This is an addendum to the last weekly update (3.22).
As part of Singapore Art Week 2022, we visited The Culture Story on Sunday afternoon to see ZXEROKOOL’s first local exhibition entitled Memes, Myths and Machines. He’s done a new series of NFTs that were presented as large format prints, and we spoke briefly about how a new class of art buyers are excited by the flexibility of printing these pieces at whatever size suits their needs or residences, while retaining ownership certification through the NFTs in their wallets.
These were of course familiar arguments for the technology, but his anecdote about a previous exhibition in China and the concern of buyers there about the veracity of a limited run brought home the need for this control, held by the artist, limiting run size as intended. Personally I love that artists can continue to get a cut each time a work changes hands, which is an innovation I don’t think was feasible before smart contracts.
I had two favorites at the show: Meme-vangelion and The Garden of Internet Delights. The former is a mashup of Shiba Inu and Evangelion imagery, complete with the Spear of Longinus piercing the puppy’s heart. I left wanting to buy one of them, but by the time I got around to it the next day, some other fan had bought the last edition of The Garden of Internet Delights. No matter, Meme-vangelion isn’t a consolation prize. Though the whole collection plays with the visual vocabulary of the internet as many of us have experienced it over the last decade, I think this work stands alone in its astute selection of two icons that will surely stand the test of time?
While taking a break from my Misery Men series of profile pics, I’ve been trying to draw other things. Bear in mind that I’m in the process of learning to draw at all, through trial and error. Yes I could/should probably look up proper resources or watch a YouTube video on some basic techniques, but it’s kinda fun to just bumble my way through this?
It started with this living room scene with our Christmas tree that I included in the last weekly update.
In doing it, I learnt how the “oil paint” brush works in Procreate for iPad (used it for the fire on the TV). I also attempted two things that seemed like professional ideas to me: starting with a rough pencil tracing to block out the space before inking/coloring, and trying to render light emanating from the TV onto the tree, the Nintendo Switch beside it, and some of the floor. I guess all drawing is deciding how much realism you can/want to trade off?
The next day I started doodling a camera and decided to do this imaginary scene of a leather pad on a desk, with some objects that represent my hobbies and how I spend most of my free time. I wouldn’t say any single area took more effort than the other, but I figured out early on that everything would just be black and gray, and it seemed to work well.
The next day’s challenge was to draw a top-down view inspired by our bathroom sink, which I have plenty of time to stare at every day while brushing my teeth. I wanted to work from memory only, so again I started with a pencil outline to compose the space. Trying to do the marble texture on the counter was the hardest bit by far, and I still wasn’t happy with it after the first pass. You should see a widget above with a slider that lets you compare the sketch with the first draft.
From there I tried to make something presentable out of it. In addition to adding dried toothpaste everywhere, I moved some objects around, added shadows, put a mirrored medicine cabinet above, and added an ambient glow and the reflection of its underside fluorescent tube to the marble countertop, which was smoothed out.
Here’s the final state of it:
I know there are super impressive time-lapses out there of artists slapping incredible lighting effects onto proper scenes like their brains just know how to see light, but I’m just a little bit happy that I managed to figure this out myself as an amateur! Let me have it!
I may do some more, I don’t know when. But since I’ve enjoyed titling them with stage-whispered apologies and side comments, I’ll be calling this series Caveats In Paint (Digital) and that will be the name of my eventual exhibition to which you are all invited.
This week, Apple released an iPhone power accessory that’s been anticipated since the release of the iPhone 12 series late last year. In recent years, they’ve put out “battery cases” shortly after new phones — you’ve probably seen them: rubbery phone cases with a hump on the back, often ridiculed. With the MagSafe infrastructure on the new phones, everyone’s been waiting for a battery pack (or power bank) that you can just slap on the back.
On the price: Apple offers an intriguing spread of products at the $99 mark. You can get a HomePod mini in some countries, which is a great sounding smart speaker with serious processing power equivalent to an old iPhone. Or you could get a first-generation Pencil to use with most iPads still on sale. And least apparently worth the value is the braided solo loop, a strap for the Apple Watch made from recycled yarn. I think this battery pack sits squarely in the middle in terms of value.
Slim (1.25cm) and lightweight as power banks go.
iPhone 12 Pro stays usable and comfortable enough to hold when in use (YMMV, my hands are large).
Starts charging your phone when attached; no buttons to mess with.
Integrates with iOS and foolproof to manage. Your iPhone will slowly draw power and keep temperatures low, stopping the recharge at 80% or 90% to preserve your battery’s lifespan.
Small capacity. Holds about as much power as an iPhone 12’s battery, but due to the inefficiencies of wireless charging, you can only expect it to impart an extra 50% or 60%, based on my experience so far. (Edit: I’ve tested it further and I think it may actually get you close to 80% of a full charge on an iPhone 12/12 Pro.)
It does its job pretty slowly, so while traveling and using your phone to take photos, it may make more sense to make a fast-charge pitstop from a regular wired power bank than to go about your day with this slab attached.
The pack can’t itself be charged wirelessly with a MagSafe charger or Qi pad. It may be technically possible since reverse charging from an iPhone works, but hasn’t been implemented.
My use case
I’m home most days, and if I were working I’d be doing that from a desk at home with MagSafe chargers, Qi chargers, USB-C to Lightning cables, and all sorts of equipment within reach. Why did I even buy this? Curiosity, boredom, and utter laziness to rise from the couch to plug my phone in as I drain it over the course of the day playing games and checking Twitter.
It’s worth mentioning that my 9-month-old iPhone 12 Pro currently has a battery health rating of 90%, which is abysmal. Most of the time, my iPhones rate about 97% after a full year of use. I don’t know what’s caused this one to degrade so rapidly: a manufacturing defect? My charging routine? My use of a wireless charging pad each night?
I wanted a way to conveniently extend the life of my iPhone so it can make it through a day without draining down past the 20% mark. When I do go out, I’m constantly worried about ending up with a flat battery. I need my iPhone to pay for things, take public transport, or get a cab at the end of a night. But I want to go out unencumbered, no bag, just pockets. With Apple Pay and other mobile payment platforms, I no longer carry a wallet most times.
As mentioned, one could use a regular power bank with a cable. They offer much larger capacities, are cheaper, and can charge faster (up to the 18W USB-C PD supported by iPhones). This does require carrying a bag or wearing cargo pants that have wires coming out of one pocket and going into another, though.
Or if a magnetic wireless solution is preferred, then there are again lower-cost alternatives from Anker, Hyper, Mophie, and many OEMs. These are usually half the price of Apple’s, slightly thicker and more unsightly, but offer a little more battery life. They also lack the OS integration and you have to start/stop charging with a button, although it’s easy to imagine future models hacking some iOS support the way fake Chinese AirPods are able to show up in the battery widget.
Personally, I think I’ll be keeping this for the peace of mind it gives when I leave the house empty-handed. It’s easy to carry separately in a jeans pocket, smaller than a phone or wallet, and has enough power to extend even a failing phone battery to last through a day and night of usage. It won’t get you through two days, but I don’t think that’s what it’s for. It’s a safety net, and a solution for lazy couch charging at home.
COVID cases have re-emerged in the community here, after many months of quiet, just a week after Bloomberg put Singapore at the top of a worldwide list of the safest cities to be right now. The main cluster is centered around a hospital where I believe a nurse was infected, and 27 linked cases have been discovered so far. The entire ward has been quarantined and thousands of patients in the hospital have been tested. Somehow, there are also cases at a secondary school, and I saw a headline about a spa technician being another one. So the scope of this will probably expand a little over the next week.
Already, the government has backtracked on its previous recommendations to have the majority of employees return to offices. We’re now being told to work from home where possible. It’s my opinion that this should simply be the default recommendation forevermore.
We tried watching more Runaways on Disney+ after last weekend, but it’s not sticking anymore. Its initial narrative energy, all nitrous borrowed from its subversive premise, has burnt out. Each episode is now a meandering, time-wasting YA cringefest. I think we’re going to quit it at this point in the middle of season 1.
I was in the mood for a dumb action movie over the weekend but had a lot of trouble finding one quickly on Netflix. I eventually settled on Bloodshot, which is a Universal Soldier-alike vehicle for Vin Diesel, who I remember starting out as a likable personality but by all accounts today is a horrible person/co-worker and something of a modern day Steven Seagal on the set. I made it maybe halfway through before quitting out of boredom.
If you’re looking for a recommendation: Without Remorse, starring Michael B. Jordan and out now on Amazon Prime Video, is not a shit film at all. In fact, it has fresh ideas that make for a couple of original-feeling set pieces.
Birdy has a new album out, which I discovered through this video for the single, Second Hand News. Apple Music’s liner notes says she had writer’s block after a breakup, and these new songs were shaken loose after she rediscovered Joni Mitchell’s “conversational songwriting”. I love it. It does feel a little Joni.
Right after I published last week’s post with a picture of my new HEY.com t-shirt, the founders of the company released a controversial statement about how they wouldn’t allow “distracting” non-work discussions in the workplace anymore, which resulted in a PR shitshow and about 30% of their company publicly quitting on Twitter.
I haven’t looked deeply into the details, but some parts I skimmed suggested a toxic environment and leadership style mixed with the ever-inflamed issues of race and politics in the US. Who knows if they’ll get the message and rebuild their culture, but I’d be upset if it means I’ll have to change my email address again. The amount of mental time spent on that deliberation last year was enough for another decade. I really like the service so far and would subscribe for a second year.
Not at all related to a toxic workplace is the small announcement I can now make that I’ll be taking some time off in a few weeks to enjoy a long-wished-for sabbatical. The Currently Reading/Playing/Watching aspects of these updates will probably expand. I can’t wait to start on my backlog of games and books.
As mentioned several times in the past few months, I’ve been feeling in need of a recharge and also interested in the concept of mini-retirements throughout life. Granted, I can’t travel in this current climate, but there’s still plenty of room to develop new interests, ideas, and directions. As I enter the second half (hopefully not third) of my so-called career, it seems like it’s worth taking a wider view of what other kinds of value can be extracted from the ever-diminishing energy and light of this short stay on Earth. Maybe I’ll get into finger painting?
A few weeks ago while writing one of these posts, I referenced an article about the nature of work, and was slightly irritated by its very broad definition. It used “work” to encompass all labor, whether for the purposes of making a living or not. Contributions to society, to one’s family, towards your own interests and goals — all of it was called work. I preferred using the word to mean paid labor only, and thought it was quite a privileged stance to include all sorts of things one freely chooses to do. There are too many people toiling at their limits to stay fed and sheltered, dreaming of the day they can finally rest in the absence of work: retirement, the promised realm of reward.
However now that I’m on the precipice of free time, I can see a little dimly through that lens. For those with the opportunity to opt out of paid labor, even if only for a little while, a new terror appears in the form of questioning “am I relevant? Am I valuable?” Freed from our contracts, we want to fill the gaping hole in our calendars with Meaningful and Impactful activities. We want to do work in any form. If we’re raising a child, we tell everyone it’s “a full-time job”. If we’re volunteering out of passion at a non-profit organization, we say we’re finally “doing our lives’ work”.
I don’t disagree with this use of the word now. It’s not that we should label everything we do as work; it’s that all purposeful activity can fairly be called work. Anything that takes something out of you to produce an outcome is work, and we should all engage in it for as long as we can, even after we stop being traditionally employed. Your work can be about learning, teaching, or doing. It can find you producing or repairing, supporting or leading, communicating or meditating. It can be social or entirely solitary. Even when we take the time to rest, it’s in service of our work. Retirement might be the wrong state to aspire to, after all. It’s dying, becoming inert; all subtraction and invisibility.
In this tiredness, I so badly want to do nothing, but I’m also afraid I won’t let myself. Or that I shouldn’t. We’ll see what comes of it in the months to come.
You may have heard the buzz this week around the new beta version of Dispo, the app formerly known as David’s Disposable, as in Vine/YouTuber David Dobrik’s version of those camera apps that simulate the look (and sometimes also the experience of waiting for photos to develop) of disposable film cameras. David himself notoriously shoots his exciting life with tons of those cameras, so the app made sense as a spinoff business. It wasn’t the first of its kind on the App Store, and there were so many others with knockoff names like Huji (Fuji) and Gudak (Kodak). So while David’s fans probably used it, the first version of the app wasn’t thoughtfully designed or original enough to be an essential camera app. Now, the next version is being taken seriously with millions invested and a full-time team hired.
Side note: This reminds me that one of the first app ideas I had and sketched out in the early years of the iPhone was for something similar. Obviously I never had the guts to make it, which is the main gap between ideas and profit. I was thinking you could “buy” and load rolls of film into a camera (complete with having to thread the initial end bit onto a wind-up spool before shutting the door) and then send them off to the lab when you’d shot 36 or so images. And after an hour or a day had elapsed, you’d return to the app to see a yellow paper envelope slide across a store counter to you, and be able to tear it open to see your shots (and the included negatives). I remember feeling kinda bummed when the first camera app to do the enforced waiting time gimmick came out. It wasn’t as skeuomorphically cool. I think it was 1-Hour Photo by Nevercenter.
Anyway, Dispo 2.0 is currently in beta and I only just got in. My first batch of photos came out this morning at 9am (the predefined time for all photo deliveries), and they look fine. You get a lightly push processed, slightly cool-temperatured shot in a 16:9 aspect ratio. I don’t understand why it’s not 3:2 like normal 35mm film. The flash is on by default as a core part of the disposable aesthetic. All EXIF data is stripped out, including the actual time of capture.
There’s a lot to like here so far, but it’s also a little unusual as social apps go. The tutorial doesn’t cover some of its sharing features, so you have to figure them out. There are “rolls” that can be public or private, solo or with others. I suppose they are really “albums”. Before you shoot a scene, you may load multiple rolls in the camera that you would like to contribute the resulting photo to. Which breaks the metaphor of the film roll somewhat, because disposable cameras don’t normally shoot onto four rolls of film simultaneously (nor do they have replaceable film)! After a shot is developed, however, you can manually add it to any roll.
Each roll can only have 69 contributors, so the emphasis is on doing it with your friend group, but there’s no limit to how many members of the public can follow a roll and see it on their feeds. David Dobrik himself seems to be using rolls to capture short events, like throwaway albums, rather than as curated, ongoing thematic feeds like I see some others doing for their pet, food, or “good vibes” photography. Perhaps the idea is still being tuned, or maybe they’re fine with people using them however they like.
Beta testers are not supposed to share screenshots, so I won’t. But it’s an example of non-cookie cutter UX design that asks you to work a little to figure it out; Snapchat and at least one redesign of VSCO often get credited for attempting personality in a post-iOS 7 world. Outside of games, it seems it’s often camera/photo apps that still go for it.
On the other hand, Hipstamatic has devolved into such a confused and cluttered app that you have to really work to figure it out. No fun at all. I miss the old Hipstamatic, and Dispo looks like it might bring some of that magic back: you’re encouraged to shoot without chimping, frame loosely through a tiny viewfinder, and be happy with even the crappy shots.
It actually reminded me today that Hipstamatic once tried an app called DSPO, pretty similar in concept. You had virtual rolls of film that you’d have to shoot fully before developing, and you could invite friends to share a disposable camera in real time. Two people in two cities could shoot a roll of film together. I remember it crashed a lot for me, and it was a struggle to convince anyone to install it. So it failed. Good idea, wrong time and execution. At least amongst millennials and zoomers in the US now, Dispo seems to have avoided that trap: the TestFlight beta is fully subscribed.
I considered not making one of these playlists this year, but someone said that traditions are most worth protecting when everything else has changed. My instinct with traditions is sometimes just to snap old things off and find something new to do. Maybe a couple of years of therapy will tell me why, but until then, I figured it was pretty low stakes to just make one.
And to my surprise (happens every time), it was an enjoyable exercise and I’m reasonably happy with the result, even though it contains some really basic hits and I probably left out a whole lot of other great stuff.
One thing I noticed as I was pulling in favorites I’d saved throughout the year: there was a tendency towards quiet or mid-tempo songs this time around. Probably a reflection of staying home amidst an apocalypse unfolding in slow motion. In trying to balance that out, I rediscovered a few songs I’d saved but never got back to, like the opening song Don’t Die. As usual, I tried to build in continuity of themes and good transitions, and there are a few intentional jokes in the sequencing of titles.
Edit: Looking back, I discovered many of these songs serendipitously outside of recommendation engines and so on. Apple Music does offer personalized weekly new music picks, but I tend to find new songs by tuning in to the Apple Music 1 live radio station (née Beats 1), or checking in on their curated genre playlists. Algorithms, don’t trust them.