sangsara.net

  • Week 52.21

    • Merry Christmas to any readers! I had a good one with lots of eating, lots to be thankful for, and everyone fortunately safe and healthy. The Instax mini Evo camera I got as a present to myself proved useful on Christmas Day at dinner with my family. Although the quality is poor in low light, I got to leave behind little prints for the fridge door, and gave souvenirs to my aunt and uncle too. There was a sleepover, day drinking, and a kid stood on my shoes because she wanted to be walked on top of them. In all, I count about five events over the weekend. Pooped.
    • For other photo-worthy moments, I got a lot out of FiLMiC Firstlight, a camera app that I hadn’t touched in a couple of years and recently rediscovered. It has a lovely, warm, film-inspired filter called Leopold (based on Kodachrome, I think), and behaves unlike the HDR-happy iPhone camera of today. Images come out with heaps of contrast and deep blacks, and generally don’t need any correcting in post. On reflection, I should just set my iPhone Camera.app to use a “Rich/Warm” photographic style.
    Firstlight’s ‘Leopold’ film style
    • The Misery Men NFT collection is now up to #78, which was a Sad Santa. I held a giveaway and got 12 takers, so it was minted as a — I don’t know the right word for this — series of 12 editions? 12 prints? Anyway they were sent out on Christmas Day, and hopefully everyone who isn’t a bot is happy with them. I’m taking a break from the daily drops and will resume in the new year. There are already a few finished ones in the can, and some of them are pretty good by my standards.
    Misery Man #78: Shackled to the wheels of capitalism for all eternity.
    • It was also the week of The Matrix Resurrections, which we saw in a regular Golden Village cinema after a gut-busting visit to Five Guys (my first one in this country). Dim screen, muffled audio, noisy patrons… it reminded me of why I no longer like going to theaters (Gold Class screenings are the exception, fixing all the above). Nevertheless, I enjoyed the film despite having many of my expectations subverted. I’ll need to see it again properly, but I expect to still agree with my initial assignment of 4.5 stars. Side note: Cien and Peishan saw it the same evening in the same cineplex and hated it.
    • Wes Anderson’s The French Dispatch was also much enjoyed. It’s an insane directorial flex; every shot and sequence is beautiful and meticulously composed, existing just to indulge a particular sense of humor and beauty. Both films shine with the joy and energy of creators who have nothing left to prove, but where one is happy to keep iterating on a style even at the risk of self parody, the other reclaims its own fandom and fabric for self satisfaction. And I’m here for it, as the young ones say.
    • Once again, nearly no video games were played, but I picked up Steamworld Heist and Saints Row IV on sale for my Switch. The latter is probably a decade old now, but was irresistible at $2.79 USD, down 93% from its standard price.
    • Instead, I got more reading done and am closer to my Goodreads Reading Challenge target. Finished Iron Widow (3.5 stars at best) and The Power (a solid 4), both mentioned last week. It looks like I might make it, if I can finish The End of Men next week. Quick recap: all three books deal with the decline, displacement, and/or death (literally) of men due to overwhelming Qi force, mutant powers, and a gender-specific virus respectively. I’m also here for this as men probably have it coming.
    • One last thing. A year ago, I got a Backbone One controller for my iPhone and loved it. It made for a more console-like experience with many games, and it was more comfortable to use and more capable than a Nintendo Switch. So why did I buy another Switch this year? Let’s not answer that directly, but it may be no coincidence that I’ve been unable to use my Backbone since moving to the new iPhone: the larger camera bump isn’t compatible. The company then designed a simple adapter and provided the plans for 3D printing one on your own. Never having gotten around to convincing myself of a 3D printer’s utility in the home, I had to place an order for one of their officially manufactured ones, and have been waiting on it since September. It finally arrived this week and I’m happy. But if supply chain problems are gonna continue next year, perhaps getting a 3D printer isn’t such a bad idea!

  • Week 51.21

    • The Christmas dinners have begun, with a large potlucky one yesterday at ours that was vegetarian but not at all lacking. Impossible!, you cry. Yes, we did have their meatballs. And already this afternoon we’ve eaten too much and had a gift of some sugary pastries arrive unexpectedly. This all follows swiftly after a five-course dinner on Friday night, the last in a trilogy of pandemic-struck celebrations for my sister-in-law’s no-longer-news wedding. I expect I still weigh the same regardless, having lost a significant amount of moisture to wearing a suit for photos in the middle of the day. I wonder if that’s what the stillsuits in Dune feel like: being rolled up in one of those hot towels they give you on Singapore Airlines flights.
    • After dinner, we played a new party game I discovered on the Apple TV (also available on Xbox and PlayStation). Jeopardy! PlayShow is a premium title, not to be confused with the various ad-ridden free mobile games released over the years, with insultingly easy multiple-choice questions. No, this is the real thing for everyone who’s ever watched a game show and answered aloud alongside the contestants. It’s that exact experience: streaming video of real Jeopardy! episodes, except you can buzz in and answer (using your voice!), and see how you stack up against the champs. S$14.98 gets you the base game with 10 episodes, and each additional pack is another S$14.98. Oof! Buyer beware… the game’s servers stalled halfway through our play test, so we had to move on to SongPop Party (Apple Arcade). Epilogue: I gave Jeopardy! another go the next morning and it worked fine.
    • I finished The Space Between Worlds which I was reading last week (five stars), and have moved on to Xiran Jay Zhao’s Iron Widow, a bonkers story about giant mechs fighting alien invaders, piloted by couples in a mind meld that usually kills the woman (twist: not this time!), set in a world/society inspired by Chinese history. It starts a little rough, but once you get into her style and some jarring cultural references, it goes hard.
    • The Goodreads Reading Challenge hangs around my neck like a large bird. Even after Iron Widow, I’ll be two books short of my modest 24-book target in a year where I really have little excuse. It seems unlikely I’ll be able to do it with just 11 days to go. Nevertheless, I plan to follow this up with Christina Sweeney-Baird’s The End of Men and Naomi Alderman’s The Power, to construct a sort of male-murdering fantasy trilogy.
    • Last week’s viewing of Babylon was anime disappointment, but I’m now watching a series on Netflix called Vivi: Fluorite Eye’s Song that more than makes up for it. It’s an unsung (sorry) masterpiece about a robot singer who receives a message from the future, and follows her on a 100-year quest to change the course of history and prevent a war between humans and AIs. It works because the art is beautiful with few compromises, the writing is sharp, and it isn’t afraid to skip large chunks of time abruptly to keep things moving.
    • Speaking of time, you don’t believe you could watch a 1-hour and 20-minute-long video on how Garfield has been transformed by internet fans, but give yourself some credit. Michael, my main inspiration for these weekly updates, often posts about the video essays he discovers, which is something I never thought would be for me, but welps the YouTube algorithm has a new thing for me now. We’ve all seen that Garfield minus Garfield project on Tumblr, but trust me, this goes way beyond that. You won’t believe the depth and quality of fan art and lore that’s out there.
    • I’ll leave you with an update on the Misery Men project. There are now 73 “artworks” published on OpenSea, and every so often I look at one of them and think the quotation marks could soon be dropped. Like, it’s not impossible to imagine a couple of them blown up and framed in a home somewhere. Maybe not a very nice home, it might be a caravan, but I think there’s something here.
    • If you chat with friends on Telegram and want to send them a sticker expressing a specific sort of sadness or disappointment, you may now add my Misery Men sticker pack for absolutely free. I’ll be updating it with the latest ones periodically.
    What was on my plate last night. Photo taken with the newly updated FiLMiC Firstlight camera app on iOS, which has some lovely film-inspired filters.
    Misery Man #72
    Misery Man #73: one of my personal favorites.

  • Week 50.21

    • We made it through another 50 weeks of a pandemic year. It’s surprising to see the number; saying it aloud instantly recalls many things that happened and also a sense of regret for all that couldn’t. Time is often called the ultimate scarce asset, but I think being time rich is useless if one is energy poor.
    • Energy is the one thing I don’t have this very moment, having just received my booster dose yesterday. I went with Moderna for my first two and experienced some trippy and difficult side effects. The rumors are true: Pfizer isn’t as bad, but it’s not nothing. Much like me, my immune system is prone to overreacting. It also means I can’t do Ring Fit Adventure for the recommended two weeks, during the worst time of year to skip exercise.
    • Maybe I already mentioned our scent-challenged Christmas tree last week. Well, it finally got decorated and there are now gifts under it. As a gift to myself (that I’ve already started using), I got the new Fujifilm Instax mini Evo camera. It’s just launched locally and in Japan, with a North American debut planned for February. Like the various crappy toy cameras that were popular awhile back, the Harinezumi and such, it’s a low-quality digital camera meant for fun shots with a grainy/blurry, poorly exposed aesthetic. On top of that, it has an Instax printer built in, so you can chuck out giveaway photos at a party, funeral, or board meeting. It’s not Fujifilm’s first attempt at this, but it’s the first that isn’t ugly or burdened with some other gimmicks (the last one recorded accompanying sound clips you could play via a QR code on every photo).
    • Many years ago when Go Go Curry shut their local outlets, I was pretty bummed about it and was especially offended by the franchisee spinning up their own copycat brand where all the restaurants used to be. It was a pale imitation, with several gimmicks thrown in that were not to my liking, but made them popular nevertheless. I generally dislike when food is “adapted to local tastes”. Anyway, this week we were near one around dinner time and decided to give Monster Curry another go, since it’s been years and the sour memory needed updating. And… they were actually good? I was just in disbelief that they turned it around: better quality ingredients, properly fried katsu, no skimping on the curry. Credit where credit’s due.
    • We don’t often use our Amazon Prime Video subscription, given the smaller library here, but I went looking for interesting things and came across an exclusive anime series called Babylon. I ended up watching all 12 episodes of it despite the unevenness, hoping for a payoff and some answers. Nope. It ends abruptly without much of a satisfying conclusion to the big questions. Avoid unless they make a second season.
    • Not disappointing at all is Micaiah Johnson’s The Space Between Worlds, which I’m currently reading. The title and premise may make you think it’s a mediocre YA SF-lite adventure novel, but it refreshes ideas like traveling between parallel worlds, and utopian cities with all the have-nots living beyond the walls, and adds excellent writing around race/class/identity politics, spiritualism, and the lasting effects of violence.
    • Tons of new music got added to my library, but I haven’t had a chance to hear any of it. At the front of the line is Alicia Keys’ and Aimee Mann’s new albums.
    I like that they tried to use the X series’ design language, but the actual product is very plasticky and the charging port is literally covered with a flap of soft PVC.
    Under the right conditions, the Instax mini Evo can take pretty good shots!
    Most suffer exposure metering issues like this white plate of improved curry (you can manually stop down but it’s fiddly).

  • Week 49.21

    — It felt like a long week. Part of that might be related to binging the eight-hour entirety of The Beatles: Get Back in a matter of days. And then consuming more videos and articles to fill in the blanks. If you haven’t yet heard the yelps of appreciation for it online, it’s Peter Jackson’s four-year attempt at editing together a never-before-seen side of the band’s final album coming together, down from 60 hours of footage and 150 hours of audio. At the lowest level of why it works, watching talented people create something as ephemeral as pop music through messy collaboration is irresistible.

    I won’t repeat too much of what’s already been said, except that it’s given me an even greater appreciation of them all, Paul in particular. When I look at him, I think about two things: one, he looks like my friend Christian when he had a beard, and two, it’s so hard to mentally connect the guy on screen (just 26 years old!) with the older Paul that I’ve always seen. I don’t know his solo material as well, but it’s probably safe to say he was at his best when playing off the boys. His enthusiasm for them giving it a proper go again suggests he knew it too at some level.

    So my listening shelf now has on it:

    — After two months of ADD-ed attempts to finish David Mitchell’s Number9dream, I finally did it. It’s a great book, but every time I tried I would get distracted by something else after a couple of pages. It led me to think that any time in the future I find myself stuck on a hazy and challenging book, I should simultaneously read something dead straight on the side, non-fiction like, just to keep the habit regular. But maybe I’m just coming out the end of a no-reading funk, the kind I seem to encounter every year.

    Afterwards, I went for something totally different, Ben Mezrich’s follow-up to The Accidental Billionaires (which turned into the The Social Network film), titled Bitcoin Billionaires. I usually detest books that try to tell true stories narratively, pretending to know every character’s thoughts at critical moments, and boy does this one do that with a huge dollop of cheese on top. But… it’s an interesting story at its core, about how the Winklevoss twins got over losing to Zuckerberg and successfully invested in their next act. So I managed to read the whole thing in a day.

    That was followed by My Korean Deli: Risking It All For A Convenience Store, which has been on my list for years because I just like convenience stores and stories set in them. Except this one isn’t really a Korean deli at all, although the author’s wife’s family is Korean. It’s just a dilapidated American corner store in Brooklyn, there are several tonal issues like borderline racism and lame jokes, and it’s quite whiny. The image of the American convenience store just depressed the hell out of me but I finished it anyway.

    — I’d like to keep the book streak going, but I’ve played next to no video games lately. The only ones I’ve touched are two beautiful but ultimately shallow and unfun mobile gacha games, Figure Fantasy and Blue Archive. The former has a great idea: some people like to collect figurines, why not turn that into an AR game? They even made it look like several million dollars, but didn’t spend enough on the awful translation, so that was deleted quickly. The latter has a great English translation, but there was nothing in the core game (auto squad combat) to keep me, so that’s gone too.

    — The release of Misery Men NFTs continues on OpenSea, and I’m still enjoying the somewhat meditative experience of drawing and coloring them in my spare time.

    — Our Christmas tree arrived and was decorated after sitting naked and neglected for a few days. It’s a little short on the usual pine scent, despite being very green and flourishing, so either we’ve got the Covid or the trees have mutated as well.

    — Covid numbers have been falling; we actually had a couple of days with cases under 1,000, which doesn’t sound like a huge achievement but can you believe it’s been two months since that happened? In the meantime, we’re just waiting on more Omicron deets like everyone else. Nevertheless, I went out a couple of times this week, either to drink Guinness or coffee.

    On Friday I saw Ci’en, Peishan, and James at a cafe/restaurant that seems to be geared towards startups and remote workers. Just groups of four to five young people on long benches and round tables, hammering things out on PC laptops (weird) and playing mobile games on their breaks while ordering coffee and snacks. I sat there for six whole hours and everyone in my vicinity was there longer. Not a bad place to go hang out and work with your team, but I wonder how they turn a profit.

  • Week 48.21: Musings on Misery Men

    • Paraphrasing what I wrote on my NFT page earlier in the week, my sometime dabbling in the Web3 scene as a technology gawker and small-time buyer evolved to a new level this week when I started minting some amateur sketches on OpenSea (as promised back in Week 46.21). Everyone has been really kind and saying nice things about them the whole time, which is sweet but also suspicious.
    • It’s been cool to notice how my own perspective and approach has been changing even within this short period. It began with emotional distance and defensiveness, like “I’ll toss out a few doodles and price them preposterously high for fun, like thousands of dollars, so no one would buy them, and nor would I expect them to.” And then, the more I drew and spent time coming up with new ideas for them, the more I felt like I might as well be doing a better job of it.
    • So my drawings started to improve from the repetition and experimentation, and I began to view it as a learning activity (plus it’s been a lot of fun). I joked that the publication of this collection was me learning to draw in public, in real time, on the blockchain. I can’t delete anything that’s now owned by anyone else (I’ve given a bunch away) and I’ve locked some of the older ones into decentralized storage so they’ll be haunting me eternally.
    • A breakthrough occurred when I drew no. 39 while talking to Rob, intending to make a portrait of him. It was the most detailed one yet with hair partially obscuring the basic head shape; suddenly, I had more freedom. The quality improved from there, and I started doing them in color with skin tones, starting from #49. Looking at the contrast between the first one to the latest, after a week and a half’s worth of self practice, I’m frankly stunned as a person who hasn’t done much drawing in general.
    • The way I see it now, it’s not enough to just throw some stuff on OpenSea for a laugh. Nothing’s stopping me from larping as an artist, so I’m gonna keep on doing these to see where I end up, but until I actually sell one, I can’t say I’ve had the full NFT experience. So I’ve been taking the prices down to try to find a couple of different price points that the market might accept.
    #2: One of the earliest surviving specimens, this was a portrait of a colleague on a whiteboard, photographed.
    #8: The first few looked pretty much like this.
    #25: Trying to make a “beautiful” one forced more detail and careful lines.
    #34: This is one of my faves because there’s a suggestion of a body.
    #39: Rob’s portrait.
    #56 (WIP): The first one that I did in full color, after which I went back and retroactively colored in a few.
    #58 (WIP): Inspired by those rockabilly dancers that (used to?) practice outside Yoyogi Park.
    #61 (WIP): Metaversal misery. I don’t know where to go from here, because it’s more than I’d planned on.
    • It was also Black Friday, which I didn’t get too excited about for once. A couple of days prior, I got a little bit of money from an airdrop and couldn’t think of anything I actually wanted to buy for myself. I asked a couple of people what they’d get, and none of the answers gave me any inspiration. Maybe not having any need for retail therapy is a sign of… not needing therapy anymore? In the end, I just ordered some things that were already on my Christmas gift shopping list, renewed my VPN subscription, and downloaded Doom Eternal for the Switch at 60% off.
    • Speaking of the Switch, it’s now also my sole source of exercise via Ring Fit Adventure. At the height of pandemic lockdowns, supplies of this game and its physical accessories were so constrained that scalpers were selling it for nearly S$300. I got mine now for just S$76, and I’m certain it’s better than any gym membership or fitness video. I’ve done two sessions so far and it’s hard work, but doing gamified squats and crunches to battle monsters is a fair bit better than just doing them to bad music or trainers who look better than you ever will.

  • Week 47.21

    • Went out for coffee and it turned into a night. Ended up with a hangover the next day, a thing which hasn’t happened in a while.
    • Messed up my YouTube feed by watching a couple of new micro-genres: Leica Q2 Monochrom reviews (I won’t buy one, I hope), “Day in the Life” videos of various people in Singapore (enlightening because, well, you just don’t know how others live until you see it), and Chinese street interviews in Tier 2/3 cities designed to teach the language but that are entertaining to me because, well, most of us just don’t know how Chinese people live.
    • Saw No Time To Die, and liked it a lot better than Spectre, although that’s not saying a lot. Like others have already observed, it sends Daniel Craig off while (for the first half) feeling like the first time he’s truly been in a classic Bond outing with glorious globetrotting, stylized set pieces, one-liners, and a new female co-star every 30 minutes. The villain’s entire plot is still nonsense if you think about it afterwards.
    • Got started on Netflix’s live-action Cowboy Bebop series. It’s kinda bad, but works better if you turn on the Japanese soundtrack. The dramatically OTT performances on it better complement the visual and tonal schizophrenia, which attempts exaggerated silliness and deadpan noir almost at the same time.
    • In case you didn’t know, Netflix also has a Japanese audio track for Seinfeld, and it’s surreal to try out. George is played like a timid, wheezing ojisan, and Elaine is a vainsexy mature woman.
    • I also saw the first episode of My Name and it was the rare Korean television show I could watch through without skipping ahead in frustration. It’s not above relying on revenge movie tropes, but moves quickly and the fight choreography is better than Cowboy Bebop’s.
    • Also got back into Animal Crossing New Horizons for the first time in a year — I found a pile of red leaves in my driveway from the last time, and hey it’s fall again now — there’s so much new, while the world feels soothingly familiar. Several friends have said that just hearing the game’s music instantly brings them back into the memory cocoon of playing it in mid-2020 amidst the chaos, and to me it’s an untouchable place we can visit any time. I’m glad so many of us had that one nice thing in common.

    ===

    • Cleaning up some of my old stuff over at my parents’, I found a couple of things worth keeping.
    • One, a pair of Olympus film cameras that I remember fondly. The XA and XA2 were marvels, much better compact point-and-shoots than anything else you’d find on eBay in the 90s and 2000s. It’s years later now, so I can finally confess that I once won first place in a Lomography photo walk contest using the XA2 instead of an LC-A (mine wasn’t working that day); they are distant cousins, I reasoned. They probably need a good cleaning out and restoration before being used again, but will make nice shelf objects in the meantime.
    • Two, souvenirs from the Ghibli Museum in Mitaka that we visited once, a decade ago. Still in the paper bags and plastic sleeves they came in, these pins, stickers, animation flipbooks, and music boxes may now find a place in our home. A drawer in our home, at least.
    • Three, a slim autographed volume of what I suppose you’d call juvenilia by now-published author Alexandra Kleeman, probably from my university days when I read her blog (technicolor.org) in awe and jealousy. I can’t remember how exactly I came into possession of it; perhaps it was offered in an early homerolled Kickstarter project. Googling its title, Matchbox Gods, turned up exactly zero hits, so I pinged her on Twitter with a photo (I live on it and yet the internet still amazes me) and got a response within the day. She said she only knows of one other person who still has a copy, so I’ll just record this info for future rummagers and closet cleaners coming online to find some context. I have nostalgia for how reading strangers’ blogs used to make us feel like we knew them a little through their thoughts, in a way you don’t get from Instagram or Twitter updates. I hope she’s having a great life.
    • Four, a couple of Game Boy Micros including one commemorative edition in Famicom red and gold. I tossed out many compact digital cameras because their batteries don’t work anymore, can’t be replaced, and their bodies weren’t particularly beautiful and worth keeping. The Game Boys still look great, so those can go somewhere.
    • Threw out all my iPods with some regret. Really anything with a battery that’s sealed or discontinued is pretty much useless today without extraordinary effort, unless used as display pieces. And my iPods were scratched up and haven’t held up, quite frankly. The whole white plastic phase of industrial design will not be looked back upon fondly by anyone. They were objects to be used and enjoyed in their time, but not any longer. AirPods aside, it’s nice to see most of our devices today being made with recyclable and longer-wearing materials that should look better a few decades from now.

  • Week 46.21

    • We’re about six weeks from Christmas when it feels like it should be six months. This year’s time progression has been slippery; because I had clear point in the middle when I started to take time off work, it feels a little like two years in one, and yet much less. I’ll bet it’s the same for everyone buried under lots of work and not going out enough anyway, because a lack of New Stuff happening each day just makes them go by faster.
    • I read something somewhere about the mental health toll that working from home is taking on people, and of course someone quoted said the lack of human contact was bringing them down. Something in my head said, “well now you know how work felt for everyone who doesn’t love being surrounded by lots of people, but had to do it anyway for all of their lives”, but I’m sure that’s already been said. I land somewhere in the middle: I can do either infinitely and hate them equally.
    • I met Khairul for a coffee earlier in the week, for the first time in maybe a year. He’s been exploring new interests and possible personal projects during his time off. So it was great to talk with someone in virtually the same boat, and we both gave each other some homework to research and think about before the next chat. After that we took a short walk around Chinatown where my first-gen Ricoh GR got some use.
    • Speaking of projects, I was inspired by this Twitter thread of Venkatesh Rao’s wherein he goes down the web3 rabbit hole and ends up minting NFTs out of his old blog/newsletter artwork. What happened with me was initial dismissal, curiosity, then buying a couple of NFTs to see if I was wrong, before moving onto other topics (currently trying to grok DeFi 2.0 bonds) without considering that I could make some NFTs of my own, just for kicks. I hardly have the skills for it, but why should that stop me?
    • So now I think I‘ll do it, starting with a collection of these Misery Man doodles I started drawing by accident a couple of years ago, which became a joke signature/tag of sorts I’d leave on whiteboards around the office. I’ll probably draw a bunch of variations, maybe a hundred, and put them up on OpenSea soon.
    Basic Misery Man
    • I spent a little time on Decentraland this week checking out the alternative metaverse. It’s rough by modern game standards, but it’s cool that anyone can create assets and straight plug them into what is essentially an MMO, or sell them on an open marketplace. I wandered downtown and saw buildings that companies had built as shrines to themselves, on plots of virtual land that they’d bought and now hold as NFTs. It’s early days because no one really knows what to do with them. One company recreated their org chart in the lobby as photos on shelves, and if you go upstairs to a cathedral-like space with glass and high ceilings, you can browse their website in a Jumbotron-sized window.
    • Speaking of giant things, KAWS’s Holiday artwork is now in Singapore as part of its world tour, albeit embroiled in some legal mess that means it can’t officially open to the public yet. That said, it’s still up, and it looks great (better?) from afar. I love the idea of a giant character chilling out in different cities, but it loses that magic for me the closer you get. We had the opportunity to visit before it was meant to open, and yeah if there was merch on sale, I’d say definitely go. If you’re just nearby on the Helix Bridge, that works too. I brought my D-Lux 7 out for that. The iPhone is great and all, but as I said to Joseph in a chat yesterday, everything is so crispy and bright and HDR these days, it’s a relief to shoot with a “real” camera based on aging technology now and then.
    • We’re watching Only Murders In The Building, a 10-episode series set in New York, with some strong Manhattan Murder Mystery wannabe vibes. Instead of Woody Allen, Alan Alda, and Diane Keaton, you get Steve Martin, Martin Short, and Selena Gomez. And oh, they’re making a podcast of their amateur murder investigation as they go. It doesn’t always feel consistent — there are some admittedly cool ideas choppily shoved in but they mess with the tone and pacing — but I’ll take what I can get because cozy, fun weekend viewing is rare these days.

  • Week 45.21

    • On Monday we had the day off, so it was off to IKEA for some shopping (reasonably crowded for a weekday) and then the ArtScience Museum at Marina Bay Sands (not very crowded) to check out two exhibitions. One was kinda video gamey, curated by Tetsuya Mizuguchi of Lumines and Rez fame, and the other was about Sound: artworks visualizing it, historical inventions, and novel ways of experiencing it.
    • The most powerful bit was probably at the end of the above mentioned Orchestral Maneuvers attraction. 40 loudspeakers, each one playing a discrete recording of a single vocalist, working together to literally surround you with a choral musical work. You know what stereo separation sounds like, and even what spatial audio with Dolby Atmos sounds like, but this was on another level for recorded sound. You could walk around and change the mix, as it were.
    • Thursday was another day off, with the Diwali/Deepavali public holiday here. We didn’t do anything of note apart from going out to eat way too much Chinese hotpot. I still think of our visit to Taiwan just before Covid-19 hit, and how we ate at this Wulao hotpot restaurant multiple times. If there was stomach space left at the end of a night after cocktails, Wulao. No plans for lunch the day after, Wulao. I’d previously never gotten into that sort of food before, so it was making up a lifetime of ignoring hot tofu skin, coagulated duck blood, and other things that don’t sound so nice when typed out.
    • We saw the new Apple TV+ movie, Finch, starring Tom Hanks. Two of the biggest films on the service star the same guy, which is slightly odd. Anyway, I enjoyed it just fine. They also did good work on the CGI because I often forgot that a certain element wasn’t actually there in real life. 3.5 stars.
    • Someone mentioned a mutual acquaintance had gotten a job at Facebook, and a quick look on LinkedIn indicated that they are hiring aggressively for the local office, which led to a discussion (okay maybe more of a rant on my part) about people who make the Faustian bargain of working there. Then I came across this piece in The Atlantic saying perhaps it’s time we regard the company as a hostile foreign power rather than just a corporation. Still, calls like these have been made for years, and I think the simple fact is that Facebook has reached a state of untouchability. Money breaks down enough resistance to ensure that they’ll always be able to hire; hell, we all have a price. I see little hope of them being dismantled by either customer outrage or legal process. We can only hope for an unforced error. May the Meta era push for ecosystem ownership be full of them.
    • Radiohead’s newly rereleased KID A MNESIA albums have been on rotation. It was an amazing period for their music, although I’d still have to give the crown to OK Computer. I remember having a copy of Amnesiac that came in a little red hardcover art book. I wonder where that went.