Week 6.22

A happy Lunar New Year (previously called Chinese New Year but LNY is more inclusive) was had, as much as was possible under the circumstances. Where once we could have a reunion dinner with 30–40 of my closest relatives (some still unknown), thanks to still burning pandemic fires — we recently hit 13,000 cases in a day — now just immediate family members around one table. Instead of large and raucous household gatherings on Day 1, now intimate sit-togethers. Still, having a spectrum of different LNY experiences in one lifetime is not a terrible thing. Never thought I’d miss those reunion dinners though.

I got some more samples of Misery Men merch in and made tweaks to improve print and product quality. The recycled cotton “eco tote bags” in particular were not very sturdy, so they’re gone in favor of regular ones with denim handles that can apparently hold 20kg of stuff. Take a look.


My shirt was clinging to me in the pre-rain humidity as we trudged out onto the field. I would later find that I’d stepped in literal horseshit. The people running the place wore masks and dark sunglasses under hats and visors, so you really couldn’t see them at all as they looked you over. Were they wondering if I had any prior experience? Why I was so sweaty? No, they’d overlooked our booking and had forgotten we were coming.

We were bringing our nephew out for an introductory archery experience as part of his Christmas gift. He was running around and excited for it. Kids seem to be impervious to environmental discomfort when they’re having fun. I shot a few arrows. It’s a disturbingly easy weapon to operate. After about half an hour and 20 tries we were markedly better than when we began, hitting the middle of the target often enough. Thanks to our strict gun laws, I never worry about encountering an armed lunatic in everyday life but now I may have to start worrying about bows and arrows in the wild. There were little Korean children, no more than eight years old, practicing beside us and consistently hitting targets maybe 30 meters away. Frightening.


Media activity:

  • We saw Simon Kinberg’s latest disaster, The 355. I don’t know how the script got approved, or why the actors agreed to be in it. An utter waste of about two hours.
  • Unfortunately, Mamoru Hosoda’s new animated film Belle did not live up to expectations either. In direct contrast to Summer Wars, it spends too much time and exposition establishing the world and not enough on the characters, so I didn’t care at all for the story, which was sadly a mess.
  • I finally finished Plum Rains by Andromeda Romano-Lax, which mashes up elements of Pachinko and I, Robot with a heartbreakingly dry core about the migrant worker experience.
  • As a palate cleanser, I’m now reading Jack Reacher #18: Never Go Back. I’ve been waiting for this one a long time, because a couple of books back, Jack started flirting with an army major over the phone (she’s currently occupying his old job at his old unit), and he’s been making his way across the country to see her, interrupted by several books’ worth of coincidentally encountered wrongdoing that needed setting right along the way. Of course, as soon as he arrives on the army base, she’s missing and he’s being framed. Good times!
  • Still playing Hades, but have started a new visual novel on the Switch: Worldend Syndrome. It was on sale for USD$10 and reviewed well. Positives include nicely animated backgrounds and fully voiced dialogue, while the main negative would be a supernatural horror element that I hope is just misdirection and it’s only a regular ol’ psychotic, murdering schoolgirl that we’re dealing with.

Week 4.22

First, some bad news. The Shake Salad vending machine that was meant to propel me back to better health… has vanished from the neighborhood. I suppose it didn’t make enough money to pass the trial, despite my best efforts at propping it up. Back to hot dogs and fried chicken, then.

And speaking of food in the neighborhood, one of the best restaurants near us is closing down, so that’s another option gone, although it was always on the pricier end and more of a nice night out kinda place. We paid it a final visit earlier in the week and it was full (on a weekday). A shame they couldn’t make it work.


I sold a couple more Misery Men NFTs and decided to get slightly more serious about the project. I’d started off playing with NFTs as a technological format, but needed to draw stuff to make it happen. Eventually that’s led to me becoming more invested in the drawing part, and now it seems a shame if that’s all these are. I know some people who don’t know anything about crypto but like the characters anyway. Since I’m having fun larping as an artist, it seemed time to expand horizons.

The first step was to stop posting on my own Instagram account, which led to setting up a new dedicated account which you may now follow at @misery.men.

Wondering what the next step should be, I thought it would be great to make some real-world merchandise. The last time I did this was back in my university days, offering some questionable t-shirt designs off CafePress. Obviously the dropshipping landscape has exploded since then, so I should be able to start pretty quickly, right?

I looked into it on Thursday and went with Printful, one of the larger operations. However, they don’t actually offer you a storefront; they’re just the backend fulfilling your orders, although they can interface with your platform of choice e.g. Shopify or Squarespace. Since those come with regular monthly costs, I decided to go with Etsy, which I always thought was a sort of handicraft eBay. Turns out you can sell anything there, and Printful will handle the heavy lifting (and shipping).

The Misery World™ Etsy shop was up and running by the end of the day with a handful of products I’d put together using the existing artwork. Oh wait, that’s not accurate. Logotype needed producing, and a couple of art-inclined friends/colleagues kindly reached out to give feedback. Unsolicited, if that gives you any idea of how disquieting the initial version must have looked to professional eyes.

On Friday, in need of a URL to point both the new Instagram and Shop to, and a site to hold it all together (this domain didn’t seem like the right place), I bought the MiseryMen.com domain and set up a landing page and blog. That’s practically a new brand and sales channel set up in 48 hours with just a double-digit capital outlay. What a world we live in.

I’ve made one product sale so far, and hey, as a struggling and unknown creator, that’s nearly made the whole exercise worth it! 🥲


On Saturday, we popped over to the Keppel Distripark area to take in S.E.A. Focus, an exhibition that was part of Singapore Art Week 2022. There was an NFT gallery sponsored by Tezos, how à la mode. I took some pictures so I wouldn’t have to talk about my feelings.


Media activity:

  • Not a whole lot! I guess it was more of a creative week than a consumptive one.
  • Some more Disco Elysium…
  • A few episodes of a TV show that I’ll talk more about when I can…
  • A British crime drama on Netflix called Paranoid that’s just okay…
  • And listening to Utada Hikaru’s new album Bad Mode, which has greatly exceeded my cautiously lowered expectations. It’s good to see them continue to work and put out what they want.

Week 52.21

  • Merry Christmas to any readers! I had a good one with lots of eating, lots to be thankful for, and everyone fortunately safe and healthy. The Instax mini Evo camera I got as a present to myself proved useful on Christmas Day at dinner with my family. Although the quality is poor in low light, I got to leave behind little prints for the fridge door, and gave souvenirs to my aunt and uncle too. There was a sleepover, day drinking, and a kid stood on my shoes because she wanted to be walked on top of them. In all, I count about five events over the weekend. Pooped.
  • For other photo-worthy moments, I got a lot out of FiLMiC Firstlight, a camera app that I hadn’t touched in a couple of years and recently rediscovered. It has a lovely, warm, film-inspired filter called Leopold (based on Kodachrome, I think), and behaves unlike the HDR-happy iPhone camera of today. Images come out with heaps of contrast and deep blacks, and generally don’t need any correcting in post. On reflection, I should just set my iPhone Camera.app to use a “Rich/Warm” photographic style.
  • The Misery Men NFT collection is now up to #78, which was a Sad Santa. I held a giveaway and got 12 takers, so it was minted as a — I don’t know the right word for this — series of 12 editions? 12 prints? Anyway they were sent out on Christmas Day, and hopefully everyone who isn’t a bot is happy with them. I’m taking a break from the daily drops and will resume in the new year. There are already a few finished ones in the can, and some of them are pretty good by my standards.
Misery Man #78: Shackled to the wheels of capitalism for all eternity.
  • It was also the week of The Matrix Resurrections, which we saw in a regular Golden Village cinema after a gut-busting visit to Five Guys (my first one in this country). Dim screen, muffled audio, noisy patrons… it reminded me of why I no longer like going to theaters (Gold Class screenings are the exception, fixing all the above). Nevertheless, I enjoyed the film despite having many of my expectations subverted. I’ll need to see it again properly, but I expect to still agree with my initial assignment of 4.5 stars. Side note: Cien and Peishan saw it the same evening in the same cineplex and hated it.
  • Wes Anderson’s The French Dispatch was also much enjoyed. It’s an insane directorial flex; every shot and sequence is beautiful and meticulously composed, existing just to indulge a particular sense of humor and beauty. Both films shine with the joy and energy of creators who have nothing left to prove, but where one is happy to keep iterating on a style even at the risk of self parody, the other reclaims its own fandom and fabric for self satisfaction. And I’m here for it, as the young ones say.
  • Once again, nearly no video games were played, but I picked up Steamworld Heist and Saints Row IV on sale for my Switch. The latter is probably a decade old now, but was irresistible at $2.79 USD, down 93% from its standard price.
  • Instead, I got more reading done and am closer to my Goodreads Reading Challenge target. Finished Iron Widow (3.5 stars at best) and The Power (a solid 4), both mentioned last week. It looks like I might make it, if I can finish The End of Men next week. Quick recap: all three books deal with the decline, displacement, and/or death (literally) of men due to overwhelming Qi force, mutant powers, and a gender-specific virus respectively. I’m also here for this as men probably have it coming.
  • One last thing. A year ago, I got a Backbone One controller for my iPhone and loved it. It made for a more console-like experience with many games, and it was more comfortable to use and more capable than a Nintendo Switch. So why did I buy another Switch this year? Let’s not answer that directly, but it may be no coincidence that I’ve been unable to use my Backbone since moving to the new iPhone: the larger camera bump isn’t compatible. The company then designed a simple adapter and provided the plans for 3D printing one on your own. Never having gotten around to convincing myself of a 3D printer’s utility in the home, I had to place an order for one of their officially manufactured ones, and have been waiting on it since September. It finally arrived this week and I’m happy. But if supply chain problems are gonna continue next year, perhaps getting a 3D printer isn’t such a bad idea!