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Tag: AirPods Max

  • Week 36.24

    Week 36.24

    I was able to visit my parents for dinner for the first time in over a month. The long delay was on account of my dad developing a painful case of shingles, which, if you don’t know much about (like me), is a reemergence of a dormant chickenpox virus in one’s body, often after the age of 50. In other words, if you’ve had chickenpox before, you’re at risk of shingles — a nastier, localized version of the same virus.

    Unlike the regular childhood version, it doesn’t usually take over your entire body, just specific areas. In my dad’s case, it affected his back and one side of his torso, leaving the skin painfully sensitive for weeks — nerve pain that, for some, can linger for years. Thankfully, he’s making a quicker recovery.

    I had to stay away because I have never gotten chickenpox, and you can catch it from someone with shingles. I was urged to get the vaccine, because adult cpox is reportedly awful (like shingles, maybe worse), but my doctor suggested doing some blood work first to test for immunity — mostly because he didn’t believe I could make it this far in life without getting chickenpox. But it’s true! My mother swears it, and I have two traits: pretty good memory of my childhood years, and an outsized tendency to complain of ailments. There is no way that I could have gotten chickenpox as a child and everyone just forgot.

    The test results came back, and apparently I’m immune. The only theory I have traces back to this one time in kindergarten, when the boy sitting next to me in class developed cpox and had to leave school early. I recall living in fear that I would be next, and pus-filled bubbles would soon show. I remember checking myself fastidiously for a week or more, but it never came. Perhaps the glancing exposure was just enough to let my immune system prepare itself, but not enough to result in an infection? Or maybe, as my recent run-in with a car suggests, I’m actually Unbreakable like Bruce Willis in that M. Night Shyamalan movie.

    ===

    Kim is away again for work (13,600km away to be precise), and my having to deal with our pest situation alone has been a whole saga too boring to recount in detail. Tl;dr I’ve deployed a fleet of poison/bait traps, struggled with anxious insomnia, taped up a bunch of possible entry points, cleaned up a lot of lizard poop, sprayed insecticide down drains…

    More happily, the morning she left for the airport, I was up early and decided around 7:30 AM that I might go for a walk before it got too warm. This was inspired by Cien’s recent revelation that she’s been taking hour-long morning walks nearly every day. Just to get it out of the way: that’s a bit much for me, but I might go once a week. Spontaneously, this particular morning’s resolution ended in Peishan and me ‘virtually’ joining her for a walk at the same time, in our respective neighborhoods, sending photos along the way. This is actually a pretty fun thing to do!

    It was, however, warm despite the early hour. And it’s been hot and humid all week out here. I had to walk 10 minutes from an MRT station to a restaurant yesterday evening in very still air, and I could feel the sweat on my back not evaporating at all, merely pooling. Even my Sony Reon Pocket 5 brought little relief; I barely perceived that the metal contact point was cooler, or it can’t do much to dispel the mugginess of high humidity.

    ===

    I couldn’t take the wait any longer and upgraded to the visionOS 2 beta. I won’t upgrade any other devices, but I wanted any improvements in eye/hand tracking that I could get. So far, it’s been perfectly stable. I could talk about the new gestures and features, but the single most impressive thing has been the ability to view old 2D photos as 3D spatial scenes.

    What this looks like is simply layers of depth. You obviously can’t look around corners, and it’s not doing anything crazy like building 3D models you can move around in. But it’s like going from looking at a scene with one eye to two eyes. They suddenly have a liveliness to them because your brain can not only see that one object is in front of another, but perceive it too. Sadly, this is not something that can be demonstrated with a photo or video. The only way is to see it for yourself.

    The AI-powered segmentation of objects is somehow flawless, even better than on Portrait Mode (blurred background) photos taken with an iPhone. In one shot I had of a vineyard, every individual plant and leaf stretching to the horizon line was distinctly separated in space from the others. You can also blow them up to life-size with an “immersive” viewing mode, which puts you right in the space.

    Going through photos from the past two decades, of people who’ve passed on, and places I may never see again, has been profoundly moving. Documenting your experiences in photos has always been like building a time capsule, but this approaches time travel. It makes me so glad for every moment I thought to capture at the time, and the fact that the Vision Pro can do this retroactively for normal photos feels like the most unexpected gift I never knew I wanted. That’s what Apple does best, I suppose.

    Before the annual fall event tomorrow night, I’ll go on record again that I don’t think I’ll be upgrading my iPhone or anything else this year (but this time I really mean it!). So far I’ve had 16 iPhones and lost this bet with myself every year, but I can’t justify an incremental tech purchase in the same year as the AVP.

    Things that are unlikely to be announced but might make me reconsider my ‘no upgrade’ vow:

    For iPhone 16 Pro (Max):

    • No camera bump
    • New image processing pipeline that walks back the aggressive AI/HDR look and brings back natural looking photos à la Halide’s Process Zero (but with 24–48mp HEIC/JPEG XL files)
    • Bold, saturated colors like on the old iPod nanos
    • Untextured, grippy back glass
    • Significantly faster or exclusive Apple Intelligence features compared to iPhone 15 Pro
    • Completely new battery chemistry that means I won’t be sub-90% battery health in under a year

    For Apple Watch Series 10:

    • 2x battery life
    • Blood glucose monitoring
    • New body design that shames the old ones so bad you can’t wear them out in public anymore

    For AirPods Max:

    • Redesigned headband that either replaces the mesh or improves its comfort and durability
    • Significant weight reduction and/or new materials (comfort and durability)
    • A great protective case
    • Addition of a power button

    ===

    Media activity

    Recent reading momentum led me to finish reading Neal Stephenson’s Interface after two months. It’s a highly entertaining sci-fi story about contemporary American politics, media culture, and using brain implants to reverse a presidential candidate’s stroke damage. Nearly the entire time I was reading it, I visualized the main character as Robert F. Kennedy, and his VP pick as Kamala Harris.

    For my next book, I’m taking it easy with Jack Reacher #22, The Midnight Line.

    A few years ago, Nintendo remade two classic ‘80s visual novel-style adventure games under the “Famicom Detective Club” banner. This week, they released a wholly new third entry in the series, Emio: The Smiling Man, which got greenlit because of the warm reception that the remakes received. The history of these games is pretty interesting, and I watched this whole video essay on them.

    I bought and played the first remake, The Missing Heir, back around 2022, and found its authentically ancient gameplay archaic and frustrating. For example, in most such games, when questioning someone about a topic, you will reach a point where their answer starts to repeat itself — a sign that you’ve heard all you’re going to hear. In the first two Famicom Detective Club games, this is not the case (pun unintended).

    You: [Ask about the car]
    Suspect: There was a car seen at the time, I heard.
    You: [Ask about the car]
    Suspect: Hmm, that’s about all I remember.
    You: [Ask about the car]
    Suspect: Hmm, that’s about all I remember.
    You: [Ask about the car]
    Suspect: Hmm, that’s about all I remember.
    You: [Ask about the car]
    Suspect: Oh! I just remembered something. It was a black sedan.

    This is such incredibly bad game design, because someone repeating themselves like that is unnatural in the real world, so it appears as a limitation of the game (not having AI to generate different versions of “I dunno”). So of course a player isn’t going to keep pressing, because the suspect’s response isn’t an invitation to keep trying. It’s the equivalent of a brick wall in the game’s interaction model. But no, you’re meant to kick every solid object multiple times in case it comes loose.

    I ended up finishing the game using a walkthrough, and declined to buy the second game, The Girl Who Stands Behind. I’m guessing that Emio, being a new game, will be an improvement in this regard and so I intend to play it someday. But it doesn’t feel right doing that unless I also play the second game (there is no real need, they are not connected).

    Rather than pay $30 USD to frustrate myself, I watched a 7-hour video of someone else playing through the entire game — at 1.5x speed, of course. The first video I found was actually 10 hours long because the player was blundering through some of the aforementioned game design quirks, so I gave up on him and found this better one instead.

    Oh, and there’s another kinda new game that concludes something that started in my childhood, and I finished it this week. That game is of course Return to Monkey Island, which I played on the Switch. If you subscribe to Apple Arcade, you can also play it there. I don’t know how I feel about it; the original two games were the pinnacle of LucasArts’ point-and-click adventures and I probably remember them most fondly of all. The new sequel brings the story to a close, but with a new art style and an acknowledgment that a long time has passed (both in story terms and the authors’ perspectives). There was no way the ending could have satisfied every question and loose end, so they just went for something that felt true enough to its roots, but kinda comes out of nowhere. I was honestly surprised when the credits rolled. But that’s life!

  • Week 5.24

    Week 5.24

    Vision Pro and AirPods Max hypotheses

    Apple Vision Pro is out in the wild, and I’ve gone on the expected rollercoaster — from “of course I’ll get one, but only when it’s officially released here”, to “nah I think I’ll wait till the second iteration”, to the usual FOMO and wanting one as soon as possible.

    But it might not be such a terrible idea to wait for the second iteration, if one believes that it’ll come some time in the middle of 2025. Why then? I looked at how quickly second-generation products were released in Apple’s recent history, and it ranged from 11 months (iPad) to a year and five months (Apple Watch). I think a 12-month release cycle is plausible, and putting out new ones at WWDC makes sense as they’ll want to emphasize the visionOS platform for developers.

    Which might then suggest the global Vision Pro rollout this year will start in June. So international early adopters will be putting down at least $3,500 to use it for a year before they need to upgrade. And we know that selling a first generation AVP on the pre-owned market is 1) a tough job, if the second generation irons out obvious wrinkles, and 2) not something early adopters want to do anyway, given the sentimental value of keeping your ‘first spatial computing device’.

    While we’re out here predicting future releases, I think I’ve cracked why the supply chain analysts believe an AirPods Max update is coming this year with USB-C and new colors, but without an upgrade to the H2 chips (currently only found in the AirPods Pro) which enable Conversation Awareness and Adaptive Audio modes. The reaction to this rumor has generally been: “that would be a lame update to the AirPods Max after four years”, but okay what if it’s not an update? What if it’s a new variant model?

    Specifically, it could be the lower-cost, lower-weight “sport” model with different materials and/or a swappable headband that was rumored to be “coming soon” back when the AirPods Max first released. Everyone assumed it would be released a year after, but because it’s been so long, we’ve forgotten that was even supposed to be a product. A cheaper non-Max/Pro headphone model without the latest features would make the same sort of sense as the iPhone 5c, which had all the features of its premium predecessor — but funner. Then the real AirPods Max update can come in 2025, and honestly, if you’re making them well, five years between headphones is the right cadence.

    Electric toothbrushes

    It’s been about two weeks since I started using an electric toothbrush again, and the difference in efficacy and convenience is so notable that I don’t know why I stopped when my last one broke during Covid. There are so many essentially disposable models on the market now in the S$20–30 price range that I didn’t see how the S$200+ models justified themselves. Bluetooth app connectivity? It seemed ludicrous.

    To my untrained eyes, there were two basic designs: an elongated brush head that vibrates (this is the dominant kind), and a small circular head that rotates back and forth. I used an Oral-B one of the latter sort for a little while once but it hurt my gums and I ended up throwing it out. I decided to give it another go with an Oral-B Pro 2 model, but with an “ultrathin” head with gentler bristles this time, and haven’t had any problems. It cost me about S$75, presumably on account of having a rechargeable battery and dock, and I was beginning to think I should have just gone for the Pro 1 model that runs on AA batteries and costs S$30.

    But of course it’s not that simple. After more research, I discovered there are actually three categories of motorized tooth cleaning devices: electric, sonic, and ultrasonic. The Pro 1 has fewer vibrations per second than the Pro 2, but both probably still fall into the electric class, which is to say they clean with brush movements only, and don’t produce sonic vibrations that interact with fluids and help to knock plaque right off your teeth. Oral-B now has a range of toothbrushes called iO that combine an oscillating head with sonic vibrations, 3D teeth tracking AI (no, really), and you guessed it, they cost S$300–400.

    ===

    Media updates

    • I’ve never been into Grimes’s music because the few songs/videos I’ve encountered were awful, and of course her association with Elon Musk is a major turnoff. But I saw a tweet saying her breakthrough album “Visions” was turning 10 years old, with words to the effect of it being so great that the rest of her career was doomed to never top it — so of course I had to check it out. I’m pleased to report that it’s actually pretty good, maybe even great. For an electronic album, I didn’t expect it to sound so influenced by R&B? This whole separating the art from the artist thing is pretty wild.
    • That whole album was recorded in Garageband, and while I’m no musical talent, I wrangled it this weekend to finally clean up and join up the bootleg recording I made with my iPhone’s Voice Memos app back in Chiang Mai in December. It was 50 mins out of an hour-long solo piano set played by Joshua Lebofsky, amidst cafe noises of steam wands, fridges slamming shut, and people chatting. It starts super strong, with him singing an uncommon medley of Tears For Fears’ Everybody Wants to Rule the World and Lionel Richie’s Easy. I’m very happy to finally have it in my music library, ready to be revisited at any time.
    • I had a cab driver one night this week who sang along to songs on the radio. He was no great singer, but I loved the joy of it. The station miraculously queued up three great songs in a row — the aforementioned Tears For Fears song, followed by Sheryl Crow’s cover of The First Cut is the Deepest, and Phil Collins’s In the Air Tonight — which I remarked upon, and we got to talking. He told me he was really into Tears For Fears back in the day, and that they asked Phil Collins to play drums on their song Woman in Chains, wanting some of that magic touch. I promised him I’d listen to it again over the weekend, and I did.
    • It was decided (in my brain) that Easy might be my favorite song, and so I programmed our HomePods to play it throughout the entire apartment every Sunday morning at 10:00 AM as long as someone is home.
    • I was glad to hear from Michael that he loved the Slow Horses TV show, and binged three years’ worth (just 18 episodes, really) in a week. He also discovered that the theme song isn’t some Rolling Stones deep cut they licensed, but an actual new Mick Jagger song commissioned for the series!? I finally finished reading the first book but found the experience such a close retreading of the first season that I’ve decided not to read any more of them. It would just be like rewatching the existing seasons and spoiling the ones to come.
    • We got a chance to go and see the new Apple TV+ film Argylle at its local premiere. It’s an action-comedy about spies directed by Matthew Vaughn, who also directed other action-comedies about spies such as the Kingsmen series. This one primarily stars Bryce Dallas Howard, Sam Rockwell, and Henry Cavill, and is a fun enough time that I can recommend it. One thing that surprised me: the “new” Beatles song Now and Then features heavily throughout the film, with its melody forming a major recurring theme. I looked it up and they had the song for over a year before it came out and had to keep it a secret. Check out the symphonic version with a choir on the soundtrack.
    • Amazon Prime Video has put out all eight episodes of their new action-comedy series about spies, Mr. and Mrs. Smith, with Donald Glover and Maya Erskine playing reimagined Brad Pitt and Angelina Jolie roles. We’ve seen two so far and it’s going very well.
  • Week 30.23

    Week 30.23

    In the early years of mobile connectivity, we counted ourselves lucky to get 1GB of data per month. Fifty bucks bought you a plan, a phone, and a two-year leash. These days? I’m sitting on an 88GB, 5G mountain for half the price. Thank you, technological progress. But since COVID and working from home, I’m only using a fraction of my allowance.

    Yet, like any good consumer, I want more. So I switched providers from Circles to M1, lured by a plan that comes with 150GB at the same price. But there’s a catch, M1’s a little disorganized and provided me no updates on when my number would be ported. Right now I have two eSIMs jostling for control in my phone.

    Their checkout process also insisted on a “delivery” date. Delivery of what exactly? I’d already gotten the QR code for my eSIM over email. Assumed it was just a holdover from the old physical SIM days, too much bother to scrub from the website. But no, someone actually turned up to my doorstep at the appointed time, just to verify I’d activated my eSIM, then had me sign off on it.

    Let me repeat: M1 sends a flesh-and-blood human to confirm I got an email, but can’t drop me a line to say when my number would switch over. I had to spend 10 minutes on a support call to find out that it’s scheduled for next week. Will the data bonanza make up for this frustration? We’ll see.

    ===

    On a mellower note, I started to make use of my dormant brain.fm account again, to provide background music while I read and work. Is it pseudo-science? Beats me. But I like most of the tunes and it seems to work. The app has been significantly upgraded since I last saw it, with many more genres of music to choose from, and the option to vary the intensity of their brainwave-enhancing signals (which sound like wobbles).

    I get absolutely nothing out of referring you, but if you use my referral link you’ll get your first month for $1.

    With a little help from brain.fm and last week’s recommended music from Alice Sara Ott, I finished Sayaka Murata’s Life Ceremony, and also Hervé Le Tellier’s The Anomaly, and Lee Child’s 20th Jack Reacher novel, Make Me. Of all those, I can recommend The Anomaly most wholeheartedly. It’s a book you probably shouldn’t know anything about going in. If you really must know, it has science and mystery elements, but that’s all I’ll say. I’m now reading real-life astronaut Chris Hadfield’s The Apollo Murders.

    Not bad for a guy who’d only finished one book two months ago, now 8 out of 12 down on his Goodreads Challenge.

    ===

    I’ve been listening to Tessa Violet’s new album, MY GOD!, and it’s a playful catchy affair. Incredibly, Blur have reunited with a new album, The Ballad of Darren, and I couldn’t find much wrong with it after one playthrough. Maybe it’s the halo of how good the last Gorillaz album was after a decade of underwhelming me, but I think Damon Albarn is back.

    I made a commitment to use my AirPods Max more — they’ve been neglected because they’re somewhat of a pain, both literally and figuratively: the headband’s a little tight for me and the Smart Case remains a questionable design, adding friction to the simple act of turning a pair of headphones on and off.

    Two things have improved the experience for me. First, a dubious Reddit post from another big-headed owner who suggested bending the metal frame open, briefly straightening them open to form a 180º line, to ease the squeeze. This could obviously damage them, so do it at your own risk. But I think it’s made a difference. This is something you can’t do with the plastic Beats Studio Pros, sadly.

    Secondly, an updated audiogram from the free Mimi hearing test app. The last time I did the test was 2021, and I got slightly different results this time. I highly recommend everyone does this if they’re old enough to worry about losing some hearing. Thankfully my ears are still pretty good.

    Saving your test results as an audiogram effectively personalizes your listening experience on AirPods and supported headphones, applying an EQ profile that compensates for the frequencies you’ve become less sensitive to. You’ll hear music the way you used to, once you dive deep into the iOS Settings menu and find the section on Audio Accessibility, and turn on “Headphone Accommodations”.

    ===

    Another app that played a part in this week is Darkroom, the photo editor for iOS and Mac that I’ve mentioned a few times. They launched a portal to showcase presets made by community members, and kindly put a spotlight on some of the ones I’ve made and shared. You can access this catalog through a new button in the app, too.

    As Twitter is living on borrowed time (this was the week their petulant man-child owner pushed out a hasty, clumsy rebrand to “X”), I decided to republish my thread of Darkroom presets to… Threads. Annoyingly, it’s still buggy and messed up the chronological order of my posts. Nevertheless, I think they’re all still there, and I’ll post future presets to the same link.

    New ones I shared to celebrate being on the presets portal:

    E1: This is my reproduction of the popular E1 filter in VSCO. I wrote that it adds warmth, color, and film vibes in a single tap, and it truly is quite a versatile everyday effect.

    MEM3: This is another strong effect from my nostalgia-forward MEM series. It lightens and fades images with a blue-magenta cross-processed wash. You pretty much lose all highlight detail, but it’s a good look for certain scenes.

    MEM4: I said that this creates a warm and dusty sunset feel, but it’s really also great for low-light scenes. Check out the last photo sample through the link. Again, you do stand to lose detail in contrast areas, so vary the strength to taste.

    ===

    Growing up in the 80s, I caught reruns of Takeshi’s Castle on Chinese TV channels with no context, and no ability to understand what was said. On reflection, I grew up watching a lot of shows visually rather than verbally, which continues to this day whenever I choose to watch movies on planes without headphones.

    Anyway, Takeshi’s Castle, for the uninitiated, was a long-running Japanese game show (?) featuring normal people tackling an obstacle course of heinous physical challenges that would make insurance men squeamish. It was a precursor of Ninja Warrior, American Gladiators, and yet a different beast: whimsical, insane, hilarious. Why the name? It was hosted by the infamous Takeshi “Beat” Kitano, who played the err… lord of the castle that 100 contestants each week tried to storm. Here’s the Wikipedia article.

    I’m pretty sure you all know this, anyway. It’s a cornerstone of modern media culture! Turn in your TV licenses if you don’t.

    So imagine my elation while browsing Amazon Prime Video in bed and suddenly seeing a new Takeshi’s Castle, a 2023 reboot! We’ve seen two of the eight available episodes, and it’s still gloriously fun. It’s still not rolled out globally, as some markets will get English voiceovers (the UK one will have comedian Romesh Ranganathan as one commentator), but I wouldn’t watch it any other way than in the original Japanese, and maybe even with the subtitles off for old times’ sake.

    ===

    On Sunday we visited the Illustration Arts Fest where some talented friends were showing their work. It was packed, and probably the most crowded place I’ve been in since Tokyo. Let’s hope I don’t get COVID again.

    The most common theme was cute cartoon cats. On stickers, posters, keyrings, enamel pins, you name it. Some other artists were out there, scratching their own freaky itches and looking for kindred spirits in the crowd. We bought a couple of things for the apartment, including these little guys below from our friend Reg at Ocio Ceramics. A dumpling and a frog. Cuteness sells.

  • Week 33.22

    It was National Day week. I half-watched the parade on TV, hoping it might stray from the usual formula. Nope, same old military parade. The COVID years were more interesting — in the same way Apple had to make expensive and polished presentation videos to replace their in-person events, we got a mix of prerecorded material and ‘live’ small-scale performances beamed from venues across the country. I liked that much better than watching thousands of people waving flags in the heat.

    We’ve obviously heard the reports of brutal heatwaves everywhere, but it’s probably not any hotter here than it usually is in August (too damned hot). I had to go out most days this week and I figure 10 minutes of walking outdoors is the limit. Any more and the sweatiness would border on socially unacceptable.

    It’s worse on men and fat people, and on that note… we continued on from last week’s birthday-related celebrations with too much eating out again. In a single day: an unagi lunch with my parents at Uya, an omakase-type dinner at an izakaya called Kamoshita that I saw Hunn checking into, and then cocktails at The Tippling Club. Later in the week, Beauty in the Pot, which never leaves you feeling very healthy.

    Inspired by our viewing of Groundhog Day last week, I decided to buy Loopers for the Nintendo Switch. It’s a Japanese “kinetic novel” which promises a similar premise. Kinetic novels are a subgenre of visual novels, but ones where there are no choices to be made; essentially there’s no “gameplay”. You just click through and experience a written story with accompanying illustrations and voiceovers. I expected a long and convoluted time travel narrative but it was over in about three hours. Hard to recommend at $25 USD but not the worst idea if it ever goes on sale. 3/5 stars if you already like this sort of thing, 1/5 for everyone else.

    On TV, we caught up to the second season of Only Murders In The Building (still ongoing), which starts off worryingly weak but begins to get some of its mojo back from episode 3. I spent most of the time wondering why Selena Gomez’s speaking voice sounds strange and strained, and it turns out it’s a question others online have also asked. One suggestion is it’s related to her lupus, but it sounds like an armchair diagnosis from people who get paid for clicks.

    We also watched The Bear, an 8-episode drama about running a restaurant/burnout/addiction/family/team management/craft. Several real life friends recommended it, but surprisingly I never saw a single tweet. The filter bubble needs adjustment. The first few episodes are like if Uncut Gems was set in the food service industry: stressfully fast and overlapping conversations (shouting matches?) and general chaotic energy, but it’s worth it. It’s all worth it.

    I used my AirPods Max for the first time in many months. Turns out having to take them in and out of the floppy carrying case (which turns them on/off) is a major usability obstacle for me. It’s not as carefree and seamless as popping open the case for my AirPods Pro or Beats Fit Pro, so I just never reach for them on a regular day. Probably the best way is to never use the case, lay them ready to go on the desk all the time, and charge frequently.

    Thanks to a scene in The Bear in which Van Morrison’s Saint Dominic’s Preview song plays, I checked out the album of the same name for the first time. It was good but not really what I needed at the time, which led me back to his Astral Weeks album which I heard through twice while commuting.

    I was very excited to accidentally learn that Danger Mouse and Black Thought just released an album together: Cheat Codes. According to YouTube, a couple of songs came out awhile ago, but I had no idea. Despite many discovery features in Spotify and Apple Music, there’s a gap in letting us know about new/upcoming music from artists we might like. Seems like a basic thing but there must be commercial, label-related reasons why this still doesn’t work in customers’ favor.

    In the meantime, there’s the MusicHarbour app which I don’t use enough because of how long it takes to sync new data on start up, but does actually do the job of tracking new releases based on artists you have in your library. It didn’t alert me to Cheat Codes because I didn’t have music by “Black Thought” in my library, only “The Roots”.

    Hah, did you think I’d let a week go by without more AI-generated imagery?!

    I’ve set up an OpenSea collection called Blee+ where I’m minting some of my better experiments so far as 1/1 NFTs, priced in ETH. You can buy one for about 40 bucks in today’s money.

    In addition to MidJourney, I’ve also started using Stable Diffusion and have been very impressed with what it can do. I suppose the model is closer to Dall-E, as it’s better at visualizing literal concepts such as “a poster” or “a page from a graphic novel”, whereas MidJourney would just kind of grok the style but not necessarily the format and conventions of the medium.

    Here are some abstract typographic prints I’ve generated, which are far and away more beautiful to my eye than the generative art attempts to do the same that I’ve seen, e.g. Para Bellum on Art Blocks.

  • Week 25.21: Spacing out

    • I noticed once again that my AirPods Max battery was draining faster than normal while not in use. Coupled with intermittent stuttering/connections issues, I decided to call it a hardware fault and contact Apple support for a replacement. One came via courier within two days and I am now listening problem free.
    • After several months of distracted 10-minute reading sessions, I finally finished Neal Stephenson’s The Diamond Age in one concerted go. I read Snow Crash in 2019, Cryptonomicon in 2020, and this makes three. I’d really like to just chain them and keep going but/because the density and brilliance of ideas in his work is staggering. If the stuff he was writing 15 years ago is just beginning to look like our future at present, I can’t imagine what he’s thinking about today. I could read one of his newer books and find out, but first, a break.
    • I decided to pick up Andy Weir’s new book, Project Hail Mary, after seeing some positive reviews, and it’s a return to the formula of a science-based, plausible, AND interesting life-threatening problem solved in the first person that worked so well in The Martian. I barely enjoyed his last book, Artemis, but I’m halfway through this now and can’t put it down. It’s about another guy in space, slightly adrift, needing to ‘science the shit out’ of a crisis.
    • I finished the Eizouken anime series on Netflix and can recommend it although it’s not so bingeable. It works well as an episode or two a week. What’s it about? A trio of high schoolers learning to produce anime. I thought it would be like Shirobako, but that one’s set in the real world of running a business, whereas this one is not grounded in reality and just works as a deconstruction cum demonstration of animation and filmmaking techniques you may not normally notice. It must have been so gratifying to work on this as an animation artist; it literally screams ‘appreciate me!’
    • Videogames: Played a bit more Persona 5 Strikers but am not really feeling it. It’s an example of the game getting in the way of the story. As a beat-em-up, it’s just not much fun especially after coming from Yakuza and Judgment. Started and finished Coffee Talk which is an indie game where you act as barista to a cast of cafe regulars and see their stories and relationships unfold. That’s it, you just make coffee and click through dialogue. A nice little afternoon killer. Went back to the Doom reboot on PS4 for a bit of mindless FPS action. That one’s an example of story getting in the way of the game.
    • Speaking of backstory in games, Mythic Quest’s second season is coming to an end on Apple TV+, and it’s a half-hour sitcom I’ve really enjoyed as a person who hates half-hour sitcoms. Both seasons play with a single flashback/world-building episode in the middle, which sounds like a bloody annoyance but the resulting achievement is art.
    • I also finished watching The Falcon and the Winter Soldier which looks like a lot of tight movie money but plays out like a lump of TV fat. It’s often corny and disrespectful of the viewer’s time. But it does raise the bar for action sequences and production design. I haven’t seen Loki yet, but if it doesn’t deliver then I may just burn through the rest of The Mandalorian in fast forward and cancel our Disney+ subscription.

    Meta-sabbatical observation: This was the first week where I’ve felt the days start to blend together. When we went to meet some friends on Saturday evening and someone said they’d come from somewhere other than the office, I asked, “oh did you have the day off?” thinking it was Friday. That wasn’t the first time I’d lost track of time. Perhaps I need more milestones and structure for the weekdays. I’ve started a to-do list of things to get done or try out.

  • Week 51.20 and AirPods Max review

    • Christmas is just next week now, so there’s a little more meeting up and eating out going on than usual. Although I’m still in the habit of logging every single expense in an app, I’ve decided not to look too hard at December’s outflow this year. Come to think of it, this approach may explain some of the back-and-forth below about whether the AirPods Max are worth keeping or not. Look, you’ve been warned. Skip it if you don’t care about headphone purchases.
    • We spent the weekend at a family staycation, which was another form of meeting up and eating out. Day drinking really doesn’t work for me. Have a glass of wine at lunch and it’s headaches and drowsiness somehow, but if I start after 6pm, everything’s good.
    • It wasn’t all lazing about the hotel. We went out to the National Gallery’s new retrospective on the work of Singaporean artist Georgette Chen (1906–1993), a name I’d never heard before despite what appears to be a fair amount of exposure in recent years, according to the linked Wikipedia article. I should probably consume more local media.
    • Earlier in the week, there was some meeting up and eating out with a couple of colleagues I hadn’t seen in awhile. As I learnt from Grace, you really haven’t got a chance with any bar and restaurant in town these days unless you make reservations, so that must be great for Chope and other similar booking platforms (assuming they’ve figured out workable business models). We wanted Korean BBQ but could only secure a spot at a 3.9-star Google reviewed place. It was a 3 at best, so I think there’s a need for some kind of review correction algorithm across multiple services. For example, I noticed on Foursquare (which has a much smaller user base) that users rating things in Singapore were pretty harsh, so you actually had to add to ratings to get an indicative score of quality. Google, with many more users, probably needs correcting down instead.
    • Speaking of ratings, I said a couple of weeks ago that I was reading Ready Player Two and hoped it would at least turn out to be a 2.5-star book. Well I finally got around to finishing it, and nope. I don’t remember anything about the first book, only the experience of it, that I had fun and enjoyed some of the references because it was the first time I’d seen some of them mentioned in a long while. But it turns out that’s really what Ernest Cline wants to do: string together loads of “geeky” references and get congratulated for it. This second book reads like third-rate fan fiction and I couldn’t wait for it to be over.
    • According to Goodreads, that completed my 2020 Reading Challenge. 30 books this year, which I probably haven’t done in over a decade. With any luck, I’ll be able to surpass that next year if the universe grants me lots of free time.

    AirPods Max

    I got my pair a week ahead of their scheduled delivery date and it’s led to a lot of pointless pondering over the past few days. They sound really good. I did a couple of head-to-head comparisons and they’re the best pair of wireless headphones in my drawer. Everything older or cheaper doesn’t put up a fight in the sound quality department. Not any of the Sonys, Boses, Beats, or B&O Beoplays. I haven’t compared them to the Nurasound headphones yet, but I actually expect those to make a case for sticking around because they feel so physically different and immersive as a listening experience.

    I’d love if they could just be The One, and help me declutter, but they fall short in a couple of areas outside of sound quality. The most minor of these is their goofy look with the mesh headband and rectangular cups. I got Space Gray and I don’t think I could be happy with any of the other colors if they got grubby or scratched up.

    Comfort: They’re heavy as we knew, but it’s NOT been a big problem. What’s worse is they actually have more clamping force than I’d like. Granted, I have a larger than normal head and wear glasses, but can’t imagine being forced to wear these on an international flight. I once wore a pair of Bose QC35s for almost an entire 16-hour flight, and I’d do it again because although that older model doesn’t sound the best when you’re on the ground, they’re loose enough and the ANC is effective enough to make them perfect for in-flight use. The APMs just don’t work for that use case. I would say they’re actually too tight to even wear at home for more than a couple of hours, which is really sad.

    Case/Portability: Everyone has complained about the design and construction of this enough and I have to agree. Their role in triggering the low-power mode complicates usability and their cheapening effect means we’d be happier if they’d left them out of the box completely. I’d much prefer if the headphones themselves could fold up. On that point, if you’ve got both arms fully extended and the cups are folded flat, there’s a point at the bottom-inner corner of each aluminum cup where they collide against each other. So if you wear them around your neck like that, it’s possible you’ll see scratches forming at that spot.

    Build quality: Many reviewers have praised the APMs for their solid build quality, but to my touch, the metal earcups on mine have not been brushed/polished properly; I can feel the transition between smooth and rough patches when I run my fingers over them. It drives me kinda crazy that this is happening on a S$900 pair of headphones, even though I already know from first-hand experience over the past 16 years that first batches of Apple products out of the factory are likely to have some defects. Insert big sigh here.

    Now, the competition. There really isn’t much to speak of if you want comparable sound quality in a wireless ANC headphone. I’d previously glanced at B&O’s new Beoplay H95 but their price tag was too high for what I thought was yet another mediocre product. My first pair of Beoplays was the first-generation wired H6, which was super comfortable but neutral and not much fun for some kinds of music, and everything since has not really been great. They made the headband smaller from the H7 onwards, so those don’t fit my head as well either.

    In the wake of the AirPods Max launching, the H95 is now looking like the only real competitor. The online consensus is that Bang & Olufsen have finally nailed the sound quality and industrial design issues of their past, at greater cost to the consumer than before. They cost S$1300 compared to the $700 of the previous flagship H9 (third-generation).

    Compared to the APMs, the H95s look better to some, are lighter, are more comfortable and sound even better (according to the forum folks on Head-Fi), have longer battery life, and fold up inside their included non-shitty metal carrying case. Arguments against them include less effective noise-cancellation, smaller earcups that may not fit everyone, no transparency mode, and none of that simplified wireless connectivity. Oh, and the fact that the brand is kind of struggling and so finding local repair options may not be possible in the long-term. It’s hard to fight formidable Apple’s retail and support network.

    If I can’t justify keeping them around for short listening sessions only, then I’ll be returning the APMs for a refund and making do with what I already have. While they really sound terrific and have ruined a bunch of other headphones for me, solid audio engineering isn’t the whole package. An overemphasis on that is what people say* held the original HomePod back, but improving Siri to compete with Alexa and Google Assistant was arguably a much bigger hurdle than giving these a more comfortable fit and designing a better case.

    Edit: I wore them the whole time while writing this week’s update, and on reflection, they sound so good that I’m hoping the band loosens up a bit or something so I can keep them.

    * Who am I to say, when we can’t even buy HomePods in this neglected backwater that inexplicably has a spherical glass Apple Store?

  • Week 50.20

    • It’s that playlisting time of the year. We started a thing at work back in 2017 where everyone picks their favorite song of the year, writes a few words about it, and then we slap together a website for it with some bonus Christmas material (that first year’s was a chatbot that controlled Santa’s operations).
    • That exercise usually then reminds/inspires me to make my own year-in-review playlist. This was last year’s effort.
    • The office playlist is now done, but we’ll need to find some free time in the next few days to put the package together. I’ll probably link it here when it’s done.
    • I spent most of Saturday afternoon working on my own playlist, and found that I’ve YET AGAIN failed to learn my lesson: not properly cataloging discoveries and favorites throughout the year makes for a difficult process at the end. I’m sure I’ve left out a ton. More on that in a separate post.
    • This week in gadgetland was notable of course for Apple’s semi-surprise announcement of the AirPods Max headphones. Did I like the look of them at first sight? Not really. Am I happy to see them embrace the original HomePod’s (commercially unpopular) approach of focusing on the high-end of mass market audio? YES! I want to see what Apple can do with headphones when they don’t have to hold back.
    • They cost S$940 here with AppleCare+, but without having heard them, it’s hard to say if that’s a problem or not. I don’t expect them to play in the same class as the Bose 700 or Sony 1000X series; more likely as a complete package they’re targeting Bang & Olufsen’s Beoplay H95, which go for 800 euros (S$1300). And kinda like how buying a great PC isn’t an alternative to a Mac if you value macOS, nothing really competes with AirPods Max as a complete package for Apple customers.
    • My biggest fear is that they won’t be comfortable; the closest proxy I have is an old pair of PSB M4Us which were nearly as heavy at 360g but too tight for my large head. If AirPods Max nail the fit, I think the weight will be alright. I only plan to use them at home for close listening on the couch and maybe the work desk. For everything else, it’s like one of the ATP guys said on their latest podcast: AirPods Pro are great enough general purpose headphones for all listening needs except flights over five hours.
    • “But Brandon, if that’s true, why don’t you just cancel this extravagant pre-order and be happy with the AirPods Pro?”. Well… I suppose I have a problem? There are quite a few pairs of over-ear headphones around the house, but none of them make me happy. I used the new Sony WH1000XM4s all afternoon while putting the aforementioned playlist together, and was pretty disappointed with their default sound signature. As I said to Michael on an impromptu international call while he was doing the dishes, the hype around their sound quality is a little overstated. They sound muddled, boomy, and narrow without EQ-ing (the “Bright” preset works best, but EQs feel like a hack). I was expecting more clarity in the highs, given the DSEE Extreme upsampling technology, but on songs with a lot going on, they can feel shockingly inadequate. I guess I’m hoping AirPods Max will be my go-to default pair of great sounding headphones that do it all.
    • After writing all that, we spent the night watching music videos and a great Sigrid performance off YouTube on the TV. Audio quality did not once enter my mind.