All posts tagged: Film

Of Monsters and Men: Pacific Rim and Man of Taichi

Two of the movies I’ve been waiting for in one weekend. Pacific Rim in IMAX 3D (found the 3D dull, dim, and uncomfortable), and Keanu Reeves’s directorial debut, Man of Taichi (thankfully in 2D). Both are films I’d like to go see again. They are both fascinating in that Pacific Rim is the monster (kaiju) movie that Japan could never make, while Man of Taichi is the martial arts (gongfu) movie that Hong Kong could never make. Both borrow richly from their sources, but add something of their own. In Pacific Rim’s case, wads of special effects money and (unfortunately) Michael Bay’s apocalypse movie template. Andy Baio remarked on Twitter that it’s the worst of Transformers, Armageddon, and Independence Day rolled into one. While that’s a fair assessment of its characterizations and plotting, Del Toro at least executes his material as if he’s seen some anime and knows how to shoot a fight so you can actually see it. What it really needed was a tight script and team dynamics you could both enjoy and …

Singapore’s Pacific Rim Jaeger: URBAN REDEVELOPMENT

Pacific Rim has a load of digital marketing bits out online, some created by Qualcomm Snapdragon (official microprocessor of the film’s Jaeger robots) on their Facebook page. One of the best is this Jaeger Designer app, which lets you modify a Unity 3D model with different parts and colors, and then render a poster featuring your own country’s robot defender, which you can also name. I think Singapore’s Urban Redevelopment sits nicely alongside the U.S.’s Gipsy Danger and Japan’s Coyote Tango. Seeing the movie this Friday night in IMAX 3D and pretty damned excited.

Using VSCO Film with Compact Cameras

Many of us have a soft spot for the look of film photos, whether because of nostalgic associations; or a preference for the grain, faded tones, and color shifts that render the familiar world just a little more interesting. The effort to simulate this in digital photos has lately become conflated with “vintage” effects, where age and strong aberrations are introduced. Those are okay for throwaway shots and fun Instagrammable occasions, but not when a moment deserves quality with a little added character. As a frequent user of the Visual Supply Co.’s VSCO CAM iPhone app, I knew their VSCO Film preset for professionals using Adobe Lightroom and Apple Aperture were going to be capable of producing subtle film-like looks, and save a lot of time in post-processing to achieve the kind of results I usually want. But there’s a big difference between a US$0.99 app and buying two sets of presets (a handful of finely-tuned settings and slider positions) costing US$79 each. It’s a no-brainer for the working photographer who shoots weddings and events; VSCO …

➟ Satoshi Kon’s last words

One of my all-time favorite film directors passed away two days ago at the age of 46. It didn’t matter that he worked with animation, but his original ideas were a perfect fit for the medium. Millennium Actress is easily in my top ten list, right alongside the Hitchcocks, Kurosawas, and Allens. This was his farewell to the world. Link

➟ Studio Ghibli’s Ni no Kuni for PS3

Studio Ghibli and Level-5 are making a videogame for the DS, and it’s just been announced that a version for the PS3 will also be released; most likely a different story in the same world rather than a straight port. The screenshot above is purportedly the actual game being rendered by a 2D/3D animation engine. Compare it to a still from an actual animated cutscene here. They are almost indistinguishable in terms of art quality. That a console game controlled in real-time by a player can look (at least when paused) just like a real Studio Ghibli movie is utterly amazing. Link []

Film Notes: Bullitt (1968)

Since I don’t have a lot to blog about these days, I think I’m going to write short bits about movies I’ve seen, right after seeing them. Who this could possibly appeal to remains to be seen. I’ve also been feeling overloaded with work lately, and am making the effort to declare some break time on a daily basis, because otherwise my entire day is split between writing and being unable to write. There are no other states between them that I care to consider. Hopefully I’ll manage a film every day or two. Tonight I saw Bullitt on DVD (haven’t gotten to the special features yet). This was actually the first time I’ve seen Steve McQueen in a movie, ever. He’s pretty bad-ass and reminds me of Daniel Craig a little, and Robert Redford. The bad guy at the end looks like Clive Owen. They should do a remake… actually, no. It’s got plot holes, yeah, but the rest is a very well-constructed movie that I don’t think modern audiences would pay money to …