sangsara.net

Tag: Generative AI

  • Week 42.23

    Week 42.23

    I used to (sporadically) log my mood and mental state in a great free app called How We Feel, but ever since iOS 17 came out with a similar feature in the Health.app, I’ve been doing it there. It’s nowhere as good, though, and the act of recording how you feel is (surprise!) so much better in How We Feel. Apple’s version makes you scroll a list of feelings like Anxious, Content, and Sad, sorted in alphabetical order.

    The other app arranges feelings in a colorful 2×2 grid, from high to low energy, from unpleasant to pleasant. An example of a high-energy unpleasant feeling is Terrified, while a low-energy pleasant feeling might be Serene. This grid is a much more logical and visual way to find the right word and quickly record your feelings throughout the day. Anyway, the rumor is that iOS 17.1 will be out next week, and I’m hoping the new Journal app is part of it, because I want better ways to record and look back on my state of mind.

    ===

    We attended the local premiere of Martin Scorsese’s new film that everyone’s talking about online: Killers of the Flower Moon. In a theater, no less! It’s an Apple Original Film, and will be coming to Apple TV+ after this irl run is over. I can’t remember the last 3.5 hour film I saw under such circumstances, unable to take a break, forced to focus. If I’d seen it at home I’d probably have paused it no less than five times, and so I’m glad that I couldn’t, because it’s the kind of film that quietly spends its budget building a world so absolutely intact and complete that you’re left to focus on the people, the time, and the weight of its historical crimes. As a true story, it’s devastating. “People are the worst” is pretty much my 4-star Letterboxd review.

    On the flip side, we saw disgraced filmmaker Woody Allen’s 2019 film, A Rainy Day in New York, which has pretty poor ratings online, and really enjoyed it. I’m aware that he has approximately, oh… one style? And a hallmark of it is neurotic, pretentious characters in awkward romantic situations who spout smart alecky jokes in an artificial, stage performance cadence… but I like it. It’s also amusing to see current generation stars like Timothée Chalamet and Elle Fanning as his stars, but playing their roles exactly like Woody. Is it because they’ve seen his old films and think they have to? Or do the scripts just demand that delivery? Also, Selena Gomez is in it, and I can’t help but see this performance as a superior version of what she does in Only Murders in the Building.

    ===

    I got jabbed for Hepatitis A & B on Friday, and it was a doozy. I felt lightheaded and weird all afternoon afterwards, and I have to go back for two more boosters over the next few months.

    Contributing to the feeling all weekend has been my new contact lenses, the first ones I’ve worn in maybe 8 years? The right eye prescription is a little underpowered and so I’m suffering with blurry images that are driving me crazy. I’ll need to try and get them exchanged next week.

    Why am I wearing them at all? I got an annoying pimple/scratch behind one ear, exactly where the arm of my glasses sit, and so I decided on some disposable dailies while it heals. On one hand, the feeling of freedom is amazing — I really miss this about wearing contacts, which I did regularly in my younger days. Just things like being able to do a spontaneous facepalm! But now everyone has learnt that “my look” is “guy with glasses”, and suddenly my normal face looks weird, even to me gazing in the mirror, and I don’t need to freak people out any more than necessary.

    The blurriness has had a slight impact on my enjoyment of Super Mario Wonder, the latest and greatest Mario game which just came out. I wasn’t planning to buy it, because I wasn’t planning to play it any time soon, being still in the middle of another old Mario game on the Switch, Super Mario 3D World + Bowser’s Revenge. But peer pressure got to me, and talking to Jussi got me justifying it to myself that playing a 2D and 3D Mario game at the same time isn’t a problem — it’s like reading a fiction and non-fiction book at the same time!

    Super Mario Wonder is the 2D one, for the uninitiated. It’s a modern take on the classic Mario games, far more inventive and deep-reaching than even the New Super Mario Bros. series of games that tried to breathe new life into the side-scrolling platforming formula. Wonder has incredibly detailed and expressive animations all throughout: Mario and friends move and react to things like characters in a proper animated movie (was this planned to coincide with this year’s film? I don’t know), bursting with character, while the levels and events are literally psychedelic festivals of invention. This is a blockbuster game that spends its budget conspicuously, gleefully.

    ===

    In playing with DALL•E 3 some more (within ChatGPT Plus), I discovered that it goes a great job of replicating the look of classic 80s anime. You literally just have to ask it for that. I tried some classic scenes, and then asked for couples hanging out near a 7-Eleven drinking Strong Zero, and then for screenshots from a movie about a female detective investigating a case of financial fraud, and it’s that last one that made me think this thing is a new milestone in tools for visualizing stories.

    There was a period about a year ago when quite a few new moms all had ideas for children’s books, and wanted to use DALL•E or Midjourney to illustrate them. I got questions about whether it was feasible to do this, and if you’ve been talking everyone’s head off about this stuff too, you probably had the same conversations.

    I think this level of natural language interface with GPT-4 and DALL•E 3 coming together is finally making it possible for anyone to direct images with consistent settings and characters. I read somewhere that Midjourney v6 is going to make prompting easier as well, so perhaps we’ll get a flood of storybooks next year.

    There was also a thing going around on Threads that basically asked participants to “paste your Threads bio into an AI art tool” and see what comes out. I saw a few people doing this, all floored by the accuracy of the people they saw gazing back through the black mirror, I suspect afraid of how accurately they were seen from just a few keywords — one lady said “I own all of those tops”.

    I think this is a pretty strong signal for the mainstreaming of generative AI, that a meme like this can spread without instructions attached. Everyone who is online enough knows what it means to invoke an electronic genie that grants image wishes, knows very well how to go find one and get the deed done. Next year is going to be wild.

    But anyway I wanted to try it out, although my bio isn’t like “Founder/CEO (he/him), hustling 24/7 🇸🇬, new book out 20/12, always up for coffee ☕️ and meetups 🤝”; it’s currently “Designer, sense-maker, aesthete, imposter, garbage, scum.” which gives you results like this:

  • Week 41.23

    Week 41.23

    Trying to keep things short again.

    • First, a correction to last week: I believed that the Leica Sofort 2 will offer little functional advantages over the Fujifilm Instax mini Evo camera that it’s based on. But I missed that the Sofort 2’s design favors a landscape orientation; its camera strap connection points and tripod mount are placed with that in mind, whereas the mini Evo seems intended to be used in portrait. This is another point of annoyance because the Fujifilm’s design visually indicates it should be used in landscape. Well, it also visually indicates its a vintage analog camera, but we’ll ignore that.
    • Cameras are for capturing memories anyhow, so on Friday night when we had a team barbecue for the first time in years, I brought my Instax mini Evo out to get some lo-fi, low-res, flash-enabled snaps. A camera never gets as much use as it does in the days just before its replacement is due to arrive — if that isn’t a camera addict’s maxim, it ought to be. But I wonder if Leica is ready for the backlash when the photos from this low-grade 5mp sensor start being associated with their premium brand. It’ll be the worst digital camera they’ve ever made. At least with the fully analog Sofort 1, the results were just little Instax prints. But now some really questionable digital files are gonna come from a Leica camera and start circulating.
    These were the only ones without faces in them
    • Anyway, in a big coincidence, the last time I remember having a work barbecue was when Oya left in 2019 to return home, and I met her this week for the first time since as she passed through town for a day. A bunch of us who were around back then met up for Mexican food, margaritas, and refried memories.
    • I finally got access to ChatGPT’s new features (these couple of weeks felt like forever): image uploads for multimodal chats, a voice-driven mode, and DALL•E 3. I’ve yet to make proper use of the first feature, apart from a few tests. I gave it a photo I took at Toa Payoh Hub (what can you infer about my location from this photo? And it correctly guessed Singapore from some visible shop names); a receipt (split this bill, and would I be an asshole if I asked for this money back as a billionaire?); and a photo of a dying plant at home (how do I nurse this withered thing back to life?).
    • I wish the voice mode could listen out for your interruptions, which would make it much more conversational. Right now you have to tap the screen to stop it talking first. The synthesized voices are really good, and enhance the illusion of talking to a trustworthy intelligence. Using Siri Shortcuts, you can now just start talking to ChatGPT on your phone at any time, but I still hope Apple finds a way to design a more responsible, private version of this with a future Siri.
    • The ability to interface with an image generator with natural language is a big deal — in theory, ChatGPT can break down your detailed, context-laden instructions into the right prompts for DALL•E to work with — and affirms my belief that “prompt engineering” will be designed out of relevance for the majority of users. It can’t do photorealistic images as well as Midjourney, but it may be close for illustrations.

    I made a new playlist on Apple Music, mostly made up of recent releases I’ve been enjoying, with a few oldies thrown in there: BLixTape #2

    iOS 17 introduces crossfading, and I think it works great for mixtapes, making the intentional juxtapositions even clearer and jam-mier. Crossfading is when one song fades out just as the next one fades in. It’s like having a budget DJ. (Edit: AI suggested I explain it for those who might be unfamiliar, but Kim says this is mansplaining. I guess this is an explainer for the explainer.)

    I played with this cover art idea for awhile in Midjourney over the past few weeks, but wasn’t super happy with any of it. I gave the same brief to ChatGPT + DALL•E 3 and decided to use its version. It came up with a more interesting composition than all the other centered, literally middle-of-the-road shots, and it was able to follow my instructions that the headphones should be Beats Studios.

    Some unused Midjourney versions
  • Week 40.23

    Week 40.23

    So-forting what?

    Remember the Leica Sofort (German for “instantly”) camera? It came out of nowhere years ago, an unacknowledged collaboration with Fujifilm that took their popular Instax Mini 90 model and rehoused it in a sleeker Leica-designed body (offered at a much higher price, nearly double if I recall right). Reviewers tried to discern a difference in the photos, but they were essentially identical cameras on the inside. For some reason, everyone danced around the similarities and at best said the Sofort was “inspired” by the Mini 90, as if it was a new Instax camera by Leica that somehow came out looking mighty similar, rather than a simple body swap at the same Fuji factory.

    This week, Leica announced the Sofort 2, which is now a redesigned Instax mini Evo (a camera I bought myself for Christmas in 2021). Where the original Sofort was a fully analog Instax camera, the Sofort 2 is one of Fuji’s hybrids: a digital camera fused with one of their Instax printers, so you can take tons of photos and then decide which to print.

    By the way I also mentioned this on Threads. You should follow me there if you’ve quit Twitter.

    In my opinion, the mini Evo is the least ugly Instax camera Fuji has made, which is one of the reasons I was excited to get one when they came out. Oh, I noticed that Jurin from XG uses one, and some of their IG posts look like mini Evo shots. But the Sofort 2 is beautiful, streamlining the body to its essential elements and removing nearly all traces of fake plastic leather and silver-effect plastic.

    Leica’s ability to wrap other companies’ cameras in minimalist industrial designs and sell them for more money is unmatched. I bought their D-Lux 7 precisely because I wanted Panasonic’s LX100M2 but could not get behind its rugged hiking shoe looks.

    Where the mini Evo is a cute plastic facsimile of a Fujifilm X100 camera, and wearing one around on a shoulder strap makes you look like a kid who’s been placated with their very own toy iPhone, the Sofort 2 looks like a camera in its own right (far as I can tell from the images). And as little as I have used my mini Evo over the past two years, it will be very hard to convince myself not to “upgrade” to this version for Christmas. And to be clear, there are ZERO functional improvements from the Fuji version, apart from not looking like a toy.

    Fujifilm makes their Instax cameras kid-friendly. They’re colorful, bulbous, fun, and recall the freewheeling sensibilities of product design before the 2008 financial crisis, when phones could look like tubes of lipstick and translucent plastics were everywhere (they’re coming back). The Leica partnership seemingly exists to provide the market with what the Japanese might innocently call “adult versions”. Why Fujifilm leaves money on the table by not doing this themselves is mind-boggling. Are they really incapable of producing understated designs? I don’t care about the Leica logo; it’s a joke on a product like this, I just want a clean-looking rounded rectangle.

    Generational shifts in photography

    And apropos of all this, I heard that Sean was getting into film photography and about to use an Olympus XA2 I once gave to Cien. Which got me talking to my Pi AI (we’ll come back to this) about old becoming new again in photography. Part of it was trying to convince myself that a Sofort 2 would be worth buying as an adult-friendly retro toy camera — a loving term for cameras with garbage image quality. I’ve owned many of the sort, like the Digital Harinezumi series, and they’re always plastic and cheap, or simply dusted-off vintage digital cameras. But this is a new! luxury! toy camera!

    So Pi sorta made the “observation” that using an analog camera is an attempt to engage with photography more deliberately. Which I already knew? Because of course using a dedicated camera instead of a smartphone today is deliberate; a “slow photography” thing, a “real photographer” flex. Of course instant film is an extension of this.

    But I’d not really appreciated it from the perspective of Gen Z people who grew up without them. Like why ordinary kids not into capital-P Photography would be interested in Instax/film cameras and old digital cameras beyond signaling coolness. Obviously we Xennials and Millennials grew up with photographic scarcity and have fewer photos of our younger days, but these kids grew up in an age of surplus, literally taking photos for granted. Phone cameras everywhere mean cheap and infinite memories. So naturally tools that force moments to be more precious, that force viewers to see events through wonky lenses, would hit different.

    I noticed afterwards that Leica’s press release for the Sofort 2 sums this up with a simple statement: “Back then, the instantly printed photo symbolized acceleration, whereas, in today’s fast-paced world, it represents a moment of caution and relief.”

    Next day update: I neglected to mention here that the mini Evo and Sofort 2 cameras are actually perfect bridges between these two approaches to photography. They are digital cameras that let you shoot in surplus, and print only the photos worth keeping in scarcity. Also, having two offerings serves buyers across the spectrum from fun/affordable to serious/expensive, which tends to be a generational divide. The hybrid instant camera is a tool that unifies photographers with different values (so long as they’re okay with 5-megapixel shots), and serves as a symbol of ‘making this moment count’.

    The Pi personal AI assistant

    Okay, so what’s Pi? It’s billed as a personal AI, a ChatGPT for your daily life. But isn’t ChatGPT already for daily life, as well as work life, I hear you ask? Yeah I know, which is why I’m giving this a go. The main difference is that instead of multiple chat threads for different topics, with Pi you just have one main chat. It tries to learn more about you and draws on past context to inform its responses. It’s built on a proprietary foundation model, so perhaps they have a way to get around the short-term memory and context collapse that I’ve seen with other generative AI text systems — so far it’s doing quite well after a few days!

    It’s free, and their privacy policy claims they’ll never share or sell your information, but yeah sure what else would they say? I’ve found it quite pleasant, and its responses are tuned to be shorter and less formal than ChatGPT’s defaults. It does feel like talking to a friendly personal assistant.

    So far I’ve had discussions with it about movies (we talked about Interstellar and why some Nolan films don’t work as well as others), python programming, economics, frameworks for building good arguments, as well as its own purpose and unique value proposition.

    I just asked it to brainstorm what a Sofort 3 could bring to the table. It suggested more AI features (lol) and making it more user friendly. I said I’d go the other way and make it more unapologetically professional, with manual controls and higher quality. It was able to say that it sounded almost like an instant film version of a Leica M, and when I asked it to price such a product, it said $800 USD or higher. That’s pretty insightful!

    Something about its simulated personality and the UX of having a single chat thread (where I don’t have to keep introducing my needs and context) makes this very pleasant to use, so much so that I might end up using it over ChatGPT for some queries.

    ===

    Media activity

    • I had Saturday all to myself so it was a movie day. I saw The Equalizer 3, which was much slower and less action-packed than you’d expect. But Denzel is still badass and he gets to have a nice Italian holiday. Just expect a chiller installment going in. I think this is the last one for Robert McCall.
    • Indiana Jones and the Dial of Destiny was nowhere as bad as I was led to believe. I’d say it’s actually very successful in closing out Harrison Ford’s role and setting up a possible future heir. The last one was roundly panned and tried to introduce the idea that he had a son, played by an awful human being, which failed so badly they wrote him out in the most delicious way possible in this film. I really hope Phoebe Waller-Bridge gets her spinoff out of this, but apparently she’s developing a Tomb Raider TV series for Amazon Prime? What a shame to work on the pretender when the original tomb raiding franchise is right there!
    • I forced myself to finish season 1 of Invasion on Apple TV+, just because season 2 looked good in the trailers and has a higher Rotten Tomatoes score. Season 1 is an awful plodding mess, which given Simon Kinberg’s involvement should not surprise anyone. If you’re interested in S2 and haven’t started on S1, I’d recommend you just go straight to it and try to fill in the blanks.
    • The Below Deck marathon continues. We finished seasons 5 and 6, started over with season 1 — it was disappointing in terms of production quality and crew likeability — and are now on the second.
    • Apple Arcade’s new James Bond game is quite entertaining. Cypher 007 is an isometric stealth-action game from the makers of Space Marshalls, and should scratch the itch for anyone who loves the franchise and/or Metal Gear games.
    • So much new music came out and I haven’t had a chance to hear it all yet. After hearing about how Sufjan Stevens’ Javelin is dedicated to his partner who died this April, I’ve played it through several times. I think it’ll be one I come back to over the years.
    • There’s also a new Drake album, For All The Dogs, which may not have the same longevity.
    • I enjoyed my playthrough of HOW DID WE GET HERE? by a 22-year-old Canadian pop artist named “young friend” while writing this post. Admittedly, I wasn’t listening to the words at all, but it was very pleasant and I’ll have to get back to it.
    • A new Omar Apollo EP, Live For Me, which I’ve heard one song off and am really excited for.
    • Caroline Polachek’s second album, Desire, I Want To Turn Into You, has been getting great reviews too, so I’ll get around to it next week hopefully.
    • Also, a new Jorja Smith! A new Static Selektah!
  • Week 34.23

    Week 34.23

    Trivial bullet point notes this week.

    • The new fridge arrived without a hitch. It makes the tiniest ice cubes, they’re like chiclets. We also got baited and switched: the model in the showroom said “20 year compressor guarantee” but the one that arrived has a sticker that says 10 years. In any case, we’ve been assured that these compressor warranties are meaningless because they’re never the first thing to break down. Kinda like LED bulbs that claim to last centuries, then.
    • The Onchain Summer campaign/festival on Coinbase’s Base network (Ethereum L2) continued, and I really got into the release of a few generative art projects on Highlight.xyz, in particular RUNAWAY by James Merrill. It’s designed to be a long-form open edition project, and so the algorithm is wackier than most, with quite a bit of variety in the outputs. Of the four projects launched together, RUNAWAY understood the assignment best.
    RUNAWAY by James Merrill
    • This inspired me to get back to playing with Midjourney, and totally unrelated to the above, I made a couple of images I call “Swamp Aesthetic” and “Pond Aesthetic”.
    Pond Aesthetic and Swamp Aesthetic
    • XG’s buildup to their first mini album continued with the release of New Dance, yet another solid pop song accompanied by a fun video (this one goes for an early 2000s vibe). So far they’ve only released one early dud — Mascara is not a great song imo — and everything else has been a straight banger. It’s an incredible track record, so to speak, and they’ve created a formation where every member is differentiated and recognizable. Back when I found them in February, they had 1.1M YouTube subscribers. That number is now 2.18M. I said back then that they’re gonna be huge and I’m more certain than ever everyone’s going to know them in about half a year.
    • Apple Music agrees, and they’re featured in this month’s Up Next spotlight, which means a short video, radio interviews, and pre-order promotion for New DNA which drops at the end of September. Just for reference, past honorees of the Up Next program include Billie Eilish, Megan Thee Stallion, Sigrid, and Burna Boy.
    • I finished reading Ann Liang’s If You Could See The Sun, which turned out to be a YA novel set in a prestigious Chinese high school, with a protagonist from a poor background who’s struggling not to drown amongst her fuerdai classmates, and then… she develops a superpower? It’s pretty fun, and you can see it being Netflix adaptation fodder. 3/5.
    • We’re currently watching Deadloch on Amazon Prime Video. Throughout most of the first episode, it felt like we would quit, but it somehow picked up and now it’s a fun and ridiculously vulgar ride. It reads as a send up of the small town murder mystery genre (albeit set in Tasmania), but the murder bit is just as interesting as the comedy.
    • I’m still rationing episodes of Poker Face, watching them like little films. Episode 5, The Time of the Monkey, had such a fantastic payoff I’m still thinking about it days later. I don’t want to spoil anything, but that ridiculous episode title will actually make sense by the end.
    • Oh oh, I found a silver bracelet I bought off SSENSE years ago and decided to put it on one morning as I was going to work. Some colleagues immediately noticed it and said ‘hmm what’s going on with Brandon lately? He’s accessorizing and wearing new clothes and painting his nails?’, which led me to wonder if I’m going through some kind of weird mid-life crisis? Technically the crisis probably began when I turned 40, which was the year the bracelet in question was purchased. LOL why are people such cliches?
  • Week 33.23

    Week 33.23

    Our fridge is dying. After some eight years of dutifully cooling and freezing our food reserves, it’s losing its mind. Like a soldier left to survive too long in the jungle, it can’t tell right from wrong anymore, and it’s probably a threat to someone’s life. It started midweek when I decided to get some ice-cream and found the unopened tub mushy and soft to the touch. Ditto blocks of frozen salmon — uh oh, not a good sign.

    I’ve realized in recent years that I get disproportionately upset when things go wrong in the household. They’re like waves rattling loose the stones in my psychological seawall; things at home simply need to be predictable, dependable, safe. Maybe it’s the result of some trauma. Maybe the outside world is just too much sometimes.

    A new fridge has been viewed and paid for now, it will be roused from its Korean factory-induced slumber this Monday and loaded up with every surviving vegetable and condiment. I get images of them as war refugees lining up to get on a boat. They’re the tough ones, made of more shelf stable stuff. Pour one out for their fallen brothers: the spoils of war.

    Do you know what new fridges cost these days? I certainly did not. I’m pretty sure our last one was under S$1,000, but they cost more now. Blame inflation, the chip shortage, whatever, but the ones under a grand now are the brands that probably don’t come to mind when you think refrigerators: Whirlpool, Electrolux, Sharp, and local OEM brands you wouldn’t think of at all. So now we’ll have our very first Samsung product, if you don’t count the displays and components they make for others.

    Coupled with the so-called seasonal downturn in the markets now underway (supposedly the August and September months before a US election year tend to see significant corrections), there have been quite a few conversations about everyone feeling poor and worried. More than usual, anyway. I know one has to take a long view of these things, but the lack of bright spots is a little daunting.

    CNA put out a two-part documentary on Singapore’s fiscal reserves, promising unprecedented access and interviews, which I found quite enlightening. There was a visit to a secret warehouse literally filled with tons of gold, and stories about how this war chest came into being from the early days of our independence. It had not occurred to me before that our reserves were used to weather the 2008 finance crisis and Covid without issuing more debt, a luxury most countries did not have. Nor that one of the reasons we’re able to enjoy such a low tax rate is that annual income from invested assets helps to offset spending on public infrastructure.

    Here are the episodes on YouTube:

    ===

    I had fun this week with TikTok’s “Aged” filter, which is certainly not a new concept as far as apps are concerned, but it’s probably the most advanced execution yet. Through a blend of machine learning with harvested personal data from millions of non-consenting people and regular ol’ voodoo, it shows you what you’ll look like as a pensioner (should pension funds survive the financial end times). Some people have tested it on photos of celebrities when they were younger, and the aged photos reflect how they really look now, so… this is probably how you’ll turn out! Might as well get comfortable with it.

    It turns out that old me will look kinda like one of my uncles, and I’ve been having fun recording aged videos in a wheezing voice and sending them to friends and colleagues.

    Some of the other trending filters on TikTok are pretty sophisticated mini apps that involve a prompt box for generative AI. It takes a photo of you and will restyle it as a bronze statue, an anime girl, or whatever you ask it to do. They are also incredibly fast, compared to other generative AI image tools, which suggests Bytedance is burning some serious cash to power these models and gain AI mindshare.

    I also came across a new product called BeFake that will try to take this one feature and turn it into an entire social media network based on posting creative generative AI selfies. It makes some sense — you don’t have to be camera ready (already a low bar with some of the beauty filters now available), and you can showcase wild ideas. Will this sweep the world only for people to get tired of unreality and swing back to finding “boring” posts interesting? Stranger things have happened.

    ===

    On Sunday we went to the ArtScience Museum (at the Marina Bay Sands) for a rare high-profile exhibition of digital art. Notes from the Ether says it’s focused on NFTs and AI, but it’s also got a lot of generative art that just happens to be encoded on blockchains. I was especially excited to see the inclusion of work by DEAFBEEF and Emily Xie (Memories of Qilin), and Tyler Hobbs and Dandelion Wist’s QQL project was also presented for anyone to play with.

    Obviously this movement is in a weird sort of place at the moment. Valuations for most projects are as volatile as shitcoins, and a few “blue chip” projects like the ones displayed are more stable, but only about as much as bitcoin. Because NFT art is defined in large part by the medium, which is currently inseparable from talk of price and value, it’s hard to have a viewing experience divorced from these considerations. You don’t really visit a Monet exhibition and think about how much everything costs. Which is why the Open Editions I mentioned last week are interesting, and likewise with this event, which offers you a free NFT at the end. You get to co-create an artwork with an AI engine by uploading a photo of your own to be transformed, and it’s minted as a Tezos NFT if you’d like. I thought it was a very cool collectible to remember our visit by.

    I don’t think I’ve ever seen more affordable tickets at this museum, just S$6 with a further 30% off if you sign up for a free “Sands Lifestyle” account, so there’s little excuse not to go if you’re remotely interested in this stuff.

    Since we were already there, we also hopped into Sensory Odyssey: Into the Heart of Our Living World which pairs 8K video projections of natural scenes with immersive sounds and scents. In one space you’re smelling fresh air and damp earth in a rainforest, and in the next you’re underground with mole rats. It’s very cool, but ruined by small children being allowed to run loose in front of screens (can’t really be helped), and elderly museum staff loudly declaring that “this is a night savannah, very dark, no need to be scared!” (can be helped with training) in such a way that any illusion of being in a savannah is totally pierced — unless you’ve gone on a safari tour with a gaggle of Singaporean aunties, of course.

  • Week 27.23

    I’ve thus far neglected to mention that I’ve become slightly obsessed with Korean instant noodles, which they specifically call ramyeon/ramyun, and have been buying and eating too many of them in recent weeks. I never went to ramyeon town before because I have a low tolerance for spicy food, but watching Jinny’s Kitchen might have set me off, and I’ve found that there are mild versions and that even the hot ones are sometimes worth suffering through.

    A few notes:

    • Nongshim’s Shin Ramyun is the original, the classic, the Nissin chikin ramen of Korea. The company’s English website says it’s always been a pork-based broth, but the export versions I’ve seen here in Singapore and Australia seem to be based on soy and mushrooms. There’s a new shrimp flavored version that was previously only available in China, but I have no interest in trying that.
    • I was able to find a pack of Shin Black imported from Korea, a premium version that adds beef to the pork base, and it’s certainly tastier and unexpectedly less spicy.
    • The Samyang company’s Buldak range of noodles are of course the notorious super spicy “fire chicken” ones you see in those YouTube challenge videos. I can’t eat more than a bite or two of the original (there’s also a 2x spicier one in red), but there are milder versions like jjajangmyeon and “carbonara”. Still, not for me.
    • I learnt in a video that people don’t think you should add eggs to Nongshim’s Neoguri spicy seafood noodles, which I have been doing, along with sliced cheese, kimchi, and sometimes a sausage. Oops.
    • Yeah I was not keen on this adding of sliced cheese to soup noodles, but now I don’t even think about it.
    • Of all the “Korean style” (basically red chilli and soy sauce?) noodles so far, I think my favorite might actually be Ottogi’s Jin series, which comes in Mild and Spicy versions. The Spicy one is about as spicy as regular Shin Ramyun (export), nowhere as crazy as Buldak.

    ===

    It’s not all sunshine and noodles; my increased consumption is partly due to a demanding work schedule filled with late nights and skipped meals. In general, I don’t believe these circumstances get the best out of anyone, but I’m told it’s the norm in China these days. I’d heard of 9-9-6 (working from 9am to 9pm, 6 days a week), but apparently people joke 0-0-7 is more accurate. If nothing else, you’ve now learnt a lame new way to say 24/7 today.

    I keep thinking it’ll get better soon, but it hasn’t yet. Around the same time, I tried asking ChatGPT to write some funny posts that could go viral on a new social network called Threads, but it only returned some reheated tweets. One of them hit the mark though: “Is being an adult just perpetually saying ‘after this week things will slow down’ until you die?”

    So, Threads!

    Facebook/Meta/Instagram’s Twitter clone was rumored for awhile but I guess I wasn’t expecting a global launch of this scale — normally they roll stuff out haphazardly? But I think we’re now at over 70 million sign ups in two days, for a separate app that you need to download! It seems they rushed this out to take advantage of Twitter’s shambolic state, and even then, everything has been running smoothly.

    They made the choice to go algorithmic feed only, and to populate yours at the start with suggested content. Maybe it’s because I’ve been using adblocking tools for the past few years (who am I kidding), but my recommendations have been terrible.

    It’s been giving me Singaporeans influencers, sports, beauty and fashion, and positive lifecoachy shit. I’ve since found and followed many of my sort of people, and muted over a hundred accounts I do not want. That should be enough data for it to start improving, so I’ll just have to wait until they do something with it.

    But of course, we don’t have to be on Threads. And maybe we shouldn’t, given Facebook’s reputation and past actions. Much has been made of how Elon has managed to make Mark look like the good guy here; a sizeble feat. I’m still getting a lot of specific tech and financial content on Twitter, and I enjoy the quality on Mastodon, which comes from strictly following only accounts that don’t annoy me given the lack of an algorithmic feed.

    I suspect the majority of people on Threads so far aren’t posting, just lurking and figuring out what it’s for. I’ve been followed by a few people but I don’t follow back if they have zero posts or want to have private accounts. Meanwhile, successful IG content creators are either using it exactly like they do on IG (posting memes, photos, and videos) or writing inane things to try and get engagement.

    I don’t want any of these things on a text-centric platform. It’ll take awhile to settle, and maybe it’ll just become a lame sort of normie place like Facebook.

    ===

    I’ve also been utterly captivated by George Harrison’s My Sweet Lord out of nowhere, and have probably listened to it a hundred times and sung it to myself a hundred times more this week.

    It must have come up on my Apple Music at some point and resonated in the midst of my terrible week — the intentional, sutra chanting-like repetition is brilliant, hypnotic, soothing. How can you not be crazy for a song that goes from Hallelujah to Hare Krishna and back again? That declares such pure desire to know an unknowable god, that acknowledges how life is simultaneously too long and too short, that love is all you need?

    So I made a playlist collecting all the different versions and covers I’ve been listening to: My Sweet Lords. It has 23 tracks so far, and I hope you like it and join me in this obsession.

    ===

    We started watching season 2 of The Bear and it’s truly excellent so far, as was season 1. Episode 6 is something else. It’s the television equivalent of Uncut Gems and Kendrick Lamar’s We Cry Together on the Mr. Morale & The Big Steppers album: extremely chaotic and uncomfortable, and not something you’ll rush to re-experience soon.

    We also saw Mission Impossible: Dead Reckoning Part 1 and it feels a little off. Still a good time, but some of the writing feels stilted and theatrical, and overall it doesn’t feel consistent with the others (okay, one can argue MI:2 felt nothing like the rest too, but that was when we were cycling through different directors; Christopher McQuarrie has no excuse). The challenge the team faces here is like nothing they’ve been up against before, but that veil of otherworldliness is distracting, and I didn’t get to appreciate it as much during the film. 4/5, I think.

    ===

    But we can’t end the week without some AI experiments, so I went back to my GPT-4 poetrybot and gave it my thoughts on the themes in My Sweet Lord, and it returned a pretty good poem, albeit several stanzas too long and not quite right in places. A bit of snipping and human co-creation later, we have this:

    Life is long,
    Life is brief,
    In joy, a song,
    In pain, grief.

    Love is low,
    Love is high,
    In knowing, grows,
    In doubting, dies.

    God in the small,
    In the leaf, the bird’s call,
    In the rise, the fall,
    In all the all.

    Seek the divine,
    In the day, the night,
    In the yours, the mine,
    In the dark, the light.

  • Week 26.23

    There was a massive thunderstorm Wednesday morning, and we woke up to water leaking across our living room floor, dangerously close to some power sockets, which would have totally ruined the not-on-fire vibe I’m going for in this apartment. It seemed that some fault on the rooftop was letting water into an unused cable housing that runs through the entire building. Once upon a time, this “pipe” used to carry terrestrial TV signals from the antenna above, and it’s definitely not supposed to have water in it.

    The storm continued all morning, and I was mopping up water and wringing towels every 10 minutes while trying to be on work calls and contacting the authorities and arranging for our own contractor to do something about it. Although the town council sent someone down within a few hours, he turned out to be not so useful, firstly by not understanding the size of the problem (it was already sunny and dry by then), and then by trying to tell me there wasn’t really a problem on the roof. There was no other possible ingress point for the water.

    Because the next day was a public holiday, I was pretty anxious to get it resolved ASAP as staying up 24/7 to be a squeegee operator was not acceptable. By the end of the day, thanks to some prompt private sector assistance — albeit at my own cost — I had the issue resolved (and I was right about the source).

    The leak added unnecessary stress to an already difficult week, exacerbated by the tough transition back to work after my holiday. As if on cue, I came across this piece in the New Yorker on “The Case Against Travel” which I won’t try to summarize. It ends with a sobering observation that holidays are a salve for the grind of working life, and that first-world people just live looking forward to the next trip and the next, each time believing in some life-changing outcome of travel that never actually materializes. This reliance is something I never believed applied to me before, because I’m quite alright not traveling for long stretches — dear god, I just want more time left to my own devices — yet, startlingly, the absence of any further planned trips and the abyss now facing me feels… depressing?

    It’s definitely about being tired. I also read this article (a book plug) about the “cost of traditional masculinity”, mainly centered on the role of providing, which powers economic growth but maybe not happiness. What would the world look like if every socially enforced achievement target was replaced with an appreciation for “enough”? Human progress would be hindered, I can hear you say, but the human-driven damage would be too, and that seems worth it.

    I took a couch break one afternoon and read this other article in the New Yorker about quack surgery for a certain masculine insecurity, which was very, very disturbing. It’s about as graphic a piece of writing as I can ever recall reading. I am still trying to forget some details! Ah, modern life is closing one’s eyes to tragedy.

    ===

    Other bits:

    • We went out for dinner Friday at a Sri Lankan restaurant called Kotuwa in Little India. I don’t remember half of what I ate, but it was very enjoyable. Since Peishan and James were there to enforce vegetable eating, I was able to try the cashew curry — literally a little bowl of boiled cashews in a sweet gravy, which worked.
    • We finished Silo on Apple TV+ and enjoyed the season overall. I’m told the books are light and not very good, so it seems this was an adaptation that took a good central idea and nailed the execution. I’m pretty sure a second season will be coming.
    • I chanced upon an Apple Music page of DJ mixes made to celebrate two Tokyo clubs that closed last year, and I’ve been enjoying a few of them. I don’t think I’ve been inside a club in years, but I remember the feeling of often being disappointed in the music and thinking, “I’m gonna get home and listen to XYZ instead”. But I think I would have loved hearing some of these mixes irl.
    • I started using Vibes, the latest app in the (Not Boring) series by Andy Works. These functional apps (calculator, weather, etc.) borrow video game aesthetics and interactions to offer an appealing alternative to Apple’s flat design, and they’re winning — they won an Apple Design Award last year, and the standard Weather.app has grown increasingly rich and playful of late. Anyway, Vibes generates a real-time videogamey soundtrack for your life, based on your sleep and movement patterns, helping you to rest and focus throughout the day. I usually use Brain.fm or lo-fi music for this, but Vibes is simple: just hit Play and it’ll do what it thinks you need.
    • After watching some Bob Ross on Twitch one night, I fooled around on the iPad and drew a landscape in ProCreate. It’s nothing great, but then I tossed it into Midjourney and said ‘do this like Bob Ross’ and oh my lord. It makes me both want to improve and to never draw again — like, what’s the point?

  • Strange Beach

    Thanks for coming to my Midjourney art exhibition:

    Edit: I’m currently in the National Gallery of Victoria in Melbourne and am reminded that most exhibitions also have descriptions for kids. So I’ve asked GPT-4 to expand on the wall text it helped me with and write a version for kids, which I’ve appended below.

    Strange Beach presents a provocative exploration of the uncanny, executed through the fusion of AI-generated imagery, Japanese anime aesthetics, and elements of surrealism and horror. Drawing on theoretical concepts associated with the 1920s Surrealist movement, this collection explores the destabilizing effects of disrupting familiar contexts and spaces. Surrealist influences, suggestive of Salvador Dalí’s dreamlike landscapes, are observable, yet the visual language is distinctively rooted in the tropes and stylistic conventions of anime, echoing the complex, often boundary-blurring narratives found in Satoshi Kon’s filmography.

    Within the context of Strange Beach, the typical Hawaiian-style beach — a common setting within anime — is reinterpreted. The injection of elements that challenge the norms of reality introduces an unsettling quality, resonating with the Grotesque tradition in art history that dates back to the Renaissance. The human figures, manipulated and distorted, bear stylistic similarities to the disquieting characters found in Junji Ito’s horror manga. The images, while unsettling, offer an invitation for viewers to question and reinterpret their traditional understanding of serene landscapes, provoking contemplation on the fluid boundaries between normality and the strange.

    For kids

    Welcome to “Strange Beach”! Have you ever imagined a sunny beach with surprising and weird things happening, like in a dream? Well, that’s what you’re going to see here. This art looks like Japanese cartoons, or ‘anime,’ but has been created by a computer!

    In these pictures, you’ll see a beach that might remind you of your favorite anime show. But look closely, because things are a bit strange. The people might look a bit like ghosts, or their bodies might look different than what you’d expect. It’s a bit like when you have a dream, and things seem a little odd or mixed up. It’s fun to think about what’s happening in each picture. So let’s go exploring and see what interesting things we can find on our “Strange Beach”!