- Community Covid cases in Singapore continued to rise. We were getting over 20 a day for a bit, which prompted new soft lockdown measures. Although stores can remain open with fewer visitors at a time, dining out is now on hold. Restaurants will have to survive on takeout and deliveries. You can’t be out walking about in groups of three or more. Basically, we’re staying home again for the next month unless absolutely necessary.
- This coincides with the start of my vacation time, but it’s alright because I wasn’t intending to do much outdoors for the time being anyway. There’s a long list of entertainment options to get through, so I just need to focus on the content and resist the stupid urge to buy a PS5 or new TV.
- Back in the days of the Nintendo DS, I absolutely loved The World Ends With You (TWEWY), a rare action RPG that nailed combat, music, art direction, setting (Shibuya), and story. Just thinking about it invokes the sort of nostalgia normally reserved for long-gone places where I used to hang out. A sequel is coming out this July after 14 years! So I’m now replaying the original on my iPhone and watching the new anime series in anticipation.
- I’ve mentioned before how open-world games set in real cities have become a proxy for being able to visit them during the pandemic. If I started playing TWEWY in 2007, then it was probably shortly after my first visit to Tokyo. Perhaps this played a part in how much I like being there. Well, I bought Judgment for the PS4 last week, and will be getting on that as soon as I give finishing Yakuza Kiwami another go next week. The Yakuza games are great for this sort of virtual tourism, replete with all the sounds you hear on the street, like the actual Don Quijote jingle for instance.
- I discovered a new Apple Music feature by accident: since iOS 14.5 you can search/browse by record label. I got really excited about this, because it means you can look up, say, the entire Verve catalog of jazz classics. When I shared this with someone, they didn’t understand why someone would want to do that. Okay then.
- Reading: still on The Diamond Age, if you can call 10 minutes a week active reading. Just not been in the mood.
- Netflix: we watched the new Vox Explained series about Money, which is really about Money in America, which is really about how fucked up Money in America is. We all know about student loans (and the high cost of education), credit cards, scams and misleading ads, casinos, and lack of retirement savings, but I couldn’t see the scale at which these problems impact American society. We have them too, but there are thankfully some non-optional systems that help people save and insure themselves.
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Playing Oceanhorn on the new Apple TV, with a Bluetooth game controller like the SteelSeries Nimbus, feels distinctly like a traditional console gaming experience. It’s been compared to a modern Zelda title, and if you’re in the mood to explore, its large world lends itself to leaning back on the couch for a good hour or more.
What’s interesting is that you can pick up your iPhone later and continue your savegame synced over iCloud, at which point its modified-for-touch controls and mini quest structure actually turn it into a modern mobile gaming experience.
What might be undersold by a simple bullet point — “Cloud Saves” — is really significant: one game that can be played in very different contexts, made possible by having the same OS in your pocket and living room (and car, one day). It’s probably the future of gaming.
Much like how we now commonly design for the web, going mobile-first in gaming makes sense for companies looking to the players to come. That means not making the mobile bit just a simplified companion app with minigames connecting back to the “proper” console version. The level of control complexity and engagement can and should scale to the device, all within the same game.
Many of the guidelines for apps on the new Apple TV force developers to adapt the experience to the available controller. Geometry Wars goes from a dual-analog stick shooter on a regular gamepad to an auto-shooter when on Siri Remote, where the player only has to steer. You get what fits, but never less than the whole story.
The experience of seamlessly jumping from a phone to a 60” TV reminds me of how it felt to play the first iPhone games. I remember Crash Bandicoot, in particular, as a sign of things to come. You could get games like it on the Nintendo DS, but they weren’t downloaded over Wi-Fi in seconds, for mere dollars, or paid for electronically. It made the portable gaming systems of 2008 feel dated. And as Apple added more power, multitasking, social features, and cloud saves to iOS, the iPhone overtook them completely.
Games on the new Apple TV have more than a whiff of that to them. Even if the platform doesn’t come to dominate gaming a decade from now, I believe the winner will work and feel like it.
In a sea of diminished companies out-innovated from changes they didn’t see coming, it’s gratifying to think that Nintendo may have played their cards right with the upcoming NX. It’s rumored to be a home console with a detachable mobile device, playing games that also work with smartphones and networks from its rivals. God knows how they’ll do it, but that describes the right shape to survive: experiences designed to shift context, open to different forms of interaction (hey, even VR), ready to fill varied slices of time, long or short, in a busy user’s day.