busy for me to even think about it, let alone look it up on a map. Because everything had been planned by my in-laws, I just had to show up. All I knew was that I’d probably get a few good landscape photos out of it, and be horrified by the lack of fast internet access.
On the first point, it turned out to be quite a beautiful place indeed, if not very convenient to get around. You’re in for hours of driving between small towns if you want to visit the main attractions, and some of the windy roads literally border on death traps—you can slip down the side of a mountain with a swerve.
Finally seeing the new Avengers film tonight, some two weeks later than intended. Surprised at how good everyone in the universe has been about not spoiling it.
I’ve been back in town for a week and have only just encountered a merchant I needed to pay with cash, not Apple Pay. Went to my wallet and it only had Australian notes.
At the end of most holidays comes a moment where you fantasize about staying on and missing your flight. We finally did it, but not in a fun way. We’re still in Australia 2 days past time, wracked with phlegmy coughs and clammy foreheads. And oh hey I have a microblog!
We went to Ferrara Homestyling to pick out some toilets and sinks. Beer and burgers were the reward.
Shot these clips in Instagram for some reason and assembled them in Quik. Also cut them up for sharing on Instagram Stories. I don’t know if I’ll make vlogging a regular habit, but I’d love to? Just can’t see portrait video being the way to go. Might switch to landscape for the next one.
You never use the cameras you have as much as you do when there’s a new one ordered and on the way. I’ve just bought a Panasonic LX10 online to take the place of my 6(!) year old Sony RX100mk1—a compact travel camera with a big-enough 1″ sensor and useful 3x-ish zoom range.
Below: a recent shot from my RX100.
That the LX10 has been on the market for 2 years says something about my changing habits. Buying last year’s model used to be unthinkable, and I’d pay a premium for buying that way. But the industry has changed and now hardware updates come every few years instead of annually, and the average price has gone over the $1000 mark to compensate for the drop in sales. Buying late nets you a nice discount back to pre-smartphone prices.
Anyway, while waiting for that camera to come and prove wrong my fears that I’ve given my money to a scammy HK website, I’ve been using my iPhone X and RX100 a bit around the neighborhood and workplace.
I can’t stress enough how much the Halide camera app + Adobe’s new and improved Lightroom Mobile have changed the way I shoot and edit RAW images on iPhone. (I still love and use Darkroom too, it just doesn’t do RAW as well as Lightroom anymore.)
Shooting koi in a rippling pool with an iPhone requires you to go full manual, and while the thought of fiddling with shutter speeds and ISO and manual focus on a touchscreen used to make me shudder, it’s actually doable with Halide’s well-considered control layout and gestures. I just wish you could lock focus peaking to always-on.
Honestly, I had no idea you could get this kind of sharpness and microcontrast out of an iPhone. I’ll be saving JPEGs and Live Photos for quick grab shots and moving scenes from now on. Given that I’ve taken a few holidays with just my iPhone, this is all making me wonder if I should have bought a new dedicated camera at all.
Okay okay, while shooting in RAW preserves highlights and deals with tricky lighting such as the above shot in the late afternoon, I’ll admit to enhancing that flare with Lens Distortions. It’s all about creating the scene you saw with your eyes, right??
Assuming the camera comes on time, I’ll probably bring it with me to Tasmania when I go in a few weeks. Seems like a landscape kinda place, so I have doubts about bringing my other cameras: a Ricoh GR (28mm) and Fujifilm X100T (35mm). 🤔
We paid Tokyo and Osaka a visit last fall, following up on my life’s goal of visiting Japan at least once every two years, and nothing disappointed — not the food, people, weather, galleries, nor multi-storey complexes designed to make me buy media and electronics. As Craig Mod alluded to recently on Twitter, Tokyo is a place that fulfills the city’s promise as a tool for human life.
The thing I love about its density and intensity is how that translates into support for all manner of subcultures and obscure hobbies. Today, you can barely find a functioning and interesting bookstore in Singapore, while in Tokyo it’s not just bookstores that thrive. One can wander into massive stores selling model train and forest diorama-building supplies, or records curated from a specific period, or vintage camera parts emporiums. We’re not large enough to incubate that kind of diversity, and the city dweller’s life suffers for it.
Continuing a Japan holiday tradition… making videos of my daily konbini snack raids.
Recently a few colleagues found these on my YouTube and thought it’d be funny to put them up on the giant Microsoft Surface Hub we have. I don’t know why I found that a problem, when I’m uploading them onto my own public website. I suppose because probably no one sees these?
In the early days of this blog and being online, I’d make mixes and upload them somewhere for friends and readers. Those were usually one and the same, who am I kidding? Personally, I hardly have time to listen to playlists made by experts, so I don’t know why I thought people would listen to mine. Adult hindsight: I made them for myself.
The end of year mix was a particularly fun undertaking. I don’t scrapbook, or watch algorithmically generated Year In Review videos from Facebook/Google/Apple, and I lack the openness to write an entry all about my experience of the year without doing it in relation to another topic. Hence music.
Every track you add is inevitably a personal choice. Some were soundtracks to moments, some were recommended by important people, others are evidence of flirting with new genres, trying to stay in touch with the distancing past or the youthfully new. A listener could conceivably read between the lines, but hopefully they’re already too busy forming their own reflections.
This year, I started a new job and as an end-of-year team activity, I thought it’d be good to compile a playlist with a couple of contributions from each member. Here it is.
That activity got me inspired to do a personal one, and I think I’m finally done at 34 tracks across 2 hours and 8 minutes. A double album! At the very start, I thought 2017 (not the best year, right?) would be a slim list. And way too many things that came to mind were actually from 2016. A year can seem like a small and fuzzy lump of time by December. But when you start going through your library, the months all come back and start to feel distinct again. It’s really therapeutic and I recommend it.
Anyway, here’s how my 2017 sounded. A few notes on particular songs follow.
In work-related news (doesn’t happen very often here), I recently joined Fjord, a design and innovation agency that’s now part of Accenture Interactive, and one of their longstanding traditions is an annual “learning summit” that everyone travels to attend. This year, about a thousand people from 28 studios around the world made their way to Berlin for three days. I made a bunch of quick 1-minute update videos for Instagram, and this is a compilation of them.
I wanted to shoot and edit everything on mobile, without doing multiple takes or anything. Just approach it in a really rough and imperfect manner using Apple’s launched-and-now-almost-forgotten Clips app. It breaks the familiar iMovie/FCP-style workflow of assembling video on a timeline and then editing on top of it, and reimagines editing as if designed by Snapchat: you get one chance to do it right, and you have to do everything ‘live’. What that means is you can’t put the video down and then record a voice-over to go on top of it. You literally have to hold down a record button to lay down the segment of video (as if you were shooting it right then), and record your VO simultaneously. If you want to pan around the photo or video, you need to do that with your fingers on the screen too, while talking, while getting the length right. It’s most intuitive when you’re shooting a How-To video and want to narrate what’s happening.
In hindsight, it probably wasn’t the right tool for what I was doing, since I shot nearly no footage directly within Clips, but it was fun and pretty interesting to approach editing differently. I might use it again, but the fixed square format is a little annoying. I would think twice about putting any scenic holiday video through that limitation.
In the midst of a busy June, between jobs and dealing with a massive electrical wiring failure where we live, there was time for a week in Melbourne where it’s currently winter. Being one of the few places in the world where it’s cool right now may have had something to do with that decision. As much as I love Japan, there isn’t enough curry rice or fresh sushi in the country to make another summer visit worthwhile.
I’d decided before leaving to only shoot in B&W, but just couldn’t keep it up after a few photos. The warm, fall-like colors and architectural textures just sort of demand it. Also, I had new VSCO Film X filters (Kodak Gold 200!) to play with. I’ve found myself really enjoying shooting RAW on iPhone and stretching the dynamic range. Along the way, I noticed that I’d pretty much stopped using the iPhone 7 Plus’s Depth Effect after the first few months. I’m not sure why that is. I guess it’s not very accessible or prominent in the UI? Ideally, it would behave like Auto HDR and just capture both normal and edited stills when you’re using the tele lens.
We didn’t really have time to do anything out of the ordinary. A few exhibitions here and there, a couple of bars, some coffee, and visiting friends. But it was the right kind of city for the break I needed. In particular, rediscovering the joy of bookstores! The book retail scene in Singapore is at its lowest point ever now, with the only large chain left being Kinokuniya, and small bookstores with deliberately curated and stimulating selections are simply non-existent. I bought a couple of interesting books, and then promptly loaded up ebook versions on my phone for convenience. I can’t deal with the hassle of paper products, but I really like the store experience.
