We had some massive storms this week, he said interestingly. And apart from a lunch out with my parents where my lack of dialect reading ability led to me confusing a fish noodle order with the beef noodles we really wanted, it’s been mostly a passive (media consumption) week outside of work.
Oh, and I changed this blog’s theme, for those of you reading outside of the RSS feed.
I read Emily St. John Mandel’s Station Eleven, which has been on my Goodreads shelf since 2017. It took the better half of a day this long weekend, and I mostly could have done without it. Minor spoiler alert. I found it too derivative of many other post-apocalyptic survival stories, with the added belief-suspending flaw of having most characters improbably linked. There’s even a significant portion devoted to survivors camped in an airport, which reminded me too much of Douglas Coupland’s Player One which I read last year and also rated two stars to.
As a palate cleanser, I’ve just started Neal Stephenson’s The Diamond Age and I already have no fucking idea what I’ve gotten myself into. Which is to say I’m loving it.
Apple Arcade took a big leap forward and this new content direction feels like the next step in Arcade’s evolution (or the last, if you’re cynical and think that Apple would retire something that wasn’t performing — they’d cancel a HomePod but would they cancel a service?)
I spent about an hour with FANTASIAN, the new game from both the creator and composer of Final Fantasy, which is a huge coup for an Apple exclusive. It feels on brand as hell for them, so I don’t expect to see it through to the end (never have), although it’s quite beautiful. We also played SongPop Party for awhile, and it’s good fun. I’m also looking forward to trying the new Star Trek game, and Platinum’s World of Demons, which was cancelled in beta years ago and then secretly revived for Apple Arcade. Oh, and Taiko no Tatsujin! And CLAP HANZ GOLF! And The Oregon Trail remake! There’s just so much.
While checking out one of the larger streaming service’s overseas catalog via ah… VPN, we discovered Gogglebox, a UK reality show where you watch people watching TV. It’s brilliant. On one hand, it condenses an entire week of British news, drama, and game show programming into an hour-long highlights reel of just the best bits. On the other, you get entertaining commentary from groups of friends and family sitting in their own living rooms — entertaining on account of their reactions (sarcasm, ignorance, delight, horror) and their individual relationships and stories which slowly become apparent to the viewer. It’s like the Terrace House panel, but for regular TV, and I can’t get enough.
Two albums on rotation this week:
The Shave Experiment EP by Q is falsetto-laden, lofi R&B with lots of electric guitar and analog effects, which is hit and miss for me most times; I can’t stand some Steve Lacey, but kinda liked Omar Apollo, etc. Q’s take on it seems to be right in the sweet spot for me.
Promises by Floating Points, Pharoah Sanders, and the London Symphony Orchestra defies categorization. It’s a somewhat-minimal piece of ambient or jazz music lasting 46 minutes, in 9 movements, centered around a saxophone, with occasional strings and other sounds, held together by one single gentle piano riff that just repeats throughout the whole thing like a mindworm.
We put the Disney+ account to use this weekend by trying out a bunch of TV series that we’ll probably never resume, including The Orville (surprisingly high production values, but not very funny and a little time-wastey) and Empire (starting with the first season from 2015 is rough, it feels dated already). I also gave in and decided to give the Mandalorian a go. At least it looks expensive AND new.
Did I mention that we’ve started watching a derivative medical drama on Netflix called New Amsterdam? It started as mindless background TV, but its relentless (and satisfying) crisis-drama-relief formula exposes the gaps in pacing and focus that “better shows” have. Having spent most of her life watching series like this has given Kim the ability to call out all the plot points before they happen, whereas I’m still surprised by most of them. It’s seriously spooky, and I recommend her if any screenwriters need a consult.
Nothing’s too small to mention, so I’ll say that 7-Eleven Singapore has created a chicken katsudon onigiri which is a monstrosity I suppose, but it’s also quite good and the first onigiri they’ve made that’s good enough. It’s one of those round ones, topped with a NOT-OVERCOOKED layer of fried egg and onion, with a chunk of fried chicken in the middle.
The week was nothing to write home about. I went for one long evening walk that produced a couple of photos worth keeping. I had a little time for a triumphant return to Call of Duty Mobile. I heard the new songs from Utada Hikaru and Rosé and they didn’t knock me out. But thanks to the YouTube algorithm, I discovered a CALCULATOR COVER of Utada’s “One Last Kiss”, and the creator’s channel is full of them. When tech companies talk about unlocking human potential and ingenuity, I hope this is the sort of thing they mean because it’s awesome.
“I’m looking forward to … reading a whole lot next week” — said everyone who ended up doing nothing of the sort. Hopefully I’ll get around to it in the first few days of next week while I’m still on vacation time.
You know how you try to avoid visiting the part of town where your office is on weekends and public holidays? It’s tainted ground; a place where neither levity nor leisure can survive within a kilometer’s radius of your desk until years after you move on; a commercial real estate Chernobyl invisibly blackened by exposure to Outlook and your own psychic stress. Well, I’ve got a leak of that sort in my upstairs study where I now work from home. I’ve found myself not wanting to even look at its door this week. It’s funny. Maybe I need to rent another place to live.
One thing we did manage to do: finish all available episodes of Billions! I love it, because the writing just loves to wallow in its own proud pen of audacious pretension. It’s the kind of show where dialog doesn’t strive to be realistic; it strives to be good.
Not even in the same country, let alone ballpark, but a lot of my week probably went to watching crypto price tickers as if they were live sports I actually cared about. It’s a fascinating hobby. As the numbers go up and down, it’s not unlike a ball being dribbled up and down a pitch, except sometimes there’s a goal and you’re not quite sure whether it benefits your team or the opponents.
It only took three months, but we finally visited Apple Marina Bay Sands, Singapore’s third Apple Store to not sell HomePods. As it was a weekday afternoon, there was practically no queue and we were in within minutes. It’s a lovely space, and probably better experienced on a less cloudy day, at night, and without COVID procautions. But these days I hardly see the need to buy these things in person anyway. They only had a few AirPods Max units out for testing (not sale, as they’re backordered everywhere), and that’s probably the only thing apart from watch bands that I might want to try in person first. Yes, you can return any online order within two weeks, but I think that’s pretty wasteful from a logistics and refurbishment perspective.
I decided to keep my AirPods Max after all. They are just too much of a joy to listen with. I saw the rumor about the cheaper and lighter “sport” version still being in play and perhaps releasing sometime this year, with plastic in place of metal. I think lighter is a feature that should cost more, not less, and if they really maintained the same audio quality in a cheaper AND lighter package, I’d be pretty mad. But I didn’t want to wait around for a product that may never come, so.
One of the weakest weeks so far; it feels like nothing really happened.
But maybe that’s not entirely true. I went out on at least three occasions and met with several people to drink and catch up — in the same week where COVID cases have re-emerged in the community after about 15 days without a single one.
I also learnt about an impressive feature in PowerPoint: Zoom Summary Slides. It’s a sure sign you had a shit week if the first thing that comes to mind when you try to think of highlights is a Microsoft Office trick. I’m really looking forward to the Christmas break, whether it feels like Christmas this year or not.
OH I almost ordered a new M1 MacBook or iPad Air in a fit of irritation with new corporate security policies that prevent my work computer from connecting to any external storage (I just wanted to load a file onto my Kobo e-reader, come on). I calmed down and decided to keep waiting for the A14 iPad Pro.
A couple of loose thoughts: Thanksgiving reunions in the US are almost certainly going to lead to another surge in cases before the holidays. The result will be more fatalities, reduced spending, and a stock market wobble. If I were investing regularly, I might put that on hold and anticipate a corresponding rise in certain digital assets in the same period. But I’m not qualified to give any investment advice.
I haven’t had a really complex or immersive dream in awhile. While recalling some past ones in a discussion the other night, I was reminded of a dream phenomenon that makes no sense and started to wonder if it was a common experience.
It goes like this: you’re in a dream and start to hear a sound that makes sense in the context of the dream. Then you wake up, and realize the sound is actually happening in the real world, but something different. It’s the classic movie trope where someone is kissing their object of affection in a dream and awakens to their dog licking their face.
But how did your brain make perfect dream sense of the sound in real time? For instance, your alarm clock goes off near you, and in your dream you hear it as a school bell, but for what felt like the last hour, that school scenario had already been playing out in your head. Like you’re in a class that’s nearly ended, so it makes sense that the bell rang.
I can only see two explanations: the more impossible one being that your brain anticipated the alarm clock and set up the whole school dream in advance of it happening, and the other is that it hears the alarm clock, and then constructs the interpretation (school bell) and sells the illusion by retroactively creating the school scenario, and backdating your experience of forward-moving time, so that it feels like you were dreaming the school scenario all along. In other words, with the one indisputable marker being the alarm clock in real life, the school bell story can only be made up after the fact, but is so convincingly retconned that you remember living through the whole setup in an instant. I know it sounds like I’ve been smoking something, but if we can construct a reality around us that was always true, doesn’t it mean our subconscious minds already know what it feels like to exist outside of time?
ANYWAY, as a long-time skeptic of Korean television, I was surprised to enjoy season 1 of Stranger (on Netflix), a policewoman and prosecutor buddy format murder investigation show, and can now safely recommend it. Yes, some people still overact the hell out of their parts with dramatic glares, but at least it’s tonally consistent and the two leads are very good.
Here’s a song of the week pick although I only played it once: Awich’s totally straight, non-rap cover of Happy Xmas (War Is Over).
I’m writing this bit in advance. We are still awaiting a definitive result from the US election and yes, full acknowledgment of the absurdity and the “how is this even happening” of it all. I just read an emotional Joe Biden story on Twitter and it killed me. Someone also posted this chat conversation with her mom, a Trump supporter, and it’s truly depressing how easy it now seems to bamboozle people until they’re out of touch with reality. Hopefully by the time I post this, some semblance of the right outcome would have materialized.
Narrator: It has.
Maybe I’m feeling so emotional about it because I’ve just had a 9% alcohol Strong Zero clone from our local 7-Eleven, imported from Japan no less. It might be the same as their house brand chuhai drinks over there, sold here for much more money given that our alcohol tax is so high. The promotion price was two cans for S$11.
Check out this photo, taken with my iPhone 12 Pro. I didn’t have a black backdrop or any other kind of product photography apparatus. I discovered that you can simply do this with Portrait Mode and a kitchen countertop. Miraculous! The quality of the effect is much better than I recall it being before, so maybe this is something the new iPhones’ ISPs have enabled?
I’m still waiting on my Backbone One, which has been in the US Postal Service’s care for nearly 10 days now, with no indication of whether it’s even left the US yet. I get it, they’ve been busy, but I really want to kick more butt in Call of Duty Mobile.
For reasons unknown, I’ve been doing quite well in online CODM matches. My past experiences on console have been the same as any old guy’s: instant death at the hands of children. But for some reason I’m consistently ending games as the MVP and killing at a higher rate than others. Is it fake? Do they put you up against bots that look like real people? Or have I achieved some kind of middle-aged gamer renaissance?
The Playstation store is having one of those sales again, and I managed to pick up Shadow of the Tomb Raider — Definitive Edition for just S$20. It’s the third installment of the reboot trilogy, and I’ve been waiting for it to go on sale for ages. I think it first came out as an Xbox exclusive and didn’t come to PS4 until a year had passed. Alas, my plans to play it over the weekend failed.
Instead, I found a little time to speed through the endgame of Ghost of Tsushima, just to get the end of the story. A really pretty game, but I think I’m mostly tired of open-world action games. In terms of time over value extracted, I’d rather play a linear beat-em-up if the combat is going to be the main point of it. The rest of it is just getting from A to B, and exploration never felt that rewarding. An open-world game should let you feel like you live in it, and just chill or do nothing but in a meaningful way? Maybe that’s why Breath of the Wild felt so different and resonated with many people; just living and surviving in the outdoors was a complete game unto itself, separate from the narrative.
We watched Netflix’s popular new series The Queen’s Gambit over the weekend. I don’t like horror films so I missed her in The VVitch, but from the first moment I saw Anya Taylor-Joy’s wide-set eyes in M. Night Shyamalan’s Split, I’ve been wondering how everyone could just play it so cool while such a face exists in nature. I don’t know that the show could work with another actress; all its scenes of intense concentration and psychological battle hinge on her staring directly into the camera/your soul.
Some weeks don’t feel like very much at all, even if they kept you busy at time. Taking stock on a Sunday and realizing this is a bit like how your brain sorts experiences into Keep/Forget piles while you sleep, I think. Many things happened, few of them really mattered. Forward, onward.
I’ve now twice experienced cocktail bars that are taking reservations and then telling you you’ve got between 90–120 mins before they turn your table over to the next group. This is definitely new to pandemic times and odd to me. If you’re sitting down at 8pm with some friends, you’re just getting started at 90 mins, and very likely to spend a lot more in the 90 minutes after that.
I think it’s related to the current regulation that says they have to stop serving alcohol at 10:30pm. I thought restaurants had to stop serving in general, so we can all go home and drive the chances of spreading infections down just that little bit more, but no! They can keep on serving you food and dessert into the night; it’s just alcohol that has to stop at 10:30pm. Don’t get it. On the other hand, there’s a business opportunity here to just run very nice pop-up mocktail bars that feel like proper nice bars to have a chat, for people who are already well buzzed and ahead by the time 10:30 comes about.
I just bought Cocktail Party, an iPhone cocktail recipe app that hooked me by having a generous attitude. I was searching for some info and came across their website, which has all the recipes out there in the open. If you want the convenience of an app, and the ability to enter what ingredients you have so they can tell you what drinks you might make next, you drop $4 USD. I did it without a second thought, which I RARELY do. I just really liked their business model and approach.
I think this may be related to a certain emotional state I’m in after having watched all 10 episodes in the first season of Ted Lasso (Apple TV+). Everything about this show repelled me when I scrolled by it in the catalog: the fact that it’s an American comedy sitcom, that it involves football (soccer), the name that says nothing, his mustache, the promise of being a feel-good something. But @hondanhon rated it on Twitter a few days ago, calling it “a hundred thousand dollars of therapy that every person needs” and “a striking show for our time”. Now after bingeing the whole thing in a night and a morning, I concur. They’ve succeeded in crafting an uplifting show that doesn’t make you want to gag, around a positive hero who tries harder than anyone possibly could — but inspiringly so.
I must mention the release of Gimme Some Truth, a new compilation of John Lennon’s “greatest hits” on the occasion of his 80th birthday. I spent the weekend playing it any time music was desired, and they simultaneously don’t make them like this anymore and didn’t back then either. The whole affair has been completely remixed and remastered from the original tapes, on all-analog equipment to boot. It sounds impeccable: so much cleaner than the recordings we already had, and some people will have the pleasure of playing Blu-Ray audio discs with Dolby Atmos. I don’t know why Apple Music doesn’t provide surround mixes of select albums that work with the new spatial audio feature of the AirPods Pro. Anyway, read about the album (JohnLennon.com) and give it a listen (Apple Music).