sangsara.net

Category: Photos

Posts with photo galleries or an emphasis on photography

  • Week 3.24

    Week 3.24

    I have come down from last week’s AI overpositivity and retaken control of this week’s update. I don’t know what came over me, especially when it’s so easy to see the issues that this current gen AI fever,this onslaught of enshittification, has yet to unleash. We’re poisoning a well, or maybe an orchard, that many people have spent decades building and many more depend on even if they don’t know it. I had two conversations on Monday, one about the disadvantageous state of jobs for 20-somethings and another about the Apple Vision Pro, and found myself in both of them articulating a deep pessimism that I haven’t been able to shake. Even if you buy into accelerationism, there’s clearly a risk of multi-decade spoilage here that future generations will hate us for.

    On Apple Vision (which is what I think the overall product family is called), I mentioned to Brian that I’ve been seeing a lot of Meta’s Quest 3 TV advertising whenever I tune into programs on the UK’s Channel 4, and how they’ve gone from selling immersive VR experiences with the Quest 2 to AR use cases like learning to play the piano — the same territory that Apple’s staking out. And how it won’t be very long before the Android equivalents of the Vision Pro will gain market share, on account of being several times more affordable, but hoovering up eye movement data revealing customers’ intents, attention, and probably physiological info because none of these other manufacturers will take pains to deny developers access like Apple does. We’ve seen these playbooks before.

    Brian and I have also previously discussed the ability of conversational AI products to deeply profile their users, not just by knowing what you want to know about, but how you think, react, speak, and write — what kind of person you are. A conversational interface with generative AI, trained on large amounts of data, is nothing short of a profiling machine that sees you at a behavioral and psychological level. Combine that with knowledge about what draws your eyes and sets your heart racing, and an ad-supported AR headset with built-in AI assistant is a nightmare product that will inevitably be a hit at $499.

    Thinking of the battles that ethically minded designers will have to fight and probably lose, deep in organizations intent on deploying AR/VR dopamine and AI-powered enterprise doodads without question, is what makes me tired these days.

    Later in the week, Jose shared this update on the Fujitsu postal service software debacle in the UK, a case of irresponsibly deployed technology that literally ruined and ended human lives. And that’s just the legacy stuff without any newfangled AI.

    ===

    • I’m finding the first Slow Horses book to be less enjoyable than I expected, mostly because it feels like I’m just rewatching the first season of the Apple TV+ show, nothing less and nothing more. I sort of expected more side story or entertainment than was possible to film, but it’s a rather straightforward procedural. The TV series might be the rare adaptation that’s on par with its source material, in which case I won’t read the rest after this one and will wait to watch Gary Oldman fart his way through them instead.
    • The second season of Reacher fell into the sequel trap, going for more action, more teamwork, more humor, more repeated catchphrases (this did NOT work), and losing something of its charm in the process. They decided to portray him as a sort of humorless Arnie-type killing machine who doesn’t understand normal people’s thoughts, and that doesn’t seem right to me based on his characterization as an astute detective/observer of human nature in the books. I was also hoping they’d go the Slow Horses route and just make the books in order, but they instead jumped to the 11th novel, Bad Blood and Trouble, for this season. Reading this interview with showrunner Nick Santora though, I got the feeling that making Reacher indefinitely is not something anyone on the team takes for granted, so why not go for broke while the Amazon money is flowing? Still, the thrill of seeing Reacher with his team is a payoff that has to be earned, and it’s not the same if you haven’t seen him wandering America solo for ten seasons beforehand.
    • We’ve started season 3 of True Detective, and I’m really liking some of the things they do with blending the recollections of an old man fighting a fading mind, with the disorientation and terror of his present life; they are literally blended and linked with match cuts and unifying objects — in one flashback a full moon disappears above the detective, and we come back to the present to see a fill light has gone out during the interview, and he’s shaken out of his memories.
    • I’m new to the music of Claud, but their superb album Supermodel would have made one of my lists in 2023.
    • I fired up Lightroom to see what new features they’ve added, and there was a new Denoise tool that seems to use AI to generate missing detail — fine, it’s unavoidable — and AI-powered preset recommendations. With one click, I applied a dramatic preset to an old RAW file which made it extremely noisy, and with another click removed all of it and landed on an incredibly sharp and clean image. I’m a little sad about how hard it is for small indies to compete with Adobe on this stuff. Photomator has an ML-based auto enhance feature that really doesn’t work well, often overexposing and making white balance look worse, whereas the Auto button in Lightroom makes improvements 90% of the time.
  • Week 1.24

    Week 1.24

    Happy new year to observers of the Gregorian calendar. We watched the clock tick over on the banks of the Ping River in Chiang Mai, where an insane amount of fireworks were let off for easily 10 minutes. Only the noise cancellation of my AirPods Pro saved my hearing.

    I spent the next morning eating a massive buffet breakfast at the hotel (if I’m being honest, that’s one of my favorite kinds of breakfast setup, something I’ll probably mention again when I get around to making my second Breakfast zine — check out the first one here), where they had both the local signature curry noodle dish, khao soi, and an automated tangerine juicer that makes a fresh glass from at least six whole fruit with the push of a button.

    I never get to drink both OJ and coffee in the same morning unless on holiday, but the Thais have got it figured out. When we went out later to the Old Town area to visit a cafe, I tried a coffee recipe that’s apparently all the rage there now: an iced orange juice and Americano mashup which shouldn’t work but does.

    When it was finally time for lunch, I had a Japanese-style curry rice at a place called “Dirty Curry” inside of a stylish little hotel called Hotel Noir that we might consider next time. The curry played hard to get, taking its sweet time to arrive but was pretty great. Even my iPhone camera ate, because the photo came out looking incredible without any help.

    Returning to reality on Tuesday night, we avoided thinking about work by starting to make plans for our next trip (in February, and before you say anything, this is the closest together I’ve ever had two holidays, and the idea of two holidays a year is already a historical anomaly for me). We had the flights booked awhile back but nothing more, so now we’re really running late with the hotels and other tickets.

    Sitting in front of the TV that night, we watched in disbelief as live images of JAL flight 516 almost crash landing at Haneda airport came in. Everyone’s been mentioning how Japan has not had much luck with 2024 so far; as if the New Year’s Day earthquake on the west coast wasn’t enough, the week’s headlines have mentioned a slashing incident on a train in Akihabara and another rail-related attempted murder just yesterday.

    I returned to work after two weeks away and was amazed at the diversity of human experience when a colleague mentioned how they had gotten bored of having time to themselves over the Christmas break. It boggles the leisurely creative mind. I had free time for a year and would take a hundred more if possible.

    But you know who else has had some time off recently and a lot to show for it? Why, the canceled and almost-forgotten singer-songwriter Ryan Adams who just dropped FIVE albums at once on streaming services! Longtime readers will know that I’ve been a huge fan of his work, for over two decades now if I do the math, and the data will probably show that I subconsciously listened to him a lot less over the last four years after he was accused of sexual misconduct and emotional abuse and retreated from view, occasionally dropping albums of half-hearted new material and experimental covers with little promotion.

    I haven’t really sorted out my stance on situations like this. Another blogger, Christopher Bradley, makes a case for reevaluating Adams here. He hasn’t committed any crimes — apparently the FBI looked into allegations of sexting with a minor and cleared him — apart from being a poor partner and maybe an awful human being in some aspects of his life. But who among us hasn’t? I still listen to Michael Jackson anyway, and anybody who says they can keep still when Billie Jean comes on is a damn liar.

    Anyway, two of Adams’s new albums are esoteric 80s punk rock-ish joints, one of them is a live version of his Prisoners album, and the last two are more his usual speed. I’ve read that Star Sign is the better one, so if you only check one out, I guess that should be it. I plan to work through all of them in the next few days, but on a first pass, Star Sign is quite alright. Because I don’t think any mature musician ever recaptures the energy and raw brilliance of their first few albums — a fact that’s probably best not to think about as a young artist — we tend to grade most on a curve over the years. Just keep the tunes catchy and the words not utterly trite, and we’ll still show up. Unless they get really shitty, like U2.

  • Week 52.23

    Week 52.23

    Greetings from beautiful Chiang Mai on this last day of the year. It’s my first time here, and I’m sure it won’t be my last. If anything, I’m kicking myself for not coming sooner — it’s currently a very cool and walkable 25°C at 11am, and temperatures go below 20°C in the evenings; Microsoft Copilot with Bing tells me it’s the safest city in SE Asia (wha?); and the food and coffee have been top notch so far.

    We’ve also been to a cool cocktail bar with live jazz in a basement speakeasy-like space, and another “live house” with a mix of bands playing each night. Coming from Singapore where jazz clubs are a rarity, and almost exclusively the domain of old people, it’s been surprising to see many young people in attendance, although I can’t be sure they enjoy the bands. They seem to pay more attention and clap louder for the pop cover bands.

    One amazing performer I heard was Joshua Lebofsky, originally from Canada, who sang and played a straight hour of jazz standards and pop interpretations on piano at The A Ter (theater). They were fantastically musical and soulful variations, and I was glad to be able to tell him so afterwards; sadly he hasn’t got a social media presence, but there’s an album from 2006 on Apple Music: Play A Little Prayer.

    If we lived here, I would be a regular patron at these places for sure (especially at prices roughly half those back home). The non-existence of a vibrant jazz scene is such a shame for Singapore, because we have quite a few talented jazz players who end up being session musicians for mandopop performers most of the time, probably due to the economics of the music scene. I guess these are the third-order consequences of necessarily narrow education policies in our early years.

    We also went on a walking street food tour and a cooking class at a small organic farm and school (where I was snapped in a farmer’s hat looking glum at having been dragged along, but ultimately it was a good time and the food was, like all of it, quite excellent). An intriguing culinary detail here is how Hainanese immigrants created their own localized chicken rice combining the steamed chicken with deep fried chicken cutlets and an entirely different chilli that’s dark and savory, with fermented soybeans and fish sauce?

    Here are some photos, all from my iPhone 15 Pro Max. I made a new Darkroom preset to handle the light and scenery here, and I think it’s a versatile look I’ll probably be using for a long while. I’ll probably share it here next year after some fine tuning!

    Anyway, Chiang Mai. Come by, it’s lovely enough to consider buying an apartment in, but I’ve only been here a couple of days.

    ===

    On the 45-minute minibus ride back from the farm last night, I managed to throw together my end-of-year playlist with some not-too-shabby transitions (I recommend turning crossfading on; 3 seconds). This is partly a diary of associated memories and partly what I’ll remember as the year’s best songs. This process usually takes much longer but everything came together on a stomach full of coconut curries and fresh herbs and spices they had us pound in a mortar ourselves.

    Here’s Listening Remembering 2023 on Apple Music.

  • Week 50.23

    Week 50.23

    Christmas is creeping closer, but the Goodreads Challenge angel won’t be darkening my doorstep as I’ve redeemed myself with two weeks to go! James Hogan’s Thrice Upon A Time was the twelfth book of my year, and definitely one of the better ones. It’s a 1980s time travel story where no time travel takes place, but it grapples with ideas about how timelines are rewritten, plus some other global topics that seem quite prescient when read today. Stylistically, it’s aged, but in that classic sci-fi way I love, which takes me back to reading books in the library after school. I think those hours, that precious access back then to a ton of books I couldn’t wait to read, were the part of going to school I looked forward to most. Anyway I’ve started a dumb new book that I should be finishing this year for bonus credit: The Paris Apartment by Lucy Foley.

    If you’re looking for reading material, it may interest you to hear that I somehow managed to finish B’Fast, the AI-generated breakfast zine project I mentioned last week. The InstaZine GPT I made to create the content is also available through the same link (I updated the page with some additional usage tips today). Now that it’s done, I’m planning to make a companion breakfast-themed zine called “B’Fast (Brandon’s Version)” which will be made entirely by me, in a way that an AI presumably would not. But probably not straight away.

    ===

    Earlier this year, Hipstamatic redesigned and relaunched their Hipstamatic X app. The “X” was dropped, and they added a new social feed. It was the official replacement for their original app which became Hipstamatic Classic. Where the original was funded by in-app purchases for new filters (at a pace of roughly one new 99c release each month), the new Hipstamatic charges a $30/year subscription, doubling their income from faithful fans.

    I used the new app for some photos during my trip to Japan and mostly enjoyed the experience, but it was too buggy and the UI was still too cluttered and confusing (a longstanding problem with the original Hipstamatic app as well) for me to consider continuing with a paid subscription.

    Their main problem is that there are now over 300 filters in the forms of “films” and “lenses” and “flashes” that you can combine to make infinite looks, and no good way to make the attractive human-curated combinations they recommend accessible and discoverable. In the last version, they tried to give a few of these combinations the tangible metaphor of being unique “cameras”, each one with a different skeuomorphic body you picked off a shelf, but essentially they were presets you could call up. But you can keep, what, ten of these aside in a little drawer before you couldn’t tell them apart? And so many of the other combinations were left out of sight and out of mind.

    Now, after a week of teasing social media posts, wherein a “physical camera” was shown in videos — quite obviously a 3D model rendered in AR, but some people believed they were going to release a hardware product anyway — they’ve released a major update (v10) that tries to untangle the Gordian knot of their UX issues.

    In this new version, they’ve tried to marry what worked in the original app with a new info architecture and set of metaphors to manage the library of looks they’ve accumulated over the last 14 years. You get just ONE skeuomorphic camera to call your own and customize the look of, and this camera is capable of loading up many presets. You can either let the camera detect the scene and choose a suitable preset for it (Auto mode), or specify the preset yourself (Manual mode). There are 9 possible scenes, such as Travel, People, and Still Life, but in a puzzling and unfortunate move, when you start using the app, each of these scenes has just one or two associated presets. That means you’re going to see the same looks over and over, when there are over a hundred more hidden away in a long list. This was presumably done to allow you, the user, to customize your experience and assign your favorite presets to the scenes.

    There are two major problems at this point. One: leaving it up to the user to gain their own understanding of all the pre-existing “good combos” and assign them to 9 scene categories is insane. It’s a lot of work to hand off to a customer you hope will pay you money. The team should be doing the work of tagging each preset combo with a recommended use case, AND making it easy to assign them. It’s not currently easy. I had to move back and forth between two sections of the app looking at presets and memorizing their names to go assign to a scene, because these things aren’t placed together. Off the top of my head, it just needs an in-line list of suggested presets (from the aforementioned tagging exercise) on the same screen where you customize a scene’s presets. Perhaps this is coming. I’d argue it should have been in the MVP release of such a big redesign.

    Two: as I mentioned, there are infinite possible presets given the number of ingredients they’ve accumulated. You can make your own combos, but there’s no great way to experiment and do this — there should be a sandbox where you can explore each lens/film/flash’s characteristics and try them out in real time to find a good combo. There used to be a section of the app called the “Hipstamatic Supply Catalog” where you could browse all these effects (it was only like a static magazine, but they could have made it interactive), and this now seems to be gone or I can’t find it anymore in the maze of menus and buttons. Perhaps they’re okay with most users just using the curated “good presets” and never making their own, but it seems like a missed opportunity.

    I was feeling a mix of optimistic and bored, so I paid for an annual subscription anyway and will be trying to take lots of everyday silly snaps with this, and maybe even use it on my upcoming trip to Thailand. But if you know someone who works at Hipstamatic, please talk to them about taking on some external advice.

    ===

    • I finished watching Pluto on Netflix. It’s still a strong recommendation for me; a modern anime made with classic sensibilities and a story that really keeps you guessing. It’s also a very different Astro Boy story, suitable for people who hear “Astro Boy” and think it’s stuff for kids.
    • We started watching A Murder at the End of the World and I’m really liking it so far. Especially its star, Emma Corrin, who I’ve never seen in anything else before. They’ve got the most strikingly similar face to Jodie Foster, I was sure they were related.
    • New playlist! BLixTape #3 is done, made up of mostly new songs that I’ve been listening to since mid-October. Add it here on Apple Music.
  • Week 46.23

    Week 46.23

    Album of the week: Daft Punk released a “drumless” edition of Random Access Memories and the simple act of removing elements adds an unexpected amount of value. The album strikes a delicate balance between novelty and nostalgia. By removing the drum tracks, it reveals intricate instrumental interplays once masked by robust beats, offering new perspective on familiar melodies. Within minutes, you’ll be surprised at how different this feels. I don’t know how many other albums have been rereleased like this, but it’s a great idea — one made less cynical by the streaming model, as Michael observed in a chat. In the old days, this would just look like trying to sell you a CD you already bought.

    Speaking of cynical purchases avoided, I saw and held the Leica Sofort 2 in person this weekend while attending a talk and exhibition at their annual Celebration of Photography event. The glossy front plastic was not as fingerprint prone as I’d feared, and overall build quality felt a touch better than on the Fujifilm Instax mini Evo: the rocker button on the back panel had more click resistance, the “film advance” lever that prints photos was sturdier and more satisfying to activate, and the flimsy USB port cover on the bottom was slightly firmer and seemed to stay in place. For me, those were the top 3 basic problems that needed to be addressed. The software menus were simply reskinned and not redesigned, as expected. All in all, Leica did the minimum they had to do to make the Fujifilm product a little more premium, but without improvements to image quality, it’s still a very odd product to bear a red dot. I did not feel the urge to replace my mini Evo on the spot.

    Shot on iPhone, edited with looks by ✨PixelGenius

    With Leica’s latest attempt at opening my wallet rejected, my week was free to absorb excesses of a different kind when I met up with Jianjia for a farewell lunch. She decided we would eat Mala at some place called YGF. It turns out that she schedules every meet-up she can there, because she’s addicted to their high sodium spice blend. When I pointed out how salty it was (after she had drunk all her soup, and for the record I couldn’t finish my massive bowl), she was like “huh, maybe that’s why I like it so much. I never had much salt in my food growing up”.

    We are all the products of our childhoods, each messed up in our own special ways, which is something I was discussing with a colleague in a work-related conversation one day when I thought, “ooh, I should make a GPT therapist!” Which I called Doctor Talkabout, and tried to bias it towards exploring barriers to happiness that originated in childhood. On the whole, the unlicensed doctor is now quite good at discussing all manner of problems, and I hope it gives better perspectives than vanilla ChatGPT. And just in case psychology and psychoanalysis are a little too… “real” for you? I also made a GPT therapist based on astrology, inspired by Co—Star. I honestly get a kick out of both, and discussing my problems with them has been more effective at managing my feelings than just going in circles on my own.

    The number of GPTs I’ve made this past week is now in the double digits (including one for work and a private one for editing text), and so I’ve had to make a category page to see them all on this site. Please check them out.

    And yes, some shit is afoot at OpenAI, after CEO Sam Altman was ousted early Saturday morning. Too early to say why, but ChatGPT has noticeably struggled to perform quickly of late, and they’ve both turned off new signups for ChatGPT Plus AND reduced the rate for paying members from 50 to 40 messages every three hours. I have a feeling they might renege on their commitment to open a GPT App Store and share revenue with creators. Time will tell. I wasn’t going to quit my day job for this anyway. And as of Sunday afternoon, he’s supposedly been asked to come back and the board of directors will resign? Pure insanity.

    I watched the first episode of Netflix’s acclaimed Blue Eye Samurai Western anime series, and it felt like something an AI wrote. I don’t get the rave reviews just yet; two people described it to me using Kill Bill as a reference point, and you’ll see why in the super derivative first episode. It even uses the same Tomoyasu Hotei song, Battle Without Honor or Humanity, in a cliche sword-forging and training montage sequence. I mean, Kill Bill itself was a pastiche of samurai movie tropes, but this warms them over without any shame. It also has a dash of Afro Samurai to it, however both of these are examples of how to do homage without feeling like copies. Netflix shows are like cloud kitchen-brand versions of fast food items that were inspired by restaurant dishes.

    Somehow the show has some talent signed up to it: George Takei, Ming Na-Wen, and Kenneth Branagh provide voices. Its writer and co-creator, Michael Green, was involved in Blade Runner 2049 (but also Branagh’s trilogy of Hercule Poirot films which I do not love). But I’ll give it a second chance anyway; there may be other themes at play here beyond the Othered protagonist seeking revenge. But having seen this, I feel like I have a pretty good idea of what AI-generated mass entertainment would look like, and I’m not down for it anymore. I’d like for AGI to come and take away all the other jobs in the world, leaving us humans free to come up with new and more creative ways to show sword fights.

    So imagine my surprise when I started up Pluto (also on Netflix) after two episodes of Blue Eye Samurai, and found it the total opposite in terms of quality. You don’t know where the story is going even if some ideas, like androids that grapple with unexplained dreams from a past life, are familiar and were explored before in other works. It takes its time with characterizations, and aims for a timeless beauty that goes beyond slow-motion action scenes. Polygon has a nice piece about it, but don’t read anything before you’ve seen the first episode, just trust me on that.

  • Week 42.23

    Week 42.23

    I used to (sporadically) log my mood and mental state in a great free app called How We Feel, but ever since iOS 17 came out with a similar feature in the Health.app, I’ve been doing it there. It’s nowhere as good, though, and the act of recording how you feel is (surprise!) so much better in How We Feel. Apple’s version makes you scroll a list of feelings like Anxious, Content, and Sad, sorted in alphabetical order.

    The other app arranges feelings in a colorful 2×2 grid, from high to low energy, from unpleasant to pleasant. An example of a high-energy unpleasant feeling is Terrified, while a low-energy pleasant feeling might be Serene. This grid is a much more logical and visual way to find the right word and quickly record your feelings throughout the day. Anyway, the rumor is that iOS 17.1 will be out next week, and I’m hoping the new Journal app is part of it, because I want better ways to record and look back on my state of mind.

    ===

    We attended the local premiere of Martin Scorsese’s new film that everyone’s talking about online: Killers of the Flower Moon. In a theater, no less! It’s an Apple Original Film, and will be coming to Apple TV+ after this irl run is over. I can’t remember the last 3.5 hour film I saw under such circumstances, unable to take a break, forced to focus. If I’d seen it at home I’d probably have paused it no less than five times, and so I’m glad that I couldn’t, because it’s the kind of film that quietly spends its budget building a world so absolutely intact and complete that you’re left to focus on the people, the time, and the weight of its historical crimes. As a true story, it’s devastating. “People are the worst” is pretty much my 4-star Letterboxd review.

    On the flip side, we saw disgraced filmmaker Woody Allen’s 2019 film, A Rainy Day in New York, which has pretty poor ratings online, and really enjoyed it. I’m aware that he has approximately, oh… one style? And a hallmark of it is neurotic, pretentious characters in awkward romantic situations who spout smart alecky jokes in an artificial, stage performance cadence… but I like it. It’s also amusing to see current generation stars like Timothée Chalamet and Elle Fanning as his stars, but playing their roles exactly like Woody. Is it because they’ve seen his old films and think they have to? Or do the scripts just demand that delivery? Also, Selena Gomez is in it, and I can’t help but see this performance as a superior version of what she does in Only Murders in the Building.

    ===

    I got jabbed for Hepatitis A & B on Friday, and it was a doozy. I felt lightheaded and weird all afternoon afterwards, and I have to go back for two more boosters over the next few months.

    Contributing to the feeling all weekend has been my new contact lenses, the first ones I’ve worn in maybe 8 years? The right eye prescription is a little underpowered and so I’m suffering with blurry images that are driving me crazy. I’ll need to try and get them exchanged next week.

    Why am I wearing them at all? I got an annoying pimple/scratch behind one ear, exactly where the arm of my glasses sit, and so I decided on some disposable dailies while it heals. On one hand, the feeling of freedom is amazing — I really miss this about wearing contacts, which I did regularly in my younger days. Just things like being able to do a spontaneous facepalm! But now everyone has learnt that “my look” is “guy with glasses”, and suddenly my normal face looks weird, even to me gazing in the mirror, and I don’t need to freak people out any more than necessary.

    The blurriness has had a slight impact on my enjoyment of Super Mario Wonder, the latest and greatest Mario game which just came out. I wasn’t planning to buy it, because I wasn’t planning to play it any time soon, being still in the middle of another old Mario game on the Switch, Super Mario 3D World + Bowser’s Revenge. But peer pressure got to me, and talking to Jussi got me justifying it to myself that playing a 2D and 3D Mario game at the same time isn’t a problem — it’s like reading a fiction and non-fiction book at the same time!

    Super Mario Wonder is the 2D one, for the uninitiated. It’s a modern take on the classic Mario games, far more inventive and deep-reaching than even the New Super Mario Bros. series of games that tried to breathe new life into the side-scrolling platforming formula. Wonder has incredibly detailed and expressive animations all throughout: Mario and friends move and react to things like characters in a proper animated movie (was this planned to coincide with this year’s film? I don’t know), bursting with character, while the levels and events are literally psychedelic festivals of invention. This is a blockbuster game that spends its budget conspicuously, gleefully.

    ===

    In playing with DALL•E 3 some more (within ChatGPT Plus), I discovered that it goes a great job of replicating the look of classic 80s anime. You literally just have to ask it for that. I tried some classic scenes, and then asked for couples hanging out near a 7-Eleven drinking Strong Zero, and then for screenshots from a movie about a female detective investigating a case of financial fraud, and it’s that last one that made me think this thing is a new milestone in tools for visualizing stories.

    There was a period about a year ago when quite a few new moms all had ideas for children’s books, and wanted to use DALL•E or Midjourney to illustrate them. I got questions about whether it was feasible to do this, and if you’ve been talking everyone’s head off about this stuff too, you probably had the same conversations.

    I think this level of natural language interface with GPT-4 and DALL•E 3 coming together is finally making it possible for anyone to direct images with consistent settings and characters. I read somewhere that Midjourney v6 is going to make prompting easier as well, so perhaps we’ll get a flood of storybooks next year.

    There was also a thing going around on Threads that basically asked participants to “paste your Threads bio into an AI art tool” and see what comes out. I saw a few people doing this, all floored by the accuracy of the people they saw gazing back through the black mirror, I suspect afraid of how accurately they were seen from just a few keywords — one lady said “I own all of those tops”.

    I think this is a pretty strong signal for the mainstreaming of generative AI, that a meme like this can spread without instructions attached. Everyone who is online enough knows what it means to invoke an electronic genie that grants image wishes, knows very well how to go find one and get the deed done. Next year is going to be wild.

    But anyway I wanted to try it out, although my bio isn’t like “Founder/CEO (he/him), hustling 24/7 🇸🇬, new book out 20/12, always up for coffee ☕️ and meetups 🤝”; it’s currently “Designer, sense-maker, aesthete, imposter, garbage, scum.” which gives you results like this:

  • Week 41.23

    Week 41.23

    Trying to keep things short again.

    • First, a correction to last week: I believed that the Leica Sofort 2 will offer little functional advantages over the Fujifilm Instax mini Evo camera that it’s based on. But I missed that the Sofort 2’s design favors a landscape orientation; its camera strap connection points and tripod mount are placed with that in mind, whereas the mini Evo seems intended to be used in portrait. This is another point of annoyance because the Fujifilm’s design visually indicates it should be used in landscape. Well, it also visually indicates its a vintage analog camera, but we’ll ignore that.
    • Cameras are for capturing memories anyhow, so on Friday night when we had a team barbecue for the first time in years, I brought my Instax mini Evo out to get some lo-fi, low-res, flash-enabled snaps. A camera never gets as much use as it does in the days just before its replacement is due to arrive — if that isn’t a camera addict’s maxim, it ought to be. But I wonder if Leica is ready for the backlash when the photos from this low-grade 5mp sensor start being associated with their premium brand. It’ll be the worst digital camera they’ve ever made. At least with the fully analog Sofort 1, the results were just little Instax prints. But now some really questionable digital files are gonna come from a Leica camera and start circulating.
    These were the only ones without faces in them
    • Anyway, in a big coincidence, the last time I remember having a work barbecue was when Oya left in 2019 to return home, and I met her this week for the first time since as she passed through town for a day. A bunch of us who were around back then met up for Mexican food, margaritas, and refried memories.
    • I finally got access to ChatGPT’s new features (these couple of weeks felt like forever): image uploads for multimodal chats, a voice-driven mode, and DALL•E 3. I’ve yet to make proper use of the first feature, apart from a few tests. I gave it a photo I took at Toa Payoh Hub (what can you infer about my location from this photo? And it correctly guessed Singapore from some visible shop names); a receipt (split this bill, and would I be an asshole if I asked for this money back as a billionaire?); and a photo of a dying plant at home (how do I nurse this withered thing back to life?).
    • I wish the voice mode could listen out for your interruptions, which would make it much more conversational. Right now you have to tap the screen to stop it talking first. The synthesized voices are really good, and enhance the illusion of talking to a trustworthy intelligence. Using Siri Shortcuts, you can now just start talking to ChatGPT on your phone at any time, but I still hope Apple finds a way to design a more responsible, private version of this with a future Siri.
    • The ability to interface with an image generator with natural language is a big deal — in theory, ChatGPT can break down your detailed, context-laden instructions into the right prompts for DALL•E to work with — and affirms my belief that “prompt engineering” will be designed out of relevance for the majority of users. It can’t do photorealistic images as well as Midjourney, but it may be close for illustrations.

    I made a new playlist on Apple Music, mostly made up of recent releases I’ve been enjoying, with a few oldies thrown in there: BLixTape #2

    iOS 17 introduces crossfading, and I think it works great for mixtapes, making the intentional juxtapositions even clearer and jam-mier. Crossfading is when one song fades out just as the next one fades in. It’s like having a budget DJ. (Edit: AI suggested I explain it for those who might be unfamiliar, but Kim says this is mansplaining. I guess this is an explainer for the explainer.)

    I played with this cover art idea for awhile in Midjourney over the past few weeks, but wasn’t super happy with any of it. I gave the same brief to ChatGPT + DALL•E 3 and decided to use its version. It came up with a more interesting composition than all the other centered, literally middle-of-the-road shots, and it was able to follow my instructions that the headphones should be Beats Studios.

    Some unused Midjourney versions
  • Week 38.23

    Week 38.23

    After 71.5 hours of dungeon crawling, coffee brewing, curry cooking, high schooling, part-time jobbing, and maid cafe patronizing, I finally finished the incredible game that is Persona 5 Royal. If you count the 30 or so hours I put into the original non-Royal version on my PS4 back in 2016, this has been a long time in the making. There’s a remake of Persona 3 coming next year, so I’m looking forward to that.

    For the uninitiated, Persona games are a spinoff series from another series of games called Shin Megami Tensei, which all involve harnessing the same stable of supernatural beings and doing turn-based battles. It’s Pokémon with demons. The SMT games are grittier and flirt with horror themes, but the Persona ones (at least the ones I’ve seen) incorporate more slice-of-life activities and are generally lighter.

    What’s next? Not sure. For now I’m gonna pass a little time finishing the final episode in Ace Attorney Chronicles which I paused over a year ago. I still don’t feel up to Tears of the Kingdom.

    On the TV front, we finished season 1 of Poker Face and it’s a show I’d recommend to almost anybody. Brilliant writing within a formula that is equally happy to revel in, but also subvert itself from time to time. The twists, the characters, the plays on genre, they’re straight out of an Ace Attorney game (minus the goofiness).

    Netflix also released season 3 of Kengan Ashura, a hyper-violent manga to anime adaptation that I do not recommend to anyone, except I watched the first two seasons ages ago and feel invested in finishing it. Truly, the Venn diagram of people who make this and make Mortal Kombat games is just a circle of sickos. The people who enjoy this are probably in the same circle.

    So I’ve partially fast-forwarded myself through it up to episode 9 now. Hilariously, the main character has been in a coma since the end of episode 1, and while the fight scenes (it’s centered around a Bloodsport-style martial arts tournament) are rendered in a 3D engine that simulates an anime look, all other scenes are drawn in traditional 2D, and boy does their lack of budget show! Some scenes (mostly flashbacks, to be fair) are literally sketches passed off as a stylistic choice.

    ===

    I got my new iPhone, and rejoining the Plus/Max club hasn’t been as bad as I feared. Granted, this is my first large iPhone with flat sides, a design I highly prefer to the rounded sides we endured for many years between the iPhone 6 and 11 series. Flat sides are simpler easier to hold, especially between fingertips when taking a photo in landscape orientation.

    So now with the reduced weight, flat sides, and thinner bezels, I think the Max form factor is finally becoming something I can love. The benefits of the larger screen are undeniable and without a case on the whole thing feels amazing. It’s more of a joy to use for every task: watching videos, writing text and reading pages, editing photos, gaming, you name it. The increased battery life is also a great comfort, especially after the disappointment of the 14 Pro in that area. After a year of regular use, that one is down to 85% battery health.

    There have been complaints about the build quality of the early iPhones 15, with reports of wonky antenna lines, discolored titanium frames straight out of the box, and so on. I did notice the same odd rectangular ghost lines at certain points on the sides of my Natural Titanium Pro Max, but they rubbed away with no issues. I commented a single word, Stains;Gate, on a Threads post from 9to5mac about it but sadly no one appreciated the anime reference.

    Where I have more concern is the fit and finish where the back glass meets the metal frame. New this year are rounded edges, not angular, not chamfered, but with a curve in the metal and maybe even a little in the glass. Some areas on mine are quite well rounded and comfortable to touch, but unfortunately the lower left and right sides where my hand makes contact have a slightly sharper feel to them. It’s clearly a minor defect, with a gap between the glass and titanium that’s probably measured in micrometers, but I can feel it, and that’s that.

    If I were a YouTuber I might make a video where I try to grate cheese with the edge or something. I’ll put up with it for now and see if it “settles in” after awhile, and try an AppleCare+ replacement if I can’t stand it.

    It’s now emerging that the 15 Pro Max’s titanium frame is susceptible to overflexing when pressure is applied, causing the back glass panel to break with nothing more than force from one’s bare hands. You will recall the iPhone 6 Plus’s “Bendgate” issue, where YouTubers were able to bend and break the devices quite easily. Apple reinforced the following year’s iPhone 6S, I think with steel inserts, but doing that with the 16 Pro Max would defeat the purpose of this entire switch to titanium. In the video above, the smaller 15 Pro survives the same bend test. It’s just a problem with the larger models.

    Anecdotally, there’s always some risk involved in buying the first Apple products out of the factory gate; I’ve experienced many odd defects over the years from underpowered speakers in the first-gen iPad Pro (was blown away by the actual volume when I got a new unit after a display fault)to battery and sound issues with AirPods Pro (even acknowledged with a replacement program). Usually waiting a couple of weeks will ensure you get perfect devices. But I haven’t got the patience for that!

    But the cameras! They are indeed an improvement. More natural processing, less sharpening, and the 24mp files have more resolved detail. I’m enjoying the 5x reach, which as one reviewer pointed out, is a more meaningful role for an extra lens than 3x, given that the main camera is already capable of providing a good 2x image (at 12mp), which is close enough to 3x. Portrait Mode does extremely good segmentation now, and I haven’t taken any photos yet where the edges on people or objects were not perfectly recognized.

    A pair of 5x photos, processed in Hipstamatic
    120mm (5x) through a window — sorry, stranger
    28mm low-light shot (not Night Mode)
    28mm close up
    268mm (10x digital zoom)