As a careful handler and frequent upgrader of iPhones — I joke that it’s one of my few excesses, and if I get hit by a bus, I don’t want one of my regrets to be that I’d spent the last 11 months tolerating the old model — buying AppleCare+ has been a waste of money. I pay for two years, only use one, and don’t actually use it because I never put a scratch on it.
This year, I discovered thanks to my friend and colleague Henry that Singapore has also implemented the ability for you to cancel your AppleCare+ plan at any time and get a pro-rated refund. In other words, pay only for what you need. This change happened a year or so ago in the US, but I assumed it wasn’t ever coming here (like the HomePods). So I was able to end my iPhone 12 Pro’s coverage with just a phone call.
Afterwards, I managed to sell my iPhone without having to deal with hagglers and trolls on Carousell (local eBay equivalent), or going around to used mobile phone stores and negotiating with them. Reebelo.com literally brings those merchants to you. You specify the condition of your phone/tablet, and get an instant quote from one of them. Set a date and time, and someone will come to your doorstep with cash (there’s still a bit of haggling as they will invariably find a scratch you never noticed before).
Last week I mentioned succumbing to a new “Nintendo Switch (OLED model)”, which, hand on heart, is its official name, which should tell you something about the migration process to expect. It is NOT an elegant or lovable user experience. There will be no plug-and-play on Christmas morning with Nintendo at the helm; I spent over an hour individually transferring each user profile over wirelessly (although they were already on the removable SD card), and then redownloading all the games over the internet (already on said SD card), and then manually downloading a separate app onto both systems just to transfer Animal Crossing’s saved data over (yup, SD card) because it’s just a special game don’t you know. Obviously I’ll draw a link to restoring a new iPhone from iCloud (the Switch actually has cloud backups of all save games!) and how comparatively easy that is.
The OLED screen is unbelievably, eye-searingly vibrant, and while it’s definitely an improvement over the muddiness of the original Switch’s screens, it will take some getting used to. It’s made by Samsung, and maybe having that knowledge is making my brain go “yes, the saturation does sort of remind me of using a Galaxy phone”.
I’ve been playing Tetris Effect: Connected, a game I already bought once for the PS4, but Tetris has such history as a handheld game (especially on Nintendo platforms), so it had to be done.
Despite all the wallet emptying or maybe because of it, I’ve really appreciated being funemployed this week.
TV-wise, we binged the new season of Love On The Spectrum on Netflix, a reality dating show following people with autism, started on the new season of You, a dark comedy-drama following a romantic serial killer, and continued watching Seinfeld, a period sitcom following a politically incorrect group of friends through romantic misadventures.
I’ve been slowly taking in Godzilla Singular Point, an anime series on Netflix that seems to be slowly making its way (reluctantly?) to a story that must have Godzilla in it at some point, driven by an interesting cast of human characters and one adorable AI assistant in cartoon dog form.
I said last week that I wouldn’t end up buying an NFT, but that’s exactly what I’ve gone and done. Two, even. I’m classifying the associated costs as educational, along with all the time I now spend looking up and absorbing blockchain-related knowledge. Upon reflection, this area probably constitutes the largest and most meaningful use of my time so far during this sabbatical; something I wouldn’t have guessed at the outset.
Since people like to display their NFTs, I’ve added a separate page on this site for them, which you’ll probably see in the navigation bar somewhere above. Speaking of which, I’ve also cleaned up the Sidebar/About section and made a separate page for navigating the blog archives via search, categories, tags, and all that.
I’ve been listening to Donda, taking it in and feeling kinda sorry for Kanye. Then Drake’s Certified Lover Boy came out this week and it was like easy listening. The first playthrough was smooth, kinda enjoyable, and unchallenging. It felt like relief after Donda, and so I thought I liked it better. After listening to them both again, I think Kanye has created the better work, patchy and weird as it is. As of this minute, the leaked track Life Of The Party still hasn’t been officially released, so I’ll be waiting for that.
Meanwhile in the UK, Dave’s just released his second album, We’re All Alone In This Together, and I urge you to give it a chance. The song Clash with Stormzy and In The Fire (which features a Giggs verse with his classic flow) are particular standouts.
TV-wise, I’ve been watching a rather good Chinese anime (can you say that?) series called Link Click which has a novel gimmick where one of the protagonists can sort of time travel into the past, provided he has a photo of the scene. He then inhabits the body of the photographer for a short amount of time: the window in which they have to solve a mystery or obtain some information.
Similarly titled but nowhere as fun is Netflix’s new series Clickbait starring Adrian Grenier of Entourage fame, which we binged over the weekend. Okay it’s not bad, and if you like having the rug pulled out from under you every other episode, then it’s a fine way to spend some time.
I’ve started playing Beatstar, a mobile music/rhythm game on iPhone by Space Ape Games. It will remind you of Tap Tap Revolution from the early days of the App Store, but is possibly even better than that. I learnt about it on Twitter from following @xndra who happens to work there — follow her for mobile gaming-related content.
The week passed without much direction, pockets of time invested in various pursuits without any idea of their worth or contribution to a larger whole, psychologically enjoyable but with an undercurrent of guilt and worry. In other words, I’ve been a lousy bum.
The existence of a Gossip Girl reboot for today’s teens would make any Millennial feel old, but it… feels like it’s written by one of us? That’s not really a compliment. So while it’s trashy fun with scenes that would have been shocking on TV 20 years ago, the way it tries to incorporate current social media and cultural trends, and how it sounds while doing it, feels inauthentic. Haha, here I am complaining that Gossip Girl doesn’t feel real like it used to. I mostly spend every episode trying to figure out who each actor resembles most.
On Monday evening we took a walk in the neighborhood. By Tuesday afternoon, many of the homes we passed would have been flooded up their driveways. It was the single heaviest day of rainfall in any August ever, I believe the news said. It was a normal August’s entire month of rain in a single day. As apartment dwellers we were unaffected, but watched online videos of overflowing canals and mall basements in borderline horror. (It’s now the following Monday morning and we’ve got reports of flooding around the island once again.)
For much of the week, I was looking forward to Friday for the (re)release of Asphalt 8 on Apple Arcade, with all its in-app purchases removed and replaced with a more traditional “premium” progression model. The game is 8 years old now, but it looks just fine and is still being played and refined regularly — the free-to-play edition was updated last week, so it must be doing good numbers. As I said in a review I left on the App Store, this is a welcome return to Asphalt’s roots, as anyone who played its original incarnation back on the Nintendo DS (Wikipedia) would know. I paid $60 for it then, which was roughly a dollar per polygon.
It’s a testament to Gameloft Barcelona’s work (or my degeneracy as a gamer) that I can be literally sitting in front of a PS4 and Switch but spend hours playing a mobile racing game on my iPad instead.
The next Apple Arcade release I’m looking forward to is yet another Nintendo DS revival: Zookeeper World. If you haven’t had the pleasure of playing Zookeeper, it’s essentially an animal-themed Bejeweled with a sort of blocky pixel art aesthetic, cheap but lovably annoying tunes, and a multiplayer mode where you mess with your opponent’s vision. This was also a $60 game back in the day, and I remember playing it to death in university on my DS Phat. It was such a blast that several of my non-gamer housemates ended up buying DSes just to play Zookeeper!
At the week’s end, I hung out with some friends at a cafe all afternoon and discovered with the help of my HiCoffee app how it feels to exceed the recommended amount of caffeine in a day: pretty fucking awful. I had what felt like a coffee hangover the next morning and had to cut down to a single shot for the day.
Tech-wise, I spent time looking at NFTs and being tempted to do something stupid (pretty sure I won’t) and getting my feet wet in the Terra ecosystem. In particular the Anchor and Orion projects, which enable high interest rates for savings, of around 19.5% and 13.5% pa respectively. To use Anchor, you’ll have to set up a Terra wallet and deposit UST (their USD stablecoin), but Orion makes it easier by bridging your Ethereum stablecoins like DAI/USDT/USDC over to Anchor while still returning higher rates than anywhere else. I think they’re incredibly interesting and worth looking into if you’d like to experience something that sounds too good to be true but actually seems to work. This is not financial advice, of course.
Now if you’ll excuse me, Donda (Apple Music) just came out and needs listening to.
There’s a spot on the carpet where I like to sit most days while watching TV or using the iPad, and it’s gone flat from my lounging about. At the start of the week, I told myself I’d play the hell out of Neo: The World Ends With You, which I was once so excited for. I didn’t even start it up once. So I guess now’s not the time.
Tetris Beat on Apple Arcade (App Store) did come out, and my hopes were extremely high for a Tetris game set to music, dependent on players dropping tetrominos to the beat. Unfortunately it still needs some polish: there are sync and calibration issues for players transitioning between speakers and wireless headphones; UX gaps; and poor support for iPad and iPhone users with controllers. Even the basic touch and slide controls don’t feel just right. I’m hopeful that it’ll get better with updates.
I finished watching the new Evangelion movies with 3.0+1.0 Thrice Upon A Time (Amazon Prime Video), which was easily the best of the series. I think it works and transcends its “flaws”, of which there still are plenty, because Anno finally found the will to contrast heaviness with a hint of joy and kindness. Afterwards, I sat through the credits in emotional shock, and immediately resumed my stillborn viewing of the original NGE series on Netflix. Still making my way through those.
Lorde’s new album, Solar Power (Apple Music), is finally out. I avoided hearing it for the first couple of days, afraid that it would let me down. Now on my fourth playthrough, and happy to report that I love it.
Also discovered this song from Asian American rapper Miyachi, which utilizes the Family Mart audioweapon jingle to great effect. Also check out his new single Chu-Hi (YouTube), about the joys of Japanese hard seltzers, and his street comedy (?) series, Konbini Confessions, which seems to be an elaborate promotion for the song.
For what feels like ages now, I’ve been reading Firebreak by Nicole Kornher-Stace. This week I made it past the halfway mark. It’s alright but goes on for a bit longer than it needs to for such a thin storyline. It’s world building, I suppose, but this sort of caricaturized capitalist future where supersoldiers fighting an eternal corp vs. corp war are turned into marketable BTS-type idols that everyone loves and buys merch for, even after they die, doesn’t really need or stand up to this much exploration imho.
I drink coffee daily, and at night I think about waking up the next day so I can drink coffee again. This Friday’s App Store refresh highlighted an app called HiCoffee, which tracks your caffeine intake, visualizes how much is in your system at any time, and whether it’s at risk of disturbing your sleep. For those who remember Jawbone’s wearable UP trackers, they used to have a complementary app called UP Coffee that did something similar (The Verge). Despite my miserly ways, I happily unlocked the premium functions for S$10 just because it’s very nice work. There’s a host of iOS widgets and Apple Watch complications for displaying your caffeine levels, and the built-in coffee database has info for all of Nespresso’s pods, Starbucks’ drinks, McCafe, Dunkin, and many more.
As if to confirm my beliefs, the universe or its algorithms then delivered me this excellent Guardian article on caffeine and its effects on the body and society. It’s got some interesting bits, like the history of coffeehouses in the UK, and the insight that maybe the rituals of consuming caffeine lend an unconscious order to how we tackle our work throughout the day, ebbing and flowing between focused and creative work as it wears off.
Prompted by a friend’s reports of how well their investments in the Luna token were doing, I looked into the Terra ecosystem out of Korea and was impressed by its vision — insomuch as someone with little background in economics can certify a financial flywheel logical and brilliant. I don’t know what I don’t know, but it sure looks good to me.
The universe struck again and I found myself out to Korean BBQ the next day with some colleagues, where we drank a beer called Terra. Afterwards realized it was my first time eating out in more than a month: dining out was forbidden back in July, and then full vaccination became a prerequisite for entering restaurants, and Kim only recently got her certification. The initial moments were a little disorienting. As many have already observed, you can indeed forget how to sit across from a group of people and eat together. Thankfully, I didn’t know I missed it till now.
Kim left quarantine and got the all clear this week, so I’m getting used to living with another human being in the house again. It mostly means that I can’t listen to the new albums out this week without carving out some time and sitting down with headphones on. I’m curious about the new Nas and how the Atmos mixes of Abbey Road and Sergeant Pepper’s have turned out.
The Tokyo Olympic Games have come to an end and this might be the most Olympics I’ve ever watched and the one I’ll remember best on account of the circumstances. I certainly don’t remember any of the earlier ones very well.
To acknowledge the occasion, I thought I’d read some Japanese lit again. This week I finished Breasts And Eggs, which was a bit depressing, and made the decision to immediately move on to Tokyo Ueno Station, which was also quite a miserable exertion, and coincidentally, written in protest of the 2020 games. Luckily, it only took another hour or so to get through.
I considered making it a trilogy of Japanese melancholy, but went for Firebreak by Nicole Kornher-Stace instead. I wanted some sci-fi or anything with a pace and high stakes conflict really. I’m now about 25% through it and my Kobo reckons it’ll take me another four hours to complete. It’s… not bad. A solid 3-star novel at the moment. It describes a familiar dystopian world where we’re all short of essential supplies, living in high-tech slums, plugged into VR for hours, with corporations ruling the world and waging war against each other. What it does differently is ask you to believe that streaming as a career is still viable for these broken future people, more viable really, and that corporately owned, scientifically engineered super soldiers can not only be celebrities with product endorsements and merch, but even their AI-controlled NPC avatars in the MMO game can. Getting a glimpse of them in the virtual world is as big a deal as in real life. That’s the part I’m struggling with instinctively, but I should know better. Let’s see how the next generation, who will undoubtedly be raised on virtual art, property, and goods, approaches this scenario.
Gaming wise, I’ve only been regularly playing Call Of Duty Mobile and a crappy ad-ridden game called Solitaire Cruise (I think). I just want a nautical themed solitaire game. Years ago, when I was in the military and had hours to kill each day and only a very weak administrative computer to do it with, I played a tiny Windows game called High Seas Solitaire like a form of meditation. It was a vehicle for banner ads from a company called Zapspot but I didn’t care. It had peaceful wave sounds and a few squawks from birds, and stacks of cards you had to clear, tripeaks style. I just want that back in my life but I’m not going to buy a PC to do it.
Over the weekend, we had occasion to eat a very rich delivery dinner from one of Singapore’s best restaurants, and put together a true crime marathon on Netflix. Sophie: A Murder in West Cork and Jeremy Epstein: Filthy Rich, both about horrible crimes committed against women, both unsettling and frustrating; effective arguments against ever going out or trusting other people again. My kind of television.
Let’s start with games; skip this if hating on games is part of your identity. I spent way too much time on Call of Duty Mobile this week. It’s the mobile game addiction I’ve always been searching for, but not the one I expected: all stupid guns and camo instead of illustrated gacha. The new season has started and I’ve already cleared half through the Battle Pass objectives which are meant to last all month.
A couple of weeks from now, there’s gonna be some sort of new undead/zombie survival game mode that I’m looking forward to. Call me old and an MMO noob, but games with timed events and “seasons” are fascinating. I’m used to being able to play any level or mode you want once you’ve bought it or it’s been released. But here, in Fortnite, and I’m sure many others, the principles of live broadcast TV have been co-opted to create time-limited community experiences. Is this how the metaverse works? 🤪 I’m into it though (while acknowledging Episodic Everything calls for a huge time commitment).
I don’t know who this might help, but do not go into Nintendo’s Famicom Detective Club games with high expectations. I got Game #1 of 2, The Missing Heir, and was thoroughly disappointed. Specifically, I wrote down “what a crock of shit” in my notes. I ended up finishing it with the help of a walkthrough just to have it over with.
These are game designs from the late 80s, remade with all new graphics (honestly good), but the core gameplay and writing survived for this first-ever release outside of Japan. For historical reasons, I can see why they did it. But nobody really needs to click through obtuse dialogue and travel-to-location menus over and over until some new option gets unlocked, not in 2021. I would have preferred if they went for a linear visual novel with less interactivity. As things stand, it was a dated, painful experience and I’m glad I didn’t buy the two-game bundle.
In anticipation of playing NEO: The World Ends With You which just came out, I started watching the anime adaptation which covers the events of the first game. I wasn’t expecting much because other such series have suffered from cutting the story down too much, or low budgets, or the inability to translate an action-oriented game to a different format.
Wow, this one seems to be an exception. It’s all here, the stylish character designs, graffiti and hip-hop inspired art direction, and even new mixes from the soundtrack. The battle scenes are actually dynamic, three-dimensional, and inventive. It captures the excitement, look and feel, and atmosphere that the old Nintendo DS game implied and articulates it. If the new game is anything like this, I can’t wait to get started.
(The post title is a reference to this song from the original game.)
Otherwise, lots more Olympics. If I just tune into some live event, that’ll be a couple of hours evaporated in mushy minded sloth. It’s too easy to have it on and kinda pay attention. Michael C. mentioned in his last weeknote that he’s a conscientious objector to the games on account of the public health hazard and incompetence surrounding Tokyo now. I’m not joining in solidarity, but since I’ve started watching them I’ve developed an opposition to certain events because they are just unnecessary suffering, especially in the Japanese summer heat.
Take weightlifting: why do we need to see men carry the equivalent of 10 fully packed travel suitcases above their heads? Someone lifted 226kg today. His knees were wobbling. I saw several bruised and swollen knees being iced, actually. Their elbows probably pop out all the time. It’ll be wheelchairs and discount vodka for many of them in their later years. Do we need this? Why isn’t Russian roulette at the Olympics then? I’m sure it’d be a hit.
Did I do anything productive? Erm… I took some photos (without leaving the house)! We get some nice sunsets in my area, and while this example was far from the best, I decided to get a camera out and play with some RAW processing on my iPad. I got some shots over an hour and a half and made a collage.
Also got back to some 3D modeling in Dreams, but discovered my brain is currently not wired to do it very efficiently, so I’m in for some painful neural trench digging over the next few weeks.