Alexis Madrigal, for The Atlantic:
What emerged from the work is this conclusion: Netflix has meticulously analyzed and tagged every movie and TV show imaginable. They possess a stockpile of data about Hollywood entertainment that is absolutely unprecedented.
Using large teams of people specially trained to watch movies, Netflix deconstructed Hollywood. They paid people to watch films and tag them with all kinds of metadata. This process is so sophisticated and precise that taggers receive a 36-page training document that teaches them how to rate movies on their sexually suggestive content, goriness, romance levels, and even narrative elements like plot conclusiveness.
The data can’t tell them how to make a TV show, but it can tell them what they should be making. When they create a show like House of Cards, they aren’t guessing at what people want.
What a huge undertaking, and a demonstration of Amazon-like patience for a company like Netflix—slowly, quietly, build a long-view competitive advantage in technology and process that becomes impossible for others to copy, and that eventually enables a whole new range of products that are themselves hard to compete with.
This sort of rich metadata is what I’d expect IMDB to have, but a categorization exercise of so much subjective material benefits from the guidance of a single hand, while self-policing committees take much too long.
This Wristband Could Change Healthcare | Monday Note
The corpus of medical observations is based on classic clinical tests of a small number of patients. On the other hand, Jawbone thinks of the UP wristband — to be worn 24/7 by millions of people — in a Big Data frame of mind. Hosain Rahman is or will soon be right when he says his UP endeavor contributes to the largest sleep study ever done.
Monday Note examines the Jawbone UP, which I’ve enjoyed using these past two weeks, and explores its implications for the healthcare industry — the real potential of the device — and why Jawbone has received over $200m in funding from investors to date. You might not like where it’s going: giving corporations more data and insight, quite granular at that, into our lives and health statuses, but the potential for good here is also strong.
As for me, my use is still going strong; I enjoy the knowledge and statistics, and feel motivated to reach my daily activity goal of 8,000 steps (last night, I walked almost the whole way back home from the office and exceeded it by 50%).
End of Day Update: Jawbone has just announced a new API for connecting the UP smartphone app with other services such as My Fitness Pal, Sleepio, Withings (Wi-Fi weighing scale), and the very popular Runkeeper. With the latest 2.5 update, you’ll be able to log runs and other data in UP just by using these other apps the way you already do. Big news, as My Fitness Pal instantly improves the food/calorie database, and Runkeeper should bolster the wristband’s sensors with GPS accuracy.
Jawbone launches an ecosystem for Up | The Verge
Canon Powershot N first impressions: Digital Photography Review
Very intrigued by Canon’s latest consumer product shown off at CES. It’s an almost-square, mint tin-sized box with an 8x optical zoom lens, 12mp resolution, and wireless-N connectivity designed to work with your smartphone. Anything you shoot with it can be instantly shared in the ways you are already accustomed to, and the camera even applies a bunch of artistic filters automatically.
This is an interesting and astute reaction to recent trends in consumer photography: namely, people shoot and share an imagebucket load of photos with their smartphones; the more advanced of these photographers care about and strive to eke ever more quality and clarity out of their daily shots, you even see some happy to carry DSLRs around to get shots exclusively for low-res online sharing; the emergence of middle-ground devices such as Micro Four-Thirds cameras, ultra-thin laptops, tablets (hell, even phablets); and of course, the rapid demise of consumer compact cameras for everyday use, having been deemed too much bulk and inconvenience for too little versatility and quality.
This new PowerShot N cleverly defines a new middle-ground: a more ergonomically sound and high-quality experience than shooting with a smartphone’s camera, with comparable quality and superior portability versus other compacts, whilst enjoying all the connected features of your phone.
British mentalist Derren Brown has done a fair few TV specials, and like the illusionist David Blaine, he started small with entertaining tricks and then started ramping up the scale of his productions, and got a lot of flak for overwrought theatricality and ruining the fun with ever-increasing amounts of required disbelief.
His latest, Apocalypse, isn’t about changing that course, but it’s compelling TV because of how extreme a prank it is, and how it digs a sole man/victim/subject deep into a pop-culture reference we’ve all thought about: a zombie invasion.
The whole show is about convincing one wayward young man that the end of the world has begun, in an effort to shock him into displaying leadership and responsibility. They staged explosions, helicopters, a military hospital for him to wake up in, and more. It’s in two parts on YouTube — I skipped straight to the second last night, which starts with a helpful recap.
Part 1 | Part 2 (videos embedded after the jump)
Continue reading “➟ Derren Brown’s Apocalypse”
See what happened when Fiat’s marketing department decided to speak the language of their customers, sort of.
Link (via @jzy)
➟ Brian Regan: The Epitome of Hyperbole [Netflix]
Really great, profanity-free stand-up comedy. He brings a lot more energy to the stage than Jim Gaffigan, whose shows we also watched a couple of nights ago. They’re both great acts and worth looking up, but Regan’s older material is rock solid, while you can jump straight to Gaffigan’s newer stuff and not miss much.