For the first time since it stopped being necessary to line up for hours outside a telco HQ or Apple Store to get one, New iPhone Day (Sep 24) came and went without a DHL employee appearing at my doorstep. Dear reader, I was late to the finish line this year and my unit only arrives in early October. I begin each day by wondering if I should do the right thing and cancel it. We know I won’t.
Adding weight to that argument is the fact that the iPhone 13 Pro has a camera bump so comically large that it interferes with accessories such as Apple’s own MagSafe Duo Charger, and my beloved Backbone One game controller. For the latter, the company has quickly designed a spacer/adapter, which customers can fabricate on their own. I’m hoping to be able to buy one since I don’t have access to a 3D printer. Even without accessories, the bump is enough to cause substantial see-sawing when the phone (with or without a case) is placed on a table and the corners are tapped. I know because my wife has her iPhone 13 Pro already and this power imbalance does not feel comfy.
I neglected to mention in a previous week’s post that we did get around to seeing The Matrix Revolutions, and it was just as disappointing as I’d recalled. My disappointment at the time was so strong that it effectively wiped all details from my memory (while I vividly remembered the first two). I think it can be blamed on an overall lack of fun, visual craft, and other core ingredients that made the first movies so loved: well-choreographed wire-fu, novel special effects, a mystery that we are made to care about seeing solved, and big action set pieces where incredible, iconic things happen — a bunch of flying tentacled robots drilling into an underground city doesn’t count.
I came across this still image from the film that looked like something right out of Neon Genesis Evangelion, and decided to google the two franchises together to see if there were any links. That’s when I found this cool “trailer” that someone made for Evangelion 3.0+1.0 (warning: lots of spoilery scenes used) cut to the music from the The Matrix Resurrections’ trailer. Damn, the new EVA looks so epic.
Unfortunately, this week’s viewing time was effectively squandered by the mysterious decision in our household to watch Love Island Australia, which is absolutely stupid and 30 episodes long. I think we’re into the final third now but I’ve long stopped paying it most of my attention, and use the time to rack up progress in the Temple Run match-3 game from Apple Arcade. Why melt your brain in only one way at a time?
We did see the first two episodes of the Foundation series on Apple TV+ though, and it looks very promising albeit still clearly a television thing. I can’t stop thinking about some of the gobsmackingly beautiful/chilling frames in the Dune film we saw last week, and I wish someone would make a TV show that strives to that level of abstraction and perfection.
I finished two books: Unity by Elly Bangs, and The Test by Sylvain Neuvel. Both are worth reading. Unity is a better dystopian SF adventure novel than Firebreak which I read recently — the comparison comes to mind because both contain a program to turn orphans into super soldiers — and blends some fun concepts like hive minds and body snatching, with a dash of Ted Chiang’s short story Understand. Meanwhile The Test is a very short novella you could read on a Sunday morning, and the less it’s described, the better.
I’m still a habitual Goodreads user, but signed up to check out its sexy new competitor, Literal.Club. It’s already a faster and nicer experience, but since it’s still in invite-only mode, lacks the friends and years of book review data that will keep Goodreads around as long as Amazon wills it. Add me at @sangsara if you’re on!
Oh, and thanks to the announcement of a new Kirby game coming next year on the Switch, I chanced upon the depths of the series’ dark and complex lore. At first, it seemed like a hoax: what, this cute and cuddly Nintendo thing for kids is actually a horrific end-of-times apocalyptic tale with gene splicing and satanic worship and the death of countless civilizations, except the protagonist is so innocent and pure that everything rendered through his eyes looks like how the games end up looking to us? That’s sort of the gist, and there are a bunch of explainer videos on YouTube. I won’t recommend the ones I’ve seen, as they’re kinda incomplete, but here’s a popular one I intend to watch soon.
Covid cases here have gone kinda nuclear, from a couple hundred a day just weeks ago to nearly two thousand cases yesterday. So we’re back to two-person groups (you can still eat out in a pair if you want; life’s not completely shut down) for the next month, and more working from home for those who still have jobs. Stay safe out there.
I picked up Jordan B. Peterson’s 12 Rules For Life after coming across a few of his videos on YouTube. It’s a combination of anecdotes from his experience as a clinical psychologist, insights from his study of Christianity as a pillar of Western culture, and long-assed tangential stories and did-you-knows, the kind that only a supremely confident and self-interested extrovert can tell at a dinner party, padding it out for the sheer enjoyment of the storytelling process. 3 stars, I suppose.
Went out and saw Dune Part 1 in a plush cinema, where most of us were eating and drinking with masks off for the majority of the two hour and forty minute runtime. If I got Covid from this, would the movie have been worth it? No, of course not, but the length of the pause indicates the film’s score. This warrants a prolonged “Hmmm” at least. It’s something I’d happily watch again, and it didn’t feel long at all — I’d happily have sat through the next half right there.
Foundation comes to Apple TV+ next week as a series, and while I can’t recall a damned thing about the first book which I read as a teenager, I’m really looking forward to seeing Apple spend that iBegotten cash on some epic space shit instead of real-world dramas and comedies. Prior to seeing Dune, I was often mixing up the two franchises in conversation because I probably read them around the same time in my life, as one does.
Zookeeper World on Apple Arcade has not been as addictive as I’d hoped. Perhaps it’s the landscape orientation, or the UI for managing your zoo. Maybe I don’t want to manage a zoo at all. In what must be a data-driven programming decision, Friday saw the release of another match-3 game on Arcade, Temple Run: Puzzle Adventure. This one plays in portrait, more closely resembles Bejeweled’s proven gameplay and power-ups, and with a streamlined approach to story and progression. I find it much harder to put down as a result.
I “pre-ordered” World Flipper on my iPhone as soon as I heard about it, because it’s a F2P mobile gacha game with pinball as its gameplay mechanic. But I left it untouched and didn’t start playing until I saw this review pop up on Twitter. It’s a 2019 Japanese release from CyGames, which made Dragalia Lost with Nintendo, so it could be pretty good. I’ll put more time into it soon and find out if it’s the one for me.
I’ve spent the last week thinking about this comment made by a follower on Twitter and the dark energy that surrounds it: “Everyone is just waiting for the gacha made just for them.”
The gacha game that grabbed a lot of new people was 2020’s Breath of the Wild-esque Genshin Impact. The gacha game for me is, apparently, World Flipper, a pinball RPG that had its “global release” this week.
Apple gear stuff
I’m writing this week’s update from a new MacBook Air and boy is it nice to have a full-sized keyboard again! The last Mac I bought was an 11″ MBA back around 2011, as a complement to my iMac at the time. Big mistake, trying to have two Macs; it hardly got any use and was eventually handed down to my mom.
Then I went down to zero Macs around 2017, my work laptop aside. It was with the advent of the Files.app on iOS and the sufficient stability of iCloud Photo Library that it became semi-feasible to use an iPad as one’s main computer. Now and then I still relied on my work laptop for a few tasks that you just can’t do on an iPad, e.g. updating firmware on external devices, using Calibre for managing a library of ebooks, web apps like Figma or Miro that don’t perform well in Mobile Safari.
Over the past couple of months, I started to think about getting the cheapest, most basic MacBook later this year or next for infrequent personal use. But it was not a priority or a pressing need — I really enjoyed living off an iPad, perhaps masochistically. Then an opportunity to get a good deal on the M1 MBA suddenly presented itself ahead of schedule (thanks, Robyn!), and I found myself saying okay before I could overthink it.
I understand that many reviews rate the M1 MacBook Air a great computer, but I haven’t read any of them because I’d “left the Mac world”. So I wasn’t really ready for how amazing this is, especially for a base model, which doesn’t feel compromised to meet a price target in any way. It feels more capable and responsive than the top-end 16″ Intel MacBook Pro I was using just months ago.
As a result, I find myself using it more each day than I’d planned. Theory: the device with the biggest screen mentally becomes your “main computer”. And the windowing UI of a Mac just makes it natural for you to sit down, get comfortable by getting every app and document open, and then watching hours disappear just goofing off. The iPad’s multitasking limitations kinda protect you from that by requiring conscious intent at every turn.
Of course, it was also the week in which the device with the second-smallest screen got updated, and in my opinion these new iPhones are meaningful updates. Certainly the XS was the slightest and maybe the worst value, and I got one that year even. But most years I go through this dance of setting out to resist upgrading — last year was an exception because I’d been waiting years for a return to flat edges — and then the FOMO increases hourly until pre-order day where I inevitably capitulate. The same happened this year (13 Pro in Silver), and I’m now resigned to just being that fool, that insufferable self-debater, that joke of a justifier, balancing insincere buyer’s remorse and tainted consumer delight in a joyless game of self denial. I should stop getting in my own way and just sell the kidney with a smile from next year on.
On Tuesday, I watched with some interest as El Salvador became the first country to accept Bitcoin as legal tender. There were videos online of people paying with Bitcoin Lightning at major brands like McDonalds and Starbucks; small purchases going through quickly and with virtually no fees. It seemed as good an experience as paying via GrabPay or PayLah or any of our local solutions, only with no intermediaries and using an alternative monetary system. How many years till we can do that anywhere, I wonder.
No new NFT purchases, but about a year ago we bought some art for the home and had them all framed. Because we never got around to putting nails in, they’ve sat against the walls until this week when we had someone come by with a power drill. It’s kinda weird to see them not leaning against the walls, to be honest.
Ricoh surprise-announced a new model in their GR series, which I love intensely. The GR IIIx is the first to not employ a 28mm (35mm equivalent) focal length: it’s 40mm instead, and I think it might just be the Goldilocks choice for any trip where you just bring one compact. Tight enough to get capture points of interest with some background blur, and still just wide enough for some landscapes. Or else there’s always your smartphone.
What I like best is that the new focal length gives my aging GR (first-gen APS-C model) a reason to keep existing. They don’t have to compete. I got it out of the drawer to take a few shots around the house and remembered how great it is to use in the process.
On Saturday, some friends came over for dinner and Howard brought his Oculus Quest 2 along for me to try out. I’ve lightly considered getting one as a couple of colleagues have it too, and during the 9.9 sale on Thursday the realization that a Quest 2 goes for the same price as a new Nintendo Switch OLED helped me to back down from buying one of the latter on Lazada. It turned out to be for the best, because I found that I can’t fit my glasses into the Quest 2 at all, and my large head doesn’t make things any easier. If I were to get one, I’d have to spring for a spectacle spacer and a bunch of other accessories.
Michael published his Weeknotes first, which reminded me that The Matrix Resurrections trailer dropped. Kim hadn’t seen any of the films, unbeknownst to me, so we watched the first two over the weekend. The first one still holds up, of course, but while I had no problems with Reloaded back in the day, I didn’t retain any strong memories of what the plot was about; just the spectacularly overblown fight scenes. Seeing it again now, especially with the help of subtitles, I think I finally got what it was going for. Not that it’ll redeem Revolutions for me, which I hated so much for not doing justice to the whole set up (I really bought into an online theory that Neo was an AI/human hybrid meant to bridge the two sides, which explained why Keanu was cast — he’s intentionally wooden!) But hey, maybe I’ll like it this time!
If you’re describing burnout as something that can be fixed with a vacation, that’s not burnout.
Burnout lasts months (or years, or forever) and fundamentally affects your ability to deal with life.
This tweet helped me to see that it does take longer than you’d think to disconnect from work/overwork. I thought I’d gotten to a good place in just a couple of weeks, but looking back, I’ve been giving myself a hard time about not being productive enough, not doing enough each week to learn new things, or start new hobbies, or have enough fun — and all of that is a psychological holdover from the rhythms of work/overwork. I don’t know if I can label what I feel/felt as burnout, so I’ve not used that term very much. But I did aim to take a break and be intently relaxed. It’s only now that I’m finally beginning to BE relaxed about it, as opposed to relaxing on demand. So that’s it for now. I didn’t do a whole lot. I may not do a whole lot next week. It should be fine.
Am not really in the mood to write a post this week and have been playing music and shuffling around the room for half an hour to avoid it. I say this as acknowledgement that it’s not always fun or easy to keep traditions up, but we often do anyway. Even if nobody cares whether we succeed or not. We’re simply accountable to our own past decisions and future retrospectives.
Rather than continue reading Firebreak this week, I looked into a few topics I’ve been feeling ignorant of: what’s going on with social tokens? What do people mean exactly when they say “metaverse”, since they can’t literally imagine it’s Snow Crash, (insert Princess Amidala face) right? And how exactly do NFTs and proprietary platforms fit into the theory of a unified metaverse? I’ve still got lots to learn about both, but I found this account of large European football clubs participating in Socios very surprising; I had no idea the tokenization of entertainment franchises was already a reality for some football fans, and it makes sense that this would be a much smoother gateway to digital assets for most people than cartoon animals trading for thousands millions of dollars. On the metaverse topic, I found this 9-part essay by Matthew Ball that was recommended by many to be an enjoyable and very helpful read.
Twitter updated their design language, changing the font I look at for hours each day. I think I’m already used to it. To the chagrin of many users on my timeline, they also flipped the logic behind displaying buttons as either filled or outlined. It personally didn’t bother me past the first 30 seconds.
I then had a brief conversation with some colleagues who build out design language systems for digital products. It occurred to me that teams today already have their hands full managing 2D screen-based designs, and the transition to an XR spatial future will probably explode the complexity of design systems as they are currently defined, and call for the further melding of multiple domains like branding, architecture, industrial/interface/interaction design, accessibility, visual communications. It might be an opportunity to tear up much of the bland, homogenous work we see now. I see this as a challenge for anyone recruiting to do design for enterprise/late-stage products. Who’d want to keep fiddling with round rects when the most interesting work is just around the corner?
Now that some Beatles’ remasters are available on Apple Music with Dolby Atmos, I listened to Abbey Road and Sergeant Pepper’s on my AirPods Max. Never mind if it’s wrong; they sound so right. The spatial separation of each instrument helps you better appreciate what they did on those albums.
Amazon Prime Video somehow got worldwide rights for all four Rebuild of Evangelion films, including the newest installment which never got a chance to screen here. I’ve been eager to see it, but there’s just so much homework to do first. I wouldn’t call myself a fan, but I saw all three previous Rebuild films in cinemas starting in 2007. They are now just an ancient, jumbled mess in my memory. Online guides recommend watching the entire 26-episode TV series on Netflix first, followed by the original movie, and THEN the four new films which are do-overs (but also maybe part of a meta-textual narrative on repetition and iteration?!) I decided to jump straight into the new films first, and pick up with the series on Netflix where I left it midway later, maybe.
I’ve now seen the first three. What a depressing and senseless and infuriating but beautiful journey so far. One left to go, and it’s supposedly the best one. I’m lost half the bloody time. 3.0 in particular is a cautionary tale of what can go wrong if you don’t get crisis comms to survivors right, and they end up becoming your enemy. It’s PR training in pretentious anime clothes.
You can’t be watching sci-fi biomech bible allegories all the time, so I also saw two Liam Neeson action films this week: The Commuter and Non-Stop. The former is about an ex-cop who has to play a bit of sleuthing on a train, and the latter is about an ex-cop who has to stop murders on a plane. They’re both by director Jaume Collet-Sera (who’s just done Disney’s Jungle Cruise) and I find their existence fascinating. He’s done two other films with Neeson, Unknown and Run All Night and I don’t think life would be complete without seeing them too.
This week was partially lost to the lasting side effects of my second vaccination. I spent several days feeling ill, fragile, and tired. There was a local case of a teenager who experienced cardiac arrest while exercising a week after his first dose. So when I had to move the couch a little on Wednesday and it caused my heart rate to spike again, I just elected not to exert myself at all afterwards.
I didn’t have any coffee for about four days, which might have made the headaches worse. I didn’t have any alcohol for seven. Probably the longest stretch since the pandemic began.
Felt like the perfect conditions to finally get started on a visual novel, so I’ve begun Root Film on the Switch. I played the (narratively unrelated) Root Letter years ago on the PS Vita, and it was a shoddy game. This one’s much better. It’s got great atmosphere and vibrant, lovely artwork, with almost all dialogue fully voiced.
Nintendo also announced a new Switch model that appears to address my main gripes with the original: the awful, dim screen and poor battery life. The latter was already “fixed” with the silent gen 2 upgrade over a year back, but now we’re talking OLED. I may be tempted when it finally gets here, provided the markup isn’t extreme.
We were meant to visit Gardens by the Bay for a walk and to see the Chihuly exhibition, but since I wasn’t feeling up to it, we settled for the new Fast and Furious movie instead; our first time in a cinema since you know when. Hey what do Apple and F9: The Fast Saga have in common? Most of the people we used to like are gone, a successful formula is followed all the way to the bank, and they’re just obsessed with magnets.
I’ve been coming up with lame standup routines in the shower. What do you call sexist jokes? Classical humor.
During the movie, the sole of my barely worn New Balance sneaker damn near came off. I had to hobble home to avoid it falling apart in public. I don’t get why shoes do that when you wear them a few times and then leave them in the cupboard for a couple of years. The glue disintegrates? Does that happen if they’re unsold in a store too? Anyway, managed to find a new pair of Nikes in my size on their official Lazada store, which used to be almost impossible. Feeling good about my future shoe needs.
Pushing our luck even further with the going out, we had dinner at an izakaya over the weekend which, as many others have noted, feels really weird now with the ruling that no music should be played in restaurants (to keep people from speaking loudly). It was… libraryesque. One more reason to choose outdoor seats.
Went out just once for leisure purposes; we’re in partial lockdown after all. Saw an exhibition of Chinese ink paintings by Chinese-Singaporean artist Cheong Soo Pieng.
After 35 hours of virtual oden eating and street thug harassment, I finally finished Judgment on the PS4 with most side cases solved. I usually don’t enjoy tonal inconsistency, but I can’t get enough of how the Yakuza games (I include this one) just jump from serious melodrama to comic absurdity. You can be searching a murder scene for clues but also follow the sound of mewing to find hidden cats for bonus points. Some PI cases have you spying on suspected criminals, while others have you hanging expensive lingerie up on your roof to bait a local panty thief (who uses a drone). I can’t wait to revisit these characters in the sequel later this September.
Also finished watching all 24 episodes of Steins;gate 0 at 1.25x speed. I think I would have enjoyed it a bit more had I remembered the ending of the first series a bit better (it’s been a decade). So the ending of this was an anticlimax because I didn’t follow how the big problem was being solved — tying up time travel loose ends is more work than usual.
We finally saw our last remaining episode of Izakaya Bottakuri on Netflix. It’s a rather corny and harmless Japanese drama about two sisters who run a little izakaya they inherited from their parents. Most episodes involve a regular customer’s backstory and some closeups of food being fried. The one noteworthy thing about the show is how every episode has a character describe their beverage’s selling points in great detail: usually a domestic craft beer, or regional sake made with some special process. After the end credits, the lead actress comes back to hold up the bottle and talk about tonight’s alcohol selection. It’s blatant content marketing, but I am quite alright with the idea of a TV show bankrolled by booze companies!
I enjoyed Guy Ritchie’s new film, Wrath of Man, which stars Jason Statham in the kind of badass role he’s perfected over god knows how many similar outings. But it’s probably one of his best. I appreciate what Ritchie brings to what would otherwise by a straightforward heist and revenge story: heaps of style and chronology jumping for the hell of it.
Of course, it was also WWDC week. No new hardware products, but the curtain came back for iOS 15 and while there aren’t any big, must-have features to look forward to, some very nice quality of life upgrades all around. I’m especially looking forward to quicker on-device Siri, tags in Notes, and more intelligence in Photos. iPadOS could have gone further and pushed the new M1 chips with pro-level apps or even a goddamn calculator, but all we got were the long-awaited cleanup of the multitasking interaction model and free placement of last year’s widgets, plus everything else new on the iPhone side.
I may be remembering things wrong, but there wasn’t any news on the Apple TV apart from spatial audio support, and watchOS is just grinding out more of the same, expansion pack style, with new workout and mindful activity types.
Spatial audio is quite a big deal, though. I recently watched some Dolby Atmos enabled videos content on my new iPad with AirPods, and it really works. With the launch of Atmos music tracks on Apple Music this week, I spent some time listening to old and new tracks to put it through its paces. I tend to agree with everyone who’s observed that the rock music examples are generally terrible, and the effect works best on jazz and classical music — where even studio cuts usually strive to reproduce the context of a live performance. The new spatial remixes of vintage jazz records have more atmosphere and you can point around you to where each player seems to be seated. Perhaps it’s like colorizing old photos, gimmicky and impure to some, but bringing them closer in space and time nonetheless. I think the technology is a positive development.