Week 51.21

  • The Christmas dinners have begun, with a large potlucky one yesterday at ours that was vegetarian but not at all lacking. Impossible!, you cry. Yes, we did have their meatballs. And already this afternoon we’ve eaten too much and had a gift of some sugary pastries arrive unexpectedly. This all follows swiftly after a five-course dinner on Friday night, the last in a trilogy of pandemic-struck celebrations for my sister-in-law’s no-longer-news wedding. I expect I still weigh the same regardless, having lost a significant amount of moisture to wearing a suit for photos in the middle of the day. I wonder if that’s what the stillsuits in Dune feel like: being rolled up in one of those hot towels they give you on Singapore Airlines flights.
  • After dinner, we played a new party game I discovered on the Apple TV (also available on Xbox and PlayStation). Jeopardy! PlayShow is a premium title, not to be confused with the various ad-ridden free mobile games released over the years, with insultingly easy multiple-choice questions. No, this is the real thing for everyone who’s ever watched a game show and answered aloud alongside the contestants. It’s that exact experience: streaming video of real Jeopardy! episodes, except you can buzz in and answer (using your voice!), and see how you stack up against the champs. S$14.98 gets you the base game with 10 episodes, and each additional pack is another S$14.98. Oof! Buyer beware… the game’s servers stalled halfway through our play test, so we had to move on to SongPop Party (Apple Arcade). Epilogue: I gave Jeopardy! another go the next morning and it worked fine.
  • I finished The Space Between Worlds which I was reading last week (five stars), and have moved on to Xiran Jay Zhao’s Iron Widow, a bonkers story about giant mechs fighting alien invaders, piloted by couples in a mind meld that usually kills the woman (twist: not this time!), set in a world/society inspired by Chinese history. It starts a little rough, but once you get into her style and some jarring cultural references, it goes hard.
  • The Goodreads Reading Challenge hangs around my neck like a large bird. Even after Iron Widow, I’ll be two books short of my modest 24-book target in a year where I really have little excuse. It seems unlikely I’ll be able to do it with just 11 days to go. Nevertheless, I plan to follow this up with Christina Sweeney-Baird’s The End of Men and Naomi Alderman’s The Power, to construct a sort of male-murdering fantasy trilogy.
  • Last week’s viewing of Babylon was anime disappointment, but I’m now watching a series on Netflix called Vivi: Fluorite Eye’s Song that more than makes up for it. It’s an unsung (sorry) masterpiece about a robot singer who receives a message from the future, and follows her on a 100-year quest to change the course of history and prevent a war between humans and AIs. It works because the art is beautiful with few compromises, the writing is sharp, and it isn’t afraid to skip large chunks of time abruptly to keep things moving.
  • Speaking of time, you don’t believe you could watch a 1-hour and 20-minute-long video on how Garfield has been transformed by internet fans, but give yourself some credit. Michael, my main inspiration for these weekly updates, often posts about the video essays he discovers, which is something I never thought would be for me, but welps the YouTube algorithm has a new thing for me now. We’ve all seen that Garfield minus Garfield project on Tumblr, but trust me, this goes way beyond that. You won’t believe the depth and quality of fan art and lore that’s out there.
  • I’ll leave you with an update on the Misery Men project. There are now 73 “artworks” published on OpenSea, and every so often I look at one of them and think the quotation marks could soon be dropped. Like, it’s not impossible to imagine a couple of them blown up and framed in a home somewhere. Maybe not a very nice home, it might be a caravan, but I think there’s something here.
  • If you chat with friends on Telegram and want to send them a sticker expressing a specific sort of sadness or disappointment, you may now add my Misery Men sticker pack for absolutely free. I’ll be updating it with the latest ones periodically.
What was on my plate last night. Photo taken with the newly updated FiLMiC Firstlight camera app on iOS, which has some lovely film-inspired filters.
Misery Man #72
Misery Man #73: one of my personal favorites.

Week 40.21

  • The mooncake festival is over, but I finally got my hands on a bunch of double-salted-yolk ones, which are now being slowly savored out of the refrigerator on a daily basis. I haven’t weighed myself in several months and don’t want to.
  • I started reading David Mitchell’s Number9Dream and will probably take it in slowly over a couple of weeks. So far it’s intriguing, different, quite brilliant.
  • Like everyone else in the world, we saw the Squid Game series on Netflix. Most of it at 1.25x speed, because it’s unnecessarily slow moving at times, dragged out for god knows what reasons. It could have been done in fewer episodes, but that doesn’t help Netflix I suppose. Most of it was watched in the English dub, because we heard the subs aren’t entirely accurate and the dub script differs in places (so at least we get two incorrect signals to triangulate rather than just one), and also because the original performances are a little… whiny? I’ve seen takes proclaiming it the ‘most disturbing show ever’, going on about its hellish vision, saying it’s given people nightmares, and so on. I can’t understand why. There’s not much new in its rehashed survival contest/psychological horror tropes, and they even appear often in comics and anime. I remember being disturbed by videos of awful bum fights back in the early days of the internet. The real world is the most disturbing show ever.
  • Covid cases here exploded-ed-ed even further, nearly touching 3,000 cases a day at one point. Despite that, I went out a couple of times and had coffee with an old friend I mentioned here back in June. We hadn’t properly talked in about two decades, but have reconnected now thanks to Twitter and Telegram. She lives elsewhere but came back to town on some unexpected business, and I’m glad we had the chance to meet.
  • We also had a couple of friends over, and all of this irl activity hasn’t been as bad as I might have once felt. Don’t get me wrong, I still love being alone, but maybe not having to interact with people daily for work has recharged my social battery. But it’s still a broken one with <80% battery health, though. Don’t make me go to things. Especially if I have to dress up. <— Note to wife.
  • My iPhone 13 Pro arrived earlier than estimated, which prompted discussion of whether Apple and its delivery partners are deliberately underpromising and overdelivering, and whether they should stop this because it’s inconvenient for people who’ve made plans to be home on a certain date only to be suddenly told “it’s coming tomorrow”. It worked out fine for me this time. I am satisfied to have it, but haven’t had much occasion to test the new camera out much. More to come.
  • Inspired by a Twitter account I started following for its vibrant and vibey film photography, I made a preset in Darkroom that tries to get at the look: faded green shadows, soft magenta tones, lots of grain, and a steep ramp up into blown-out highlights. I also separately recreated the look of the “Positive Film” effect on my first-gen Ricoh GR, and I think I got quite close by shooting a color chart with both cameras for reference. Sadly, Darkroom removed the ability to share presets quite awhile back when they rebuilt the app, and we’re still waiting for that feature to be reintroduced.

Filter test, shot on iPhone 13 Pro
Filter test, shot on iPhone 12 Pro
  • Kanye updated Donda with a few subtle changes, so I re-added the album to my Apple Music library and put it on several times over. I haven’t been playing it much since it came out, but the music has had time to sit in my subconscious and open up. Now after this booster shot, I’m beginning to see it’s a better album than I first gave it credit for. It might be my favorite of the year in a couple of months.

Dispo Day 1

You may have heard the buzz this week around the new beta version of Dispo, the app formerly known as David’s Disposable, as in Vine/YouTuber David Dobrik’s version of those camera apps that simulate the look (and sometimes also the experience of waiting for photos to develop) of disposable film cameras. David himself notoriously shoots his exciting life with tons of those cameras, so the app made sense as a spinoff business. It wasn’t the first of its kind on the App Store, and there were so many others with knockoff names like Huji (Fuji) and Gudak (Kodak). So while David’s fans probably used it, the first version of the app wasn’t thoughtfully designed or original enough to be an essential camera app. Now, the next version is being taken seriously with millions invested and a full-time team hired.

Side note: This reminds me that one of the first app ideas I had and sketched out in the early years of the iPhone was for something similar. Obviously I never had the guts to make it, which is the main gap between ideas and profit. I was thinking you could “buy” and load rolls of film into a camera (complete with having to thread the initial end bit onto a wind-up spool before shutting the door) and then send them off to the lab when you’d shot 36 or so images. And after an hour or a day had elapsed, you’d return to the app to see a yellow paper envelope slide across a store counter to you, and be able to tear it open to see your shots (and the included negatives). I remember feeling kinda bummed when the first camera app to do the enforced waiting time gimmick came out. It wasn’t as skeuomorphically cool. I think it was 1-Hour Photo by Nevercenter.

Anyway, Dispo 2.0 is currently in beta and I only just got in. My first batch of photos came out this morning at 9am (the predefined time for all photo deliveries), and they look fine. You get a lightly push processed, slightly cool-temperatured shot in a 16:9 aspect ratio. I don’t understand why it’s not 3:2 like normal 35mm film. The flash is on by default as a core part of the disposable aesthetic. All EXIF data is stripped out, including the actual time of capture.

There’s a lot to like here so far, but it’s also a little unusual as social apps go. The tutorial doesn’t cover some of its sharing features, so you have to figure them out. There are “rolls” that can be public or private, solo or with others. I suppose they are really “albums”. Before you shoot a scene, you may load multiple rolls in the camera that you would like to contribute the resulting photo to. Which breaks the metaphor of the film roll somewhat, because disposable cameras don’t normally shoot onto four rolls of film simultaneously (nor do they have replaceable film)! After a shot is developed, however, you can manually add it to any roll.

Each roll can only have 69 contributors, so the emphasis is on doing it with your friend group, but there’s no limit to how many members of the public can follow a roll and see it on their feeds. David Dobrik himself seems to be using rolls to capture short events, like throwaway albums, rather than as curated, ongoing thematic feeds like I see some others doing for their pet, food, or “good vibes” photography. Perhaps the idea is still being tuned, or maybe they’re fine with people using them however they like.

Beta testers are not supposed to share screenshots, so I won’t. But it’s an example of non-cookie cutter UX design that asks you to work a little to figure it out; Snapchat and at least one redesign of VSCO often get credited for attempting personality in a post-iOS 7 world. Outside of games, it seems it’s often camera/photo apps that still go for it.

On the other hand, Hipstamatic has devolved into such a confused and cluttered app that you have to really work to figure it out. No fun at all. I miss the old Hipstamatic, and Dispo looks like it might bring some of that magic back: you’re encouraged to shoot without chimping, frame loosely through a tiny viewfinder, and be happy with even the crappy shots.

It actually reminded me today that Hipstamatic once tried an app called DSPO, pretty similar in concept. You had virtual rolls of film that you’d have to shoot fully before developing, and you could invite friends to share a disposable camera in real time. Two people in two cities could shoot a roll of film together. I remember it crashed a lot for me, and it was a struggle to convince anyone to install it. So it failed. Good idea, wrong time and execution. At least amongst millennials and zoomers in the US now, Dispo seems to have avoided that trap: the TestFlight beta is fully subscribed.

Two Weeks in New York

How’s everyone doing? I recently went to New York for the first time ever, and did a bunch of touristy things. It was also my first time in the U.S. in over a decade, and maybe overestimated how bad the TSA and airport immigration situation would be. It’s the last thing you want after 20 hours of flying: to be stuck in an hour-long line with people barking at you to take your clothes off. But we got in and out of JFK without much hassle.

Having an Uber account is fast becoming the most important thing to a traveler after having maps on your smartphone and watch. It lets you integrate with any city with no more difficulty or delay than if it were your own. There’s no need to plan an airport transfer in advance, find out if tipping’s expected, or get flustered if you’re late for a show downtown.

We got into a performance of Hamilton literally against all odds. The show is sold out for the next year, and resale tickets are pretty much unaffordable, but there’s a daily online lottery where you can get front row seats for $10. I heard somewhere that tens of thousands of people enter each day, and it can take months of trying. Kim somehow managed to win tickets a day into our second week. It was the first day of Javier Muñoz’s permanent run as Hamilton after Lin-Manuel Miranda stepped down, and he killed it. I was sick and shivering with a fever, and it was still incredible and unforgettable.

You can’t take any photos during the show, so I don’t have any. And despite bringing my Fujifilm X100T on the trip, I didn’t even use it once. Not one frame. Maybe it was the summer heat and not wanting to be encumbered or precious about one more thing to avoid banging about/losing/getting stolen, or maybe I just wanted to keep it casual, but my iPhone did everything. Fusion HDR and ProCamera’s LowLight+ mode helped in extreme lighting conditions. For shooting distant subjects in good light, I think it’s really close to what the X100T would have got. As holiday snapshots go, I’m happy with what I got. This fall’s iPhone 6SE/X/whatever will close the gap even more.

The one thing photos can’t do is capture other aspects of the experience, but Live Photos and 360º panoramas can be better at it than the usual 2D stills. We recently got a Ricoh Theta S at work, and now I want to take something like it on my next vacation. Being able to grab everything in a scene with a single button, and re-enter that environment later with a VR headset… why wouldn’t you? I’ll hold out for the next model with better image quality, but it’s one thing your smartphone camera won’t compete with for awhile. If you have the time to stand in one spot for a few minutes though, you can use Google’s oddly branded Street View app to capture spherical photos.

Real talk: I didn’t get to see that much of the city, relatively, but it was pretty cool to visit. In terms of livability, though, it’s not topping Tokyo for me in any of the categories. I’m probably the worst person when it comes to dealing with loud crowds, germs, heat, public transport breakdowns, the threat of impending personal harm — basically i’m a paranoid baby. Living in New York probably wouldn’t play to any of my strengths. But between Ktown and David Chang’s Momofuku Ssam, I think they’re doing a great job with Korean food! It was far from my favorite cuisine before, but now I’m a convert.

Okay, photos.

Processed with VSCO with 2 preset

IMG_6961
The line on the street for Hamilton *after* we got out
IMG_7030IMG_7005IMG_6995IMG_6880IMG_6875IMG_6840IMG_6815

IMG_6780
Couple making out in a hotel had an audience below
IMG_6758

IMG_6744
Freakily realistic statue on the Highline
IMG_6699
Saw this the day after Philando Castile was shot
IMG_6682IMG_6661IMG_6619IMG_6609IMG_6600IMG_6571IMG_6565IMG_6559Processed with VSCO with f3 presetProcessed with VSCO with f1 preset

Processed with VSCO with a9 preset
A Starry Night at MoMA
Processed with VSCO with s3 preset

Processed with VSCO with a9 preset
Nintendo World
Processed with VSCO with k3 preset
Apple Store in Grand Central Terminal
Processed with VSCO with e1 preset
Okay this was HK, during the stopover