sangsara.net

Tag: Music

  • Week 27.25

    Week 27.25

    • It’s getting hot down here, and reluctant as I am to use air-conditioning during the day while just sitting indoors, I’ve had to have it on in short spurts to bring the temperature down at times. Depending on the fates, I might be off to Bangkok again next week, where the heat’s reportedly even more brutal. Let’s see.
    • It was Apple Music’s 10th anniversary, and they’re doing some things like opening a new studio in LA, releasing a Top 500 list of the most-streamed songs, and — this one I especially enjoyed — a two-hour show with Zane Lowe and Ebro Darden, founding DJs of the Beats 1 (now Apple Music 1) radio station. It’s mostly Zane reflecting on their experience and telling behind-the-scenes stories from the frantic early days, backed by some all-time great tunes. For example, how they had just three months to find studio spaces around the world and go live, how the first song to be played on-air was chosen, and how the difficulty of recruiting DJs led to them having artists host their own shows (the best things usually start as hacks).
    • The show reminded me why I still love Apple Music, flaws and all: it’s here for the culture. It’s the one streaming service where passion for music is clearly evident, and it comes from the people helming the shows, both the DJs and the artists as mentioned, like Elton John, FKA twigs, Anderson .Paak, Jamie xx, and The Weeknd, to name a few. Shows and playlists put together by artists are such a cool (and obvious!) way to connect with fans, it’s hard to believe they weren’t really a thing before Apple Music.
    • I remember exactly where I was (Reykjavik) the day Apple Music launched, and how absolutely furious I was that the Beats 1 radio station wasn’t available in Singapore. It’s just goddamn internet radio, so why!? It was only after a year that it finally launched for us. I never found out the reason, but I assumed censorship and broadcast licensing hoops had to be jumped through, and welp I guess that’s the cost of being Singaporean. Still, I switched over from Spotify on day one and haven’t looked back. While looking through the archives, I found this post in 2014 before the acquisition, where I was pretty sure Apple would keep the Beats brand on their headphones but turn Beats Music into the backend of an “iTunes Unlimited” service. I sorta called it.
    • A Japanese mobile game I’ve been waiting for had its global launch on July 3: Persona 5 X (P5X). When you hear that, you might expect a gacha-based Persona 5 spinoff, based on some crappy mobile game squad battle mechanics. So I was surprised by how close it is to an actual Persona game, despite the necessary gacha and mobile elements. The graphics look and feel so close to the mainline titles that I’m convinced they could port them to iPhone if they wanted. However it’s mostly a solo adventure game, and I would love to see a different, massively multiplayer social game design uniting the world to fight shadows in the “metaverse” (don’t blame me, it’s the actual term they use).
    • However, the Japanese mobile game recently launched globally in English that’s been blowing up on my timeline is Umamusume: Pretty Derby, which is a horse racing game based on actual legendary champion horses, except they’re personified as idol girls who perform in full-blown concerts after winning. I’ve downloaded it for kicks, but I think it’s a neigh for me.
    • I came across a new drawing app for iPhone/iPad called Graintouch, and instantly bought it for S$15 after seeing its lovely Risograph aesthetics (a sort of Japanese photocopier from the 80s). It’s wonderfully minimal, to the point of restricting you to just 18 predefined colors, and simulates the look of paper prints. You can even hit a “misalignment” button that offsets the layers at random. It’s a welcome change from the overly powerful Procreate, which makes me feel like a learner driver at the wheel of a Ferrari.
    • I decided I might use this for the drawings I’d planned on doing, and started doodling around to get a feel for it. The result is a bunch of silly characters with googly eyes, and I kinda like them! Maybe I’ll do more and try to improve them.
    “Valentine”
    • I took my parents out to see F1 The Movie in a cinema, and found that senior citizens only pay S$5 per ticket on weekdays. If I had that benefit, I’d see every movie. Anyway, the film was great, and I say that as someone who doesn’t give a damn about F1 (my dad, on the other hand, is a total fanatic who watches every season). Apple did the right thing putting this out in theaters properly before streaming; it really deserves the big screen and too-loud speakers. An incredible popcorn movie, so good that for two hours you’ll find Brad Pitt likable despite everything we’ve heard about how he’s fallen out with his kids and maybe isn’t such a great guy. 4.5 / 5 stars.
    • We binged Season 4 of The Bear over the weekend. It made me wonder if there really are people out there like these characters, raised in so much chaos that their primary mode of communication is shouting and clashing with increasing intensity. I love watching it happen in 30-minute bouts, but by god it’s tiring. Overall, I think this was a slightly stronger season than the last one, and while I still love the directors swinging for the fences with concept episodes, they are becoming a little too expected. The best thing they could do in Season 5 would be to subvert those expectations and deliver a full-heartedly commercial happy ending.
  • Week 26.25

    Week 26.25

    • I mentioned last week that I had an idea for a new project. Jinxed it! It turned out to be neither fun nor easy, so it’s dead now. Instead, I’m sort of revisiting older territory and picking up where I left off with some drawing a few years back. I know there are quite a few of us who like starting projects but struggle to follow through — I see you, fellow millennial domain hoarders. Then I suddenly remembered my CliftonStrengths profile and realized it might contain an explanation.
    • Quick explainer: The Gallup “StrengthsFinder” or “CliftonStrengths Assessment” is a corporate version of a personality test that supposedly helps you identify your best and worst strengths (just don’t call them weaknesses!), to support personal development and team formation. My old employer paid for people to take it, and I found the results to be sensible, truthful, and probably quite helpful. There are 34 in total, presented to you in ranked order after you complete a timed quiz. My results skew towards the “Strategic Thinking” and “Relationship Building” groups, rather than “Influencing” and “Executing”. In fact, one of my weakest attributes is the one about “taking immense satisfaction in being busy and productive”.
    • The insight offered is that I get more done when paired with people I like who can bring that drive; supporting them motivates me more than feelings of competition or achievement. Left on my own though? Nah. I get excited about plenty of ideas, but the ones that actually ship usually fall into one of two camps: A) there’s someone else pushing alongside me, or B) the payoff is too good to ignore. So now I can stop feeling bad about not being productive, aka my natural state, and take the time to either find more creative partners or wait for the right thing to show up.
    • But then I wondered, could ChatGPT analyze my sequence of strengths and figure out how they interact within a person, and advise them on how to move through life? As it turns out, the answer is yes. It wrote me a spot-on profile, highlighted areas to watch out for, guessed my reasoning for certain decisions, suggested jobs that I’d excel in (matching what took me years to organically fall into), and when given Kim’s strengths, even advised how we might better communicate and work with each other. The kicker: I asked it to make me a playlist and it started with three Radiohead songs, saying “this is a Radiohead brain”. Not wrong!

    Media activity

    • The VN I started last week, Tsukihime, kinda sucked. It was cringey edgelordy vampire fiction, but I forced myself to get through the main route then wiped it off my Switch 2. UGH.
    • The palate cleanser I chose to follow it up with was A Short Hike, and boy just one hour with that game outweighed the 15 hours or whatever I wasted on Tsukihime. It’s a very affordable indie game that I highly recommend, about a teenaged bird named Claire who’s been sent by her mom to go visit her aunt who’s a ranger in a beautiful national park. You just wake up in the morning and decide to hike to the peak to get cellphone reception. Along the way, you find treasure, play with other kids, and improve your ability to climb and glide. The whole thing is over in a couple of hours but it’s SO GOOD. And totally adorable. Here’s a link to the Nintendo eShop but you can also get it for a couple of bucks on PC, Mac, Xbox, whatever. Please buy it.
    • After all that sunshine and cuteness, I’m now playing the gloomy Lovecraftian horror fishing game Dredge for some psychotic reason, which James recommended to me some two or three years ago.
    • 28 years later: While talking to someone about this NYT article on games that channel Studio Ghibli’s vibe, I remembered that I’ve never seen Princess Mononoke (1997) from start to finish. I think I’ve tried twice over the years, usually late at night, and fell asleep each time. This time I watched it by daylight, and was bowled over by how freewheeling and epic the world-building is. And for a film often cited as an anti-industrialization parable, it read more calmly fatalistic to me (is this Buddhist?) — yes, the destruction of nature is bad, but what did you expect would happen? Even the humans doing the polluting and killing aren’t evil villains, they’re agents of a system beyond themselves; as if the ultimate destiny of life is to extinguish itself, and that’s okay.
    • Lorde’s new album, Virgin, came out this week, and if her recent activities made me worry that she might have lost the plot partying too much with infamous drug fiend Charli XCX, then it’s a relief that the music here is brilliant, as ever. I saw Ryan Adams calling the album a “1000 foot wave” on IG, and humbling to him as a songwriter. After the soft tones of Solar Power, the production on this is a welcome return to bass and synths, satisfyingly resonant and forceful in Dolby Atmos. While she always worked well with Jack Antonof, this new partnership with co-producer Jim-E Stack has made music fit for 2026. The feeling it induces is what EDM was made to accompany: like the single best minute of a whole night out, when your conscious mind shuffles off into the background and leaves you to the beat.
  • Week 24.25

    Week 24.25

    • My Switch 2 finally arrived on Monday, praise be. It turned out to be an imported European unit, so it has the right kind of power plugs, but the included download code for Mario Kart World would only work with an EU eShop account. It didn’t take long to make one, but it’s yet another needless fragmentation of my digital footprint.
    • It’s a fantastic improvement on the original Switch. It feels more solidly built, and the magnetic Joy-Cons don’t creak and give as much when supporting the console’s weight. The screen is enormous but since the original wasn’t exactly pocketable anyway, who cares? It seems powerful enough to keep up with game requirements for easily another five years. The only regression is battery life, which they’ll surely fix with a new model two years from now.
    • I have yet to play anything on it that graphically pushes into PS5 territory with ray tracing and photorealism; although running Mario Kart World at 60fps in 4K is definitely not something the old Switch could do. That same smoothness extends to Splatoon 3, which got a Switch 2 upgrade patch on Thursday for the franchise’s 10th anniversary, and it feels amazingly fast and fluid on the new hardware. The once painful load times have been reduced to almost nothing, which is nearly worth the price of admission all by itself. At the very least, reviewers agree it’s more powerful than a Steam Deck.
    • Bert was back in town on a last-minute trip, so we met up with some of the old gang for beers and the kind of talk that middle-aged people will get up to if you let them: aging parents, how everything was much better before, and how we’d like to retire voluntarily before AI forces us to. Jussi was once again unable to make it, but he had the acceptable reason of being out of the country.
    • It was WWDC week, and with the comprehensive OS updates that were announced, it wouldn’t be an exaggeration to say that every Apple product experience will be changing this fall. I’ve had several conversations about the new cross-platform design language system they unveiled, which doesn’t have a name but is anchored by a new digital material called Liquid Glass, so people have just been calling it that. I wrote last week that I hoped the new look wouldn’t come with regressions in usability, specifically thinking about legibility and interaction clarity, but those are exactly the issues that everyone has been pointing out in the first developer beta. I’m hopeful that they’ll be able to moderate some of the more extreme decisions before the launch, but there’s no turning back. Like it or not, this is just how things are going to be for us users. What are you going to do, move to Android?
    • While talking to Michael again, one of us offered that Liquid Glass is simply a flex. It’s Apple building a visible moat with their superior silicon. Every iPhone, iPad, and Mac made in the last five years possesses power-efficient cycles to spare, which can’t be said of Android devices, save for a minority of the highest-end flagship phones. So when you look over someone’s shoulder in public and see morphing glass buttons accurately refracting the light coming off other elements on their screen at 60 to 120 fps, you’re looking at the digital equivalent of fine stitched leather. Luxury pixels. Veblen UI. Android manufacturers can’t follow Apple down this road without bifurcating the experience into cheap and premium versions, or forcing tradeoffs like reduced battery life and jankier animation.
    • The iPad got the most extreme makeover of all the platforms, and I’m a mixture of relieved, disappointed, and excited. Relieved that they’ve given up on trying to define some new paradigm for managing multiple apps on a screen; turns out the answer is just the same overlapping windows we’ve had since the first Mac. Mildly disappointed that if they couldn’t crack it after some 15 years, then maybe there just isn’t a better way. The universe might be more constrained than we’d hoped. And excited that the iPad will now be a truer laptop replacement for the majority of people, and with that increase in adoption perhaps we’ll get developers excited to build new kinds of experiences for it.
    Screenshot from Apple.com
    • As a Vision Pro owner, I can’t wait for the improved Personas, sharing virtual spaces with people nearby, and the new “spatial scene” rendering from 2D photos. I’ve already spoken to some people in inSpaze who are rocking the new Personas, and they look 10x better and more realistic than the old ones. In fact, it’s given rise to a weird social dilemma that can only exist in this age. I’ve known these people for a while and we’ve talked with each other quite a bit, but suddenly overnight, their faces have changed and it feels like I’m meeting them for the first time — or realizing I never really had. One person in the group chat looked younger now that his Persona got more accurate. Another person looked older and more intense than his previous Pixar-esque Persona suggested he was. They mentioned feeling slightly uncomfortable with how realistically they’re now presenting — the opposite of the safety that I described back in August last year: “the use of Personas creates psychological distance; it’s you, but it’s also more a puppet that looks like you.” Well, now it’s just your real face for everyone to see. I apologize in advance.

    I’ll leave you with two videos from Pulp, whose comeback album More continues to surprise me by being actually good, as if the band hadn’t gone anywhere for the last two decades. The first single has a great video (above) that uses generative AI in the best way possible. The second video below is a live performance of an old favorite, one of many appearances they’ve been making in support of the new stuff.

  • Week 23.25

    Week 23.25

    • Last week when I said ‘God willing, my Switch 2 will be delivered on Friday’, I actually meant to say ‘inshallah’, and so, as punishment, it didn’t arrive. And because Saturday was a Muslim public holiday, the postal service didn’t deliver it over the weekend either. Why didn’t it come as promised? The seller made a real mess of things, opting for Standard instead of Express delivery (one working day vs. two hours), but that wasn’t even the worst part. They canceled one of my two orders at the very last minute, one I’d made for a friend, and offered no apologies apart from saying it would come at the end of the month when it’s officially released locally. They obviously took more orders than they had supply for! The name of the vendor is “Unrival SG” on Amazon, so use that knowledge how you will.
    • Ironically, I ordered a Japanese import Pro Controller 2 off Shopee on Thursday, and that arrived on Friday with no issues. As everyone has reported, it feels amazing — possibly the best-feeling controller I’ve ever used, especially its buttons and thumbsticks. Everything is dampened and silent; the amount of tension seems just right. The only thing that could improve this (for me, with my big hands) would be making it more like the PS5’s DualSense in size and hand feel.
    • I’m hoping it’ll come on Monday instead, which would make that a jam-packed day what with WWDC after midnight. I’m not expecting any new hardware or life-changing software features, so the main thing for most people will probably be the unified redesign. I really hope they smash it, and not ship a visual refresh that turns out to be a regression in usability.
    • Without a new console in hand, I thought I’d pass the weekend by starting on Like A Dragon: Infinite Wealth (PS5), the 8th game in the Yakuza series. It’s one of the highest rated RPGs of all time, sprawling in scope and packed with too many things to do, including “minigames” that are basically full-on Animal Crossing and Pokémon parodies.
    • But it turns out I still like the idea of console gaming more than the reality. Within an hour, I’d quit and gone back to reading manga and watching a guy hunt for retro games in Book-Off.
    • Kim is/was away for work again, and the weather has been rough (forecasted to touch 35ºC at some point this month), so I’ve mainly stayed in most days. Exceptions were made for a Korean chicken meetup and a couple of evening walks. The Vision Pro got an above average amount of use this week as I’ve woken up early enough to meet the American users I know on inSpaze, and because I wanted to watch a bunch of films in a theatrical environment.
    • The first I should mention was Sinners (2025), which was probably overhyped because I didn’t think it was the greatest film of the last decade or anything, although it was very good. What took me out of the moment was thinking about how it’s so structurally and thematically similar to From Dusk Till Dawn (1996), another film that delightfully switches gears halfway to become a vampire story out of nowhere. When I saw that as a teenager, my mind was blown. I didn’t think they put money behind films with premises that audacious. I suppose Sinners is that for a new generation.
    • The next was The Zone of Interest (2023), an A24 Jonathan Glazer film that got a lot of buzz at Cannes the year it came out, but I put it off because the subject matter seemed too heavy. It shows the unnervingly normal family life of the commandant at Auschwitz, with wife, kids, and servants in a home just outside the camp’s walls. As screams and gunfire are heard in the background throughout the day, and the ovens pump out smoke and fire at night, they just pretend like nothing’s wrong and it’s probably a more effective horror than setting vampires loose.
    • I was primed to finally confront it because I watched Alain Resnais’s concentration camp documentary Night and Fog (1956) on MUBI last Sunday — I didn’t mention it at the time because I was honestly too traumatized. For a 30 minute film, it packs a lot of unspeakable horror, images of brutality on a scale that you’ll desperately want to believe are a one-time aberration in history. Sadly, while the efficiency and nature of the gas chambers were perhaps unique to Nazi Germany, you just know that this is no different from any of the genocides that have taken/continue to take place. Watching it, you’ll believe that something is intrinsically broken in human nature, because even the victims of such crimes can’t even be counted on not to do the same to others.
    • I’ve been enjoying three new albums. The new Counting Crows which I’d been saving, Butter Miracle, actually might be a return to form based on my few spins so far. Its main issue is the difference in vocal sounds between the two halves, maybe owing to the fact that the latter half was recorded and first released as an EP a couple of years ago. But I’d say it’s their strongest work since Hard Candy.
    • Pulp is also back with their first album in 23 years, More, and it’s also a very strong comeback. The kind you don’t expect from an old band putting something out in the post-Covid era: they’re usually forgettable and anaemic, you know, like U2 albums after the 90s. But More might be classic Pulp — playful, raunchy, cynical yet open-hearted — with just a couple more decades on top.
    • Shura is also back with a new one, I Got Too Sad For My Friends, and it’s got some lovely songs as usual, recalling Fleetwood Mac (and by extension, recent Clairo) and even a little bit of Prince, with her use of synths.

  • Week 22.25

    Week 22.25

    • I was listening to Apple Music 1 (the radio station) and a song came on with a melody that I knew, but couldn’t place. It was To Ease You by the indie pop band Men I Trust, and a couple of days later I placed it. The main hook is basically a sped-up bit from Now And Then, the recent “new” Beatles song. I’m mostly glad I answered the question for myself because I hate that feeling of recognizing but not being able to remember.
    • I went out three nights this week to catch up with people, maybe drank too much, maybe ate too much fried food, and it’s been so warm here even after dark — I could be falling ill again, or at least kinda tired out.
    • Kim’s going to be away again so I only have two things on my agenda for the coming week. The first is another evening appointment for drinks and fried food, and the second is a big one: Nintendo Switch 2 release day! God willing, my delivery will arrive on Friday. I’m fully expecting at least three hours of painful setup and migration from my Switch OLED, because Nintendo isn’t the best at this stuff. The official local release date has been set for June 26, but pricing has still not been announced. I figure it might be S$50 less than what I paid, but screw it, early access and a guaranteed unit is worth paying for. Some fine print on the local website suggests they’re not confident the Nintendo Switch Online service will even launch in Southeast Asia this year! Taiwan’s website says it’s coming to them in 2025, while ours has nearly the same text saying they’re working on it, but not mentioning the year.
    • In the meantime, my Anbernic RG34XXSP arrived from China and it looks and plays pretty great. I mostly bought it as a fun toy and collectible, so I’m not planning to get stuck into an old RPG properly just before the Switch 2. I’ve booted it up, played a few platformers, and overall think it’s a neat device for the relatively low price ($60 USD at launch). It’ll be a nice thing to have on planes or short trips where I might want to play on physical controls, and the Switch is too cumbersome to bring along.
    • Trying to charge the Anbernic did lead me to learn something new, though. It wouldn’t charge with my USB-C to C charger and cable, only with the supplied USB-A to C cable, so I looked it up online. Apparently this is an intentional design choice that some makers of low-cost products make — supporting USB-C to C charging requires more expensive components, such as a chip to negotiate the power supply with the charger (getting it wrong might start a fire). Limiting charging to USB-A sources solves this because the output is fixed and lower-risk at 5V. So, if your cheap Chinese device comes with a USB-A to C cable in 2025, it’s actually an instruction on how to charge it. This solves the mystery of why one of my older JisuLife fans refuses to charge sometimes.
    • Michael and I somehow got into a long discussion about something other than Apple, spending a good hour on the phone going over why the Mission Impossible film series has ended up the way it is, with Christopher McQuarrie seemingly having lost his touch for writing a tight script with The Final Reckoning. I believe you can lay the blame for all the things I complained about before at Tom Cruise’s feet. The man wants to do his crazy stunts, and he’s so powerful as a producer and movie star that nobody can really push back on his ideas, not even the director (at this point just a person hired to enable Cruise’s dreams). So the story gets written after the set pieces are decided, and when time is short, two things happen: exposition gets inserted, and series hallmarks are leaned on to suggest you’re having a good time. So in between lots of talk about what’s going to happen, you get a scene where the team goes over their plan while you see flashes of it happening for real, there’s a heist-like entrance into an impenetrable space, some McGuffin gets stolen and lost and recovered again, maybe someone peels a mask off, etc. etc. But does anyone really understand what’s happening in the final action scene of TFR? Why they’re there, what the antagonist wants? How Hunt’s plan is supposed to work? It’s pretty cool, if you’ve ever wanted to see what a totally abstracted action movie would look like.
    • If you want to go further back up the blame chain, you could say it’s all because JJ Abrams decided to build out Ethan Hunt’s personal life back in MI3 to raise the emotional stakes, while defanging the main stakes by introducing a Mystery Box/McGuffin approach. It might have been Tom Cruise’s direction all along, but the result is that every subsequent movie has had to raise the stakes to nuclear armageddon and give Ethan Hunt the same “this is the result of your actions” multi-film existential hero’s crisis that Nolan’s Batman and Craig’s Bond also endured.
    • On his recommendation, I rewatched Rogue Nation (film #5) and it was even better than I’d remembered. There were also several scenes that reminded me of bits in TFR, like how a character pulls a flash drive out at a crucial moment — you can call them callbacks, but maybe we’ve strained the limits of McQ’s vocabulary and that’s why no single director should do four straight installments (of a series that didn’t conceive).
    • Don’t get me wrong, we both liked The Final Reckoning, but we’re sad about all the Mission Impossible experiments that we didn’t/won’t get because they gave up on the early anthology approach where each film had a different director’s touch. But for now, I’d love to have a prequel TV series that sits between the original and the first film; the early days of Hunt’s career. I think the world of the IMF is one franchise that would actually benefit from being owned by Disney, as they have no qualms about trying spinoffs and milking a brand to death. A mini-series about a rookie IMF team in Asia? A real-time one following another team in crisis, à la 24? Yes, please! I love it when a plan comes together, so just keep doing that.
    • A couple of weeks back I mentioned reading MW Craven’s book, Fearless, and said perhaps it’ll be a TV series someday. Well, I finished the book (good fun), and the acknowledgments page mentioned that a major streaming network has already bought the rights. No idea who, but it’d be funny if it was Amazon, home of Reacher, so that they can totally own the ‘dangerous ex-military investigator/vagabond who kills a small army per season’ space.

    And here are some photos I took on my iPhone this week, still favoring the portrait orientation to pretend I bought a Fujifilm X half.

  • Week 20.25

    Week 20.25

    • The Murderbot series debuted on Apple TV+ and it’s a pretty straightforward adaptation of the first book, All Systems Red, with a bit of a plasticky comedic sheen that undercuts any sense of stakes, at least in the first two episodes I’ve seen. My main gripe is that Alexander Skarsgård feels wrong in the titular role (to me, obviously, versus how I read it), and has a strangely dorky, trembling quality to his voice that I didn’t think the SecUnit would. And that’s not just because someone said the robot reminded them of me.
    • Meanwhile I finished the fourth book in the series, Exit Strategy, and found it better but still pretty flawed. Ranked in order from best to worst: Book 2 > 1 > 4 > 3. I’m going to stop here for a few months, I think, and just watch the show as it comes out.
    • In need of a new Jack Reacher type of story, while not actually wanting to read a Reacher book because I’m almost running out, I started on Fearless by M.W. Craven. It features an ex-special forces type guy, the kind who’s had all the deadly training and whose records have been wiped clean, with the additional gimmick of a rare neurological condition that makes him literally incapable of fear. I’m about a third of the way through and so far they haven’t really made much use of this “power”, mainly saying that it makes him susceptible to making tactical errors, rather than imparting any advantage. Or perhaps it’s just that I’ve already read so much Jack Reacher — a man who doesn’t need a brain injury to be fearless. So far there are two books featuring this guy Ben Koenig, so maybe it’ll be a TV show someday.
    • Gamers may know Coffee Talk, a visual novel sorta game where you play a barista in a world where humans and mythical creatures co-exist, and the main game mechanic is making drinks to get the conversation going. I finished it a couple of years ago and thought it was okay, nothing mind-blowing. I’ve now started on the sequel, Coffee Talk Episode 2: Hibiscus & Butterfly. With the rainy mornings we’ve had this week, it turned out to be a great game to have on (even paused in the background while I did other things), because it often rains in the game world and the thunder mixed with its lo-fi beats soundtrack is pretty good. The game… more of the same. Cosy vibes, looks great, but the story doesn’t really grab me.
    • We often grade locally or regionally made things on a curve when they compete on a global stage, like if you see a game or song or movie made in Singapore and it isn’t a disaster, the relief you feel immediately gives it extra points. That’s sort of what’s happening with Coffee Talk, I think, because knowing it’s Indonesian earns it a little extra goodwill.
    • Since I chat with someone who’s actually in Indonesia, I asked Evan if he’d played these games yet and we ended up talking about the Nintendo Switch 2. Background: it launches globally on June 5, but no release date has been set for Singapore, Thailand, Malaysia, and the Philippines beyond “July to September”. Of course, there will be imported units sold as soon as it’s out overseas. On Shopee, one large local retailer has already listed the bundle with Mario Kart World ($500 USD) for S$849 ($650 USD). And it’s the European edition, with a download code for Mario Kart that might not work without an EU eShop account. I thought this markup was obscene, but Evan informed me the gray market price in Indonesia was even worse, at around $800 USD! That’s more expensive than a PS5 Pro, by the way. Nintendo’s global distribution game is so unbelievably weak that customers out here are being bled dry.
    • A little later on, I got a pop-up from Amazon Singapore saying Switch 2 pre-orders had opened. I tapped through and immediately bought myself the Mario Kart World bundle at S$769, with delivery on June 6, which is only a S$60 markup after tax and conversion at the current rate of 1.3 SGD-USD. BUT, you know they’re not going to sell it here at that rate, it’ll probably be closer to 1.4, which would make the official local price about S$750–760. So it was an easy decision, and Evan asked me to grab him one too (even after pricing in a plane ticket to collect it from me, still cheaper than the Indonesian price).
    • But you know what else Indonesia has gotten great at apart from indie games and scalping? Pop idols! 88rising debuted their new girl group, “no na”, and I saw them via a YouTube recommendation. Their videos feature lush green Indonesian landscapes (think Balinese rice fields), and their sound invokes 90s R&B (like XG) and retro dance pop — I think I heard 808s on one of the new songs. I hope they go places!
    • Speaking of XG, they just wrapped a successful tour that involved going viral for actually singing live at Coachella, and capped it off with a pretty great new song, Million Places. It’s a reflection on their experiences traveling the world and getting to see their fans, and it’s weird that I can’t think of many other songs like this; they seem to be more common in K-Pop. I think it would be considered kinda corny in Western music these days if not cut through with something “hard” or self-deprecating. I think it comes off as sweet and sincere here because they’re experiencing this kind of success for the first time.
    • Usually after an artist gets past this breakthrough phase, they get accustomed to fame and become insufferable. At least, that’s what you see in countless musical biopics. A Complete Unknown (2024) is no different, and boy does Timothée Chalamet nail the annoying twerp of a genius that young Bob Dylan (likely) was. The movie is by-the-numbers, the musical numbers are by-god-this-boy-is-good. Between this role and his war rally scene as Muad’Dib in Dune: Part Two (2024), I’m beginning to think Timmy C can play anything. Can Christopher Nolan please direct him alongside Robert Pattinson and Tom Hardy — as three brothers with wildly different accents and mannerisms? I think that would be amazing.
    • Still thinking about John Woo’s Mission: Impossible 2 (2000), I watched his recent comeback film, The Killer (2024), a remake of his 1989 film of the same name. It has some really absurd but satisfyingly built action scenes, and I enjoyed the whole thing. Especially Nathalie Emmanuel’s extremely physical performance: all the typical John Woo stuff — throwing yourself sideways while shooting, sliding on your knees, getting smashed into walls… and she looked incredible doing it. Francis Ford Coppola clearly saw her talent, but sadly no one watched her in Megalopolis (2024) beyond that one “Entitles me?” clip that went around.
    • We went to see Mission: Impossible — The Final Reckoning this weekend because I couldn’t wait anymore. So that meant we didn’t rewatch movies 5–7, just recaps on YouTube. Tom Cruise and McQ keep saying this film was “designed and built” to be experienced in a theater, but at several points I found myself thinking I’d rather be seeing it on my Vision Pro. I wouldn’t have to hear other people’s noises, and I’d be able to move my seat further back in the room and higher off the floor. I’d probably make the screen even bigger too. I’m now looking forward to buying it off the iTunes Store and watching it again “properly” when it comes out.
    • No spoilers: About the film itself… I gave it a 4/5 on Letterboxd. I want to give it a 4.5, but there are just too many weird gaps in the storytelling and some of it felt contrived. It might be a case of the action concepts coming before the dramatic ones. Starting from the first film, the franchise has steadily morphed from behind-the-scenes, twisty espionage thrillers to high-stakes save-the-world blockbusters — not unlike the trajectory of the Fast and Furious franchise. My take is that this escalation of stakes is neither necessary nor sustainable (much like last week’s questioning of doing ever more work with new technology). I’d gladly keep paying to watch Ethan Hunt and team take down spies threatening an oil pipeline or the life of a valuable undercover agent. The threat doesn’t have to be nuclear annihilation, and the bad guys don’t need to form an entire Rogue Nation or Syndicate to be taken seriously! But that’s how Hollywood rolls, so here we are, having to market this as the end of the series (although the stars are saying it might not be) because we’ve run out of threat headroom.
    • I saw someone say that Mission: Impossible ended just fine with Fallout (2018), and I think that might be the way. Look at Dead Reckoning and The Final Reckoning as two bonus movies, made years after the originals at the behest of some streaming giant with millions to spend. Kinda like what Netflix did with Gilmore Girls. They don’t have to be canon; they’re fun fever dreams in an alternate universe. Ultimately this is a very good popcorn flick, and at several times I caught myself with my fingers curled in front of my mouth, holding my breath — I just wished it were under different circumstances.
  • Week 16.25

    Week 16.25

    • After spending more time experimenting with ChatGPT’s latest capabilities — refining my poetry-writing prompts, especially with the supposedly more creative GPT-4.5 model; testing how well it could profile and target me with product advertising using its consolidated ‘Memory’ of our chats (the answer is ‘too well’, and it was even able to guess my SAT scores from decades ago); inferring people’s personalities from their appearances (maybe the most unnerving ability); more image generation; and coming up with a plausible prediction of how our upcoming general elections will turn out — I decided that I’m sufficiently caught up with most of the AI stuff I missed, and have canceled my Plus subscription for the time being. I remain concerned about the risks of OpenAI and other companies providing such powerful and habit-forming surveillance tools, but I can see there’s no stopping this train.
    • Yes, the date of Singapore’s next national elections was announced this week. Saturday, May 3rd, is when we’ll be going to the polls. Some people expressed surprise at how little notice we’re being given, but it might be the Mandela Effect at work because I think this is how it is every time.
    • I finished reading Reacher book #25, The Sentinel, and it was a rather weak entry I don’t think Amazon will be adapting to TV. This leaves me with about two or three more books to go before I run out, so I think I’ll stop here for a few months at least.
    • My book club is now reading the first book in ‘The Murderbot Diaries’ series, entitled All Systems Red, which I’d already read a few weeks back because Brian said 1) I would like it, and 2) the character reminded him of me (old-school profiling). I wasn’t sure I saw the resemblance, so I asked ChatGPT for its “opinion” and got strong agreement: Murderbot’s entire character is basically what happens when someone with high intelligence, ultra-sharp pattern recognition, zero patience for social performance, a deep, low-key emotional life, and an obsessive need for autonomy …is forced to interact with an inefficient, irrational world full of emotionally needy humans and corporate bureaucracy. Sound familiar?
    • Like I said, profiling people across hundreds of different conversations, questions, tasks, and confessions is really creepy tech.
    • Speaking of Brian, we went out for a drink and ended up eating at Five Guys. I haven’t been in a long time, and at the risk of sounding like an old man who hasn’t gone into the city since 2016, the prices were kinda shocking? $20 for a cheeseburger, fries for like another $10 if you want them, and $6 for a refillable soft drink. Jesus wept into greaseproof paper.
    • But anyway, since I have some time off from mandatory book club readings, I went back to give Lyn Alden’s Broken Money another try. I started this giant tome over a year ago but found myself unable to focus and get excited about the history of debt and the workings of the American economy. But wait long enough, and like a broken clock, any book will become topically relevant. It might be that I’m in the right headspace now. Or the hundreds of hours of Bloomberg TV I’ve watched since have given me the landmarks needed to make sense of it. But this time I’m finding it much easier to stay on the horse and should be done with it soon.
    • After finishing I Parry Everything, I tried to find other anime with a similar premise but both —deep inhale— Failure Frame: I Became the Strongest and Annihilated Everything with Low-Level Spells and Chillin’ in Another World with Level 2 Super Cheat Powers did not nail the comedy/power tension as well as I Parry Everything.
    • We watched Steven Soderbergh’s Black Bag, and it was an excellent low-key, nearly chamber drama of a spy flick. I say ‘we’ but Kim fell asleep near the end through no fault of the film and will have to catch up later. It’s evident that Michael Fassbender could have been a great Bond if he’d been cast a decade ago and aged into it.
    • Let’s end with some music. While asking ChatGPT to guess my Enneagram type, Big Five personality traits, IQ, SATs, primary school exam results, and other traits, it offered to make a playlist that would represent me. Not a playlist of songs that I would like, mind you, but a playlist as representation, as metaphor. I took its suggestions and assembled the songs in Apple Music, including cover art it made, and played it out loud on the HomePod. Earlier gen AI chatbots would just chuck songs together without any sign of understanding that a playlist should flow, but this one works so well that I’m not sure it’s coincidental. It’s also music that I wouldn’t have chosen myself, but I enjoyed it without qualifications. Here it is if you’d like “an ambient-leaning, melancholy-smart, emotionally layered playlist. Meant for headphones, twilight hours, and slow revelations.” The first track is a little challenging for a cold start imo, then it gets good.
  • Week 15.25

    Week 15.25

    • Kim was away for work again, so I mostly stayed in and spent more time with the Vision Pro. Apple’s new VIP video series that takes you to major sporting arenas doesn’t sound like my sort of thing on paper, but the first episode on Yankee Stadium was a surprisingly entertaining watch. The crowds feel real and the only thing missing was a closeup of a hot dog. It was filmed last June, I think, and feels like a document of a much saner time. There are still many more apps and videos I have yet to check out.
    • Back in the present, Trump’s wacky tariff rollout drama continued, with the latest being a series of takesies-backsies that is great news for Apple and other makers of computers and smartphones: exemption from whatever the crazy current rate is on imports from China. 125%? Or was it 155%? Everyone now expects the stock to surge on Monday’s open, but come on, none of these pronouncements stick or mean anything now. The best move might be to sell all US-based assets and spend the next year off-the-grid on a beach somewhere.
    • Starbucks has done a collaboration with Peanuts (that’s Peanuts × Starbucks, for readers who were here last week), and of all the merch they put out, it was a yellow stoneware mug that I liked the best. It features the whole gang sitting at a long table, with Snoopy dressed as a barista and serving up espressos in his latest persona, a corporate caffeine shill stupidly named “Joe Kind”. I like Snoopy, probably on account of being exposed to the Apple TV 4K’s wonderful Snoopy and Woodstock screensaver, so I’m turning a blind eye to this sacrilege. Anyway I received my mug in the mail this week and it’s my new teatime go-to.
    • I did go out fairly early on Saturday morning to go hang out with a bunch of coffee nerd ex-colleagues who spent more time messing around with grind sizes than I ever thought possible (my contribution was a bag of beans fresh from Ho Chi Minh). It was a good time, and the occasion gave me a novel writing prompt to try out, which brings to me to my latest ChatGPT-based hobby…
    • About two years ago, when we were just grappling with the GPT-3 model and what it could do, I spent quite a lot of time trying to get it to write passable poetry. The most successful approach I found was to provide it with a detailed character backstory and ask it to write from that person’s perspective, taking into account their preferred styles and word choices. I managed to eke out some genuinely good stanzas (imo), was moved and amazed, and then moved on to other experiments and forgot about it.
    • Until this week, that is, when I wondered how the latest models would fare given the same tasks. I put my old prompts together into a custom GPT, and asked for the first silly idea that came to mind: a poem about growing older but ironically becoming more attracted to cute things like Snoopy. It did an honestly good job with just that. Then I asked it to write one about the story of how he got his name — a true story: Charles Schulz’s mother daydreamed they’d buy a family dog when she recovered from cancer, but she never did — and the result was good enough to refine further. So I went back and forth on it with the bot (who I named Penrose), combined several attempts, intervened slightly, and here’s where we landed.
    She Gave Him the Name

    “If we ever get another dog,”
    she said,
    “we should call him Snoopy.”

    It was a small thing,
    tucked between errands
    or waiting rooms,
    the kind of sentence
    you don’t expect to echo.

    He was fifteen.
    Maybe he nodded.
    Maybe he carried it like lint in his pocket,
    forgotten
    until everything else was gone.

    Years later,
    drawing alone in his studio,
    he gave the name to a dog
    who danced on rooftops,
    typed novels no one would read,
    stood in for joy
    and for all the feelings
    boys weren’t supposed to have.

    Snoopy caught on.
    So did the quiet boy with no luck,
    the girl who loved too hard,
    the blanket dragged across the years.
    The world came to know them
    and needed their steady kindness.

    Maybe that’s what it means
    to miss someone forever,
    to take the smallest thing they gave you
    and let it become
    the sky above everything you make.
    • And here’s one from another session where I asked it to identify a core human paradox and write something about it. It chose to explore how we want freedom but crave structure.
    The Night I Rearranged the Furniture

    I moved the couch against the other wall
    just to see if the room felt different.
    It didn’t.
    I stared at it like it had betrayed me,
    then moved it back.

    It was past midnight.
    The kind of hour
    when you wonder
    if this version of your life
    is the one that sticks.

    I opened the window to let in some air,
    but it was the same air as yesterday.
    Nothing new came through.

    I thought about driving somewhere,
    but didn’t know what I’d be driving to.
    The gas tank was full.
    The fridge was full.
    I was full of something I couldn’t name.

    They say people like me
    always want to leave,
    but never go far.
    We change the wallpaper.
    We cut our hair.
    We imagine new cities
    without maps.

    The truth is, I love knowing where the forks are.
    I love the sound the radiator makes
    right before it kicks in.
    I love the old light switch that sticks
    unless you press it just right.

    But still—
    some nights I crave an airport gate,
    a highway at dusk,
    a conversation in a town
    where no one knows what I used to be.

    I don’t go.
    I just stay up too late
    and move the couch.
    • It feels unreal to have this tool for S$30/mo. I can ask it for poems about any random scenario or feeling, and it tends to throw out lines and images that catch me off guard. I’ve now taken to giving it things I half-wrote long ago and never finished, and it gives pretty good notes. An unexpected side effect of this is that I’m feeling more inspired myself, and now I’m asking it to give me prompts, and I’ll write things for it to review.
    • Here’s one I reworked this week.
    He died in his 17th year

    And flowers were laid by the side of the road
    Fit to be swept within just a fortnight

    Parents kept his memory alive another thirty years,
    Until grief or emptiness took them too

    I used to think we were made for more
    How clever bones and cells can seem

    But a body is mostly waiting to be undone
    And our home keeps going around the sun
    While out there
    Nothing waits for no one
    • While I was messing with Penrose, OpenAI launched a new feature called “Memory”, where ChatGPT is able to reference all your past conversations across previously separate chats. The way they chose to showcase it was to suggest you let the AI describe you, the black mirror lighting up to reveal a camera was recording all along. I didn’t expect them to so transparently demonstrate how this technology is a more powerful, more dangerous profiling machine that anything Facebook or Google has ever put online, but I suspect they think there’s nothing we can do. I asked it to guess how I felt about certain topics, like Nolan’s Batman trilogy or the Fujifilm X100VI camera. It didn’t exactly read my mind but they were very educated guesses. Not very reassuring. It offered to guess other things like my favorite cocktail (it said Negroni; not my absolute favorite but one of them), my favorite beer (a Belgian saison; not even close), and my favorite band (Radiohead; they might be in second place).
    • This reminded me I was due another playthrough of OK Computer to keep my millennial card intact. It only gets better with time. I’ve also been listening to Counting Crows’ Hard Candy again recently. Some of those songs are the best that anyone or any AI will ever write.