sangsara.net

Tag: Apple Music

  • Week 4.24

    Week 4.24

    A little while ago, I learnt that an ex-colleague of mine has received a stage 4 cancer diagnosis, and he’s only a few years older than me. Despite the fact that more “young” people seem to be getting cancer, it was still a deep shock because Tony was always incredibly fit and dedicated to his health. He’s been writing openly about his thoughts and experience on his Medium account, which I read before meeting him for lunch with some other former colleagues this week. It was tough seeing him in poorer shape, but true to his personal brand, he seemed extremely pragmatic and matter-of-fact about it all.

    We worked on the same team for about a year back in 2018, but were only on one project together as peers, leading design activities and client workshops together over a few months. I count myself fortunate to have had that experience, and learnt a lot from his confidence and wealth of technical knowledge when it came to UX matters — which was not my area of focus. Even then it was clear he had a knack for facing reality, and a passion for making sure the younger generation had their eyes open to the inequities of working life. Not always a popular topic, but life sucks. He mentioned that whenever he finds the strength these days, he works on his own design education materials that prepare students for non-ideal situations, and I thought that made perfect sense for him.

    Many of the things we talked about over lunch echoed other conversations I’ve been having with other friends. Maybe it’s the return of tech layoffs in the news, but negative sentiments seem as high as they were during Covid, with the questioning of boundaries and priorities taking place again. Tony understandably tried to impress upon us that some things aren’t worth having as regrets, and that we should make better choices while we still can. When I asked him what else he does now on days that aren’t lost to medical interventions, the answer was surprisingly similar to how I spent most of my year off work: reading, writing, and drawing.

    Peishan shared this Guardian article about people with cancer who’ve found the clarity to spend their remaining time meaningfully, and I thought Mark Edmondson landed the point that some people have trouble getting: the work that gives you purpose today isn’t the only purpose you’ll have.

    People (usually millennials) also mention the difficulty they have switching off from work. On a daily basis, but also when they go on vacation — taking half the holiday to get into holiday mode is a terrible inefficiency. I recall it took me months to unwind from a state of nearly burning out and to stop worrying about my “sabbatical ROI”. We should be like newer hybrid vehicles that can shut their engines down when idling at traffic lights and spring back to life quickly when needed, but instead us older cars only know how to burn gas all the time. I want to be a disused school bus just rusting in a field, bright yellow and unbothered.

    ===

    • I visited the Prix Pictet photo exhibition that’s part of Singapore Art Week (maybe it’ll be the only event I attend from this year’s edition) and found it beautiful but gosh it was mostly depressing. The theme was “Human” but it may as well have been “Human Suffering” — from communities devastated by the effects of mining and metal poisoning, to the plight of illegal refugees trekking 66 miles through jungle in search of better opportunities, they seemed to comment that there’s not much joy in being human these days. I joked halfway through that I hoped there would be a series of mundane birthday party photos at the end. There wasn’t.
    • Kim spent most of her week preparing an elaborate, successful Indian dinner from the Dishoom cookbook, but that’s really a story for her own weeknotes if they ever happen. The takeaway for me has been that, after seeing how the proverbial samosa is made, the Indian takeaways we usually get are probably quite unhealthy and we need to cut down.
    • Nintendo is having a January sale on the Switch eShop and I considered getting the remake of an apparent classic time loop visual novel, YU-NO: A girl who chants love at the bound of this world, yes, that is its title. It’s apparently the spiritual forebear of games such as Steins;gate, but after watching a short gameplay video on YouTube, I decided that since life is too short, I really didn’t want to punish myself. An anime adaptation was made a few years ago, so I will simply watch that instead.
    • We are enjoying the new British police drama Criminal Record on Apple TV+. Peter Capaldi is really good in it, although all the police work and cornering of baddies with their secrets is carried out really incompetently.
    • Can you believe that The Smile dropped a new album a couple of days ago and I had to find out from YouTube instead of Apple Music? Seriously, I’m looking at my For You page and it’s not mentioned under New Releases. This music video, where the band plays a new song for an auditorium full of young children — most of them bewildered or bored out of their minds, but with a couple really into it — is such a simple and charming concept I can’t believe I can’t name another time it’s been done.
  • Week 51.23

    Week 51.23

    Merry Christmas! Let’s talk about music this week.

    I received the Beats Studio Pro headphones as an early present, in the Sandstone color, only 22 weeks after I wrote about how I thought they were set to be a fantastic update to the aged/obsolete/frankly embarrassing Beats Studio3 Wireless model. In that post, I said I would not be buying them for myself on account of having enough headphones. No promises have been broken, and I can confirm that they sound really good and are comfortable even with my big head. If you’ve found others like the B&O H95 or B&W PX7 too small to fully enclose the bottom of your earlobes, these may do the trick.

    I often try to convince myself that a pair of AirPods Pro should suffice for my/anyone’s needs, that a pocketable pair of smart, well-engineered buds are more than enough. Who needs HomePods or other home speakers, over-ear headphones, soundbars, etc.? But just as you can feel the bass from a towering set of speakers in your chest, a pair of big drivers blasting air into your ears do feel something different.

    Since I had the week off, I spent hours testing them out, thinking about what music I enjoyed the most this year. I sometimes do an annual wrap-up playlist with all my favorites, in lieu of making playlists throughout the year like I should. But this year I’ve made three: BLixTapes 1, 2, and 3, so I’ll see if I feel like it next week.

    In the meantime, I think I’ll name some personal “winners”!

    2023 sangsara.net music awards

    Best comeback: Damon Albarn (Blur, Gorillaz)

    Please note these are personal picks, and I’m not saying Albarn disappeared, but for a long time I’d written him off completely — a remnant of the 90s and mid 00s who still puts out funny tuneless projects every few years that I play through once then delete from my library. When that time came around again with this year’s The Ballad of Darren and ‌Cracker Island from his Blur and Gorillaz bands respectively, I played the albums and was stunned. Did he get his mojo back?! The jams get your feet tapping, the lyrics are somewhere between conceptual backstory and dadaist poetry as usual, and the pretty moments are so pretty they just pop into my head some mornings as I brush my teeth.

    Honorable mentions:

    • Everything But The Girl, Fuse: How often do you hear from a band after 24 years of hanging up the name, and the new stuff is up there with their best work? Sure, Tracey Thorn and Ben Watt kept busy with other projects but I never expected them to release new music together. This coming out of the pandemic was one of its silver linings.
    • Bob Dylan, Shadow Kingdom: Revisiting one’s old material with the benefit of age and experience made Joni Mitchell’s Both Sides Now (2000) a revelation for me when it came out, and while I still don’t know Dylan’s work well enough after all these years to appreciate every nuance of these new versions, I’m planning to put in the work.

    Best reissue: Jesse Malin — The Fine Art of Self Destruction

    The 20th Anniversary Edition of this seminal album sadly took on a different meaning a couple of months after it was released. Jesse Malin suffered a freak “spinal stroke” in New York and became paralyzed from the waist down (an update in December revealed an unfortunate lack of progress, with him now seeking stem cell treatments in Argentina). The Fine Art was somehow a formative album for me, although I had no reason to identify with its East Coast bohemian city life vignettes. I suppose it’s universal the same way Springsteen is. This new edition includes 2022 versions of key songs, and although Malin’s voice is virtually unchanged, you can hear the years on his shoulders in these slower, introspective readings.

    Honorable mentions:

    • Portishead, Roseland NYC Live 25: This came out of nowhere, a remastered 25th anniversary edition of an insanely historic performance, and now with three tracks that were previously only in the film. I remember buying it on VCDs (remember those?) from the local HMV. If only they’d remixed it in Spatial Audio… I would die to experience this like a real concert.
    • R.E.M., Up (25th Anniversary Edition): I already mentioned this one in Week 45.23. As I noticed these last two albums with 25th anniversaries, I thought “huh, 1998 sure was a special year”. And thanks to Apple Music showing other playlists where a song is included, I discovered this one: At Home With Jack Antonoff, which is entirely dedicated to the magical moment that was 1998. Check it, The Smashing Pumpkins put out Adore, Neutral Milk Hotel made In The Airplane Over The Sea, and Natalie Imbruglia sang Torn?! What was in the air?
    • Daft Punk, Random Access Memories (10th Anniversary Edition): I actually wrote a couple of sentences about this album when it came out in 2013 and accidentally found the post while searching for a more recent mention. Still a masterpiece, now in Spatial Audio.
    • Daft Punk, Random Access Memories (Drumless Edition): And this crazy rerelease idea. As I said a few weeks ago, who the hell would have thought making a version without the drum tracks would result in such a wholly new experience?

    Best single line:

    Thank God I’m fly!
    — TGIF, XG

    Best bars:

    I’m down to click out you hoes and make a crime scene
    I click the trigger on the stick like a high beam
    Man, I was Bentley wheel whippin’ when I was nineteen
    She call my number, leave her hangin’, she got dry-cleaned
    She got a Android, her messages is lime green
    I search one name, and end up seein’ twenty tings
    Nadine, Christine, Justine, Kathleen, Charlene, Pauline, Claudine
    Man, I pack ‘em in this phone like some sardines.
    — First Person Shooter, Drake feat. J. Cole

    Best new (to me) artist: yeule

    I racked my brain trying to think of another Singaporean-born artist who has achieved critical acclaim overseas singing in English (we have quite a few who make it in Mandopop, in Taiwan and so on), but couldn’t think of another besides yeule, a London-based non-binary 25ish self-taught musician who studied fashion but also paints and streams and has a way with theatrical makeup. Their latest album, softscars, got an 8.5 from Pitchfork, and the last one got 8.3. That’s a hometown hero medallion as far as I’m concerned, and for the record I really like these records. There are interviews online that suggest a tumultuous childhood, and looking at how they’re covered in tattoos and generally act and look like someone who would give an Asian parent a coronary, I can imagine the difficulties faced growing up here were potent inputs for artistry. They also have an extremely-online underground idol type of presence, with a community distributed across platforms — I’d never joined a musician’s Discord server before this one, but why isn’t more of a thing?

    One of the things I realized this year was how the ways we as fans connect with artists we love have crossed a line, and the tools and channels we use seem to be encouraging the development of parasocial relationships. This is something that maybe evolved from Asian pop and idols, e.g. handshake events, but I believe is going to become very mainstream from here.

    Honorable mentions:

    • Kassa Overall: A super talented drummer who performs a funky modern mashup of hip-hop and jazz. An indie Anderson .Pakk? Btw I discovered the Seattle radio station KEXP while looking for yeule’s performances, and discovered a wealth of great music on their YouTube channel, as well as a ton of new bands to look into. Fortunately, Kassa Overall also played a set for KEXP and it’s — to use a term Scott Forstall once tried to make happen — absolutely blow away. And that logo with his name on all the band’s hoodies!
    • Samara Joy: Another jazzy discovery from late in the year, and possessor of an incredible vocal instrument you need to hear. Here’s her album Linger Awhile on Verve Records.

    Best album: XG — New DNA

    I waited months for the New DNA mini-album. I watched hours and hours of “documentary footage” on YouTube, following the members as they struggled through five years of frankly brutal and manipulative training under their manager Simon’s direction. I learnt all seven of their names. I watched each new single and video drop, and then watched reaction videos. I watched fancams and BTS specials (but drew the line at braving a heatstroke at their Formula 1 concert here). From the moment I first heard them in February, I knew they were different. They’ve doubled their following on YouTube since (currently with 2.41M subscribers), but I think they’re still being slept on. J-Pop groups are never this polished, and K-Pop ones are never this accessible. With every song in English and a style that effortlessly unites hip-hop, electronic, and 90s R&B, these girls deserve to be massive in 2024. I wish New DNA contained all their previously released singles, which would have made a beefier release and maybe helped them break out, but I suspect that’s just the millennial in me talking. Everyone knows nobody listens to whole albums anymore, which makes this category very sad.

    Honorable mentions:

    • Sufjan Stevens, Javelin: It was close, I wanted to call this the album of the year. Deeply moving, and kinda makes up for not having any new music from Joanna Newsom.
    • Kevin Abstract, Blanket: I never listened to Brockhampton, of which Abstract is a member, and I don’t remember his previous album ARIZONA BABY doing anything for me. But Blanket is something else. Like yeule’s softscars, it draws on 90s alt-rock to create a new sound that goes beyond labels.
    • boygenius, the record: I miss the days when we had more supergroups.
    • Vagabon, Sorry I Haven’t Called: I really need to play this more often. It’s a soulful, elastic collection of ingenious songs and the opener, Can I Talk My Shit?, is one of my favorites of the year.

    ===

    Other media activity:

    • I finished reading The Paris Apartment and gave it two stars on Goodreads. Please don’t.
    • We binged the Dead Ringers TV miniseries on Amazon Prime Video. Wow. Rachel Weisz does that incredible thing actors do when they’re bored of playing one character and want to play a set of twins. You literally forget they’re not two people. Also the bloodiest show of the year, not for the squeamish.
    • Slow Horses is back, and we’re nearly done with Season 3. It’s still very very good, and even better than the last season. I’ve only just discovered they’re based on a series of novels by Mick Herron, of which there are eight, so that’s my 2024 reading challenge sorted.
  • Week 41.23

    Week 41.23

    Trying to keep things short again.

    • First, a correction to last week: I believed that the Leica Sofort 2 will offer little functional advantages over the Fujifilm Instax mini Evo camera that it’s based on. But I missed that the Sofort 2’s design favors a landscape orientation; its camera strap connection points and tripod mount are placed with that in mind, whereas the mini Evo seems intended to be used in portrait. This is another point of annoyance because the Fujifilm’s design visually indicates it should be used in landscape. Well, it also visually indicates its a vintage analog camera, but we’ll ignore that.
    • Cameras are for capturing memories anyhow, so on Friday night when we had a team barbecue for the first time in years, I brought my Instax mini Evo out to get some lo-fi, low-res, flash-enabled snaps. A camera never gets as much use as it does in the days just before its replacement is due to arrive — if that isn’t a camera addict’s maxim, it ought to be. But I wonder if Leica is ready for the backlash when the photos from this low-grade 5mp sensor start being associated with their premium brand. It’ll be the worst digital camera they’ve ever made. At least with the fully analog Sofort 1, the results were just little Instax prints. But now some really questionable digital files are gonna come from a Leica camera and start circulating.
    These were the only ones without faces in them
    • Anyway, in a big coincidence, the last time I remember having a work barbecue was when Oya left in 2019 to return home, and I met her this week for the first time since as she passed through town for a day. A bunch of us who were around back then met up for Mexican food, margaritas, and refried memories.
    • I finally got access to ChatGPT’s new features (these couple of weeks felt like forever): image uploads for multimodal chats, a voice-driven mode, and DALL•E 3. I’ve yet to make proper use of the first feature, apart from a few tests. I gave it a photo I took at Toa Payoh Hub (what can you infer about my location from this photo? And it correctly guessed Singapore from some visible shop names); a receipt (split this bill, and would I be an asshole if I asked for this money back as a billionaire?); and a photo of a dying plant at home (how do I nurse this withered thing back to life?).
    • I wish the voice mode could listen out for your interruptions, which would make it much more conversational. Right now you have to tap the screen to stop it talking first. The synthesized voices are really good, and enhance the illusion of talking to a trustworthy intelligence. Using Siri Shortcuts, you can now just start talking to ChatGPT on your phone at any time, but I still hope Apple finds a way to design a more responsible, private version of this with a future Siri.
    • The ability to interface with an image generator with natural language is a big deal — in theory, ChatGPT can break down your detailed, context-laden instructions into the right prompts for DALL•E to work with — and affirms my belief that “prompt engineering” will be designed out of relevance for the majority of users. It can’t do photorealistic images as well as Midjourney, but it may be close for illustrations.

    I made a new playlist on Apple Music, mostly made up of recent releases I’ve been enjoying, with a few oldies thrown in there: BLixTape #2

    iOS 17 introduces crossfading, and I think it works great for mixtapes, making the intentional juxtapositions even clearer and jam-mier. Crossfading is when one song fades out just as the next one fades in. It’s like having a budget DJ. (Edit: AI suggested I explain it for those who might be unfamiliar, but Kim says this is mansplaining. I guess this is an explainer for the explainer.)

    I played with this cover art idea for awhile in Midjourney over the past few weeks, but wasn’t super happy with any of it. I gave the same brief to ChatGPT + DALL•E 3 and decided to use its version. It came up with a more interesting composition than all the other centered, literally middle-of-the-road shots, and it was able to follow my instructions that the headphones should be Beats Studios.

    Some unused Midjourney versions
  • Week 39.23

    Week 39.23

    Kim returned from a business trip to Vietnam on Thursday with a nasty bug, which as of this moment I’ve still avoided. We also had a medical checkup done and I got a double vaccination out of it (one in each arm, both of which are SORE) for tetanus and the flu. Firstly, why doesn’t anybody talk about tetanus jabs for adults? I don’t think I’ve had one since I was a kid but apparently adults are meant to every 10 years. Secondly, I’m not sure if the flu jab is going to make me more susceptible or more resilient to her germs right now. I guess I’ll find out as the work week starts!

    If I do wind up too sick for work, I hope to still have the strength to do some gaming on my new iPhone and Backbone One controller. The USB-C one I ordered on September 13 (the day after the iPhone announcement) was supposed to come with a new firmware version on it that would work with both iPhones and Android phones, but it didn’t! And so nothing happened when I plugged it in. I complained online through various channels, and they sent me a free replacement within a few days.

    FWIW, the first one can be made to work if I plug it into an Android phone and use their app to update the firmware. For some reason, they can’t do the same through an iOS app, which seems… weird? I’m sure I’ve owned hardware that updated itself through an iOS app, but maybe it can’t do that over the USB port. So they have to ship out replacements to people without access to Android, and going by Reddit, it seems there are quite a few of us, which is unfortunate for their business.

    Gris is a beautiful indie game that I bought years ago on the App Store and never played, and if you’re an Apple Arcade subscriber you’re in luck — Gris+ is now available in the catalog. I finally started on it awhile back on my iPhone 14 Pro and Lightning-ported Backbone, and finished it on the new equipment this week. The larger screen definitely adds to the experience, and probably comes close enough to the Switch experience to justify this new “console gaming handheld” positioning. I really can’t wait to see how Death Stranding will play (and be priced) on it.

    Japanese Rural Life Adventure is another new chill title on Apple Arcade I’ve enjoyed checking out. It’s played in portrait orientation, so no room for a Backbone controller here. But it’s exactly what it says on the tin. A game where you move to the countryside and clean up a busted old house, start planting vegetables, and getting to know the town.

    ===

    • The musical highlight of my week was the long-awaited release of XG’s first mini-album, New DNA. We’ve heard most of it by now except for the last single to be released, Puppet Show (YouTube), which I didn’t quite love at first but is slowly growing on me.
    • We’ve been watching the new season of The Morning Show on Apple TV+ and it’s getting good. I barely remember the second season somehow, but after a bit of a warmup, things in Season 3 get quite satisfying in episodes 2 and 3.
    • Also on the service is a new songwriting rom-com called Flora And Son, by the director of songwriting rom-com Begin Again and Once (haven’t seen this one myself). I enjoyed it, even after finding out that the lead actress is Bono’s daughter. 4 stars.
    • I also watched an entire episode of Foundation on the iPhone 15 Pro Max, which was quite enjoyable! As we don’t have an HDR-capable TV at home — the 8-year-old HDTV refuses to die — this is probably the best screen I have for watching video. The whole time I felt like a “real” character in a show, the kind who watches TV on their phone with dead eyes while eating lunch before getting back to their dead-end job. There’s a scene or two of that in Flora And Son.
    • But the most unexpected, most time- consuming, most addictive new media we encountered had to be Below Deck, which I reluctantly started over the weekend and ended up binging an entire season of. Local Netflix only has seasons 5 and 6 of this nautical reality tv show which follows the crews of pleasure yachts as they take on “charters” — several-day trips booked by rich people who leave tips of at least $15,000. It’s a different kind of workplace drama, and the screwups, often obnoxious guests, and interpersonal relations are just so easy to keep watching.
  • Week 36.23

    Week 36.23

    This week was a slog, like slowly pushing through a muddy swamp. I don’t know why, but maybe grinding through palaces in Persona 5 Royal and PowerPoint decks in real life had something to do with it. I thought I was nearing the end of the former, but nope, still have many hours ahead. I had to double check my last post to make sure I didn’t miss a week here; the presidential election felt so long ago it couldn’t possibly have been last Friday.

    I went into work twice and discovered a new free snacks/drinks initiative, the kind that large companies everywhere once generously offered. I thought free food incentives were a low-interest rate phenomenon, but the return-to-office movement needs new soldiers. So there I was at my desk eating banana cake and trail mix, drinking VitaminWater, and getting calories I would normally have avoided.

    The real work benefits are the friends we make along the way, though. This week an ex-colleague now based in Tokyo came back for a visit. That led to a three-hour Taiwanese hotpot catch-up last night, the effects of which I’m still feeling this morning. The chief reason is probably sodium, a thing I’ve become more acutely aware of since I wrote about eating Korean instant noodles.

    Fun fact: Most Korean ramyeon contains between 1,800–2,000mg of sodium per serving, which is the recommended amount for an entire day. But Singaporeans tend to average 3,900mg daily, probably because of our proximity to hotpot restaurants.

    ===

    I’m currently enjoying Yo-Yo Ma’s new release, Nature at Play: J.S. Bach’s Cello Suite No. 1 (Live from the Great Smoky Mountains) on Apple Music. It was recorded outdoors in Dolby Atmos, near running water and singing birds, which means hearing it in Spatial Audio is a truly transportational experience.

    And it’s a brilliant concept! You get a relaxing forest soundscape (the kind I put on sometimes anyway while working) along with a stirring piece of music performed by a master. I hope he does more like this.

    The Rolling Stones put out a new single, Angry, and it seemed like all the old men on my timelines fell instantly in love with it. Eh, it’s okay at best? I didn’t get the hype, and the single-idea video with Sydney Sweeney on a car for four minutes didn’t do much to redeem it.

    Imagine putting out something that mediocre in the same week as Olivia Rodrigo’s new album, GUTS. I believe it was the New York Times’ review that drew parallels to Lorde’s Melodrama, not stylistically but as a brilliant sophomore album from a 20-year-old breakthrough artist under immense pressure to deliver again. It’s so good, just give it a go.

    ===

    Next week is new iPhone week, so I’ll just say for now that if the rumors are true and the periscope zoom feature is only coming to the iPhone Pro Max, I think I’m going to be slightly torn. Apple hasn’t given the larger iPhones better cameras than the smaller ones in several years — that trend meaningfully ended with the iPhone 8 series, where the Plus model had two cameras and the regular had just one. The 12 Pro Max had a 2.5x zoom compared to 2x on the Pro, but that’s minor.

    I think I’ve owned six larger iPhones: the 6 Plus, 6S Plus, 7 Plus, 8 Plus, XS Max, and the 11 Pro Max. And that one year in between when we had the iPhone X, which only came in one (small) size, felt like a relief because you didn’t have to choose a trade off.

    The question will be how much more useful they can make this longer zoom seem. I’m quite happy with the 3x range on my 14 Pro. While the image quality could be better, the actual zoom range is fine! Do I want to put up with a cumbersome phone just to have a not-great-looking 5–10x zoom I’ll only use when visiting the zoo? If you’re currently using a larger phone and regret it, let me know!

  • Week 35.23

    Week 35.23

    The nation voted for a new president this weekend and the winner was Mr. Tharman Shanmugaratnam, which autocorrect changes to “That Man” (a tad disrespectful in my opinion). He got 70% of the vote which is pretty solid, but nobody’s surprised on account of how well liked and competent he is. It’s worth mentioning how painless the process was: my vote was in the ballot box less than three minutes after I showed up, and I was back home watching TV in 15.

    Appropriately, we started Jury Duty on Amazon Prime Video and I think it’s gonna be great. It’s a pseudo-reality show where one man thinks he’s on the jury for an actual case but the whole thing is staged and everyone else is an actor. I’m watching this and wondering if everyone’s following a tight script or just improvising based on their characters, because there are events happening all the time whether the mark witnesses them or not.

    That real-time play concept always makes me think of The Last Express, a classic but underplayed PC game by Jordan Mechner set on the Orient Express. It kicks off with a murder onboard and you have to move around the train investigating and staying alive amidst political intrigue and wartime spy stuff. Events are always happening, and if you’re not in the right place at the right time, you’ll miss crucial conversations. You can experience this for yourself on iOS but the app hasn’t been updated in five years and may be removed by Apple soon if they stick to their controversial plans.

    A lot of other TV was seen. We finally finished season 3 of For All Mankind, an extremely strong show on Apple TV+. I binged all of the anime Oshi no Ko which is as great as everyone says; I don’t think I’ve ever seen a stronger (or longer) first episode. It’s a 90-minute movie in itself. I’m now midway through another highly rated anime: last year’s Lycoris Recoil, on Netflix. And on Michael’s recommendation we started on a Japanese drama, My Dear Exes, which is very enjoyable so far, maybe because it doesn’t feel like typical Japanese TV. It’s snappier and funnier somehow.

    Oh, if Jordan Mechner sounded familiar earlier, it’s because he’s the man who created Karateka and Prince of Persia. And if you want to experience the making of a gaming classic, a new playable history lesson on The Making of Karateka is now out. And in a case of lovely things cosmically coming together, it was helmed by former Wired games editor Chris Kohler, who also wrote the article on Japanese curry that probably changed my life.

    Staying on topic, we went down to the Japan Rail Cafe (operated by the actual JR East railway company from Japan, for some reason) in Tanjong Pagar because I’d heard they were doing a tie-up with the Kanazawa style Japanese chain, Champion Curry, for one month only. I had my first Champion Curry back in March, after meaning to check it out for years, and while it didn’t unseat my current favorites, it was still decent by Japanese standards and incredible by Singaporean ones. They sold a small sized plate here for S$19.90 including a drink, but it was sadly inauthentic. The curry’s consistency and deployment over the rice is not going to qualify for a Kanazawa cultural medallion any time soon, but I guess it was good enough that I’d take it any day over most local competition. But I still hope they open a proper operation locally someday and accomplish what Go Go Curry failed to do.

    Champion Curry in Japan
    Champion Curry in Singapore

    ===

    I was suddenly inspired to make a new series of playlists, which will periodically capture what I’m listening to, sequenced like a proper mixtape. If I had the skills to make a DJ mix of them, I would! Here’s BLixTape #1 for my Apple Music fam.

    And the tracklist for people still on *ahem* lesser services:

    1. Gold -Mata Au Hi Made- (Taku’s Twice Upon A Time Remix) — Hikaru Utada (I said I wasn’t a fan of the regular version but this remix works!)
    2. TGIF — XG
    3. bad idea right? — Olivia Rodrigo
    4. You Are Not My Friend — Tessa Violet
    5. Dancing In The Courthouse — Dominic Fike
    6. For Granted — Yaeji
    7. Bittersweet Goodbye — Issey Cross
    8. To be honest (SG Lewis Remix) — Christine and the Queens
    9. Sprinter — Dave & Central Cee
    10. DON’T EVER DISRESPECT ME — NEMS, Scram Jones, & Ghostface Killah
    11. Iceman (feat. Morvasu) — Earth Patravee
    12. ETA — NewJeans
    13. Silent Running (feat. Adeleye Omotayo) — Gorillaz
    14. Kill Bill (feat. Doja Cat) — SZA
    15. a little more time — ROLE MODEL
    16. happy im — UMI
    17. Rainy Days — V
    18. Memory — Sezairi

    Making this involved a detour into the world of NewJeans’ music videos, which are pretty conceptually twisted and seem to comment on the parasocial relationships fans have with them. For example, in the mostly sunny poppy video for ETA, the girls might only be hallucinations seen by a sick fan, telling her that her boyfriend is cheating on her with someone at a party. So she ends up murdering him and the girl with her car! I guess this is what it takes to stand out now.

    Let’s end on a nice note with another video I came across on YouTube while checking out more electronic music. This guy Don Whiting also does a great job killing it on the road — performing a two-hour drum & bass set on a bike, accompanied by a huge entourage of other cyclists. It looks like an awesome day out, at a pace even I could probably handle.

  • Week 32.23

    Week 32.23

    Vacation update

    I survived the island. Their warnings of limited internet access were exaggerated, and it turned out that we did have wi-fi in our villa, albeit quite slow; I did not feel completely disconnected, but I managed to avoid being “online”. I did not, however, get a chance to play Hello Kitty Adventure Island, nor finish the book I was reading until I got back to Singapore. That will have to be remedied in the coming week.

    We mostly spent our time sitting by the pool, or the beach, or eating, or walking around and exploring the “private island”, which is incidentally a marvel of self-sufficient sustainability. All water used in showers and bathrooms is collected rainwater and natural well water. Wastewater is processed and filtered on-site and used on plants. Food waste is composted and broken down by black soldier flies bred for this purpose, not shipped back to the mainland and incinerated.

    I managed to get a tan, and now I’m sporting a ‘just healthy enough to look like a living human’ shade. I also need to shed my lizard skin this weekend and head out to a wedding, so there was a shopping trip as soon as we got back to pick up a decent shirt. Putting on a suit stresses me out more than wearing shorts and sandals on the beach, tbh. There’s a Goldilocks zone of comfort somewhere in between and it looks exactly like a pair of jeans and a t-shirt, which is where I plan to stay for life, thanks very much.

    Island photography and phones

    Speaking of being indoors and online, I took a bunch of panoramas on this trip with the express intent of viewing them on the Apple Vision Pro when it comes out next year. Enjoy this one, and a vertical video of some gentle waves if you need to take a little mental break.

    The majority of other photos were taken with the Halide app as is now my usual practice, and in comparison to photos of, say, the sunsets taken with the camera app on my iPhone, they came out much more natural and aesthetically pleasing. It still boggles my mind that Apple shipped the Photonic Engine on the iPhone 14 Pro the way they did because it looks so overprocessed by default.

    I can’t wait to see if the 15 Pro will resolve this, and if I’m honest I’m also keen to replace the ailing battery on my 14 Pro — online anecdotes suggest many of us are suffering from accelerated battery aging this year. I’ve watched mine fall from 88% to 86% maximum capacity over the last two weeks. Some people believe the combination of using a case + MagSafe charging is the cause, because of the heat generated. I don’t know what’s going on, but I don’t want to avoid useful features or stop doing normal phone things just because of this.

    Blue skies

    I finally got into Bluesky this week, and I don’t dislike it! Threads is unfortunately a place where I’m visible to everyone who knows me on Facebook/Instagram, which is to a large degree my real-life social graph. And what I liked about Twitter was that it was an online place for my online identity and my online people. I’m hopeful that Bluesky can be more of a Twitter replacement, and its relatively smaller size could be a strength, as long as the people I want to follow are on there. At this point, I’m rarely even checking Mastodon.

    Follow me at @sangsara.bsky.social if you’re on there.

    Crypto/web3 interlude

    Coinbase launched their new Ethereum L2 chain, called Base, and its stated purpose is to be a more user-friendly blockchain that could go mainstream and be used by the next billion people (ambitious). They say (and I like this positioning) that “online” was the first revolution, and “onchain” will be the next.

    I’ve been playing with it within their Coinbase Wallet app, and enjoying their “Onchain Summer” campaign which focuses on minting a bunch of free/very cheap NFTs. It’s a good demo of how low gas fees are on Base compared to regular ol’ Ethereum; most transactions cost just pennies. There’s still a lot of work to be done to make this more understandable, and arguably the entire user experience of creating and funding a new wallet needs to be rethought.

    The main launch event was Cozomo de’ Medici (who I thought everyone agreed was Snoop Dogg but now may not be?) partnering with the Friends with Benefits (FWB) DAO and the Korean animator DeeKay to launch a pair of Open Edition artworks depicting a cryptocurrency future. Importantly, people could buy them with a credit card, instead of fumbling with wiring money to Coinbase and then buying ethereum and then sending it to their self-custodied wallets on the Base chain.

    Did I lose you in crypto-jargon land? Don’t worry, I can’t keep up either. Think of Open Editions like an all-you-can-eat buffet, but with a closing time. The intent is to encourage access over the usual scarcity and price speculation. In this case, the NFTs were only available to be minted for 24 hours, and apparently some 70,000 were snapped up at a cost of 0.01 eth each (around $20 USD, I think). That’s still a cool $1.4M made!

    Sounds of summer

    We enjoyed this summer vibes playlist compiled by XG (Apple Music) while lazing in the pool this week. I still can’t get their housey new song, TGIF, out of my head.

    Speaking of Apple Music, I noticed a new personalized radio option appeared on my “For You” tab this week, called Discovery Station. 9to5Mac.com reports that this feature has been in testing for awhile, with people spotting it on and off over the past year (how do I get into these betas?!) — in any case I’m glad to see new features and am hoping for more improvements around the launch of iOS 17.

  • Week 27.23

    I’ve thus far neglected to mention that I’ve become slightly obsessed with Korean instant noodles, which they specifically call ramyeon/ramyun, and have been buying and eating too many of them in recent weeks. I never went to ramyeon town before because I have a low tolerance for spicy food, but watching Jinny’s Kitchen might have set me off, and I’ve found that there are mild versions and that even the hot ones are sometimes worth suffering through.

    A few notes:

    • Nongshim’s Shin Ramyun is the original, the classic, the Nissin chikin ramen of Korea. The company’s English website says it’s always been a pork-based broth, but the export versions I’ve seen here in Singapore and Australia seem to be based on soy and mushrooms. There’s a new shrimp flavored version that was previously only available in China, but I have no interest in trying that.
    • I was able to find a pack of Shin Black imported from Korea, a premium version that adds beef to the pork base, and it’s certainly tastier and unexpectedly less spicy.
    • The Samyang company’s Buldak range of noodles are of course the notorious super spicy “fire chicken” ones you see in those YouTube challenge videos. I can’t eat more than a bite or two of the original (there’s also a 2x spicier one in red), but there are milder versions like jjajangmyeon and “carbonara”. Still, not for me.
    • I learnt in a video that people don’t think you should add eggs to Nongshim’s Neoguri spicy seafood noodles, which I have been doing, along with sliced cheese, kimchi, and sometimes a sausage. Oops.
    • Yeah I was not keen on this adding of sliced cheese to soup noodles, but now I don’t even think about it.
    • Of all the “Korean style” (basically red chilli and soy sauce?) noodles so far, I think my favorite might actually be Ottogi’s Jin series, which comes in Mild and Spicy versions. The Spicy one is about as spicy as regular Shin Ramyun (export), nowhere as crazy as Buldak.

    ===

    It’s not all sunshine and noodles; my increased consumption is partly due to a demanding work schedule filled with late nights and skipped meals. In general, I don’t believe these circumstances get the best out of anyone, but I’m told it’s the norm in China these days. I’d heard of 9-9-6 (working from 9am to 9pm, 6 days a week), but apparently people joke 0-0-7 is more accurate. If nothing else, you’ve now learnt a lame new way to say 24/7 today.

    I keep thinking it’ll get better soon, but it hasn’t yet. Around the same time, I tried asking ChatGPT to write some funny posts that could go viral on a new social network called Threads, but it only returned some reheated tweets. One of them hit the mark though: “Is being an adult just perpetually saying ‘after this week things will slow down’ until you die?”

    So, Threads!

    Facebook/Meta/Instagram’s Twitter clone was rumored for awhile but I guess I wasn’t expecting a global launch of this scale — normally they roll stuff out haphazardly? But I think we’re now at over 70 million sign ups in two days, for a separate app that you need to download! It seems they rushed this out to take advantage of Twitter’s shambolic state, and even then, everything has been running smoothly.

    They made the choice to go algorithmic feed only, and to populate yours at the start with suggested content. Maybe it’s because I’ve been using adblocking tools for the past few years (who am I kidding), but my recommendations have been terrible.

    It’s been giving me Singaporeans influencers, sports, beauty and fashion, and positive lifecoachy shit. I’ve since found and followed many of my sort of people, and muted over a hundred accounts I do not want. That should be enough data for it to start improving, so I’ll just have to wait until they do something with it.

    But of course, we don’t have to be on Threads. And maybe we shouldn’t, given Facebook’s reputation and past actions. Much has been made of how Elon has managed to make Mark look like the good guy here; a sizeble feat. I’m still getting a lot of specific tech and financial content on Twitter, and I enjoy the quality on Mastodon, which comes from strictly following only accounts that don’t annoy me given the lack of an algorithmic feed.

    I suspect the majority of people on Threads so far aren’t posting, just lurking and figuring out what it’s for. I’ve been followed by a few people but I don’t follow back if they have zero posts or want to have private accounts. Meanwhile, successful IG content creators are either using it exactly like they do on IG (posting memes, photos, and videos) or writing inane things to try and get engagement.

    I don’t want any of these things on a text-centric platform. It’ll take awhile to settle, and maybe it’ll just become a lame sort of normie place like Facebook.

    ===

    I’ve also been utterly captivated by George Harrison’s My Sweet Lord out of nowhere, and have probably listened to it a hundred times and sung it to myself a hundred times more this week.

    It must have come up on my Apple Music at some point and resonated in the midst of my terrible week — the intentional, sutra chanting-like repetition is brilliant, hypnotic, soothing. How can you not be crazy for a song that goes from Hallelujah to Hare Krishna and back again? That declares such pure desire to know an unknowable god, that acknowledges how life is simultaneously too long and too short, that love is all you need?

    So I made a playlist collecting all the different versions and covers I’ve been listening to: My Sweet Lords. It has 23 tracks so far, and I hope you like it and join me in this obsession.

    ===

    We started watching season 2 of The Bear and it’s truly excellent so far, as was season 1. Episode 6 is something else. It’s the television equivalent of Uncut Gems and Kendrick Lamar’s We Cry Together on the Mr. Morale & The Big Steppers album: extremely chaotic and uncomfortable, and not something you’ll rush to re-experience soon.

    We also saw Mission Impossible: Dead Reckoning Part 1 and it feels a little off. Still a good time, but some of the writing feels stilted and theatrical, and overall it doesn’t feel consistent with the others (okay, one can argue MI:2 felt nothing like the rest too, but that was when we were cycling through different directors; Christopher McQuarrie has no excuse). The challenge the team faces here is like nothing they’ve been up against before, but that veil of otherworldliness is distracting, and I didn’t get to appreciate it as much during the film. 4/5, I think.

    ===

    But we can’t end the week without some AI experiments, so I went back to my GPT-4 poetrybot and gave it my thoughts on the themes in My Sweet Lord, and it returned a pretty good poem, albeit several stanzas too long and not quite right in places. A bit of snipping and human co-creation later, we have this:

    Life is long,
    Life is brief,
    In joy, a song,
    In pain, grief.

    Love is low,
    Love is high,
    In knowing, grows,
    In doubting, dies.

    God in the small,
    In the leaf, the bird’s call,
    In the rise, the fall,
    In all the all.

    Seek the divine,
    In the day, the night,
    In the yours, the mine,
    In the dark, the light.