It’s another year, and the start of a new series of weekly notes to myself and anyone who might be eavesdropping. I don’t believe in new year’s resolutions, but maybe I should change up how I do these. They could stand to drop some words or look a little sharper.
I sometimes end the year with a post about the music I enjoyed and a playlist of my favorite songs released over the year, as an indirect means of reflecting on what happened. I didn’t do that in 2021, because… well, despite having had a few months of rest, I just didn’t have the energy to do a good job of it.
Scrolling back in my Apple Music history, however, I made a mental selection of albums I remember enjoying enough to say I enjoyed them, and here they are in no particular order apart from the top spot. Any playlist I made would have involved one song from each of these anyway.
The Best (tied)
- Bicep — Isles (Deluxe)
- Cassandra Jenkins — An Overview On Phenomenal Nature
- Pete Yorn — Sings The Classics
- Brett Dennen — See The World
- Lana Del Rey — Chemtrails Over The Country Club
- Clairo — Sling
- Lonely Guest and Tricky — Lonely Guest
- Rei Ami — FOIL
- Floating Points, Pharaoh Sanders, and The London Symphony Orchestra — Promises
- Paul McCartney & Various Artists — McCartney III Imagined
- The War On Drugs — I Don’t Live Here Anymore
- The Beatles — Let It Be (Super Deluxe)
- R.E.M. — New Adventures In Hi-Fi (25th Anniversary Edition)
- Radiohead — KID A MNESIA
It was the week after Christmas… woof. A lot more eating amidst the tiredness that tends to follow so much social interaction. I spent my downtime trying to draw a little bit, which I wrote about in this post a couple of days ago.
I also slayed the dragon called the Goodreads Annual Reading Challenge, with a paltry-by-some-standards-but-still-alright-if-you-ask-me 24 books read. Like most challenges, it’s unfortunately turned into a stupid online performance metric that doesn’t reflect any actual value, with some people I see setting goals that go into the triple digits. Outside of a literature degree program, it seems a little much. I’ve set my 2022 goal to 24 books again, because I plan to get on some novels that are about as thick as three regular ones, so a simple count doesn’t really serve to quantify the effort or resultant thoughtfulness, if any.
Nintendo sent out their version of Spotify’s Unwrapped awhile back, and I was shocked to see my total gaming hours on the Switch quite low at only 71 hours. It was over 200 hours in 2020, mostly due to Animal Crossing New Horizons. To try and remedy that, I’ve bought a bunch of new games on sale but haven’t gotten around to any of them yet. Instead, I’ve been grinding NEO: The World Ends With You, which has been mentioned before as the sequel to a Nintendo DS game I loved.
Disco Elysium came by way of a tweet that recommended it. Pretty sure I glanced at it before but decided it wasn’t my thing. Couldn’t have been more wrong, going by the very strong first four hours I’ve experienced. I suppose it’s an RPG game like classic Fallout was, but your vault survivor is an alcoholic noir detective and there’s no combat at all. I picked it up for my Mac in the Steam sale; reviews of the Switch version warn of very long loading times.
Some friends brought their kids over and I helped take photographs. Pixelmator recently released a free update that adds iPhone support to their previously iPad-only Pixelmator Photo editor, in addition to some new tools. I wanted to see how it would do with the DNGs out of my CL.
After some experimenting, I am sad to report that their ML-powered Auto Enhance corrections tend toward overexposure, and when paired with the built-in presets, the results are almost always garishly colored with too much contrast. You always have to adjust the intensity of the recommended changes and disable auto white balance altogether, and after all that it just didn’t work for me with the portraits. I finally crawled back into the arms of Lightroom whose Auto mode is at least designed to recover details and provide a neutral starting point for edits.
I have to say though, for iPhone photos (HEIF/JPEG), Pixelmator Photo is not half bad, provided you tone things down as mentioned. Here’s an example I took on a walk earlier today. I’ll keep trying to use it because I like some of the UI changes they’ve made, but tbh if Darkroom ever adds a good Auto mode, it’d be my go-to editor for life.