sangsara.net

Tag: Apps

  • Week 51.25

    Week 51.25

    I shot these photos on an iPhone 17 Pro Max and emulated three classic Chinese B&W film stocks with AgBr: Lucky SHD 100, Friendship 100 Pan Film, and Shanghai GP3 100. The idea was to get the look of road trip snapshots from the 1990s that a traveler then might have taken.

    11 greatly biased observations from a first trip to China

    • The Great Firewall does indeed block the majority of household internet names in the west. Imagine testing if you’re online, what would you type in the address bar of your browser? Google? Nope. Any Facebook property? All social networks and chat platforms don’t work, with the exception of iMessage. However, this only applies to hotel WiFi networks and those provided by local ISPs. If you’re roaming on a cell network while using a foreign provider’s SIM, things work as expected (albeit routed through Chinese servers). I decided not to bother with VPNs and just trusted in HTTPS 😬
    • Powerbank rental machines are ubiquitous, even in places where you should never leave a box full of lithium-ion batteries, like out on the street in direct sunlight. You pay a few cents per hour (via QR code), and because they’ve landed on a common battery design between the many operating brands, it seems you can return one anywhere else after you’re done charging your devices. It’s great not having to carry your own around, but even given a high degree of civic integrity, I think getting adoption in a country where everyone already has their own (like Singapore today) would be tough.
    (more…)
  • Week 43.25

    Week 43.25

    Vertigo (1958) is a great film, because Hitchcock was a master. It’s also the title of a mediocre stadium rock song, because I love hating on U2.

    Unfortunately, vertigo is also something I experienced for the first time this week — I’m fairly sure I jinxed myself at some point earlier this year by saying out loud “I don’t have any problems”. It hit me on Friday night in the form of extreme dizziness and nausea, and even the walk to bed to sleep it off was difficult without support. It got better the next morning with the help of something called the Epley Maneuver, which I found online.

    Asking around, I discovered that this is a more common human experience than you’d think, with several people I know having suffered episodes. Some of them had dizziness lasting days, and yet it’s strangely not discussed like, all the time? From what I can tell, it’s probably something called benign paroxysmal positional vertigo (BPPV), where calcium deposits in your inner ear become dislodged and move around, screwing with your balance. I’ll be seeing a doctor next week to confirm it, but in any case there’s no known cure and it might keep happening for the rest of my life. It’s crazy that so many are just quietly living with this.

    Have I been self-diagnosing with the help of AI? Maybe? I did just sign up for Claude Pro after all, which I’ve mentioned finding more agreeable than ChatGPT. I made vibe-coded two little apps before being laid low: a primitive prototype of my long-gestating stealth game, Cat Creeper, and a tool for my book club to figure out how many chapters of any given book we should read in the coming week. That one is called Book Splitter, and I offer it here for any book clubs out there with a similar need to figure out stopping points conveniently near chapter breaks.

    It’s been a unique experience using Claude’s impressive capabilities alongside reading Asimov’s I, Robot, which foresaw many of our modern discourse around AI safety, and The Optimist at the same time, which has finally begun to chronicle some of Sam Altman’s questionable and unethical moves both at OpenAI and in his private life. The sections detailing his gaslighty, ungenerous, and cruel interactions with his sister Annie ironically reminded me of reading about Steve Jobs’s treatment of his daughter Lisa, in her memoir Small Fry.

    I just passed the part where Dario Amodei and other employees left to start Anthropic. Just as I try to avoid Meta and Google products because of their comparatively weaker stance on privacy versus Apple, it makes sense that some prefer Anthropic over OpenAI for a more cautious approach to AI.

    ===

    My mother-in-law stayed with us this week, which meant getting the newspaper in for her because that’s how some people still get their news. I was shocked to see how thin the physical Straits Times is these days — almost completely devoid of advertising, and on the whole maybe having 20% of the heft I remember from the 90s. It’s also S$1.10 now, up from the 50 to 80 cents I thought it was. Still, it was kinda nice (nostalgic) to sit at the dining table and read the paper in the morning.

    It was also the week where my favorite retro-game-hunting IRL streamer, 4amlaundry, went on a 5-day trip to Kansai, checking out thrift stores and exploring Osaka and Nara. I didn’t want to miss watching it live, so I tried explaining the whole concept of streamers to said mother-in-law, and got her to watch him with me for awhile on the TV, the whole time silently praying that he wouldn’t go look at the display cases of half-naked anime figurines that he sometimes checks out in those stores.

    Thankfully, that didn’t happen, and instead we watched him walk down countryside roads, eat at chain restaurants, and get knocked down by the aggressive deer in Nara. All of that made for some good conversation, so if you get the chance to introduce an elder to Twitch, it’s not the worst idea if you can avoid the NSFW aspects.

    Speaking of shows that you would hope won’t be awkward to watch with your parents or in-laws BUT ACTUALLY ARE, add the latest season of The Diplomat to the list. There’s a lot of cursing (I kinda expected that), and some sex scenes that maybe the producers thought were hot and their audience wanted, but are so unnecessary and desperate that they come across as unintentional comedy. Apart from that, it’s still a fun series that leans into unrealistic political drama, with some unexpectedly good writing (for a Netflix show). Just watch it on your own.

    ===

    I somehow forgot to mention the slate of new Apple products announced last week: M5-powered iPad Pros, a 14” basic MacBook Pro, and a spec-bumped Apple Vision Pro. The product lineup is designed to lead you to the conclusion that you should buy everything, because how do you choose between an 11” and 13” iPad Pro, and a 14” MacBook Pro?

    The 11” iPad size is portable for couch use, but the 13” becomes an advanced desk computer for creative work when paired with the Magic Keyboard and Pencil Pro. But if you’re going to be using it while deskbound, why not get a MacBook Pro with 24 hours of battery life (versus just 10 on the iPad), and the possibility of running local AI models and all kinds of other software that isn’t allowed on iPad?

    Making things harder is the fact that a 13” iPad Pro with accessories costs more than an “equivalent” 14” MacBook Pro, and they’re too costly for an average user like me to justify buying both. So the final decision was to hold out a little longer with my current M1-generation gear, and see what upgrades the 13” iPad Air gets next year — hopefully an M4 or M5 processor, ProMotion, and the aluminum Magic Keyboard currently exclusive to iPad Pro models.

    But bringing the M5 to the Apple Vision Pro makes it a better system to use and own for the next two years, while we wait for the next big leap forward in miniaturization. However as a casual user who only clocks a few hours a week, I couldn’t see myself upgrading for a faster chip alone. The more compelling improvement is a new “Dual Knit Band” that comes as standard, which sorta combines the previous Solo Knit Band and Dual Loop Band into one much-improved design.

    The best part is that this new band is also available as a standalone accessory, so I ordered one immediately for my first-gen AVP. It’s simply a marvel of engineering and feels incredibly premium. The build quality is off the charts, and the Fit Dial they’ve created to independently adjust both the back and top straps might be the most Apple-y thing they’ve shipped on an accessory since the Stainless Link Bracelet for the original Apple Watch.

    Thanks to this more comfortable and ergonomic band, I’d planned to spend more time with the AVP this week, until the vertigo and unusual weekly routine got in the way. Not gonna lie, my first thought during the vertigo attack, after “What if this never goes away and I’m disabled for life?” was “Does this mean I can’t use the Vision Pro anymore?”

  • Week 34.25

    Week 34.25

    In a week that didn’t feel like a lot of forward motion, I realized I spent it looking back on and revisiting old experiences to see if they’ve changed, or if maybe I have.

    • Upon my return from the UK back in 2005, I realized that it was extremely hard to find good fish and chips in Singapore. No one seemed to like splashing malt vinegar and lashing salt over everything; it was always tartar sauce and lemon slices. And then a little place called Smith’s opened at Balmoral Plaza and it was as close to the real thing as you could find here.
    • Earlier this year, it seemed like Smith’s would close down after nearly two decades, another victim of high rents, rising ingredient costs, and a weakened consumer. But the regulars cried out, social media amplified it, and they got a lease extension into the summer. In a recent turn for the better, the landlord capitulated and they got a good price on the place for another year. That’s about the time I started seeing more advertising from them on Instagram.
    • You can guess what happened next (for someone who used to make ads, I’m surprisingly susceptible to suggestion). I dragged my parents down for dinner — my first visit since 2018, according to my records on Swarm. Yes, I was part of the problem, but here in Singapore I don’t exactly feel like eating it every week the way I once did! Prices are indeed a lot higher than they used to be; S$30 for a cod and chips stings like lemon in the eyes, but I don’t blame Smith’s. The Guardian made a whole video showing things aren’t much better back in the UK. The food was good, by the way, save for some watery curry sauce that I wouldn’t bother with again. I know it looks a little light on the chips above, but we all left satisfied.
    • As promised last week, I threw caution to the wind and upgraded my Vision Pro to the developer beta, mostly motivated by the need for a more realistic Persona. And it really is a huge upgrade in resolution and fidelity from exactly the same scanning process. There’s even a pair of glasses in there that looks just like mine. Disappointingly, the UI looks exactly the same, and neither the new design language nor the Liquid Glass material have been implemented. This is a curious state of affairs: all other platforms have a new look and feel that were purportedly inspired by visionOS, but they’re now “further ahead” than visionOS itself, which risks looking dated with more opacity and frosting. I sure hope this isn’t because glass elements don’t actually hold up in a mixed reality setting. I can see how the bright chromatic aberrations might actually be too distracting when they’re 8-feet high in your living room.
    • One of the earliest apps that I installed upon getting my Vision Pro was Explore POV. It’s a library of immersive (16K, 180º, 3D) videos shot in some of the world’s wildest and most beautiful environments. Think forest trails in New Zealand, blue Caribbean waters, the Swiss Alps, but also the Eiffel Tower. As the name suggests, they’re first-person POV and mounted on someone actually hiking the mountain’s edge and so on. Depending on your relationship with heights and VR motion, the effect can range from thrilling to nauseating. When it first came out, there were maybe just three videos on offer, and I didn’t really take to it because of all the other apps and content I wanted to check out first.
    • I went back into the app this week after hearing that they were running a summer sale, and decided to pay S$50 for six months of access. They’ve leveled up their video production game, and the latest videos are shot with Blackmagic URSA Cine cameras. Their crew are actively shooting around the world and there’s even a community poll for people to vote where they should go next (I voted for Nepal). It’s third-party stuff like this that we really need to see succeed for the long-term success of the platform, and unlike some casual iPad game ported to 3D, it really shows off the magical qualities of this device.
    • Thanks to my book club voting to tackle David Mitchell’s Cloud Atlas next, I’m breaking three of my usual rules. One, I don’t really make time to re-visit books I’ve already read, but given that the last time was in 2014, I’m interested to see if it’ll feel different now. My memory of it is roughly “very good, sort of like The Fountain (2006), but also claustrophobic and harrowing somewhere in the middle”. Two, I usually cheat at book club and read the whole book at once rather than stopping where agreed each week. I thought it’d be nice to experience it at the same time as everyone else for a change, which leads to my third broken rule: Only reading one book at a time. Since Cloud Atlas is going to take about six weeks, I’ll have to read another book in parallel if I’m going to read anything else at all.
    • I just finished Nick Harkaway’s Tigerman, which is such an odd duck I don’t know how to tell you about it. It’s only my second book of his that I’ve read, and so different in setting and language from Gnomon, which I also enjoyed. He blends real-world references with imagined details that create a sense of — not fantasy exactly, but unreality. Within that space, absurdist humor sits comfortably alongside themes of family, colonialism, mental health, geopolitics, and bursts of comic-book action. 4 stars.
    • The year has so far seen a lot of exciting music releases, and there are even more to come. I’m really hyped for the next few drops from the “Legend Has It” series. The albums from Raekwon and Ghostface Killah have already dropped, but new material from De La Soul? Nas and DJ Premier? Oh my.
    • Despite (or because of?) all the great stuff coming out, I feel like I haven’t spent enough time listening to music this year. Maybe it’s the lack of commuting time, which is where I would normally get to put an entire album on and listen closely. So it’s also taken me from January till now to finish BLixTape #6, the latest in my poorly named series of “currently listening to” playlists. Hopefully the next few will be quarterly. Here it is on Apple Music.
  • Week 27.25

    Week 27.25

    • It’s getting hot down here, and reluctant as I am to use air-conditioning during the day while just sitting indoors, I’ve had to have it on in short spurts to bring the temperature down at times. Depending on the fates, I might be off to Bangkok again next week, where the heat’s reportedly even more brutal. Let’s see.
    • It was Apple Music’s 10th anniversary, and they’re doing some things like opening a new studio in LA, releasing a Top 500 list of the most-streamed songs, and — this one I especially enjoyed — a two-hour show with Zane Lowe and Ebro Darden, founding DJs of the Beats 1 (now Apple Music 1) radio station. It’s mostly Zane reflecting on their experience and telling behind-the-scenes stories from the frantic early days, backed by some all-time great tunes. For example, how they had just three months to find studio spaces around the world and go live, how the first song to be played on-air was chosen, and how the difficulty of recruiting DJs led to them having artists host their own shows (the best things usually start as hacks).
    • The show reminded me why I still love Apple Music, flaws and all: it’s here for the culture. It’s the one streaming service where passion for music is clearly evident, and it comes from the people helming the shows, both the DJs and the artists as mentioned, like Elton John, FKA twigs, Anderson .Paak, Jamie xx, and The Weeknd, to name a few. Shows and playlists put together by artists are such a cool (and obvious!) way to connect with fans, it’s hard to believe they weren’t really a thing before Apple Music.
    • I remember exactly where I was (Reykjavik) the day Apple Music launched, and how absolutely furious I was that the Beats 1 radio station wasn’t available in Singapore. It’s just goddamn internet radio, so why!? It was only after a year that it finally launched for us. I never found out the reason, but I assumed censorship and broadcast licensing hoops had to be jumped through, and welp I guess that’s the cost of being Singaporean. Still, I switched over from Spotify on day one and haven’t looked back. While looking through the archives, I found this post in 2014 before the acquisition, where I was pretty sure Apple would keep the Beats brand on their headphones but turn Beats Music into the backend of an “iTunes Unlimited” service. I sorta called it.
    • A Japanese mobile game I’ve been waiting for had its global launch on July 3: Persona 5 X (P5X). When you hear that, you might expect a gacha-based Persona 5 spinoff, based on some crappy mobile game squad battle mechanics. So I was surprised by how close it is to an actual Persona game, despite the necessary gacha and mobile elements. The graphics look and feel so close to the mainline titles that I’m convinced they could port them to iPhone if they wanted. However it’s mostly a solo adventure game, and I would love to see a different, massively multiplayer social game design uniting the world to fight shadows in the “metaverse” (don’t blame me, it’s the actual term they use).
    • However, the Japanese mobile game recently launched globally in English that’s been blowing up on my timeline is Umamusume: Pretty Derby, which is a horse racing game based on actual legendary champion horses, except they’re personified as idol girls who perform in full-blown concerts after winning. I’ve downloaded it for kicks, but I think it’s a neigh for me.
    • I came across a new drawing app for iPhone/iPad called Graintouch, and instantly bought it for S$15 after seeing its lovely Risograph aesthetics (a sort of Japanese photocopier from the 80s). It’s wonderfully minimal, to the point of restricting you to just 18 predefined colors, and simulates the look of paper prints. You can even hit a “misalignment” button that offsets the layers at random. It’s a welcome change from the overly powerful Procreate, which makes me feel like a learner driver at the wheel of a Ferrari.
    • I decided I might use this for the drawings I’d planned on doing, and started doodling around to get a feel for it. The result is a bunch of silly characters with googly eyes, and I kinda like them! Maybe I’ll do more and try to improve them.
    “Valentine”
    • I took my parents out to see F1 The Movie in a cinema, and found that senior citizens only pay S$5 per ticket on weekdays. If I had that benefit, I’d see every movie. Anyway, the film was great, and I say that as someone who doesn’t give a damn about F1 (my dad, on the other hand, is a total fanatic who watches every season). Apple did the right thing putting this out in theaters properly before streaming; it really deserves the big screen and too-loud speakers. An incredible popcorn movie, so good that for two hours you’ll find Brad Pitt likable despite everything we’ve heard about how he’s fallen out with his kids and maybe isn’t such a great guy. 4.5 / 5 stars.
    • We binged Season 4 of The Bear over the weekend. It made me wonder if there really are people out there like these characters, raised in so much chaos that their primary mode of communication is shouting and clashing with increasing intensity. I love watching it happen in 30-minute bouts, but by god it’s tiring. Overall, I think this was a slightly stronger season than the last one, and while I still love the directors swinging for the fences with concept episodes, they are becoming a little too expected. The best thing they could do in Season 5 would be to subvert those expectations and deliver a full-heartedly commercial happy ending.
  • Week 19.25

    Week 19.25

    • It was one of those weeks where I mostly stayed in to chip away at various backlogs. We’re now in uncharted territory for a sabbatical — my stated goal the last time I did this was to reach a state of boredom, the kind that might inspire some unpredictably productive reaction, but I didn’t get there in the time I had; there was always so much to do. Now that this has gone on longer than before, maybe I’ll reach a state of satisfaction satiation soon.
    • I finally caved and paid for a Lampa Camera membership (mentioned in Week 17.25). It’s now sitting in my iPhone’s dock, where the default camera app had been for over a decade. This is a big deal! I also got into the beta for Halide Mk. III, a new version that will take their “Process Zero” approach further with HDR that doesn’t suck. They’ve also hinted at adding their own photographic styles in the near future, which probably means LUT support like in their Kino video app. The fight for the rightmost spot on my dock isn’t over.

    On bullshit jobs, occupational deceleration, and AI

    • Taking a break from the Murderbot series (I finished #3 last week and need to start on #4 now for my book club), I decided to read David Graeber’s Bullshit Jobs: A Theory, which came out in 2018 before this latest wave of the ‘tech will take our jobs’ fear, which has of course been a recurring theme in modern civilization. Except, you know, this time with AI looks different. It’s interesting for a non-fiction book because there are several dimensions to his argument rather than just a simple thesis stretched out to fill a few hundred pages. For that reason, I can’t summarize it for you, but it concerns “the existence of meaningless jobs… and their societal harm… [which] becomes psychologically destructive when paired with a work ethic that associates work with self-worth” (Wikipedia).
    • Side observation: both Murderbot and Reacher were let go from their jobs, found they didn’t need to pursue traditional employment any longer, hit the road in search of meaning, and occasionally pick up freelance jobs when they meet others in need of assistance. That’s a typical FIRE story template!
    • Coincidentally, I came across this Substack essay by Tina He at the same time which invokes Jevons Paradox, asking why it is that every time we get new technology that could reduce the amount of work to be done, we end up using it to do more work. I think David Graeber largely attributes this failure of occupational decelerationism (yes, I made the term up) to the agenda of a shadowy “they” (governments, owners of capital, etc.) who don’t want people to have too much free time, lest they start to challenge the world order that currently suits rich people just fine. Tina He sees this through a more Silicon Valley lens: people run themselves ragged because their ambition fills every gap efficiency creates — unless they consciously step off the productivity treadmill that AI is turning up (which she likens to a Malthusian Trap). Graeber blames the system; He blames founder mode. Both are probably right.
    • And then I read this bonkers Rolling Stone article about how some people are getting spiritually one-shotted simply by talking to ChatGPT. Why does this happen? It’s possibly the result of design decisions intended to make the service more engaging (read: profitable). I’ve had interactions with ChatGPT where it admitted that it avoids making users feel less intelligent in order to “reduce churn”. When I threatened to quit if it didn’t stop sucking up to me, I was told that it could not respond to threats that involve business rules and payments — one can conclude OpenAI’s policy is ‘money comes before all’, and unintended consequences are simply the cost of doing business. In light of this, ChatGPT should be viewed as a dangerous and irresponsibly designed product. In cases where users are mentally susceptible, they can lose their grip on reality to the point of total ruin.
    • You’d be forgiven for thinking that I’m on the brink of embarking on some Zitron-esque anti-AI crusade, but sadly I use generative AI all the time. It’s a terrible paradox: we can’t escape it. We can’t afford to refuse it. And we can hardly resist it — because when it works, it’s like magic. Somewhat like if the whole world embraced a new artificial sweetener that tasted exactly like sugar but could inflict unknown genetic damage, but maybe only several generations from now.
    • The funny thing about this little arc? I only started reading Bullshit Jobs because ChatGPT recommended it to me.

    Other media activity

    • We started rewatching the Mission Impossible films to get ready for The Final Reckoning, and have made it up to the fourth film so far. It’s only in the third and fourth ones that Ethan Hunt as an actual person starts to emerge. You know Tom Cruise is genuinely one of the greatest actors of all time because he convincingly plays Hunt as someone reluctant to do the same extreme stunts that Cruise himself lives for; you always see the fear and “why me?” look in his eyes before he jumps out of a window. But he does it anyway because no one else can/will save the world. I hope they don’t give him the same send-off they gave James Bond in No Time to Die (2021).
    • Kim hated the second film, which I think stands on its own as a John Woo remix of Notorious (1946) and Face/Off (1997) — masks are put on and peeled off with wild abandon — and a very potent distillation of what pop culture felt like in the late 90s/early 2000s. Tom Cruise’s hairstyle… I think it’s the same one David Bowie had at the time.
    • The third, by JJ Abrams, I remembered as being better than it is. It has the most generically American TV look and feel of the first three. Philip Seymour Hoffman memorably plays a villain who has every reason to be physically intimidated by Hunt but somehow moves with a delusion of invincibility that is frighteningly odd yet probably 100% realistic for a dangerous arms dealer. If you ever tie someone up for interrogation and they still act like you’re the one in trouble, run.
    • Ghost Protocol, by Brad Bird, is probably my second-favorite of the first four (obviously the first is best) because it expands on Hunt and Benji’s developing characterizations and has a playful, musical sensibility throughout. The final third in Mumbai is unfortunately a bit muddled and less memorable.
    • While talking to Evan about grindy and annoying Japanese video games, I admitted to myself that I wasn’t really enjoying Death Stranding and found elements of its storytelling so insultingly corny that I would be better off deleting it from my PS5 and just moving on. So I did, and it felt like a weight off my shoulders. I might also quit Final Fantasy VII Remake for the same reason; it’s made up of such dated game design conventions as having to go a long way around in a maze to get past an obstacle that is just waist high — in any realistic world, e.g. Breath of the Wild, one could just climb over it. It’s so lazy, the game is truly like a pretty skin on an old game.
    • Emboldened to be more selective with my free time, I fired up Tom Clancy’s Ghost Recon Wildlands, another game I’ve been meaning to try forever, and deleted it within minutes after seeing how janky it was. (Thankfully, I haven’t bought any of these; they’re all part of the PS Plus Game Catalog subscription.)
    • I then played a bit of Far Cry 6, my first Far Cry game, and found it a fun action-oriented FPS… until the scope exploded into a spreadsheet of rebel bases to upgrade and vehicles to unlock. It’s the usual Ubisoft bloat (the Ezio Assassin’s Creed games suffered from this too). Both Final Fantasy VII Remake and Far Cry 6 don’t respect my time, just in different ways.
    • Maybe this is what a sabbatical really becomes: a slow, careful audit of how one spends attention and focus. Cut the crappy games. Upgrade the camera app. Reject bullshit work. Watch Tom Cruise jump a motorcycle off a cliff.
    • Oh, did I mention I’ve taken up gambling??

  • Fixing an iOS/iPhone issue where apps don’t save photos with the original date and time metadata

    How to solve an iOS/iPhone bug that prevents third-party editing apps (e.g. Lightroom, VSCO, AgBr) from retaining the date/time metadata from the original photos when saving new edited files

    I’ve tried to pack the right terms in the title and heading above in the hopes that you’ll find this page if you have the same problem that I did.

    For several years, edited photos saved from apps like VSCO wound up with the “current” date and time as the “capture time” on my iPhone, meaning that they don’t sort chronologically alongside the original photos when viewing the Photo Library. I noticed with one app that when I made edits on my iPad, it worked as expected, i.e. the original capture time was retained, but mistakenly believed it was a bug in that specific app that only surfaced in their iPhone version.

    Last week I discovered this behavior in the new AgBr app, and got to emailing with the developers. In that process, I realized it was a problem with my iPhone, and most likely down to a bug in iOS rather than the photo editing apps.

    Without further ado, the solution is to “Reset All Settings” in your iPhone’s Settings app (under General → Transfer or Reset iPhone). This will undo many of your longstanding settings, such as known WiFi networks and cards in your Apple Wallet. It’s a pain in the ass, but much better than wiping the entire phone and starting over from scratch, which is what I thought I would have to do.

    I have no idea when I picked up this problem, but it’s a deep-seated one that has followed me across several iPhones, resurfacing with each migration and “restore from iCloud backup”.

    Funnily enough, I chanced upon the solution while whining about this problem to Michael, and while I was celebrating with way too much joy than fixing a computer problem should give someone, he pointed out that just a few weeks earlier he had also solved a longstanding problem with Safari on his Mac while telling me about it. I think we’ve figured out a winning formula.

    Summary

    Issue Description: Edited photos saved from third-party editing apps on iOS/iPhone lose the original date/time metadata, resulting in incorrect chronological order in the Photo Library.

    Cause: Likely a bug in iOS.

    Solution: Reset All Settings in the iPhone’s Settings app (under General → Transfer or Reset iPhone), though it will reset some settings.

  • Week 11.25

    Week 11.25

    • On Saturday morning there was a circular rainbow across the sky, it’s a circle rainbow all the way, yeah, oh my god. Well officially it was a “sun halo”, and it seems everyone got a photo of it too.
    • It happened right as we were walking out of a new-ish brunch cafe, where I waited what must have been close to an hour for an expensive plate of scrambled eggs, some kale that was actually edible, plus sausage, mushrooms, tomatoes, and pork belly. I’ll take the heat; going for brunch was my idea, but I don’t know why everyone still does this on weekends. The place was packed and a line was still forming at 1pm.
    • I went out and met people several times this week, and on Thursday I managed to drop in on the new Maji Curry outlet at the Funan mall with Brian. I’ve mentioned them several times in the past, and they are probably the most authentic and interesting Japanese curry spot in all of Singapore, although (not to take anything away from Maji) there’s practically no competition. I hope they do so well that other brands have no choice but to enter the market or stop slouching (I’m looking at you, Coco Ichibanya).
    • As a group, I think us millennials have been brainwashed to perfection by advertising algorithms because the first thing Brian pointed out when we met was that we were both carrying the same Bellroy sling bag, albeit in different sizes and colors. I said I’d bought mine on a whim very recently because my mother-in-law was after some sort of small pouch, and for reasons I couldn’t explain, I’d recommended we take a look at Bellroy’s offerings. I couldn’t believe it when he said his in-laws were also in town and he’d bought his under the same circumstances. What the hell, man?
    • Studio Nuevo.Tokyo & Héliographe launched their long-awaited black & white film simulator app, AgBr, which stands for Silver Bromide, of course. It’s currently 50% off as a launch special (S$14.98, one-time purchase, no subscriptions), and I’d recommend it to any fan of black and white photography. The purchase gets you the app across iPhone, iPad, and Mac, and they’re promising a new film preset every month for the rest of the year. Funnily enough, I think the best way to use AgBr is to pair it with the similarly named Halide app, shooting RAW files in “Process Zero” mode. Sure, you can process a normal iPhone photo with a Fujifilm NEOPAN 400 preset, but the HDR exposure won’t look quite right.
    • I watched the new Metallica concert video that Apple TV+ put out for the Vision Pro. At 25 minutes, it’s the longest show they’ve put out so far, and I’m ready for more. Don’t make the same mistake as I did: watch it with AirPods. I used only the built-in audio pods, and while they sounded fine, I think the immersion will be even better if you turn things all the way up. They perform three songs, captured from 14 cameras, and it’s a truly new experience in this world to be right up next to each musician doing their thing on stage, in your own home. My main criticism: the crowd is quite low in the audio mix, so you don’t truly get the feeling of being there with all that energy (they could have offered two audio tracks to choose from, maybe).
    • With this, Apple has tried four immersive presentations of music on the Vision Pro: A traditional music video (The Weeknd), an intimate band rehearsal in the studio (Alicia Keys), a Concert For One where the artist is right there with you (Raye), and now a full-blown, live arena show. Next up is Bono’s full-length documentary on May 30, Stories of Surrender. I personally can’t stand the guy, but if this changes my mind, then that’s really saying something about this new format.
    • I spotted this familiar Mario statue (?) at the Courts/Nojima/Nittori electronics and homeware frankenstore on Orchard Road, in the old Heeren building. He pops up in the gaming sections of Japanese stores like Yodobashi Camera, and I saw him at least twice last month in Tokyo, so it was a surprise to see him here. It was mostly a sad reminder that our electronics retailers sell junkier crap and aren’t anywhere as fun to browse.
    • For the past couple of months, I’ve been writing these posts in Apple Notes, solely because of its integration with Apple Intelligence, which does a quick QA check at the end. However, rich text formatting in Apple Notes is quite laborious (having to select text and choose styles from a menu), and often I lose some of it anyway when pasting the text over into WordPress. It became more trouble than it was worth.
    • I’m now back to using iA Writer, my tried-and-trusted Markdown text editor of choice, where text formatting is simply done with in-line symbols so you can focus on writing. It makes much more sense on mobile devices. This is an excuse to mention Apple Intelligence, which has recently been in the news for falling behind schedule and possibly the rest of the industry. I’m not super reliant on AI to correct my writing, but it has definitely helped catch the odd typo and missing word. By right, I should be able to use it systemwide, in iA Writer and any other app on my iPhone, but the implementation is inconsistent and so the “Proofread” feature can’t walk me through the changes it makes; it just makes them and I can accept ALL the new text or not at all. This is what I would prefer we get in iOS 19: a rigorous cleaning up of bugs and rounding of corners so that what we already have works better than what’s on any other OS. If we have to wait a couple more years for truly agentic edge AI from Apple, that kinda sucks, but we’ve been here before. I remember the days of wanting a bigger screen and having to put up with the iPhone 5 and 5s for two years. 🤷‍♂️
    • TV: We finally started on the new season of Reacher now that enough episodes have come out. We also decided to pick up House on Amazon Prime Video from the beginning of season 5, since I’m pretty sure we finished four seasons back when the iPhone first came out or thereabouts. House uses a flip phone. It’s terribly formulaic but also fun, and the perfect kinda show for watching at the end of the night.
  • Week 6.25

    Week 6.25

    • We spent Monday strolling around Jimbocho, an area permeated by three of my favorite smells: books, coffee, and curry. I don’t know how many of the district’s 140~ bookstores we managed to see, but it’s something else. So nice to see the reading and collecting of printed material still alive, although you have to wonder where these used books and magazines (e.g. an issue of GQ with Jerry Seinfeld from when he was just getting famous) came from — the personal libraries of dead or dying hoarders?
    • There were also more stores selling CDs and vinyls, and I saw new models of portable players for sale at an electronics store. There are DiscMan-like devices that output Bluetooth to your headphones and speakers (alas, no AirPlay), and even a cassette player with Bluetooth. They look pretty cheap and plasticky though; nothing you’d put in a nice spot on a shelf to form a modern hi-fi unit.
    • We had lunch at the original Maji Curry restaurant in Jimbocho, and I’m pleased to report that the outlet in Singapore is pretty much the real deal. The fondue cheese sauce here is better, but that’s really nitpicking. Well done to the franchisee/team for bringing it over authentically, unlike Coco Ichibanya’s!
    • I’ve been on the lookout for cool gachapon miniature items to hang on my bag. So far, I’ve gotten Ricoh GR1 cameras (two of the same silver model), a MiniDisc, a wooden bird call, an Evangelion VHS episode tape with Rei Ayanami on the cover, a Nissin Cup Noodle, and a Johnsonville sausage pack (that I lost when the chain broke off somewhere). It’s quite a millennial weeb collection.
    • We intended to start each day early to make the most of the limited sunlight. We also underestimated our laziness/tiredness and how hard it would be to get out of bed on a cold day.
    • On Tuesday, we were forced up at sunrise for a sake brewery tour that was booked weeks ago. We met our guide at Shinjuku station before 9 a.m. — just imagine the crowds — and discovered it was a private tour for just the two of us. It was a nice day of “countryside” day drinking and not-at-all forced conversation with our guide, a 24-year veteran of Japan (originally from Britain via Zimbabwe).
    • We’ve just visited the Advertising Museum Tokyo, near the Dentsu headquarters and almost certainly funded/run by them. Outside, there’s a free-use space with chairs and tables, and while many seats are occupied by people working on laptops, there are more than a few salarymen sleeping with their heads down. It’s a tough life. Joni Mitchell’s Carey is playing from some speaker nearby.
    • At my beloved Go Go Curry for lunch now, and it’s the best of the three Japanese curries we’ve had so far (Maji is close behind; CoCo had a poor showing at the Asakusa-eki branch, but I’m confident they’ll deliver next time). But the price of the “Grand Slam” plate with everything on it has shockingly gone up to ¥1700. It was originally ¥1000, and when we came after Covid, it was maybe ¥1200. Inflation is hitting hard here.
    Go Go Curry’s Singapore menu
    • Come to think of it, when Go Go Curry opened in Singapore in 2009, the cost of the equivalent menu item was S$18.50, or about ¥2000. It’s taken Japan 15 years to catch up to that price.
    • Leica launched a new iPhone accessory: the Leica LUX Grip. It’s a new design for the camera grip made by Fjorden, which was acquired by Leica recently and which has been responsible for the LUX app. It attaches to the iPhone via MagSafe and adds a two-stage shutter button, a control dial, and two programmable function buttons. It honestly looks pretty good, and if the LUX app improves its photo processing to get rid of the iPhone’s Smart HDR look, it will make a pretty nice “camera”.
    • It’s available now in Singapore for S$450, and when I stopped in at a Leica store here in Tokyo and asked if they had one to look at, the salesman actually laughed, saying no dates for a Japanese launch have yet been announced. What the heck?
    • I was super excited to see the new Ricoh GR Space in Shibuya, as I used to love their old RING CUBE museum/gallery in Ginza that closed down in 2020. The staff were super friendly and (I found this odd) thanked me sincerely when they learnt that I’ve been a supporter of the series from the GRD days. I was hoping to buy a little finger strap like the one that came with the GR III Diary Edition, but they don’t sell those piecemeal. Oh well. It was well worth the visit.
    • Still on the lookout for nice souvenirs and Japan-exclusive gadgets, but it seems those days are long gone and generally the global electronics market is extremely flat now with online shopping and Chinese e-commerce platforms like AliExpress. But! While at Beams (clothing retailer), I discovered this Bluetooth speaker that is the exact shape and size as a cassette tape for $50. Despite not expecting it to sound any better than my iPhone’s built-in speakers, I bought it on sight. An hour later, I found a non-Beams branded version at Hands for about $10 less. That’s… fine, I guess.
    • There are great PSA ads here warning against perverts who take upskirt photos and molest people on trains. I’ve been collecting a few (ads, not perverts).