sangsara.net

Tag: COVID-19

  • Week 2.25

    Week 2.25

    True to early January patterns in Singapore, it’s looking gloomy, rainy, and dare I say even a little bit chilly out there (lows of 22ºC). My memory of Chinese New Year each year, though, is that it’s always intolerably sunny and hot. So unless climate change has mucked that up, things will flip in a couple of weeks.

    If you’re reading this on the web, you may notice the site sporting a refreshed design for the new year. This came out of a chat with Michael about tools for cross-posting to Bluesky and elsewhere. I said that it’s been a longstanding wish of mine to just post everything, including short “tweets”, here on WordPress and have them go out to social networks automatically. At which point I remembered that WordPress’s new annual theme was due out, and that’s what you’re looking at now: Twenty Twenty Five.

    The basic architecture is the same, but there are several improvements that I’m happy about. For one, the home page now supports showing full posts, so you don’t have to tap through to read them. You can also hide page titles on specific pages, which I used to get around with a hack. The new default font (Manrope) isn’t bad, but I wasn’t happy with the line spacing and weights they chose, so those have been customized. Wordy bullet lists are also displayed in a more pleasing manner than before, which is great for these updates.

    I moved some other components around to make more sense to me, but no one else will probably notice. I also took the opportunity to inject some classic sangsara.net yellow into the header, a callback to how this site looked 20 years ago. I literally had to go dig into my file backups to find a reference for the color code.

    I’ll probably improve the About and Archive pages when I run out of other things to do.

    ===

    Have you ever started mentally packing your bags for a trip because it was too early to physically pack, but the anxiety of wanting to sort it out was getting too strong? That’s me now, and I’ve started to decide what devices and chargers I’ll need and how to organize them, and also what bags to bring for different purposes.

    It’s at this point that I realized I’ve somehow become one of those “bag guys” — not so hardcore that I keep up with every new release from Peak or WaterField or côte&ciel, but more that I have way too many for a person who really stays in a lot.

    A couple of days ago, I started seeing online mentions and reviews of the new S$40 Uniqlo ‘Multi Pocket Shoulder Bag’ and decided that it could beat Peak Design’s 10L Everyday Sling for carrying headphones, camera, Switch, iPad + keyboard, down jacket, and a bevy of other bits on the flight over. It’s lightweight, water-resistant, and so cheap as to be disposable/replaceable if damaged. It’s also structurally unassuming, and can be used for the “everyday carry” of just a few items if needed, whereas the Peak Design bag can’t flatten down on a crowded Tokyo train even if it’s mostly empty.

    If the Uniqlo bag looks familiar, that’s because it’s a ‘dupe’ of a similar Porter bag that costs 20x more. I’m going out later today to pick one up, but can’t decide between boring black and ordinary olive. (Later: I went with black.)

    A few more travel points:

    • I signed up for a YouTrip debit card and have frankly been impressed by how well the app/service works. I used to rely on my bank’s multi-currency account + card for overseas use, but it turns out that their exchange rates are awful compared to YouTrip’s, and even Wise and Revolut’s rates. YouTrip will exchange your SGD on-the-fly as needed, or you can exchange currencies ahead of time if you like the rate. My bank requires exchanging funds ahead of time, and if you don’t have enough to cover a purchase, the entire transaction defaults to SGD (incurring high fees), even if you have enough foreign currency to cover 99% of it. What are banks even good for?
    • With this, I sadly realized I could have been using YouTrip for every online USD purchase over the past few years, instead of my credit cards which come with 2–3% foreign currency transaction fees 💸.
    • I selected Saily for my eSIM needs (discount code for $3 off: BRANDO3576). It’s a new service by NordVPN, and 20GB of data in Japan currently costs $23 USD, which I of course paid with YouTrip. Being from NordVPN, it has a good app that lets you toggle ad/malware blocking on the server side, as well as spoofing your location via their network of IPs.
    • I tried to get an updated Covid vaccine and was denied by the GP because I didn’t fall into the risk categories (e.g. over 60 years of age). This was news to me, as I thought it was available to anyone who wanted it. The Ministry of Health’s website suggests as much, but now I’m annoyed enough by the back-and-forth that I won’t get one.
    • Many years ago when I was trying to learn basic Japanese, I found some free podcasts from JapanesePod101.com, and this week was surprised to find them still around, and active on YouTube. So I’m dedicating some time over the next few weeks to watching their videos and studying up on some vocabulary which may come in useful.

    ===

    I rewatched Tenet (2020) after hearing it was recently rereleased in IMAX theaters in the US, using the Vision Pro to recreate the large-screen experience at home. It was incredible, and the film was so much better than I’d remembered it. I rated it 3.5 stars on Letterboxd before, but I’ve now upgraded that to 4.5.

    [Spoilers ahead] I read some other reviews that agreed ‘this film gets better with every viewing’, and I think it’s because you spend your first viewing trying to decode 1) what is going on, 2) how the time mechanic works, 3) what the next twist is going to be. Once those things are kind of understood, you can appreciate the craft and execution. How did they plan and stage those fight scenes, where one person is moving forward in time while the other is in reverse? And then taking that concept and applying it to driving, shootouts, and a whole bloody army? I don’t think I paid any attention to Kenneth Branagh the first time, or noticed how good Robert Pattinson really is, or the locations, or the madness of crashing a real airplane into a hangar. I was probably having a headache trying to understand catching a bullet with a gun.

  • Week 21.24

    Week 21.24

    Kim’s post-trip illness last Sunday turned out to be Covid, so we shuttered ourselves home all week and tried to sleep it off. Since it was our last test kit, I didn’t get a chance to test myself, but I assumed that the lingering illness I’ve had since returning from Hong Kong was probably it, or else I’d just get reinfected (which didn’t happen). We received new tests on Thursday and, thankfully, both tested negative.

    Games

    Being stuck at home allowed me to clock over 10 hours in Yakuza: Like A Dragon (#7 in the series) which, unlike its predecessors, is a turn-based RPG. Since Kiryu Kazuma rode off into the sunset in Yakuza 6: The Song of Life, this installment has a whole new cast, from ex-Yakuza henchmen to ex-detectives, ex-nurses, and ex-hostesses. It’s more ridiculous than any of the other entries: one side quest has your party fighting adult Yakuza men wearing diapers after you crash their bizarre infant roleplaying session. After beating them, you make up by sharing a milk toast from baby bottles. You get the idea.

    According to HowLongToBeat.com I’ve probably got another 40 hours to go, which puts my massive backlog even further back on the calendar and makes me a little impatient tbh. I should take on shorter games, like the slew of great-looking new indie titles that just dropped this month. Luke Plunkett at Aftermath asks how the hell we’re supposed to find the time for this embarrassment of riches. For my part, I’ve already bought 1000xRESIST and Little Kitty, Big City. Backlogs are a neverending to-do list, even for the unemployed.

    Film and TV

    There’s a new 6-part drama series on the UK’s Channel 4 called The Gathering, and some people involved in the excellent show Line of Duty are supposedly involved in it. It looks at the effects of ‘toxic ambition’, class lines, and online behaviors on the lives of some teens and their families in Merseyside. It was good enough for us to see the whole thing over the weekend.

    We also binged all available episodes of Dark Matter on Apple TV+, a show I’ve been looking forward to since it was announced. I’ve enjoyed Blake Crouch’s novels for awhile, and they are always conspicuously written as if selling their film rights is his real goal. That’s fine! They are fast-moving sci-fi action movies in book form. Unfortunately, the series gets off to a slower start than I’d like. I find it frustrating when characters in films behave as though sci-fi tropes don’t exist in their universe. Mild spoiler alert, but if I come home and find my house looks completely different and my wife is a different person, it wouldn’t take me days to deduce I’m in a parallel universe, especially if I’m a scientist who’s worked on the bloody idea before. Things do pick up after episode 2, though. It’s made me resolve to read more sci-fi in the next few weeks.

    I mentioned starting on Sugar last Sunday, the new Colin Farrell show that is best enjoyed with zero knowledge going in. It was so good we finished all episodes the next day. I am proud to say that I called the events of the final episodes very early on. But I want you to enjoy it, so I won’t say anything more. Except… its love for classic Hollywood cinema made me resolve to spend more time watching films in the next few weeks.

    Did you know that Singapore’s National Library Board (and I suspect many others globally) has a deal with a streaming video service called Kanopy that gives you unlimited access to their catalog? It even has an Apple TV app! See if your library card lets you in; they’ve got a ton of classics and indie films.

    We saw Woody Allen’s Wonder Wheel (2017), which was more remarkable for its cinematography by Vittorio Storaro (Apocalypse Now, The Last Emperor) — light and color saturation/tonality are constantly changing in the middle of scenes, making full use of this “channel” for communicating the story — than for the fact that Kate Winslet, Jim Belushi, and Justin Timberlake?! are in it. 3 stars.

    But wow was I wrecked by She Came to Me, a weird little film that I held at arms length but found myself fully embracing by its absurd and perfect operatic ending. I don’t know how to judge acting, if I’m honest, but Peter Dinklage, Marisa Tomei, and Anne Hathaway inhabit their characters effortlessly and subtly. I had to look up writer and director Rebecca Miller afterwards, and oh, she’s only Arthur Miller’s daughter and Daniel Day-Lewis’s partner and the author of several books that I will now read. 4 stars.

    I also resumed watching Blue Giant, the anime film about a trio of young men striving to make it as jazz musicians, and it perfectly captures the intensity and ecstasy of a great performance in a few superb animated sequences (at one point during a solo, the protagonist’s body soars through space past a black hole depicted in the style of Interstellar). It’s like the performance scenes from Whiplash rendered in the style of Into the Spider-Verse. It made me resolve to spend more time listening to great jazz albums on my headphones in the next few weeks. 4.5 stars.

    ===

    Channel News Asia, the Singapore-based er… news channel, puts out some good documentaries from time to time, but they’ve outdone themselves with the scope of their latest three-part series, Walk the Line.

    It follows a group of Chinese citizens eager to escape poor financial prospects and/or persecution in their country, as they make a dangerous journey through South America to become illegal immigrants in the US. It’s heartbreaking and insane how they persevere through the difficult journey, and how naively they think America will somehow be worth it.

    After arriving in Monterey Park, California, they join thousands of others vying for dishwashing jobs and so on. It’s a story that’s been told in other media before, but CNA’s team really did the field work and it’s worth a watch.

    ===

    Books

    I finished Jack Reacher #21, Night School (Jack goes to Europe and gets involved in something big that still feels as intimate as the usual conspiracies he deals with, 3 stars), and decided to try something different. Boy did I regret it.

    The chosen detour was Anxious People, by Swedish author Fredrik Backman, who I saw giving a jokey ‘I don’t normally give talks about being a writer but here goes’ kinda talk on social media that someone shared with me. I should have known from that video he would have a dad joke sense of humor, and it was excruciating in the novel. Covered in a layer of schmaltzy philosophizing about life that came off like a motivational quote poster in a school counselor’s office, the thing somehow has a Goodreads review average over 4 stars. I made it through about 37% before returning the ebook to the library and giving it a 1-star rating. Just reading it filled me with pure hatred.

    Now desperately in need of a palate cleanser, I decided to embark on R.F. Kuang’s Babel which Munz has been recommending to me for a year, and oh god it’s exactly what I needed. I never had the young adult experience of reading a Harry Potter book, but I imagine this is what that must have felt like, with ample magic and intrigue, but a more literary and historical take with colonial criticism and racial identity crises to round it out.

  • Week 21.23

    It was one of those weeks where not an awful lot happened outside of work. I don’t talk about work here but let’s sort of circle it.

    Reflections on AI

    One thing I can say is that I started making a presentation deck about the use of generative AI and GPT in design, initially to share my findings so far but increasingly as an exercise in structuring my thoughts into anything at all useful.

    A couple of things, on reflection: an AI assistant or collaborator poses significant risks for a lazy human in certain tasks since it tempts us to quickly accept its output without evaluating potential improvements. Assuming AI can do a job to 90% of a human’s rigor and quality, figuring out what the other 10% is without having done the same work yourself is quite the challenge. So the efficiency gains may not be as significant as you think, not until we figure out some smarter processes.

    An example of what I mean: you can feed ChatGPT with notes from an interview conducted with a customer about their experiences and how a product fits into their lives. Supply enough interviews, and ChatGPT can do the work of summarizing them in aggregate, presenting key themes and areas worth looking into, like maybe everyone thinks the price is too high, but it’s because they don’t fully understand the value of what they’re buying.

    It can create a bunch of frameworks to illustrate these findings, like personas and service blueprints. And it can even suggest solutions, like better marketing materials to explain this value to customers. The AI’s output might look pretty good, similar to what a team of human designers would (more slowly) produce, and a company might be tempted to make business decisions based on it. In fact, a team of human designers who haven’t read the interview notes themselves or thought deeply about it might also look at the AI’s work and say it’s good to go.

    The level of confidence and finality inherent in these AI outputs is incredibly convincing. But if a human were to go through all the interviews, listening to the recordings perhaps, they might realize there was a missing element, a feeling subtly unsaid on the margins, that means some customers do see the extra quality, they just wish there was a cheaper version of the product that did less. Skimming through the finished research report crafted by the AI, you wouldn’t even begin to guess where in the sea of correct conclusions this exception could be hiding.

    But there’s no question that this stuff is ready today to do some tasks like image editing, seen in Photoshop’s impressive beta release of a “Generative Fill” feature this week. I took a stock photo and doubled its height, and it was able to get the context of the scene and fill in the missing ceiling almost perfectly. That would have taken an experienced image compositor at least a few minutes, and anyone else way too much time. Just a couple of clicks now.

    I also looked into what Adobe is building with its Sensei suite of AI marketing tools, and that dream of generating and sending personalized ads, as in a unique package of art and copy tailored to a single customer’s behavior, would seem to be already here. I’m not 100% sure how this works everywhere, but in the past, you’d still need copywriters and art people involved in the process after marketers had identified the “customer journeys” and content-goes-here templates. With the opportunities now being identified, advertising messages crafted, and email offers all sent with a single click by the same person, there’s hardly a crack in the door left for the traditional artists and copywriters to make their case. Yet, the quality is good enough to satisfy all but the most discerning of corporations.

    You may observe that the two of the largest advertising platforms are already in this space.

    What do you think about the current advancements in AI and their implications? Share your thoughts in the comments below.

    (One more example: I asked ChatGPT to help suggest edits for this post, and it rewrote one of the above sentences to be better. I liked it, but on closer inspection, there was a glaring semantic error I had to fix myself. It also suggested the call to action above, to increase engagement. Talk to me!)

    ===

    Personal updates

    There seems to be yet another wave of Covid sweeping through the city, based on the fact that several people I know have come down with it, and every bus and train car I’ve been on this week had more people wearing masks, suggesting that they, too, know people who’ve come down with it.

    Kim is going away for a couple of weeks, and I’m hoping she doesn’t run into it out there either; one of her colleagues caught it while traveling in the region a few days ago. I’m planning to stay home as much as I can during this time, and finishing as many video games as possible.

    ===

    Media activity

    • Not a ton of progress in The Legend of Zelda: Breath of the Wild, which I’ve been playing consistently now for the past few weeks — a streak unmatched since the game first came out six years ago (I abandoned it out of fatigue shortly after that initial burst). I’ve now got all four Divine Beasts pointing at the castle and now just need to build up the nerve and arsenal to storm it and be done with this. I seem to be procrastinating instead, exploring areas in the massive world that I never checked out before.
    • The girl band I would say I’m rooting the most for in pop music, XG, performed at the Head in the Clouds festival in New York, and I watched some fancams of their set. The audio quality is terrible in all of them, so I won’t recommend starting there, but they are undeniably polished and tight as a group. Here are two music videos. I think I discovered them back in February, and at the time I said they’re gonna be monstrously huge this year. I stand by this.
    • If you watch the documentary series their label has put on YouTube, you’ll understand why they’re performing at this level: they’ve been physically and psychologically abused for the past six years of training, starting from when some of them were just 12. It’s horrendous to watch, but also probably par for the industry. While it’s good that someone decided to plainly put this footage out there, I’m not seeing much of a backlash, so it’s probably too late and already normalized. Some of the stuff their boss/producer says and does is straight up toxic emotional manipulation (he apparently came up as an idol himself so it’s like Ted Lasso says in the latest episode, hurt people hurt people).
    • Ted Lasso is almost done with its third season, one episode to go. I’m still liking it much better than season two, although it is sooo uneven and odd in its choices. You know the adage, “show, don’t tell”? It’s like the concept of season three is going against that conventional wisdom; a challenge the writing team decided to issue themselves: Can we take lots of scenes that people want to see (scenes of closure, catharsis, and vindication!) and make them happen off-camera and between episodes? And after doing that, can we still make people care through the strength of our set pieces and touching monologues? That’s the only explanation I have for what’s been going on. And to the team’s credit, it works some of the time. It’s not conventional TV, and maybe that’s the point.
    • Platonic, the new sitcommy show on Apple TV+, is much more conventional. It’s about a male and female pair of friends who are really just friends (so far), and a comparison to When Harry Met Sally is drawn in the very first episode. They had a fight and haven’t spoken in years, and then reconnect on the cusp of middle age, when it’s notoriously difficult to form new friendships, let alone platonic ones. I think the concept and set up are strong, but the execution is a little spotty. I’m not really into Seth Rogan’s work, and his character here feels exactly like what you’d expect from one of his characters, but by the end of episode 2 I think I’ll keep watching. The most jarring thing is Rose Byrne’s quasi-Australian accent which raises too many questions about how they met and got along in the past.
    • Speaking of actors whose strong accents shatter the suspension of disbelief, Arnold Fucking Schwarzenegger is back in a NETFLIX TV SERIES which sounds like a dreamy reboot of True Lies. The show is called FUBAR and it’s about a father and daughter who both secretly work for the CIA without knowing about each other’s involvement. I haven’t seen any of it yet, but I’m dying to.
    • It strikes me that in the future, one could give a crazy brief like the above to a generative AI system and start watching something like FUBAR within minutes.
    • My first music discovery of the week is Eternally Yours, a new Alphaville album that sees the band doing symphonic rearrangements of songs such as Big In Japan and Forever Young with a full orchestra. Yes, in Dolby Atmos spatial audio. This is a band that was formed 41 years ago and the lead singer’s voice is still incredible, iconic.
    • The second is Tears can be so soft, the new song by Christine and the Queens. It’s simple but surprisingly soulful, and sonically recalls Massive Attack’s best work.

  • Week 5.23

    We got our fourth vaccine shots today. Based on historical results, I’m going to be ill tomorrow and she’ll be fine. It’s been about four hours and I’m already feeling a little lightheaded and tired.

    It feels like it’s been raining here almost continuously since late December — dark all the time, and practically every day we get storms that last most of the day or night. And so it feels unusually cool and damp indoors, and our dehumidifiers have been working overtime to get clothes dry and keep mold at bay.

    This Chinese/Lunar New Year period is often associated with blazing, cloudless skies, and sweating through one’s new red clothes while shuttling around to visit relatives, which makes this year an outlier. And it’s not just me saying it! Several taxi drivers have used this observation as a conversation starter these past few weeks.

    And every year, there’s an outsized “Hong Bao” lottery draw that generates long queues at betting outlets. I bought a single ticket for fun while in a convenience store one night, and in the process of getting the link above have discovered that I’m sadly not one of the three winners of the S$12M prize. Or a consolation prize, even.

    ===

    I generated some cityscape illustrations using a mix of anime and artwork keywords with Midjourney (no artist names), and got some surprisingly great compositions — good enough that I’m using one of them as my phone’s wallpaper now. And then just to mix things up, I asked it to put Godzilla in the cities, and that actually worked.

    ===

    TV
    We finished all 10 episodes of Echo 3 on Apple TV+, a quasi-action series involving a group of special forces types conducting some personal business in Columbia. It’s not a straightforward, fast-moving Jack Ryan sort of show, although it could have been. Its typographic title styles actually reminded me of 80s-era Golan–Globus films — a look and feel and attitude I wish Hollywood would unironically revive. But no, Echo 3 has arthouse ambitions and slows things down with gauzy dream images, flashbacks, and psychologically troubled characters. Which I can’t say I cared that much for! 3/5

    We’ve now been subscribed to HBO for a full week and only started using it yesterday. The Last of Us is good television after all, not leaning too much on the game beyond key pieces. My main complaint so far is that shots of the wider world look too much like how I remember the game: CGI rather than realism.

    Something odd is happening here in terms of anime licensing. SPY×FAMILY started out on Netflix, then new episodes appeared simultaneously on Amazon Prime Video. I thought this title sharing was a weird one-off, but now Chainsaw Man is no longer on Prime Video only; it’s also on Netflix. If only this disruption of exclusivity happened more so we didn’t have to subscribe to every service.

    Incidentally, I finished Chainsaw Man despite not really having any appetite for demon-hunting stories — this one is wild, weird, and really well done.

    Music
    Speaking of strange behavior, I discovered the #youngstar playlist on Apple Music at some point last year and enjoyed its focus: emerging J-Pop acts that have gained traction first on alternative channels like YouTube and TikTok. But when I checked it out today, I found an international version of the playlist, with English songs only.

    Checking in with Michael, I realized some localizing or geofencing was afoot because he still saw the Japanese version (with a US account, in Japan). Highly annoying that we aren’t given a choice which version we see; is it so difficult to just publish separate playlists like “#youngstar (Japan)”, “#youngstar (International)”? So we’ve done that, manually, for anyone else who wants them. You can send us the checks, Tim.

    The English-language #youngstar playlist still shows up on the J-Pop category page as a relevant item. I want to fix this, call me.

    Singling out one song off the Japanese playlist, I enjoyed XG’s Shooting Star and then found myself sucked into their YouTube channel for awhile. For a group that’s only put out about four full songs, they have a ton of content, from training sessions and mixtape-style demos to random behind-the-scenes videos like one where two members practice a rap segment for about seven minutes. The polish on the Shooting Star video reminds me of early Blackpink, and I think these girls are going to be huge (they have 1.1M YouTube subscribers now). It helps that they sing in English, Japanese, and Korean. How do you even source talent like that, and seven of them? Headhunters and recruiters in every other industry need to learn from the music business.

  • Week 3.23

    • This post is delayed on account of the Lunar New Year weekend; hope you had a good one if you celebrate!
    • After two years of restrictions and fear (not to mention peace and quiet), we returned to the old chaos with a few family gatherings and house visits. Unfortunately, one of my favorite parts of the whole thing, a large reunion dinner on the Eve with some of our most senior relatives, was still off the table on account of their mounting health issues. I wonder if we’ll ever get a chance to see everyone on that side of the family all together again.
    • I brought my GR III out to capture some of these moments, and fortunately Ricoh released their previously mentioned new Diary Edition model just the day before, which meant the firmware update for older models to get their new Negative film-inspired “Image Control” mode was also released. After some experimentation, I’ve settled on these settings: Saturation +1, High Key +2, Contrast +1, Shadow Exposure -1. Am looking forward to using it for more everyday snaps in 2023.
    • While hanging around with some relatives in the afternoon of Day 1, a few of us downloaded the Dimensional personality test app and began answering its slew of profiling questions to compare our toxic traits, love languages, and all that. It co-opts a bunch of well-known existing frameworks like the MBTI and so on into one gigantic pile of traits. Does that constitute a unique and proprietary offering? I don’t know, but it’s fun enough and free. Be warned, completing all available questions can take over an hour.
    • Speaking of apps, my advance pick for 2023’s game of the year launched this week on Apple Arcade: Pocket Card Jockey Ride On. It’s a remake of the Nintendo 3DS eShop exclusive now fixed up with better graphics and subtle gameplay tweaks. If you never played the original, do yourself a favor and give it a try. It’s an addictive solitaire-based game; the main downside (for me) is it’s time-based and needs some concentration and so isn’t something you can play while in a noisy environment.
    • My Mastodon use has fallen off a little. I actually prefer Twitter’s algorithmic timeline to a chronological one because I tend to follow too many people to keep up, and need some help sifting out the “best” content from the rest. Mastodon is beginning to give me the uncomfortable feeling of a full inbox, but perhaps I should simply follow fewer people.
    • The general rule around here is to avoid talking about work — although it is usually such a big cost center for my time — but we had a new colleague relocate from Shanghai, and it was nice welcoming them to town and having a couple of impromptu beers on a weekday night.
    • Last episode, I mentioned seeing some Tezos NFT art at Singapore Art Week. Well I came across one of the pieces for sale (entitled D-909 Groove Arcade) and decided to go through the trouble of creating a Tezos wallet and getting some funds in so I could buy it. It’s one edition out of 167, and so was only like USD$20, but I’m super happy to have it. Can art be absolutely adorable and funky at the same time? Provably yes!
    D-909 Groove Arcade
    • I also continued generating non-existent videogame screenshots using Midjourney, expanding the fictional timeline to include modern-day remakes of old games. I should spend more time pushing this idea further but so far I’ve only done it in spare moments or when I should really be doing something else.
    Civilization: Flat Earth
    Duck Hunt Remake, PS4 (2018)
    Drone Hunt, NES (1984)
    Theme Hospital: COVID Edition
    Need For Speed: Self-Driving Edition
    • Everything But The Girl is back after what feels like decades, and the video for their new single is an incredible piece of choreography and one-take execution. I could only think of the immense pressure on each person not to fuck up. Dimensional seems to concur, reporting that my main motivation is Security.

  • Week 53.22 – Day 1.23

    • So maybe 2022 was not the best year for many things: my mental health, the markets, avoiding Covid, Goodreads reading challenges, making more time for people, etc. and it ended on a fittingly crappy note as I realized that I’m too neurotic to be a pet owner either. But we have to be thankful for the things we do have, and I am. Here’s hoping 2023 turns things around some 🤞
    • I saw someone toot that their only New Year’s resolution every year is “Use your stickers”, and I liked that enough to try and actually adopt it as a resolution (I normally think they are dumb). In essence, stickers do nothing for no one when saved on a backing sheet; you should put them to use somewhere, and eat all those mince pies you’ve been hoarding while you’re at it. Use and enjoy your things while you can, mindfully.
    • My Hotels.com rewards were expiring and I was kinda planning to let them go unused. But they are stickers! So I redeemed them for a night’s stay at a boutique hotel in the Ann Siang/Amoy Street area, which gave us an opportunity to eat at Maxwell hawker center, visit a few cocktail bars (Native is excellent), and get away from things for a little while.
    • I spent more time playing Citizen Sleeper on the Switch and still recommend it. Minor spoiler: early on there is a sort of timer mechanic hanging over your head, that you can’t help but work towards negating as a main quest. It’s always there in the background of what you do, making you uncomfortable. Once you manage to clear it, though, the game becomes almost too leisurely. The issue is still there but your character can skill up enough that it’s not a threat, only a minor annoyance. I’m not finished yet, so maybe there’s more urgency around the corner.
    • My last book of the year was Gabrielle Zevin’s brilliant Tomorrow, and Tomorrow, and Tomorrow, which I finished in the final hour of 2022 (for a total of 13 books read). It’s so good, an easy five stars. I would give it six, even. In my world it would be mandatory reading for anyone born between 1975 and 1985, and strongly encouraged for the rest of you. Heartbreaking, beautiful, real, nostalgic, and ripe for TV adaptation.
    • We binged both seasons of The White Lotus at some point between this week and last. It’s the sort of show you can’t stop thinking about afterwards, but it’s also a little pretentious and heavy handed with its imagery (oh lord here comes another moonlit interstitial shot of waves).
    • Going through people’s best shows of ‘22 lists, I saw Hacks and Reservation Dogs being mentioned a lot and gave them a try. The latter’s first episode didn’t take, although I can see what they’re going for; it’s just too depressing. Whereas Hacks follows a proven buddy formula with laughs, and teases character development. It’s a nice change of pace from most of our recent serious viewing.

    ===

    I tried making some city-specific illustrations in Midjourney and was surprised (again) by how good and coherent they can be. They’re not entirely accurate but the vibes aren’t off — Singapore is a time warp of golden era post-war colonial architecture and vehicle design, “exotic” southeast Asian street activity, and modern skyscrapers.

    Singapore street scenes
    Paris
    Tokyo
    Brooklyn + Manhattan
    Nairobi

  • Week 42.22

    We got a cat! Well, pretty close to it, more accurate to say that we have reserved a kitten from the breeder we were previously speaking with. The next few weeks will be spent buying essential equipment, clearing up some of the mess around the house that she might destroy, and then she should be with us by the end of the month.

    Appearance wise, she is what’s known as a seal bicolor ragdoll, white with brown markings on her face and tail. I’ve discovered that this combination combines the most popular and most common traits in these cats, so in gachapon terms we’ve pulled a three-star kitten. Although you wouldn’t know she was a kitten from looking at her; several people who’ve seen photos have remarked “oh, so you’re not getting a kitten?” They grow up to become large cats, with females possibly reaching 6 kg and beyond.

    We’re still thinking of a name (her dead name is Dewey) but already have a strong contender. In branding terms, this phase is what’s known as “writing the rationale after having found a name that sounds great but isn’t especially meaningful”. Aside: is it a bad idea to name your cat after a Microsoft product?

    ===

    Darkroom (a photo editor I’ve used since it came out for iPhone — it now works as a universal app on iPad and Mac too) released their new update supporting the sharing of filters/presets. Early users of the app will remember that you could always share filters via a QR code, but this feature was removed a few years back when they switched to a new architecture. The way it works now is the preset’s details get uploaded to their server, generating a link that you can share. Anyone who clicks the link can see how your preset looks applied against four standard photos, and install the preset in their copy of Darkroom with a single click.

    As someone who enjoys making presets in Darkroom, I’ve got a few that I would like to share with other users. I went through a phase of copying film looks from other apps like VSCO and RNI Films, as a sort of pastime, as I found it quite a soothing and mindless activity to switch back-and-forth between two photos and gradually nudge them closer together by adjusting sliders. Someone should make a game around that mechanic!

    I’ve posted a few on Twitter already, but have quite a few more that I’ll put soon — “better” ones that I’ve done on my own without referencing existing film stocks or looks. I even wrote about wanting to share a new preset last October!

    Darkroom presets shared so far:

    ===

    This week’s update was written via voice dictation on my Mac — with a few minor corrections. And that’s with a sore throat, stuffed nose, and raspy voice! As far as I can tell it’s not Covid, just this drawn-out flu that’s been getting quite a few people. On that note, Covid cases are once again rising here in Singapore due to the new XBB variant.

    I can’t wait to upgrade to Ventura, assuming that it will have the same voice dictation enhancements as iOS 16. I wonder if this post reads differently, stylistically, given that I am saying this out loud rather than typing it. Related to that, I am now reading the book Because Internet by Gretchen McCulloch (oh my God I can’t believe dictating that name out loud worked — I await the day this happens for Asian names). It’s about how language has been changed by the Internet and Internet culture (one of the things that involves is not capitalizing the word Internet, but macOS has seemingly not been informed).

    What a good week it’s been for reading: I finished Adrian Tchaikovsky’s One Day All This Will Be Yours and went on to finish Blake Crouch’s Upgrade two days later. With this post-Seveneves sprint, I should be able to finish the year with a not-embarrassing 12 books or more.

    I recommend both books by the way, the former being an unusual and fun time travel/time war story, and the latter another one of Crouch’s written-for-film-rights thrillers (his earlier novel, Dark Matter, is in production for Apple TV+). It is better than the film Limitless, but nowhere as great as Ted Chiang’s (dictation failed here) short story Understand. As you may already have guessed, the story is about a man whose genetic make up gets altered, giving him new abilities.

  • Week 41.22

    My Seveneves journey on Goodreads

    After four long months of procrastination and avoidance, I finished Seveneves. I hope that’s the end of my 2022 reading slump. Someone said that Neal Stephenson books start well but fizzle out at the end, and one could say that about this, but it wouldn’t be fair. The first half is an incredibly detailed look at the mundanity that occurs inside a giant tragedy; the eye of an apocalyptic storm — the world is ending, okay, but how is a small team going to engineer their way to survival over two years? And then a lot of time passes, and the final third of the book is a sort of sci-fi action movie, but not at an epic scale. So, super meticulous world building, some powerful ideas about humanity’s purpose, and then an ending that doesn’t quite shoot for fireworks.

    I still loved it though! Coming after Daniel Suarez’s Delta-V, also involving survival in space, it was a lot of mental time spent banished in an orbitory purgatory. Back when I started in late May, I was reading it in a darkened bedroom, with live-streamed video from the ISS projected on a wall, feeling intensely alone and stranded. Perhaps that not so enjoyable experience made it hard to pick up again and continue? Anyway now that it’s over, I need to make up for lost Goodreads reading challenge time so I’m moving on to the (relatively slim) One Day This Will All Be Yours, by Adrian Tchaikovsky.

    ===

    Earlier this week I got exposed to Covid in the workplace via a client who tested positive later, but still haven’t developed any symptoms myself. I’m hoping to make it through the next few days without incident.

    ===

    We had an excellent dinner at Brasserie Gavroche one night to celebrate my brother-in-law’s birthday, where I declined to taste the bottle of wine in that little ritual they do. What are the odds, really? One bad bottle in a million? Is that worth the amount of sniffing and swirling time this steals from humanity in aggregate? All the interrupted conversations; the sheepish nods to say okay?

    ===

    I met Ci’en and Peishan for a Saturday afternoon coffee and chat for the first time in what feels like forever. Somewhere, an alien observer has a record showing that we used to do this more often, undoubtedly along Orchard Road in cafes long-since shut, and they’re probably writing in their little notebook that some things in human life do stay easy and stress free. If you’re reading this, I appreciate you both immeasurably.

    ===

    A few weeks ago, I read Michael’s complaints on his blog about not being able to get a pair of Uniqlo shorts that matched what he was used to, and I want to rant a little about Muji’s jeans in a similar vein. I’ve bought several pairs over the years — completely switching over in allegiance from other brands — solely because they had a dedicated smartphone pocket. It’s on the hip, just above and to the side of the regular right back pocket, high enough and to the side enough that you can sit down without sitting on your phone. It wouldn’t fit a Max iPhone, I think, but anything below. It was discreetly sewn into the lines of the jeans, enough to be hidden away that if someone robbed you and wanted your phone, they might not be able to find one.

    This obviously freed my front pockets for putting my hands and mask and maybe a single credit card in. It was wonderfully minimal. The phone had its own place, and it wasn’t in the way of anything at all. And for some reason, their new jeans do not have this pocket. I think some of the skinniest jeans may still have it, but I wouldn’t/couldn’t wear those. It suggests that Muji believes the pocket is only useful in scenarios where you can’t put your phone in the regular front or back pockets, but that’s a ridiculous conclusion to make. A dedicated phone pocket is always welcome!

    I discovered this a few weeks back while looking to renew my currently faded pairs, and have made several visits to confirm that none of the ones they sell, and that I fit in, have this pocket anymore. Liberated from my obligations, I may now be in the market for some nicer specialist denim, I don’t know. They’ve really done it to themselves.