sangsara.net

Tag: Games

  • Week 31.23

    Week 31.23

    I fell ill with a fever that spiked Monday night, and then strangely subsided the next day, replaced by wrenching back pain and body aches after a night of hallucinatory dreams that felt perfectly sensible at the time. Then on Wednesday just as I thought I was getting better, I was struck by the worst bout of diarrhea I’ve had in recent memory. It lasted practically all day, even after I’d eaten nothing but white bread and water, even after there was nothing left to expel.

    What made things worse is one of our neighbors recently sold their flat and the new owners are doing renovations right now, with the few days of heavy demolition coinciding perfectly with my time in bed.

    The doctor I spoke to prescribed me some dubious medication: one of them, meant to be taken an hour before food, is normally prescribed to people with stomach ulcers or gastric reflux problems. I mean, it reduces the production of stomach acid, which surely helps, but I went online and one of the things it’s clearly not prescribed for is diarrhea. It even says that if you are experiencing diarrhea, you need to inform your doctor before they prescribe this. I stopped taking it after the first dose. Maybe I’m too much of a WebMD believer and should just trust real doctors but it was prescribed so casually along with four other things that I can’t trust it’s necessary.

    So I got on the so-called BRAT diet, which stands for Bananas, Rice, Applesauce, and Toast — basically all you can eat is bland stuff. I’m surviving on bread and bananas and a little peanut butter at the moment.

    Oh, I learnt the above neat trick on Twitter in the process. If you wrap the stems on a bunch of bananas with plastic, it prevents them from going black and rotting. They release some sort of gas while ripening (?!) and by blocking the rest of the bananas from it, they last much longer.

    Photo from @BrianLeeWow on Twitter

    Another thing I learnt from on the internet this week was the existence of an obscure Sanrio character turned internet darling, confusingly named “Big Challenges”. He’s an optimistic crocodile that was created in 1978 and then dropped off the map until fans petitioned in 2020 for his return. And now he’s made an appearance as an NPC in the new Apple Arcade game, Hello Kitty Island Adventure, which may have been named in reference to a 2006 South Park meme? (Disclaimer: the featured image on this post is not from the game; I made it with AI.)

    As for the game itself, it’s getting great reviews, and seems to be very much Animal Crossing but with Sanrio characters. So perhaps I’ll be spending some time with it next week while on my own island getaway.

    What island getaway? Well, by the time you read this scheduled post, I will (hopefully) be on a small secluded holiday island with nearly no internet connectivity, no television, and no air conditioning. To be honest, I’m a little worried we’ll get there after two boat rides and an hour’s drive only to be put into cages and executed on camera for the dark web. Barring that nightmare outcome (inspired by a book I read recently), it promises to be three days of unplugged relaxation: reading, floating in a private pool, looking out at the ocean, maybe gaming a little, and sweating my ass off.

    But first I’ll have to get over the anxiety I feel when I think of not being online and connected to everything. I mean, things are moving so fast these days, I could back next week to find the stock market’s crashed, or every country’s locked in a room-temperature superconductor arms race, or some new AI has decided I should do twice as much work for less money.

    On one of those topics, it’s now 6pm on Saturday and I’ve spent the last hour watching a YouTube livestream by the National Taiwan University’s science department, as they test their LK-99 sample for superconductive properties. That’s another thing that started this week (or last?), some Korean scientists released a paper on their attempts to fabricate a superconductor over the last 20 years, in the most confusing way possible with multiple releases, internal fighting, and not much clarity on whether this thing is real. But it’s gotten every backyard chemist online into trying to replicate their process, which is apparently not hard. It’s something the human race could have accidentally discovered a hundred years ago, which makes my skin tingle! Imagine an alternate universe where we’ve had this technology all that time.

    The stream started strong, but then I was appalled at their inability to present this in a camera-ready way. The lab is a mess, and they didn’t have their workspace prepped to work with the sample; it was being moved around with pieces of paper on a crowded desk, and at one point it looked like they were going to drop it on the floor. Watching it, I finally understand why all the videos and photos posted online so far by other enthusiasts have been so blurry and lo-fi. Scientists are not YouTubers!

    So far, it’s been a washout. The tiny sample they derived, in part because of a failure to neatly separate it from the quartz tube without resorting to the use of a hammer, has not responded to a magnet. They’re doing something called a SQUID test now, but I don’t think it’s looking good. Might have something to do with their decision to use different temperatures and baking times than cited in the original paper. In any case, other labs around the world seem to have been able to replicate LK-99 to some extent, so I’m hoping we’ll “be so back” by this time next week.

    Okay that’s enough from me. Here’s some music I liked this week.

    XG released the next song from their upcoming mini-album (I can’t wait), and it’s called TGIF, and it stands for “Thank God I’m Fly”. I love it.

    I discovered the Japanese ambient artist Haruka Nakamura, who came out of a hiatus to work with The North Face to create four albums of background music for their Harajuku “Sphere” store. One for each season. What a gig.

    Light Years
    Those Days, Light Years II
    From Dusk to the Sun, Light Years III
    Sun.Light, Light Years IV

    Utada Hikaru put out a new single called Gold — Mata Au Hi Made which I’ve only heard once but found sadly unengaging. I’ll have to get back to it later.

  • Week 22.23

    Yes, I made this with Midjourney

    Six years after I booted up my Nintendo Switch for the first time and slotted in The Legend of Zelda: Breath of the Wild’s cartridge, I finally took on the final boss this week and finished the game. Before you think this game is a monster (although it is), I effectively took a 5.5 year hiatus.

    My first experience with the game was both exhilarating and overwhelming — here was a non-linear open-world adventure designed to be an exercise in self determinism. Yes, the princess has been locked in a bubble, literally waiting 100 years for you to wake up and save the kingdom, but that didn’t mean you had to hurry. You could decide to be a chef and spend time gathering rare ingredients and experimenting with recipes. You could examine every curious crevice of the natural landscape to discover the Korok seeds deviously placed by the designers, or climb foreboding mountains just for the hell of it (you’d probably find Korok seeds for your trouble).

    This was a game that demanded longer play sessions — no dipping in for just five minutes — and frequent ones at that. You kind of had to remember what you were last doing and where you wanted to go next. So, faced with too much commitment and mental load, I started to distance myself from it and play other games instead.

    If you’ve been following along in recent weeks, you’d know that the release of the sequel, Tears of the Kingdom, spurred me to try completing it once and for all. And it’s been quite the journey: I had to re-familiarize myself with the game’s laws of physics, Link’s complicated powers, and in the process discovered that I’d spent those first 40 hours or so essentially mucking around in just one corner of the world.

    By last week, I’d finally uncovered the whole world’s layout, but with some places still unexplored and doubtlessly many secrets left to be found. I’d gotten good at fighting, and was told that I was ready for the final showdown with “Calamity Ganon”. Except… I wasn’t, not mentally.

    So I spent this week’s game time mucking about and doing inconsequential side quests, like helping a group of arguing scientists collect evidence of giant monster skeletons using my digital camera (yes). And then, on Friday night, I said ‘fuck it’ fought my way to the center of the map, took the big baddie out, and saw the credits roll. It was an absolute anticlimax, partly because I was in a hurry and took a bunch of sneaky shortcuts to the final fight, instead of exploring the giant castle like I suppose I was meant to do.

    So I guess the moral of the story is err… heh… it’s the journey, not the destination? And as I was telling Cien earlier that day, the game is designed so that it’s possible to start the game and simply walk a beeline straight to the final boss and kill him instantly, if you had the skills and weren’t interested in slowly unfolding the whole experience for yourself. So this implicit message was always present, and I’m glad I took the time this year to enjoy more of it.

    ===

    Speaking of picking up old games again, I re-subscribed to the New York Times in order to play their crosswords. The last time I played a lot of them was when they released a Nintendo DS game back in 2007. In recent weeks, a group of people at work starting playing them collaboratively, and I found the experience fun enough to give it a shot. The current promotional price is just $20 USD for the first year of All Access membership ($90 afterwards).

    With the installation of the NYT Games app, I’ve also got the main news app again, of course. It does a couple of things really well, namely it presents simple text and images beautifully with a handful of layout variations, and it has a personalized tab called “For You” that is finite and completable each day.

    I didn’t realize how much I’d missed having a primary source of news in my life, with its own Home Screen button, but of course I’m prioritizing it only because I paid for it. I’m still enjoying Artifact, and I’ve just told it that I have an NYT sub now and it promises to prioritize it for me. Artifact has a real chance here of being the winning news aggregator.

    It makes me upset how Apple Music’s personalized tab could be so much better, like an AI-compiled digest of what’s new in music that I’d be interested in. Fingers crossed for WWDC next week! (Disclaimer: I know nothing.)

    ===

    Friday was Vesak Day here and a public holiday, so I spent the afternoon with Peishan and Cien visiting two cafes, and let me just say I am disappointed that we are allowing so many Instagrammable cafes to flourish. They’re all variations of the same bare concrete interior, tables and stools placed closely together, serviceable coffee + $20 and up full English breakfast plates template of an F&B business. We managed to land in two that offered differented value: Acoustics on Neil Road, which understands that bare concrete is a terrible environment to have conversations or listen to music in, so they invested in sound dampening wall panels and impressive looking speakers; and the Allpress pop-up cafe down the street on on 73 Duxton Road which, well, offers Allpress beans.

    ===

    Back to AI, Jose pointed me at the Planet Money podcast which is currently producing a series of episodes about GPT. They’re using it to write and create a full actual episode, and documenting the process. Parts 1, 2, and 3 (the actual AI-produced episode). Listening to the first episode, I observed them going through the same cycle of revelations that I went through recently as I experimented with using AI to do elements of my own job. The initial curiosity and excitement, the sudden surprise at how good it is, the disbelief when it’s sometimes even better, and the slow acceptance of the chaos to come as you realize no one knows how this is gonna turn out. We live in interesting times.

    ===

    I watched the finale of Ted Lasso’s third and possibly final season. Season 1 is everyone’s pick for the strongest arc, but I think Season 3 is right behind it now. Season 2 was disjointed and strange to me, so quite a distant third place.

    I said of the episode in a group chat:

    The Ted Lasso finale is one of the best I’ve ever seen. On brand, unashamed, fan servicing, heavy-handed symbolic closure with all the love in the world. 5 stars.

    There’s a line in it about how absolute perfection is boring, and by being imperfect on its own terms, the final episode was effectively, truly perfect. They made some polarizing choices this year and didn’t give us what we wanted at times, but the last episode gives it all. It mirrors the beginning, it offers thematic and narrative closure, and it gives room for the satisfying character growth it nurtured to show itself off.

    Their choice of song to play over the final minutes was spot on, obvious, schmaltzy, perfect. It might have been better if they’d used my favorite version featuring Fiona Apple, but what do I know.

    ===

    A couple of weeks ago Michael pinged me to talk about Daft Punk, after I wrote about Random Access Memories, saying sheepishly that Discovery was probably his favorite album, as if RAM was a purer musical endeavor and Discovery was sonic candy for philistines. I was mostly surprised that anyone could fail to love RAM best, and admitted that I hadn’t heard Discovery in many years and hardly knew it well.

    Then I saw this YouTube video by “Digging The Greats”, in which they break down the achievements in sampling that Discovery contains. Absolute magic. I keep telling myself to spend more time on shows like Song Exploder and Watch The Sound on Apple TV+ and This Is Pop, but I never seem to make the time. What I love about this 15-minute video is they don’t just play the samples and show you what Daft Punk did; they load them up and perform the melodies live on an MPC to show you how the band did it.

    Then on Sunday night, the algorithms delivered me this endearingly old-fashioned 20-minute talk from Pearl Acoustics (they seem to make loudspeakers) in which their technical director, Harley Lovegrove, inducts RAM into his list of Great Recordings, and proceeds to discuss why he thinks the production and musicianship on it are noteworthy. He’s got a trained ear as you’d expect, and spends quite a bit of time talking about the incredible Giorgio by Moroder, pointing out things like how there are two different drummers on the track (I had no idea!). What makes it more fun is the fact that this is clearly not the kind of music he normally reviews — other Great Recordings include Jacqueline Du Pré’s Elgar Cello Concerto (this often moves me to tears on good headphones), and Pink Floyd’s The Dark Side of the Moon. Anyway, loved this video and it helped me appreciate a favorite album even more.

    ===

    A different sort of band, but I bought the 2023 Pride band for my Apple Watch. Rather than the heavy and vibrant rainbow bars of previous versions, this year’s design has a white base with scattered color pills. It looks like birthday cake sprinkles or confetti, which is a fun vibe you don’t see in any other official Apple Watch bands, almost like something Swatch would do.

    ===

    And now, for this week’s conclusion, brought to you by GPT:

    In wrapping up, there’s something uniquely human about picking up where we left off, be it a beloved video game, a trusted news source, or a favorite TV show. That’s the joy of life’s continuity, the pleasure in seeing where a journey takes us, especially when it’s one we didn’t quite finish the first time around. These past weeks, I’ve immersed myself in familiar worlds, marveled at the capabilities of AI, and watched characters grow, and it made me realize how we continuously strive for balance, exploration, and ultimately, an understanding of our own story. We may stumble, we may take detours, but isn’t that the beauty of life’s game?

  • Week 19.23

    The new Legend of Zelda game, Tears of the Kingdom, launched this week about five or six years after the last one, which I never finished. I pre-ordered the new game, of course, planning to join the rest of the world on launch day, exploring together and participating in conversations online, collectively figuring out unique solutions using the game’s open-ended physics engine. For those who haven’t seen it, the new game is sort of a sandboxy, Minecrafty affair where you can weld stuff together and build novel mechanical solutions to obstacles, almost certainly in a different manner than your friends. Think rudimentary cars from planks of wood, or hovercrafts, or the forest booby traps from Rambo First Blood.

    But the guilt of never fully playing Breath of the Wild was getting to me, and I’ve been trying to get back into it over the last few weeks. Despite memories to the contrary, I’d made shockingly little progress in my 40+ hours of gameplay, spending most of my time bumbling about the countryside and climbing mountains, instead of conquering the Divine Beasts (1 out of 4) and collecting quality stuff. It seemed wrong to jump ahead to the sequel while I’m finally seeing what the last one had to offer.

    So in this past week I’ve made more progress than in the previous four years: conquered two more Divine Beasts, got the Master Sword at last, and uncovered most of the world map (two more areas to go).

    ===

    Craig Mod tweeted and tooted about having had enough of the iPhone’s (14 Pro, I assume) overprocessed look, and said he was making Halide his default camera app. Huh? But how does that help, I thought, unless he means to shoot in non-ProRAW RAW all the time (which is a thing Halide does: shoot in traditional RAW files which don’t involve the “Photonic Engine” processing pipeline). After some poking about, I realized something I should have ages ago: by turning off “Enable Smartest Processing” in Halide’s settings and choosing HEIC as the output format, you can actually take regular old (non-RAW) photos that look more natural and have more editing latitude! This effectively cancels out the iPhone 14 Pro’s image quality regressions.

    The overstimulated look of the default camera is one of the main reasons I hardly took any phone photos on my recent vacation to Japan, but if only I’d known… I could have! So with that, Halide won an instant annual subscription from me, and I now have a complication on my Lock Screen that launches straight into it.

    My toot about this was boosted by Mod, making it my most “engaging” Mastodon post ever, at 44 likes and 12 boosts.

    You have to see a comparison to understand how obnoxiously oversharpened and artificial the Photonic Engine is on the 14 Pro’s 48mp sensor for some reason. It increases local contrast and highlights texture “detail” that does not look like what you see in real life. It’s a Clarity slider turned all the way up, and I’m not a fan of Clarity sliders. The example below is a corner crop from two larger photos, not edited in any other way.

    Left: iPhone 14 Pro’s default processing | Right: Halide’s “dumb” processing is loads better

    ===

    My AI experiments this week have been around trying to teach ChatGPT to write better poetry. I posted a few days ago about getting it to do a critical reading of a poem, wherein I was completely stunned by its comprehension skills. But writing good poetry, not just gimmicky rhyming lines, that should be a different thing.

    I semi-accidentally discovered that asking a “persona” (that I’d established in another chat instance to test the idea of using an AI prompted with a human backstory as a customer research proxy) to write poetry yielded subjectively better results than when I asked a brand new ChatGPT instance. The mere suggestion that the bot’s point of view should draw references from vaguely described life experiences and preferences seemed to make a difference to what it spat out. Which is why many SF stories have AIs that don’t know they’re AIs, I guess, and they have memories of childhoods that never happened.

    Here’s a poem that “Frank” (quite a salaryman-type personality) wrote about retirement:

    A lifetime spent in labor’s thrall,
    In structured days and office halls.
    Oh, to retire, to end the grind,
    To leave the corporate world behind.

    The dawn of leisure’s quiet grace,
    In this new, unhurried pace.
    Days unbound by ticking clocks,
    Unfettered as the wandering fox.

    Yet in this expanse so vast,
    Shadows of the past are cast.
    Habits of a lifetime past,
    In this new role, steadfast.

    A time of freedom, yet confined,
    By boundaries of the seasoned mind.
    Retirement’s paradox, I find,
    Is having time, yet being time-blind.

    Wow! No? It was coming up with absolute drivel before I handed the job over to Frank in another window. Side note: I started paying for ChatGPT Plus, just to have access to GPT-4; it’s a much better poet than the default GPT 3.5 model.

    So lately I’ve been working on giving feedback to an poetry-writing AI that I named Penrose and instructed to believe in itself as a 50-year-old professor of creative writing and philosophy, who’s bad with money, had two failed “great loves” because of their selfish acts, grew up in Boston, now works in London, and so on.

    Here’s one of the first things it wrote:

    In the chilled reflection of a London morn,
    I see a face, lines etched by yesterday’s turmoil.
    Cracks, not of frailty but life, loud in their silent form,
    That’s you, mate, and it’s all right.

    Witness the march of years, the dance of decades,
    In the ceaseless play of ambition and regret.
    Weaknesses? They’re the worn pennies in your pocket,
    The unpaid bills of your character, yet, not your debt.

    They’re the stumbles on cobblestones,
    The missteps in Milan’s echo-filled alleys.
    Not a damning verdict, but life’s hasty loans,
    A ledger, not of losses, but of rallies.

    In this world where even stone yields to rain,
    We’re all apprentices to time, chiseling away in vain.
    We’re all works, works under the master’s patient hand,
    Unfinished, flawed, yet, in that, something grand.

    ===

    • I haven’t been able to bring myself to watch more of Amazon Prime Video’s Citadel beyond the first two episodes. A colleague said he quit after 10 minutes. It’s reportedly one of the most expensive TV shows ever made, at an average of $50M per episode.
    • Silo on Apple TV+ has been very good so far. It’s a little bit YA sci-fi, a little Hunger Gamey, a little Snowpiercey (but better).
    • I saw a segment on NHK about how this iconic street corner featured in Slam Dunk has been inundated by tourists now that Japan is open again. They interviewed pilgrims from S. Korea, China, and Taiwan who said they just had to come down and see it — “if you love anime at all, this place is a must”. So I decided to get started on the ancient anime, which Netflix has 8 seasons of. The day after seeing episode 1, I ended up standing behind a guy on the train watching the show on his phone.
    • The 10th Anniversary Edition of Daft Punk’s Random Access Memories is out, and the album still holds up extremely well for me. If only they’d come back to remix it in Spatial Audio, that would have been incredible.

  • Week 18.23

    I was in a cab listening to music on my AirPods, and just as we were pulling up, I switched to Transparency Mode and heard a song playing over the car’s radio that sounded kinda familiar. I knew it was a remix of some tune I wanted to know, and managed to Shazam it before getting out.

    Looking into it later, I realized the melody was what I’d been trying to figure out about Charli XCX’s White Mercedes for over a year. Why does that one line she sings — literally the line “like a white Mercedes” — sound like some other song I can’t name? It turns out, it’s literally a song I would have absorbed from the world around me but never intentionally listened to: One Direction’s Night Changes from 2014. Ahhh it’s so good to have that itch scratched! And there are so many more like this I’ve yet to solve.

    Let me say it again for the search engines: Charli XCX’s White Mercedes sounds like, samples, or contains an interpolation from One Direction’s Night Changes.

    Another similar thing happened as I was playing WarioWare Inc. (GBA, 2003) again for the first time in years. The background music in one stage awoke some long dormant memory and I needed to know what pop song from my younger days it sounded like. After a lot of humming aloud and trying to Shazam it and searching online… I concluded that the song it reminded me of was… itself. It’s called Drifting Away, and I must have really loved it back when I was playing the game for the first time.

    Speaking of retro games, I lasted a full week. The Anbernic RG35XX I said I wouldn’t buy since I already have a Retroid Pocket Flip is now on the way to me from China. There are some reports of shoddy QA and long-term durability, but for S$90 I think that’s to be expected.

    ===

    Another week, another bunch of water-cooler conversations about AI. Specifically how it relates to our work in design: as accelerator, collaborator, ambiguous combatant, amoral replacement. I don’t just mean the making pictures and writing words part, but analyzing messy human interactions (it’s just unstructured data) and presenting them in new ways.

    I ran one experiment with ChatGPT on Sunday afternoon, just for kicks, and it sort of blew my mind. From a handful of behavioral traits and demographic details I supplied, it was able to inhabit a fictional personality that I could speak to and pitch various products to. So far so par for the course. But then it reacted to a hypothetical KFC offering called “The Colonel’s Colossal Combo” in a way I didn’t expect, citing a conflict with values and dietary preferences that I did not specify. When asked where they came from, it argued that although they were not specified, they could be reasonably expected from the “Frank” persona I’d created, because of some other background that I DID provide. It sounded a lot like intelligent reasoning to me, and regardless of how it works, I was happy to accept the inference the same as if a colleague were making it.

    Like with all advances in automation, it’s inevitable that we’ll now be able to (have to) do more in less time, with fewer people. Until things go “too far” and need to be reined in, it’s not even a question of whether we should — every industry is incentivized to discover when can be done before it gets done to them. I think there are some exciting opportunities for designers, and a slew of unknown consequences for society. And just like that, we’re back in a new “fuck around” phase of the tech cycle.

    ===

    A couple of weeks ago I made a bunch of fashion-style athleisure photos with Midjourney v5 but somehow forgot to post them. The photorealistic ones are quite incredible, and the few illustrations I got were really strong too.

    Midjourney v5

    This week, v5.1 dropped, promising more opinionated outputs and sharper details, so I tried the same prompt again. Many of the results were as broken as these bodies.

    Midjourney v5.1

    They probably fixed something quietly because it’s been more reliable in the days since. I thought it would be interesting to do a comparison of models 1 through 5.1 with the same prompt. It’s crazy how far it’s come in just over a year.

    photograph of Queen Elizabeth II in a dim video arcade, sitting at a street fighter 2 arcade cabinet, intense concentration playing game, side view, screen glow reflected on her face, atmospheric dramatic lighting --ar 3:2
    v1: Feb 2022
    v2: Apr 2022
    v3: Jul 2022
    v4: Nov 2022
    v5: Mar 2023
    v5.1: May 2023
    v5.1: very high style variation
    v5.1: raw mode + 2x quality

    If you saw Midjourney a year ago, you were probably impressed by how it and Dall-E 2 could turn quite natural text descriptions into imagery, even if the results were still quite hallucinatory, like DeepDream’s outputs circa 2015. I don’t think you would have expected to see the pace of improvement be this quick.

    It’s not just rendering improvements from distorted pastiches to photorealistic scenes with internal logic (global light affecting nearby objects realistically, fabrics folding, leather seat covers stretching under buttocks), but also how it’s evolved through feedback and training to understand intent: the idea of a “side view” started working from v4. None of the earlier re-generations got me the camera angle I was going for. The tools that promise to do this for video are probably going to get good faster than you expect.

  • Week 17.23

    • I discovered that Midjourney has an alternate set of models called Niji (aka Nijijourney) dedicated to creating anime-styled imagery. It’s astoundingly good. It has four stylistic modifiers: standard, cute, expressive, and scenic. Look at all the implicit context and environmental storytelling in these scenes. I really wonder where they came from.
    An izakaya where bears and humans drink together
    “Cute” version
    This was meant to be Singapore but I don’t see any evidence of it
    • I also found Draw Things on the App Store, for both iOS and macOS, which can download an array of open source AI image generation models off the internet and run them locally on your devices — no fees, no internet connection required. Grab it while you can. Of course they are nowhere as advanced or fast as the paid services, but you know they’re going to get there soon, especially if Apple continues to crank up their proprietary silicon. Incidentally the anime-focused version of Stable Diffusion is called Waifu Diffusion.
    • My Retroid Pocket Flip arrived from China and I was relieved to find it quite a solid product. The build quality is good, no looseness or wobbles; the D-pad and all buttons feel great; the screen is incredibly bright; and the giant 5,000mah battery and active cooling make it more than just an Android phone with physical controls attached. It’s a really nice way to run emulated ROMs. I used to love playing Lumines and Every Extend Extra on my PSP, like over 15 years ago, and being able to revisit them again on this little $164 USD device is quite a thrill.
    Processed with VSCO with kc25 preset
    Processed with VSCO with kc25 preset
    • If I hadn’t impulsively pre-ordered this while in Japan, literally while walking to our anniversary dinner in west Shinjuku, then I would definitely be buying an Anbernic RG35XX right now for a mind-blowing $56 USD. It’s a Game Boy Pocket-inspired device with a bright 640×480 screen and the ability to emulate all 32-bit consoles, and maybe even the N64. I can’t believe how cheap and good these things have gotten, and there are so many of them on the market too.
    • I finally finished watching the Korean revenge drama series The Glory — it took awhile because Kim wasn’t interested and so I only get to see it on my own time. It’s the rare TV show that dares to wrap up its core story in the first season, and The Glory gets some very satisfying closure in. The remaining threads could make for an interesting second season (now in production), but also it could have been canceled and everyone would be okay.
    • We started watching Drops of God on Apple TV+, which starts off with an immediate deviation from its manga source material about the world of wine: a Japanese male main character has been replaced by a French female one. This adaptation is an international joint production that switches between English, French, and Japanese, and each episode begins with a reminder ‘not to adjust your television’. Anyway, I think they’ve managed to keep the main idea while toning down the big, overdramatic ah hah! moments you’d expect from manga/anime. It still has people honing and demonstrating their near-superhuman skills (taste and smell, in this case), which is always fun, even when said skills aren’t the usual martial arts, boxing, tennis, math, golf, you get the idea.
    • Everything But The Girl’s comeback album, Fuse, is officially a hit. It debuted at #3 on the UK charts, a stunning career best for Tracey Thorn and Ben Watt. It’s so good to see musicians from <wheezing> our generation </wheezing> coming back after a long hiatus to demonstrate absolute mastery of their craft (as opposed to embarrassing themselves, e.g. U2, The Smashing Pumpkins).
    • Michael also mentioned the greatness of Karma Police out of nowhere, which led me to play the song in my head, and I commented that it simply sounds like nothing else. I tried asking Apple Music to make a radio station from similar songs but it was totally wrong, just songs from bands in the same wide category, but none of them actually sharing the same vibe or brilliance. Somehow this led to me revisiting Keane’s very strong first album, which I have many strong emotional attachments to. It came out in 2004, I think, and I must have played the hell out of it.

  • Week 16.23

    I usually look through my camera roll to recall events as I start writing these posts. It’s telling me nothing much happened this week.

    That’s not true; it’s just a lot of it was spent online. You might have noticed the excitement and fast pace of advancements in AI recently, and it seems I’m spending a correspondingly larger amount of time playing with, reading about, and discussing the impact of it on our work and lives. It’s enough to make one consider taking a gap quarter or year off work to focus on this stuff.

    One catalyst was a colleague being invited to do an interview on what it means for design, and so we had a conversation about the trends beforehand. Unsurprisingly, the media is still thinking about both design and AI simplistically: will image generation mean fewer jobs for illustrators and that sort of thing. I find it hard to be optimistic in the short-term, in that AI is lighting a fire under our asses and it’s going to cause a lot of pain. But the potential for us as a discipline to evolve under pressure into something greater is undeniable.

    It didn’t help that the next thing I saw was The AI Dilemma, a talk by the creators of the documentary, The Social Dilemma, wherein they say the problems unleashed on society by social media were just the prequel to what AI is on track to do if we don’t prepare. And let’s just admit we don’t have a great track record of preparing for things we know are going to hit us later. It’s about an hour long but I’d file it under essential viewing just for awareness of what’s building up.

    The above talk was given at The Center for Humane Technology, and coincidentally this was the week we finally got a look at what Humane, the secretive product company founded by a load of ex-Apple designers and engineers, has been building and teasing.

    I’ve been anticipating their debut for a long time and had a pretty good idea of the core concept from their leaked pitch deck and patents. Essentially, a device achieves AR by projecting a digital interface on the world around you the old-fashioned way, using rays of light pointed outwards, rather than on the inside of glasses. At some point along the way they started mentioning AI a lot, and it looks like the secret ingredient that turns a nothing-new wearable camera + laser projector into a real alternative to smartphones. In other words, an intelligent assistant that isn’t primarily screen based, so we can be less distracted from “real life”.

    It’s probably best to withhold judgment until we see more at some sort of unveiling event, with more demos, a name, a price, a positioning. But it’s worth remembering that when the iPhone came out, it was a phone good enough to replace whatever you were using at the time. Humane’s device is said to be standalone and not an accessory to be paired with a smartphone. It’s also shown taking calls. The bar for replacing your telephone is now much higher after some 16 years of iPhones.

    An intelligent assistant that let you do things quicker with less fiddling was always my hope for the Apple Watch from its very first version; that Siri would be the heart of the experience, and the UI wouldn’t be a mess of tiny app icons and widgets, but a flexible and dynamic stream of intelligently surfaced info and prompts. We all know Siri (as a catch-all brand/name for Apple AI) wasn’t up to the task at the time, but I keep hoping the day is right around the corner. Fingers crossed for the rumored watchOS revamp at WWDC this year.

    There’s now also a rumor that iOS 17 will add a new journaling app, and my expectations are already very high. They say it’ll be private, but tap into on-device data like Health and your contacts and calendars. That goes beyond what Day One does. I’m imagining the ultimate lifelogging app that automatically records where you go, who you met, what you did, how tired you were, what music you were listening to, and your personal reflections, all in one searchable place. I’ve tried a bunch of these before, like Moves and Momento, but nothing lasted. If Apple does do this, I may finally be able to ditch Foursquare/Swarm, which I still reluctantly use to have a record of where I’ve been. Its social network aspect is nice but not essential since hardly anyone else uses it now.

    I remember there was a Twitter-like app called Jaiku on Nokia smartphones over 15 years ago that had a feature where, using Bluetooth, it could tell if you met up with a fellow user, and post to your other friends about it. I was excited by it but had few friends and even fewer ones on Jaiku. Just like with AirTags and Find My, tapping into Apple’s giant user base could finally make this concept viable. As long as Apple isn’t trying to do a social network again.

    ===

    Oh right, back to AI. What have I been doing? Some of it was playing games with ChatGPT, essentially asking it to be a dungeon master using the following superprompt (which I did not create btw!):

    I want you to act like you are simulating a Multi-User Dungeon (MUD). Subsequent commands should be interpreted as being sent to the MUD. The MUD should allow me to navigate the world, interact with the world, observe the world, and interact with both NPCs and (simulated) player characters. I should be able to pick up objects, use objects, carry an inventory, and also say arbitrary things to any other players. You should simulate the occasional player character coming through, as though this was a person connected online. There should be a goal and a purpose to the MUD. The storyline of the MUD should be affected by my actions but can also progress on its own in between commands. I can also type “.” if I just want the simulated MUD to progress further without without any actions. The MUD should offer a list of commands that can be viewed via ‘help’. Before we begin, please just acknowledge you understand the request and then I will send one more message describing the environment for the MUD (the context, plot, character I am playing, etc.) After that, please respond by simulating the spawn-in event in the MUD for the player.

    Try it! I even had success asking it (in a separate chat) to come up with novel scenarios for a SF text adventure game, which I then fed back into this prompt. I can’t emphasize enough how fun this is: you can take virtually any interesting, dramatic scenario and immediately play it out as an interactive story.

    Here’s an example where I played the role of a time traveler who has to stop a future AI from destroying humanity by going back in time to prevent the invention of certain things, starting with the Great Pyramid of Giza, which will purportedly become a power source for the AI.

    And here are a couple of new products made possible by GPT. There are so many, all asking for about $10/mo. Most won’t survive as this stuff becomes commoditized, but for the moment they are all amazing because these things weren’t possible before.

    • Tome: It’s a sort of PowerPoint that can create entire decks on its own from a short brief you give it. For example, ask for a sales deck and it’ll set up a working narrative arc over multiple slides, not filled with placeholder text and images mind you! But actually generate text and original pictures to fill every one of them. Of course, it will use common storytelling structures — the portfolio introduction I made as a test looked like 90% of the applications that we see, using very familiar language for describing one’s experience, design philosophy, values, skills. This is fine, of course. You can edit it, or use it for as long as “what went before” continues to have currency in this society. When quality is everywhere, quality becomes meaningless. Fire under buttocks.
    • Rationale AI: Describe a decision you’re trying to make, and it’ll tell you the pros and cons, or generate a SWOT analysis, or work out the causal chain of the path you’re on. For many people, this sort of reasoning is not hard to do, but perhaps it’s a game changer for those who can’t. For example, if you’re in an emotionally distressing situation and cool logic is evasive; it could help to show the bigger picture. I tested it with such a scenario and it gave some solid insights (be careful with advice from an AI, of course). But that this thing works at all is a marvel! “Should I become a full-time influencer?” is not a question a machine could have understood in the past, and certainly it could not have forecasted that failing down the road might put stress on your finances and lead to harmful self doubt and regret over quitting your job.
    • Summarize.tech: I found this by accident when someone shared a two-hour YouTube video essay in a group chat and everyone said “I ain’t got time for that”. I remarked that it sure would be great if an AI could watch that and write a tl;dr for us. And then I thought… surely that exists. And it does.

    ===

    It was also my birthday, and I saw John Wick 4 and ate a lot of Taiwanese hot pot. Also binged all of the new Netflix show, The Diplomat, and it was actually good. Life’s alright when that happens.

  • Week 15.23

    • As the last AI-written post mentioned, the post-vacation photo deluge is real. Looking through them again to make a shortlist for showing family and maybe printing out on Instax, I’ve rediscovered some good shots I could share… but do I want to? And where? And why? Our current task is just to build a shared album with some of the better ones between the two of us. That, and remembering that this is the fun and meaningful part of taking photographs; the journey, not the neat photo library.
    • The price of Instax Mini film has risen since my last purchase (inflation?) going from maybe 75 cents a shot to 91 cents, and that’s if you buy a hundred at a time. It makes the price of Instax Wide (larger prints) seem reasonable at about $1.40 a shot, and I’m trying to tell myself not to buy an Instax Wide printer or camera.
    • It was a busy work week, and I had to make an overnight trip to Malaysia for a meeting — my first time back in the country in nearly two decades, if I’m remembering correctly. This is something that shocks other Singaporeans, like when I say I’ve never been to Bangkok. But dudes, if I’m going on a holiday, I’m getting away from this oppressive heat and humidity! What isn’t shocking is how Malaysians will take every opportunity to make fun of Singapore’s food.
    • The trip involved flying 1.5 hours in a propeller plane operated by Firefly, out of the two alternative airports: Seletar and Subang. The planes are small, with just 4 seats across each row, and the propellers are louder than jet engines. Definitely take your AirPods Pro. But small airports mean less hassle — you can arrive an hour or less before your flight — and more convenient access to parts of Kuala Lumpur than if you fly into KL International.
    • In a case of wishful thinking, I brought my Switch along anticipating an evening alone in the hotel room to get some gaming in. In reality, it was late by the time I checked in and needed dinner, and maybe I played Lumines for 15 minutes the next morning.
    • We had a small dinner over the weekend for a couple of us with April birthdays, and James mentioned playing a new game out on Switch that I’d somehow missed: Dredge. It looks like a delightful Lovecraftian fishing/adventure game, and one I will definitely get when I’m ready. At the moment I’ve just started on Super Mario 3D World and am loving its compact little puzzle worlds. If the rumors are true and a follow up to the Switch is coming this Christmas, I have limited time to clear my games backlog. Maybe another sabbatical is in order?
    • I finally finished watching the Cyberpunk: Edgerunners anime on Netflix and while I enjoyed aspects of the clearly expensive production, like some of the character designs, I can’t recommend it. Mostly because it’s a cynical, derivative dystopian downer with lots of gory body modification (personal turn-off) to make it gritty?
    • We finally started watching Beef on Netflix which has been getting a ton of praise for tackling, like, every issue? Asian-American identity, class divides, mental health, imposter syndrome, work-life balance, and so on. It’s good! Wild, but good.
    • Ryan Adams put out yet another cover album, as in a cover of an entire album, this time for Oasis’s What’s The Story Morning Glory? and while it should be a home run given how well he pulled off that cover of Wonderwall years ago, the whole thing is a bit disappointing. Changing key melodies for worse ones for no good reason, inconsistent production from song to song, and kinda turning a fun album into a drag.
    • I’ve decided, like several people I follow, that I will probably not be paying for a Hipstamatic subscription after my free trial ends. The social network suffers from technical and UX issues, from as small as how slow the gratuitous card flipping animation makes it to browse your feed, to the broken friend-finding functionality — to say nothing of how low quality many of the photos being shared are, for which some blame must be laid at the feet of the garish filters which were supposed to be the whole point. I fear there isn’t really a revival of interest in many of these early era looks, just a desire on Hipstamatic’s part that one happens. That said, I love some of the classic ones, like the “Model 100” (the original John S + Ina’s 1969 lens + film combo from Hipstamatic circa 2009), but too many of them make good photos worse. And you can actually use some of the best ones with the free plan — which is what I’ll continue to do.

  • Week 14.23

    Ugh, the post-holiday period is the worst. I’ve struggled through the week, and it was only a short four-day work week because of the Easter/Good Friday holiday. I’m in the mood for another break now, and thankfully we have a week in Australia later this year to look forward to.

    I started off Monday with a client video call in which I got frustrated enough by my bad lighting situation (sitting in front of blinds — either too much light, too little, or visible horizontal shadows across my face) to finally do something about it. During my aimless ambles down the aisles of Japan’s electronic superstores, I saw many shelves dedicated to remote work equipment, presumably a big sales driver for them over Covid-19, and considered bringing a ring light home. I didn’t, but I found good looking ones on Shopee and ended up with a rectangular soft LED panel on a tabletop stand for just S$27! It does five color temperatures, but I’m sticking with Daylight, and overall it’s been an awesome purchase I should have made ages ago. And it arrived in 24 hours.

    No surprises, but I’ve taken far fewer photos since returning. I still open Hipstamatic regularly just to keep my streak going, and it’s forced me to try and snap something every day. That said, I wonder if this habit, and the product’s reboot, will last. As I was discussing with Michael, they needed to put some momentum behind the launch and sustain it with updates and quality posts in the global pool. But from how it looked in their updates, the founders were (also) on holiday in Japan on launch week? Perhaps they were there to boost some community events, but I looked at the Japan-only photo feed regularly and I was one of the most prolific posters. Not a great sign. They just released an update this weekend, at least, with a new Uji-inspired lens and film.

    A new fun thing to do with Midjourney emerged this week: a /describe command which takes a photo you upload and has the system describe it back to you in the form of Midjourney prompts, which you can then submit to generate a “broken telephone” remix of your original image.

    If you think computer vision/image recognition has gotten scarily good recently, you’d be right. AI is part of this chain somewhere, and look no further than this Memecam web app which blew my mind last night. Snap a photo of something, and it recognizes what the image contains, and uses GPT to create a joke and final meme, Impact font and all. It actually writes jokes about anything, instantly. That AI-generated Seinfeld stream could technically become good, viable (if not wholly original) comedy in the near future.

    ===

    Hey, two quick moments of consumer ecstasy I need to share!

    • We’ve got the HomePods in Singapore at long last. I don’t know what took Apple so long, but you can now officially buy them here, and the prices are slightly lower than I would have expected, at S$139 and S$429 for the mini and full-sized second-generation HomePods respectively. My Sonos speakers are now unplugged and we are a fully Siri-ed home. I’d previously bought two minis for the office and bedroom off the gray market, and those are now joined by two large ones in the living and dining areas. Reader, they sound glorious. It’s a rich, tangible, and emotionally satisfying experience for your favorite music. There was a point in time where Apple loved the word “magical” and used it liberally. Even for mundane things like keyboards that worked reliably. But these, these are kinda magical.
    • Nespresso launched a new kind of pod locally, one designed to approximate “filter-style” coffee, which in my mind is basically a pour over. They’ve been out for a few months in limited European markets, it seems, but still not widely available. They have a new design where you peel off a sticker to reveal an in-set dot grid which the liquid passes through — the foil is not punctured as a a result. You’re meant to press both the Lungo and Espresso buttons in sequence, resulting in a 150ml extraction, which they call a Gran Lungo. Lol. Anyway, it tastes pretty good. The longer cup is thinner and more delicate than if you used a regular pod to do an Americano or long black, with hardly any crema. This innovation allows for floral and fruity roasts to come through, if you like that sort of thing. I..I..I think it also results in more caffeine.
    • Boss coffee is now natively available in Singapore! Used to be you’d find imported cans in Don Don Donki (the local name for Don Quijote) and some other Japanese supermarkets, but it looks like Suntory is properly trying to bring “The No. 1 Ready To Drink Coffee Brand in Japan” to Singapore now. But I remain unconvinced these stubby plastic bottles and generic labels are the way. The little cans and their designs are iconic, and better for the environment since they can be recycled.
    Spotted in a 7-Eleven

    Last week I mentioned buying black tees from FamilyMart, and then got into a few brief discussions about fashion/luxury apparel this week, wherein I reflected that while I’m happy to pay high prices for technology and things crafted out of metal, I can’t feel that way about fabrics and leather. They wear down, so why not just embrace their replacement and buy cost-effective, expendable products from basic brands? Then the Twitter algorithm put a bit of trivia in front of me that the plain white tees worn by Carmy in The Bear got attention from viewers who wanted to buy them, and that they were actually pretty expensive ones made by Japanese brand, Whitesville.

    So… if you know me, you may know where this is going. Yup, this is the guy who loved PCs, hated Macs, and now has a house full of Apple products. To be clear, I wasn’t suddenly curious about the idea of buying ostentatious Veblen t-shirts with designer logos, just… better ones that would hold up longer and not look as cheap. So I now have an order of basic black tees coming in from Mr Porter that cost 5x what I normally pay for them. Gulp. I’ll work out if this actually makes sense and let you know.

    ===

    The Super Mario Bros. Movie is a fun trip in IMAX. We enjoyed it, and I’m looking forward to finally playing Super Mario 3D World + Bowser’s Fury and New Super Mario Bros. U Deluxe (I have to look up these names every single time) on my Switch soon.