I’m writing this bit in advance. We are still awaiting a definitive result from the US election and yes, full acknowledgment of the absurdity and the “how is this even happening” of it all. I just read an emotional Joe Biden story on Twitter and it killed me. Someone also posted this chat conversation with her mom, a Trump supporter, and it’s truly depressing how easy it now seems to bamboozle people until they’re out of touch with reality. Hopefully by the time I post this, some semblance of the right outcome would have materialized.
Narrator: It has.
Maybe I’m feeling so emotional about it because I’ve just had a 9% alcohol Strong Zero clone from our local 7-Eleven, imported from Japan no less. It might be the same as their house brand chuhai drinks over there, sold here for much more money given that our alcohol tax is so high. The promotion price was two cans for S$11.
Check out this photo, taken with my iPhone 12 Pro. I didn’t have a black backdrop or any other kind of product photography apparatus. I discovered that you can simply do this with Portrait Mode and a kitchen countertop. Miraculous! The quality of the effect is much better than I recall it being before, so maybe this is something the new iPhones’ ISPs have enabled?
I’m still waiting on my Backbone One, which has been in the US Postal Service’s care for nearly 10 days now, with no indication of whether it’s even left the US yet. I get it, they’ve been busy, but I really want to kick more butt in Call of Duty Mobile.
For reasons unknown, I’ve been doing quite well in online CODM matches. My past experiences on console have been the same as any old guy’s: instant death at the hands of children. But for some reason I’m consistently ending games as the MVP and killing at a higher rate than others. Is it fake? Do they put you up against bots that look like real people? Or have I achieved some kind of middle-aged gamer renaissance?
The Playstation store is having one of those sales again, and I managed to pick up Shadow of the Tomb Raider — Definitive Edition for just S$20. It’s the third installment of the reboot trilogy, and I’ve been waiting for it to go on sale for ages. I think it first came out as an Xbox exclusive and didn’t come to PS4 until a year had passed. Alas, my plans to play it over the weekend failed.
Instead, I found a little time to speed through the endgame of Ghost of Tsushima, just to get the end of the story. A really pretty game, but I think I’m mostly tired of open-world action games. In terms of time over value extracted, I’d rather play a linear beat-em-up if the combat is going to be the main point of it. The rest of it is just getting from A to B, and exploration never felt that rewarding. An open-world game should let you feel like you live in it, and just chill or do nothing but in a meaningful way? Maybe that’s why Breath of the Wild felt so different and resonated with many people; just living and surviving in the outdoors was a complete game unto itself, separate from the narrative.
We watched Netflix’s popular new series The Queen’s Gambit over the weekend. I don’t like horror films so I missed her in The VVitch, but from the first moment I saw Anya Taylor-Joy’s wide-set eyes in M. Night Shyamalan’s Split, I’ve been wondering how everyone could just play it so cool while such a face exists in nature. I don’t know that the show could work with another actress; all its scenes of intense concentration and psychological battle hinge on her staring directly into the camera/your soul.
The new iPhone 12 Pro does not disappoint, and I was foolish to think that I could skip this year. Well yes the camera is only a little bit better, I have no 5G networks to make use of, and the previous A13 processor was already so fast that the massive speed improvements here are imperceptible, but it all adds up. The size is just right, and the flat-sided form factor is nearly flawless (remove the camera bump and we’re there). I love that I can hold it lengthwise between thumb and forefinger with perfect stability — whose stupid idea was it to have rounded edges for the last six years?
Last night I tuned into a two-hour-long livestream about the process of developing and designing a book. It was part of Craig Mod’s Special Projects club (a sort of self-managed Patreon), and the subject was his recently released Kissa by Kissa — How to Walk Japan, Book One.
I managed to snag one of the first edition copies, and it was fascinating to be walked through it almost page-by-page by the person who put it together. We were a small group of live viewers, shadowy presences felt through a chat box, learning about unsung details and BTS production setbacks that makes me see my copy very differently. For instance, the book is not the physical size it was meant to be, but a binding challenge meant that it had to be done by hand and everything grew by about 2mm in one direction. Parts of it are perfect, and others are honest reflections of the process. I don’t think I’ve ever held a book and appreciated it as a design object this much until now. And while I’d still love to have one of the new and improved second-edition copies, supporting small projects through the ups and downs of the journey is what Kickstarter purchases are supposed to be about. 🤷♂️
Oh, and some friends came over and we got an adorable early Christmas house gift. I’d never heard of this Jellycat brand, but I am apparently in the minority. It needs a name, any suggestions?
I’ve been drinking too much and still sleeping too poorly. Nevermind! One recent addition to the liquor shelf has been Luxardo Maraschino, which you never really see for sale out in the open here; I got some online. It mostly opens up possibilities for all my ryes and bourbons.
In all likelihood, I’d encountered the Japanese rapper Awich before because her name rings a bell, but wasn’t into what she was doing at the time. Now she seems to have made a bit of a leap forward. Her new Partition EP slaps? Is that what we say now? I went back and compared it to some of her earlier stuff, and the production is way better and she’s got a great flow. Also the videos are intense.
The annual iPhone announcement event was probably this week’s main event. As you know, it usually happens in September but the virus pushed it back. This year, we’re getting half the new iPhones (that’s two of them) released in October (next Friday) with the other half following in November. It’s anyone’s guess whether next year’s iPhones will release in September again or follow this new schedule. This makes a slight difference to annual upgraders like me: do we get a full year with the new phone or just 10 months? Because the resale price of an iPhone 12 is gonna drop when the 13 comes out, whenever that is.
I spent most of my free time this week contemplating which iPhone to go for this year, or if I should upgrade at all. I go through the same motions each year, and each year I buy a new one even if not particularly enthusiastic. It’s the only gadget I do this for; it became unfeasible long ago to buy every new iPad or Watch or whatever. It’s also the main way any of my family members upgrade their phones.
Apple made it a harder decision this year than it’s been in awhile, mostly because the 12 Pro Max’s camera is once again better than the regular 12 Pro’s. I was never happier than when the iPhone X came out: one size, take it or leave it. It may have been motivated by internal constraints, but it felt like the old Apple way of making hard decisions on behalf of its customers. Today we’ve got a ton of choice and I think it sucks. The decision this week came down to which compromise I was happier making: a worse camera or an even less portable phone than my current iPhone 11 Pro Max (provided I even go outdoors regularly in the next year)?
Pre-order Friday inched nearer, and I decided to trust my pre-Covid gut instead of reevaluating the role of the phone now that we’re home all the time. I’d long considered the 6.1” size to be optimal. Slightly bigger than the iPhone X’s 5.8” screen for jobs like photo editing and reading feeds, and more discreet and pocketable than the 6.5” XS Max/11 Pro Max. I just never bought an XR or plain old iPhone 11 in that size because they were LCD screens and lacked the telephoto camera. So my new phone is going to be a Pacific Blue 12 Pro!
Will I regret not getting that significantly bigger sensor? Perhaps, but I reckon being stuck with a 6.7” phone is its own special kind of regret. And I do have many dedicated cameras should the need arise, but no smaller phone I can suddenly call into service when going somewhere in anything but cargo pants.
LAST POINT: I’m really glad flat edges are back. I’ve hated the last six years of rounded edges since the iPhone 6. Flat edges just feel better and more secure, especially when held in landscape between fingertips for photo taking.
I’d really like to make this weekly update more than just barfing up unsponsored Apple mentions, but it’s tough. I could mention how I’ve been having recurring backaches every morning, but then I’d have to mention trying to correlate them with the quality of my sleep each night using my… Apple Watch and the Autosleep app.
In the spirit of spending all my money before Christmas, I was looking into a new TV. Something with 4K and HDR logos on the box at last. But I ended up putting it off since the new Apple TV box hasn’t been announced yet, and my current one only supports HD.
I tried to start playing a game on my Nintendo Switch earlier but eventually put it aside to get back into Genshin Impact on my… iPhone.
The AirPods Pro fit my ears a lot better than regular AirPods ever did, but I still find it hard to get a good seal sometimes, or it doesn’t last. I took a chance on these AZLA “Xelastec” tips for about S$40, and they help a lot. They’re stickier and slowly conform to the shape of your ear canal, so they’ve really improved the experience so far.
I’m so far behind the shores of this moat I don’t know if I’ll ever be leaving.
K-pop rarely makes it into my headphones, but I appreciated Blackpink ever since their first music video for “Whistle”. The production values were incredible, for one, and they seemed different from the other groups. Since then, they’ve put out music with weird gibberish sounds I didn’t like (e.g. boombayah, rum-pa-pum-pa-pum-pa-pum, and the infamous ddu-ddu-ddu), and their pop formula started wearing a little thin for listening where I can’t understand a word. But the new Netflix documentary Light Up the Sky does a nice job of humanizing them, even if some parts where they break down are alarming and it seems like they might be trapped in a traumatizing loop of endless training and touring? I think it’s worth a watch.
I was wondering what book to read after Cryptonomicon and fell back into the easy, brainless comfort of another Jack Reacher novel by Lee Child. This time it was #16, The Affair. It stands out for being a prequel to all the others, written in the first person. Now that I’m done, I think my next book will be some kind of SF.
We have a baker across the street who does pricy (and good) pies, tarts, cakes, and various breads out of his little shop. And since we’re home 99% of the time now, I’ve been trying to buy more things from the neighborhood, hyperlocal spending and all that. The bakery especially, since they don’t sell on delivery services. That said, my mother is in the habit of making the 20-minute trip to buy their quiches (not to see me!) This week I started buying big slices of cake as after-dinner treats. No danger of the pandemic weight gain reversing soon.
Yesterday was polling day in the local elections, and we were given an afternoon window of about two hours to show up, line up, have our temperatures taken, IDs scanned, and our votes cast. There were bottlenecks in the morning, and stories of old people struggling to put on mandatory plastic gloves after having their hands sprayed with alcohol — how nobody in the Elections Department tested this and realized it would be impossible to do quickly, I don’t know. By noon, the gloves were optional. By the time we voted, the entire process was over in 60 seconds and we were headed home.
I caved and installed the first(!) public beta for iOS 14 on my primary phone, which I use for both work and personal purposes. I filed an Apple Music bug within the first 30 minutes, and noticed a few other issues like how the OS think it’s using 90GB of free space for “Other” temp files. According to Reddit, this is widespread but doesn’t actually mean my phone is full, so, okay. It’s surprisingly stable otherwise.
The way I organize my home screens has evolved over the years, particularly after folders were added, but it’s been simple: the first page is for apps I’m likely to need often, the second page is for all my camera and photo-editing apps, and the third is for games. The fourth is where junk goes. Now that there are large widgets vying for real estate (the Files widget can take up the room of 16 icons!), and an App Library where you’re meant to keep all but the most immediately needed icons, I’m having to rethink the whole approach and get comfortable with a totally different model. Of course, no one is forcing me to use widgets or change my ways, but I’ll take the opportunity to maintain some neuroplasticity.
A friend told me last year about services that let you gain interest on your cryptocurrency holdings, but they were small UK companies and I didn’t particularly feel like going through the trouble at the time. The premise is sensible though, if not free of risk. If you’re going to be holding currency in any form, you don’t want it stagnating and not earning interest of some sort. These companies will loan out your capital to others, and in return you get interest rates ranging from 4–8% per annum. Which is stunning compared to any traditional savings account, and makes one wonder how high the risk is. But if you’ve got money in crypto to begin with, what’s a little more risk? It seems this has now become a “mainstream” offering at several exchanges and so I’ve decided to give it a go with what little I have. Perhaps I’ll regret it.
v1.01 (Jan 30, 2020) — iOS 13.3.1 fixes a bug that affected the way Share Sheet imports had to take you out of the Photos app and into Shortcuts. So this is now simplified. Also added emoji graphics to make the main menu fancier.
v1.02 (Sep 5, 2020) — Updated to fix the shortcut stalling at deletion of original photos after processing. Apple changed some behavior in the Shortcuts.app.
HEIFer is a shortcut for iPhones and iPads (you can import and run it in the Shortcuts app that is part of iOS 13) that automates the batch conversion of photo to HEIF/HEIC formats. This has the benefit of making their files dramatically smaller without any visible loss of image quality.
HEIF stands for High Efficiency Image Format, and Apple introduced support for it in 2017. You can find out more about the format here.
HEIFer has three modes:
Converting a manual selection of photos
Scanning the newest 100 photos in your library, and converting any JPEG/PNG/TIFF images it finds
Converting the last imported batch of photos (from a camera or SD card, using an adapter)
This is my first proper iOS Shortcut and I made it to learn the ropes.
I’m kinda all-in on the HEIF format, and if your iPhone is set to save at “High Efficiency” in the Camera section of Settings.app, then you’re already using it for every photo you take. The quality is great, and you can store twice as many photos in the same amount of storage space.
But… I also shoot photos with other cameras, and every manufacturer, from Canon and Nikon to Sony and Leica, seems to be years behind in the software game, and the only options they offer are usually JPEG and RAW. What’s more, the CPUs in these cameras are usually very underpowered compared to what’s in your iPhone, so they don’t try very hard to compress the images efficiently. You can typically turn a 10MB JPEG from your camera into a 3–4MB HEIF file in less than a second. It’s a tremendous waste of space, both on device and in your cloud backups, to keep the JPEGs.
I also edit my photos with iOS apps like VSCO and Lightroom, and almost all of them save the finished photos in JPEG. So if you’re regularly editing your iPhone photos, those small .heic files are still ending up as fat .jpg files at the end of the day. It’s nuts!
So HEIFer is a way to quickly take those old-ass files, bring them into the present, and then dump the originals. For instance, if I’m shooting directly to JPEG on my cameras (why not RAW? That’s a topic for another day), all I have to do is plug in the SD card, select “Import All”, run HEIFer, and I’m done in three taps.
If your photos have proper timestamps, then you will still see them in chronological order in the “Photos” tab. However, if you go into the “Recents” photo album, it will reflect the process of converting and deleting them, i.e. it’ll be as out of order as your recollection of a big night out.
You never use the cameras you have as much as you do when there’s a new one ordered and on the way. I’ve just bought a Panasonic LX10 online to take the place of my 6(!) year old Sony RX100mk1—a compact travel camera with a big-enough 1″ sensor and useful 3x-ish zoom range.
Below: a recent shot from my RX100.
That the LX10 has been on the market for 2 years says something about my changing habits. Buying last year’s model used to be unthinkable, and I’d pay a premium for buying that way. But the industry has changed and now hardware updates come every few years instead of annually, and the average price has gone over the $1000 mark to compensate for the drop in sales. Buying late nets you a nice discount back to pre-smartphone prices.
Anyway, while waiting for that camera to come and prove wrong my fears that I’ve given my money to a scammy HK website, I’ve been using my iPhone X and RX100 a bit around the neighborhood and workplace.
I can’t stress enough how much the Halide camera app + Adobe’s new and improved Lightroom Mobile have changed the way I shoot and edit RAW images on iPhone. (I still love and use Darkroom too, it just doesn’t do RAW as well as Lightroom anymore.)
Shooting koi in a rippling pool with an iPhone requires you to go full manual, and while the thought of fiddling with shutter speeds and ISO and manual focus on a touchscreen used to make me shudder, it’s actually doable with Halide’s well-considered control layout and gestures. I just wish you could lock focus peaking to always-on.
Honestly, I had no idea you could get this kind of sharpness and microcontrast out of an iPhone. I’ll be saving JPEGs and Live Photos for quick grab shots and moving scenes from now on. Given that I’ve taken a few holidays with just my iPhone, this is all making me wonder if I should have bought a new dedicated camera at all.
Okay okay, while shooting in RAW preserves highlights and deals with tricky lighting such as the above shot in the late afternoon, I’ll admit to enhancing that flare with Lens Distortions. It’s all about creating the scene you saw with your eyes, right??
Assuming the camera comes on time, I’ll probably bring it with me to Tasmania when I go in a few weeks. Seems like a landscape kinda place, so I have doubts about bringing my other cameras: a Ricoh GR (28mm) and Fujifilm X100T (35mm). 🤔