I knew nothing about Tasmania before setting off; not even that it’s a whole separate island from mainland Australia. My schedule leading up to the trip was too busy for me to even think about it, let alone look it up on a map. Because everything had been planned by my in-laws, I just had to show up. All I knew was that I’d probably get a few good landscape photos out of it, and be horrified by the lack of fast internet access.
On the first point, it turned out to be quite a beautiful place indeed, if not very convenient to get around. You’re in for hours of driving between small towns if you want to visit the main attractions, and some of the windy roads literally border on death traps—you can slip down the side of a mountain with a swerve.
You never use the cameras you have as much as you do when there’s a new one ordered and on the way. I’ve just bought a Panasonic LX10 online to take the place of my 6(!) year old Sony RX100mk1—a compact travel camera with a big-enough 1″ sensor and useful 3x-ish zoom range.
Below: a recent shot from my RX100.
That the LX10 has been on the market for 2 years says something about my changing habits. Buying last year’s model used to be unthinkable, and I’d pay a premium for buying that way. But the industry has changed and now hardware updates come every few years instead of annually, and the average price has gone over the $1000 mark to compensate for the drop in sales. Buying late nets you a nice discount back to pre-smartphone prices.
Anyway, while waiting for that camera to come and prove wrong my fears that I’ve given my money to a scammy HK website, I’ve been using my iPhone X and RX100 a bit around the neighborhood and workplace.
I can’t stress enough how much the Halide camera app + Adobe’s new and improved Lightroom Mobile have changed the way I shoot and edit RAW images on iPhone. (I still love and use Darkroom too, it just doesn’t do RAW as well as Lightroom anymore.)
Shooting koi in a rippling pool with an iPhone requires you to go full manual, and while the thought of fiddling with shutter speeds and ISO and manual focus on a touchscreen used to make me shudder, it’s actually doable with Halide’s well-considered control layout and gestures. I just wish you could lock focus peaking to always-on.
Honestly, I had no idea you could get this kind of sharpness and microcontrast out of an iPhone. I’ll be saving JPEGs and Live Photos for quick grab shots and moving scenes from now on. Given that I’ve taken a few holidays with just my iPhone, this is all making me wonder if I should have bought a new dedicated camera at all.
Okay okay, while shooting in RAW preserves highlights and deals with tricky lighting such as the above shot in the late afternoon, I’ll admit to enhancing that flare with Lens Distortions. It’s all about creating the scene you saw with your eyes, right??
Assuming the camera comes on time, I’ll probably bring it with me to Tasmania when I go in a few weeks. Seems like a landscape kinda place, so I have doubts about bringing my other cameras: a Ricoh GR (28mm) and Fujifilm X100T (35mm). 🤔
We paid Tokyo and Osaka a visit last fall, following up on my life’s goal of visiting Japan at least once every two years, and nothing disappointed — not the food, people, weather, galleries, nor multi-storey complexes designed to make me buy media and electronics. As Craig Mod alluded to recently on Twitter, Tokyo is a place that fulfills the city’s promise as a tool for human life.
The thing I love about its density and intensity is how that translates into support for all manner of subcultures and obscure hobbies. Today, you can barely find a functioning and interesting bookstore in Singapore, while in Tokyo it’s not just bookstores that thrive. One can wander into massive stores selling model train and forest diorama-building supplies, or records curated from a specific period, or vintage camera parts emporiums. We’re not large enough to incubate that kind of diversity, and the city dweller’s life suffers for it.
The retail industry in Singapore is in decline, or so the news outlets tell us every day. I wonder if they ring the same alarm bells in Japan. Online shopping and its infinite inventory can fill the gap a brick & mortar apocalypse would leave behind, but digital ~~replaces~~ overwrites our collective memory of browsing and inspecting these items in a physical space. I think it’s really important we don’t lose that, because, as one of my company’s founders is fond of saying, technology might change fast but people fundamentally don’t.
In the midst of a busy June, between jobs and dealing with a massive electrical wiring failure where we live, there was time for a week in Melbourne where it’s currently winter. Being one of the few places in the world where it’s cool right now may have had something to do with that decision. As much as I love Japan, there isn’t enough curry rice or fresh sushi in the country to make another summer visit worthwhile.
I’d decided before leaving to only shoot in B&W, but just couldn’t keep it up after a few photos. The warm, fall-like colors and architectural textures just sort of demand it. Also, I had new VSCO Film X filters (Kodak Gold 200!) to play with. I’ve found myself really enjoying shooting RAW on iPhone and stretching the dynamic range. Along the way, I noticed that I’d pretty much stopped using the iPhone 7 Plus’s Depth Effect after the first few months. I’m not sure why that is. I guess it’s not very accessible or prominent in the UI? Ideally, it would behave like Auto HDR and just capture both normal and edited stills when you’re using the tele lens.
We didn’t really have time to do anything out of the ordinary. A few exhibitions here and there, a couple of bars, some coffee, and visiting friends. But it was the right kind of city for the break I needed. In particular, rediscovering the joy of bookstores! The book retail scene in Singapore is at its lowest point ever now, with the only large chain left being Kinokuniya, and small bookstores with deliberately curated and stimulating selections are simply non-existent. I bought a couple of interesting books, and then promptly loaded up ebook versions on my phone for convenience. I can’t deal with the hassle of paper products, but I really like the store experience.
How’s everyone doing? I recently went to New York for the first time ever, and did a bunch of touristy things. It was also my first time in the U.S. in over a decade, and maybe overestimated how bad the TSA and airport immigration situation would be. It’s the last thing you want after 20 hours of flying: to be stuck in an hour-long line with people barking at you to take your clothes off. But we got in and out of JFK without much hassle.
Having an Uber account is fast becoming the most important thing to a traveler after having maps on your smartphone and watch. It lets you integrate with any city with no more difficulty or delay than if it were your own. There’s no need to plan an airport transfer in advance, find out if tipping’s expected, or get flustered if you’re late for a show downtown.
We got into a performance of Hamilton literally against all odds. The show is sold out for the next year, and resale tickets are pretty much unaffordable, but there’s a daily online lottery where you can get front row seats for $10. I heard somewhere that tens of thousands of people enter each day, and it can take months of trying. Kim somehow managed to win tickets a day into our second week. It was the first day of Javier Muñoz’s permanent run as Hamilton after Lin-Manuel Miranda stepped down, and he killed it. I was sick and shivering with a fever, and it was still incredible and unforgettable.
You can’t take any photos during the show, so I don’t have any. And despite bringing my Fujifilm X100T on the trip, I didn’t even use it once. Not one frame. Maybe it was the summer heat and not wanting to be encumbered or precious about one more thing to avoid banging about/losing/getting stolen, or maybe I just wanted to keep it casual, but my iPhone did everything. Fusion HDR and ProCamera’s LowLight+ mode helped in extreme lighting conditions. For shooting distant subjects in good light, I think it’s really close to what the X100T would have got. As holiday snapshots go, I’m happy with what I got. This fall’s iPhone 6SE/X/whatever will close the gap even more.
The one thing photos can’t do is capture other aspects of the experience, but Live Photos and 360º panoramas can be better at it than the usual 2D stills. We recently got a Ricoh Theta S at work, and now I want to take something like it on my next vacation. Being able to grab everything in a scene with a single button, and re-enter that environment later with a VR headset… why wouldn’t you? I’ll hold out for the next model with better image quality, but it’s one thing your smartphone camera won’t compete with for awhile. If you have the time to stand in one spot for a few minutes though, you can use Google’s oddly branded Street View app to capture spherical photos.
Real talk: I didn’t get to see that much of the city, relatively, but it was pretty cool to visit. In terms of livability, though, it’s not topping Tokyo for me in any of the categories. I’m probably the worst person when it comes to dealing with loud crowds, germs, heat, public transport breakdowns, the threat of impending personal harm — basically i’m a paranoid baby. Living in New York probably wouldn’t play to any of my strengths. But between Ktown and David Chang’s Momofuku Ssam, I think they’re doing a great job with Korean food! It was far from my favorite cuisine before, but now I’m a convert.
I spent the month of January shooting photos only in black and white. Not just the ones I posted on Instagram, but everything in my camera roll got converted and saved in black and white. When I scroll through my timeline in the future, this block of 60 or so shots is going to stand out.
I got the idea from @espresso on Twitter who shot monochrome photos for the entire year of 2015. That’s dedication. It only came to my attention in December when he started mentioning how much he looked forward to color again in the new year. You can see his Storehouse collection of photos here.
It was absolutely worth it. You can always learn a lot in any creative endeavor by putting restrictions in place; I think because it’s too easy to try to grow in many ways at once, especially when taking photos, you can go from landscapes to close ups to street scenes in a single day, and play with a dozen photo processes and apps at a time. Taking away some options can make you focus long enough in one direction to notice something new. Taking color away immediately makes you think about lines and composition and texture. All the habits you’ve formed around what looks interesting and when to raise your camera are rendered unreliable, and you’re made to look at everything through new criteria that you’re forming through practice.
It reminds you that the absence of color is actually a powerful tool that has gotten too closely associated with making statements or establishing mood. It’s a legitimate way of directing attention, and a different set of skills when doing post-processing. And it frees you up from taking photos of every meal, because it’s quickly apparent that most won’t turn out very appetizing.
If anything, a month might be too little time, especially with the demands of work and other hobbies. Now that it’s over, I intend to keep doing it, maybe at a 1:3 ratio with color photos.
Everyone should try it out some time (with the #bwchallenge hashtag). I highly recommend the Darkroom app, as always, because it gives you a ton of control over how tones are converted and shifted, going beyond the emulation of simple color lens filters.
Also check out my friend Cong’s feed, who did the challenge with me and stuck with it even through a trip to Osaka, which took some guts.
Edit: Forgot to add an observation. A lot of these photos were taken with my iPhone, and I found that turning a photo black and white negates the weaknesses of small smartphone sensors. Noise and muddy colors in dark scenes are no big deal, and the quality of available light (in gradations) seems to increase when you combine the color channels.