Categories
Photos Reviews

Really Nice Images (RNI) Photo App for iOS

   
 

I came across this app a couple of weeks ago but can’t remember how, and since then it’s struck me as somewhat criminal that more people aren’t talking about it. So this is just a quick post to help you, my reader, discover a new app that brings realistic analog film simulation to your iPhone photos.

Sure, we already have VSCO, Rebelsauce, Faded, Afterlight, Litely, Priime… but there’s always room for one more if it does the job really well; the job being accurate reproduction of film characteristics. Then it’s a much shorter list. Mattebox (when it was for sale and updated) did a marvellous job of handling exposure adjustments in a very film-like way, VSCO Film in their desktop products are designed to emulate certain classic stocks, and a couple others like PicTapGo come from companies that also produce pro-grade Lightroom presets for a day job.

RNI Films falls into this general category easily. Their Lightroom presets are based on close study of classic films, they use real film grain scans and simulate old lenses with blurring, individual packs retail for $49 each (there are 5?), and online chatter from professionals indicate that their work is well-regarded as being competitive with and maybe even better than VSCO Film, now the biggest player thanks to the profile of their iOS app.

Unlike VSCOcam, which intentionally avoids naming its iPhone filters to match/cannibalize their more expensive Lightroom presets, RNI’s new app offers the same film simulations by name: Kodak Gold 200, Fuji Velvia 100, etc. I haven’t compared them, but I’ll guess that the iOS app produces results very close to the desktop product, at a fraction of the cost. Perhaps they have been tuned to the qualities of the iPhone’s camera for best results. At about $3 per in-app purchase pack, they are more expensive than those in most other filter apps on smartphones, but come on. In comparison to $49, we’re talking about a near giveaway.

I’ve been very pleased with the presets, and they look the way I expect them to. The app could use a few more features and a streamlined editing UX that allows for people who’d want to save versions, for example, but as of right now it gets the basics done about as well as the earlier generations of iPhone filter apps. Load > Stage 1 Edits > Stage 2 Edits > Save as new copy. It’s still faster at this workflow than VSCOcam! Hopefully the team at RNI are still iterating on it right now, although I sort of doubt it.

   
    
    
 

RNI Films by RNI (Free, with IAP)

https://appsto.re/sg/Wg7N8.i

Categories
General

Hipstamatic Vault Reopens — Old Friends for Sale

The Hipstamatic iPhone camera app is in the habit of releasing new “HipstaPaks” of gear (each one typically has a new “lens” and “film”; occasionally a “flash”) every month. Some of these disappear awhile later, to keep the available collection manageable and, I suppose, to create some artificial scarcity around their releases.

I discovered this a couple of weekends ago when I wanted the Swedish-themed Södermalm Pak and discovered it missing. I regularly buy everything they offer, not the idea of not having some drove me crazy. I promptly bought the remaining two or three I did not already have, proving their marketing technique works.

So if you also have an obsessive nature and need to have a complete Hipstamatic pack collection, this weekend will feel like Christmas has come early because they’re opening their “HipstaVault”, with almost everything from the past available once more.

As far as I can tell from Googling, the last time this happened was in 2012. I didn’t know it would actually happen again, so… predictably, I’ve now bought everything I missed.

Categories
General Photos

Shuttered Out

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At a recent office balcony party, I spoke to a colleague who’s also into photography (by which I mean he’s also afflicted by the coin-draining hobby of buying cameras), and realized that maybe I’ve made some progress. My last purchase was the Sony RX-100, which he also bought, and then sold, and then bought a Fuji X20, and then sold, and then bought a used Fuji X100S (pictured). The urge has not visited me lately, unless you count the $200 Q Camera which no amount of money on Earth can buy at the moment because they’ve only made one sold-out and poorly handled batch.

I’m doing really well on just my iPhone 5S and excellent apps like the new Mattebox (do try my Velvius filter), and Cortex Camera. You can also explore all my posts tagged ‘Photography‘.

Categories
Reviews

Cortex Camera is your best bet for quality iPhone photos

Original iPhone capture
Original iPhone capture
IMG_0506
Cortex Camera capture

It’s hard to believe that you can get different results from the same hardware—the same smartphone camera—just seconds apart. The first photo was taken with the iPhone 5S’s built-in camera app, which employs some impressive software techniques to improve most photos. In this case, a low-light scene forced an ISO sensitivity of 1000.

The second photo was taken with Cortex Camera, which takes a series of images over 2 seconds or so (you don’t have to keep your hands perfectly still, but still-as-possible helps). These are then combined for far less noise, more accurate colors, and higher resolution (12mp on the iPhone 5/5S, which normally take 8mp images). The default Camera.app also combines up to four captures for better photos, but is optimized to work for all situations. For any scene without moving subjects and where you have the luxury of time, Cortex delivers better results.

Camera.app 100% crop
Camera.app 100% crop
Cortex Camera 100% crop
Cortex Camera 100% crop

The shots above are 100% crops from the same scene. Note that the Cortex Camera version is both larger and more detailed. It has more potential for processing, and beats a fair few prosumer point and shoot cameras at the pixel level.

The first app to do this “supersampling” was Occipital’s ClearCam, which I used to swear by. However, like their other app 360 Panorama, ClearCam hasn’t received any updates in the wake of iOS 7, and appears to have been abandoned as the company pushes their new Kickstarter-backed project, the Structure Sensor. At this time, ClearCam makes you wait longer and has a cumbersome alignment and enhancement process. Cortex Camera just takes the picture and saves it all in one step. It’s a damn shame, because both Occipital apps were among the first and best of their kind, enabling users to do things with their iPhones that seemingly defied the capabilities of the hardware. They clearly have a knack for clever imaging technology; I just hope they take a longer view of supporting their products some day.

If you’re in the market for a new app to take and share those 360-degree panoramas, Sphere (formerly Tour Wrist) does a good job and is free. Bubbli is also promising, but captures video instead of photos to stitch a scene together, which means you have to pan slowly to get an even exposure. If you’ve got the cash and a love of new gadgets (mustnotbuymustnotbuy) Ricoh’s new Theta camera does the trick in a single click. It’s the first consumer-ready spherical capture camera and looks like a presentation remote. Simply hold it above your head and hit the button, and it takes in the entire scene. What’s more, the $400 device has built-in wifi and beams photos over to your iPhone for instant sharing. It’s not hard to imagine this feature on an iPhone a decade from now.

Categories
Reviews

VSCOcam 2.0 — A New High-Water Mark In Mobile Photography

I’ve been a fan of VSCO products for awhile, and have written about using their VSCO Film presets with JPEGs from consumer compact cameras, and recommended the last version of their VSCOcam iPhone app in my rundown of Essential iPhone Photography Apps.

In the latter post, I said of version 1 of VSCOcam:

As flawed as it is capable, this low-priced alternative to the VSCO company’s pricey desktop plugins is pretty good at giving photos a realistic film look; no light leaks and crazy cross-processing here, just subtle color shifts, fade operations, and real grain overlays. Skip the other basic editing tools included; they’re not up to scratch yet, but the package is an easy buy at $0.99.

The good news this week is that version 2 of VSCOcam [iTunes] greatly improves upon those editing tools (specifically by giving operations such as adjusting brightness more precise ‘steps’ of control, and making them non-destructive within the app; new adjustments like rotation have also been added), and takes the original’s 10 built-in film looks to another level.

The new version of VSCOcam (a separate download in the App Store) is a free download, and now contains a store with 16 packs of “presets” for download at 99c each. A pack consists of 3 presets, which are really more like filters since their results cannot be accomplished by tweaking any of the editing parameters. Presets is a strange term to carry over from VSCO’s Lightroom and Aperture products, where they really are Presets.

Owners of the previous paid app can unlock the original 10 legacy filters in the new app, which is a nice touch. And as a launch special, all 16 packs can be bought for the price of 6.

The new app is essentially a ground-up redesign and rebuild. All operations are significantly faster, the built-in lightbox mode is nearly unrecognizable and has some very nice power-user features like flagging and filtering by flagged/edited states. The camera module is now good enough to use as a camera replacement, with separate focus/exposure locking, a “big shutter button” mode, high ISO boost support for iPhone 5, and other improvements. There’s also a proprietary photo publishing platform called VSCO Grid built in that I haven’t had the chance to try because accounts are being rolled out slowly as they test it.

In this week’s issue of The Round Down newsletter (subscribe!), I said:

This is a new high-water mark in mobile photography apps. […] It’s almost too good to be true, and too good to give away for nothing.

And it really is. At one point on the mobile photography timeline, taptaptap’s Camera+ app was king of the hill as an all-in-one solution because few others did as much as it did, as inoffensively as it did. However, its shortcomings in editing and effects processing have never been addressed, and the pace of development seems to have slowed down considerably in the past year. With VSCOcam 2.0, I think its successor has arrived. It has the power to fix shortcomings in photos as well as or better than Camera+ ever did, and the professional desktop editing pedigree of its filters is unmatched by competitors.

A few bugs and metadata issues notwithstanding, if I had to delete every photo app on my iPhone bar one, this would be my choice to keep.

Not the best example, but one photo I took last night.
Not the best example, but one photo I took last night.
Categories
General

Camera Noir x HK

A couple of interesting people I follow on Twitter got together and formed an app company awhile back, called Pacific Helm. They released their first iPhone photography app today, Camera Noir, and it’s rather nice.

It takes (and imports existing) photos in B&W only — a sort of black-heavy, rich sort of processing. It’s been called high-contrast in every review I’ve seen today, but that term usually implies a hard, noisy look; Camera Noir’s output retains subtle gradations and shadows. In some light, the results look almost like infrared film. It’s a look well-suited to landscapes and urban scenes, as these examples from my Hong Kong set show.

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