Week 49.20

  • I’ve been numbering these entries with the week number, which I get from Fantastical, my calendar app. I just looked and saw this year is going to have 53 weeks, which sounds wrong, but they only number full Monday to Sunday weeks (or Sunday to Saturday, like I used to believe was the right way before I got a job), so it makes sense that it’s all not going to fit nicely in 52.
  • It seems many people can’t wait for 2020 to be over, as if next year will automatically be better or not the consequence of everything that happens up to December 31. I’m just going to assume that it’s all 2020 until further notice, similar to how when this started back in March and some thought it might be over in a couple of months, I imagined an end date no earlier than year’s end. If I possess any mental stability today, it’s probably due to setting extremely low expectations for normality.
  • My dad, who is very active, outdoorsy, adventurous and generally nothing like me in what we find fun, tolerable, or necessary, save for an interest in computers/gadgets, managed to hurt himself this week while Cycling In His Seventies. Thankfully, it was nothing life threatening, but it does mean he won’t be able to walk for a couple of months, or at least he absolutely should not be attempting to. Once that hurdle has been cleared, there may be other medical issues to address, but I am hopeful in general that no further drama need occur. He may, as usual, have other ideas.
  • I figured reading would be a good way to pass the time, so I set him up with the apps for accessing free ebook loans from the National Library, which is a truly awesome benefit that I’m happy to pay taxes in support of. My first recommendation was “Range: Why Generalists Triumph in a Specialized World”, which I started reading six weeks ago on Darrelle’s recommendation but have been neglecting.
  • I finally sat and finished it this week, and it’s a four-star treatise on the importance of following your interests, changing tracks, having side gigs, and being a cross-pollinator in your field of work. It opens with how Tiger Woods was essentially drilled from the age of two to be a super golfer, but the real GOAT is Roger Federer who only picked tennis up later in life after dallying with many other sports, which gave him the lateral skills and experience to become a more flexible and sustainable athlete.
  • My dad is given to telling stories from his past (honestly, they are very good) and shared one in response to Range. He started out as a marine engineer and continued working at shipyards for most of his career, and then switched over to the development of land vehicles at some point, which he called the best job he ever had. Without going into the details, he found problems at his place of employment that no one was solving, that were perfectly solvable using the methods and approaches he knew from working on ships. He brought them up to leadership and they were soon accepted and widely used practices in the organization.
  • This is exactly the sort of thing that Range is about: wicked problems that seem unsolvable from the POV of people who have specialized in one field that become trivial when you import common knowledge from another. Our education systems and siloed ways of working make these problems more pronounced than they should be. Many of the solutions we need already exist like a sacred crystal in a Final Fantasy game, split into four pieces and scattered throughout the world, waiting for a hero to unite them. In some corners of my work environment, this is grossly called “trapped value”. But it’s a book worth reading, and it’s a comfort to anyone who’s tried different jobs on for size and worries that it makes them less employable when it’s more likely to be the opposite.
  • At least I made more reading progress this week. After getting back into gear with Range, I finished Blake Crouch’s Dark Matter (3.5 stars: an action movie screenplay with some good ideas about multiverse travel) and Ryan Holiday’s Stillness is the Key (3 stars: a collection of well-researched stories and cautionary tales to help you slow down and be more zen, held together by mediocre self-help book writing).
  • I am now heading for the trifecta of disappointing reads with Ernest Cline’s Ready Player Two, a book whose release I should have anticipated but was not expecting or anything. I kinda liked Ready Player One for living in the awful space between Sword Art Online’s anime SF fantasy and 80s geek pop culture, but his next book, Armada, was so shoddily written I couldn’t get into it. Let’s see if this one will get more than 2.5 stars.

Week 43.20

October 19–25 2020:

The new iPhone 12 Pro does not disappoint, and I was foolish to think that I could skip this year. Well yes the camera is only a little bit better, I have no 5G networks to make use of, and the previous A13 processor was already so fast that the massive speed improvements here are imperceptible, but it all adds up. The size is just right, and the flat-sided form factor is nearly flawless (remove the camera bump and we’re there). I love that I can hold it lengthwise between thumb and forefinger with perfect stability — whose stupid idea was it to have rounded edges for the last six years?

Last night I tuned into a two-hour-long livestream about the process of developing and designing a book. It was part of Craig Mod’s Special Projects club (a sort of self-managed Patreon), and the subject was his recently released Kissa by Kissa — How to Walk Japan, Book One.

I managed to snag one of the first edition copies, and it was fascinating to be walked through it almost page-by-page by the person who put it together. We were a small group of live viewers, shadowy presences felt through a chat box, learning about unsung details and BTS production setbacks that makes me see my copy very differently. For instance, the book is not the physical size it was meant to be, but a binding challenge meant that it had to be done by hand and everything grew by about 2mm in one direction. Parts of it are perfect, and others are honest reflections of the process. I don’t think I’ve ever held a book and appreciated it as a design object this much until now. And while I’d still love to have one of the new and improved second-edition copies, supporting small projects through the ups and downs of the journey is what Kickstarter purchases are supposed to be about. 🤷‍♂️


Oh, and some friends came over and we got an adorable early Christmas house gift. I’d never heard of this Jellycat brand, but I am apparently in the minority. It needs a name, any suggestions?

All the photos in this post were taken with the Sigma 30mm 1.4 DC DN lens I got back in August. I quite like it!


I’ve been drinking too much and still sleeping too poorly. Nevermind! One recent addition to the liquor shelf has been Luxardo Maraschino, which you never really see for sale out in the open here; I got some online. It mostly opens up possibilities for all my ryes and bourbons.


In all likelihood, I’d encountered the Japanese rapper Awich before because her name rings a bell, but wasn’t into what she was doing at the time. Now she seems to have made a bit of a leap forward. Her new Partition EP slaps? Is that what we say now? I went back and compared it to some of her earlier stuff, and the production is way better and she’s got a great flow. Also the videos are intense.

Week 38.20

  • I finally finished reading This Is How You Lose the Time War after grazing on it for over a month, and immediately wanted to start over and read it again. The writing is otherworldly and poetic; the playful subversion of the old back-and-forth-correspondence framing device ingenious. I am ecstatic that it exists, and floored by the achievement of its creation. Closer to the end, it does a few things that I’d say should be familiar to anyone who’s read a few stories about time travel, but this does not detract from the overall experience. It’s handled deftly and with no unnecessary emphasis.
  • Back in Week 30 I read two other books on time travel and I can safely say that TIHYLTTW is the best of them of all. Two of the three (I won’t say which) feature the idea of going very far back to the early days of the earth to hide out from other travelers, which is cool. I’m hungry for more innovation in the time travel story department, so let me know if you have any anime, films, or books to recommend.
  • Apple made a new iPad Air in the shape of the iPad Pro, as has been rumored for months. If they’d offered it at the old iPad Air price point of USD$499, I’d be choosing colors right now. But at $100 more, it’s close enough to the price of the iPad Pro that I’m considering just waiting till next year’s spring refresh to get one with an A14X and hopefully a mini-LED display.
  • No one’s going on vacation this year, but some hotels here have carefully reopened for staycations, and so I’m writing this week’s update from a lovely sea-facing spot on the island of Sentosa. We had a few rum cocktails last night, and there’s an arts and heritage tour later before dinner. It is sort of nice to have a change of scenery after all. I should get going now and make a serious try of taking a break.
  • Oh, and we decided to try making chess a regular pastime of ours. Does anyone play chess anymore? I remember seeing expensive chess computers in the glass showcases of department store toy sections as a kid. I coveted them… imagine an AI living inside the chess board that would play with you, any time and anywhere! Since they don’t have chess sets on loan here (maybe COVID-19 related), I found a free 3D version and we’ve played two games so far on my iPad. Those dedicated chess systems were so special once, and now they’re just an app.
  • (Later) I’ve come back to say that I learnt something on the hotel tour I’m sure I learnt back in school but forgot: Sentosa was previously known as Pulau Blakang Mati, which loosely translates from Malay to the “rear island of death”. It was so named because of how the Japanese took lots of people there to be executed during WWII, or malaria, or how pirates would use it as an ambush spot. Maybe all three. In the 1970s, the Singapore government decided to officially call it Sentosa, which supposedly means peace and tranquility. Today, it’s a holiday resort cluster with a Universal Studios and people getting drunk on beaches, which just goes to show… anything can be given a second chance with a strong rebrand.

Week 35.20

  • In the tradition of former such updates, I’ll start with all the times I left the house this week.
  • There was a work meeting that had to be done on site, and I took another afternoon off to get some artwork framed. We’ve been living here for two years now, and most of the walls are still bare because we never found large enough things we liked (and were too lazy). The living room wall is now about to get a furoshiki from the Spoon & Tamago store (see photo), which I’d initially wanted to pair with another, but after testing with an AR app, we decided against it. The glow-in-the-dark one will have to go somewhere else, or become a scarf.
  • My family made a big deal about getting enough exercise, which I don’t, so I also took an evening walk and will try to get them in more often. Thanks, mom.
  • Whilst visiting said parents, I also took the opportunity to test the Mavic Mini drone I got for my birthday, which has been practically unused since, apart from one stupid excursion that left the propellers scruffed and damaged. It was good to fly it in daylight this time, with my dad’s help (he’s flown remote planes and helicopters since I can remember), but the damaged props kept throwing up error messages about using too much power to compensate. So I gotta replace those before trying again.
  • On the reading front, absolutely no progress on This Is How You Lose the Time War, which is stupendously great whenever I pick it up but I’m simultaneously afraid to see end, and also not really in the mood for it most days. Sometimes I just wanna chill and play games despite thinking they’re such a waste of time.
  • Picked up Catherine: Full Body (the original unbodied version came out in 2011) for the Switch this week, and it’s an odd grungy block-sliding puzzle game with a dungeony aesthetic not like the Deception series, superglued to an adult-themed anime movie about a 32-year-old guy who’s losing his sanity to supernatural forces while being pressured to get married and have a family, or run away from it all with a mysterious girl who may be a figment of his imagination. One stage has you frantically Sokoban-ing blocks to outrun a giant demonic baby (with facial stitchings and cyborg augmentations) with a chainsaw where its arm should be. It’s from the director of the Persona games, and technologically speaking, is ample proof that the Switch could handle Persona 5. I demand this immediately.

Week 33.20

  • Thanks to a series of early mornings this week, I don’t think I’ve felt very rested, despite my quantified self apps saying I’ve spent about the same amount of time in bed as usual. One of the things that usually happens when I have an early morning call or meeting is that I don’t trust my alarms and dream all night that I’ve overslept, and keep waking up. This happens before flights as well, so I’m just really terrible at anything that starts before, oh, 9:30am?
  • Monday was a public holiday on account of National Day here, our 55th anniversary of independence. Having to work on a holiday doesn’t happen too often, but it did this time on account of a regional project, but I’m planning to take the day later this month and get a long weekend to catch up on some reading.
  • I only managed a few more chapters of This Is How You Lose the Time War this week, but they were exquisite chapters. I love when you can sense the author having a load of fun.
  • National Day is usually marked by a military parade and a quasi-musical show performed at a stadium, broadcast live on TV. This year, they rolled the tanks and hardware out on neighborhood streets across the country so everyone could have a look from their windows (were they aware this is not usually a welcome sight, or that some countries have a real problem with this now? I’ll never know), and the weird song and dance bits were just beamed from a stage somewhere. Watching this live is usually quite cringey, but I leave it on in the background every year just to feel a little connected.
  • On Thursday, I went back to the office for the first time in five months, to pick up some mail and stuff in my locker (a fistful of cables and adapters, my SNES Classic Mini, whisky, stationery). There was no one around except for security, but it’s being cleaned regularly and all the lights were on, so it was like visiting a museum exhibit of life before COVID-19; everything on my desk perfectly preserved just as I’d left it. It brought back memories of the day we left, not knowing at the time how long we’d be away but certainly not imagining it’d be five months either. As I left, it was hard not to imagine it being the last time ever.
  • After that, I met up with a few colleagues for a pre-arranged visit to one of our usual bars in the area, since we’re now allowed to meet in groups of five and take our masks off for the purposes of eating. Which was initially surreal to be doing again in person, but very nice for a change.
  • Probably contributing to my feeling worn out were a few more social events, all delightful but so unusual these days. At one, there was an interesting conversation about how the music industry works these days, given that the host currently works at a publisher. I said that I used to think about record labels a whole lot more in the old days of physical products where I could read liner notes. Then, labels acted as a layer of curation and were effectively brands that stood for certain tastes or movements. The move to digital definitely changed the commerce around music, but I think the loss of liner notes was an underappreciated strategic blunder. iTunes tried to offer digital booklets for awhile but the take-up was low, and so today I’d be surprised if kids could even name two major labels.
  • I think people who don’t consciously try to discover new music either still rely on radio or just tap on curated playlists from their streaming service of choice (probably Spotify, given that it has a free tier). Those who don’t regard music as just background noise probably remember and consciously choose their favorite playlists, which are now clearly brands in their own right, like RapCaviar. And given that there are so many of them, in different states of being maintained by their editors/algorithms, it kinda makes sense to not only share songs and albums with friends, but also playlists.
  • I don’t use Spotify anymore, but that’s a rant for another time. While writing this, I searched my own blog to see if I’d ever mentioned it, but found this instead on the then-rumored Beats acquisition by Apple. I thought they’d extend the iTunes brand to include streaming music, but they chose to start over. Around these parts, most people I know still don’t understand what the Apple Music offer is about, or how it relates to iTunes.
  • While working, I often just put Apple Music’s Pure Jazz radio station on, but sometimes I like the BEATstrumentals playlist, which is their version of ChilledCow’s lofi hip hop beats to study/relax to. One recent discovery is Pop Deluxe, a playlist which describes itself as featuring artists who are “left-of-center, under the radar … pop’s modern vanguard”. In other words: catchy stuff hip people don’t have to make excuses for liking.
  • Two weeks ago I was listening to The Sunset Tree as a sort of throwback album. This week it was Bleachers’ Gone Now. Big melodies, saxophones, heartfelt anthemic choruses… another all-time fave.

Week 31.20

  • A short entry this week, because it’s been largely uneventful outside of work. I returned on Monday and it was like being a kid on the first day back at school after vacation. Maybe you liked it; I didn’t.
  • I think I’m finally beginning to tire of the new routine, several months after everyone else was complaining about being cooped up, not going out for anything, and working from home. The lockdown here ended over a month ago, and by all accounts, the streets are busy again and people are in malls, seeing films, and eating out (with masks, of course), but I haven’t been doing much of that at all. We had some friends over the other night and they asked how I managed through the 10 weeks of isolation. I said I was still doing it, and it’s been 20?
  • But yeah, when I described the typical working day, it was depressingly simple. Just a short series of movements between rooms in the house, between laptop, coffee machine, dining table, and TV. It’s almost like being on a small space station or planetary outpost. This is not to say that I’d prefer being back at the office! But that life at least afforded some walking around lunchtime and a bit of ad hoc shopping.
  • I finished Lee Child’s “A Wanted Man”, and it was a yawn. At this point, I am only invested in the series’ first-ever story arc, which began in book 14 or 15, where Reacher just wants to travel to Virginia to meet an army woman with a sexy voice. All the books between that and #18 are just him on the road, slowly heading to Virginia and getting caught up in implausible international arms/drugs/human trafficking intrigues. The next book is #18, where it finally happens. But I’m taking a break.
  • We decided this weekend would be good for rewatching Denzel Washington films on Netflix, and made it through 2Guns and The Equalizer. I didn’t believe I’d ever paid to see a movie called 2Guns at all, and yet remembered enough of it to suggest that, yes, at some point in 2014 I’d bought tickets to go see a movie called 2Guns.
  • I can’t decide if I miss going out to see films or not.
  • It turns out earning interest on crypto isn’t a total scam (see Week 28.20). I got my first month’s payout, and it’s amazing that individual people can now play the role of financial institutions and profit from it, albeit without the chance of being bailed out by a government when it all goes wrong.
  • I’m not sure how it happened, but I started hearing songs from The Mountain Goats’ The Sunset Tree in my head. This happened again and again, and now I’m listening to it. Maybe it’s connected to a point in my life (I think I was in university, and discovered it while a subscriber of the eMusic site — you paid a fixed monthly fee and could download a few albums worth of DRM-free MP3s, legally). Somehow, it’s become one of my favorite albums.