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Tag: Singapore

  • Week 35.23

    Week 35.23

    The nation voted for a new president this weekend and the winner was Mr. Tharman Shanmugaratnam, which autocorrect changes to “That Man” (a tad disrespectful in my opinion). He got 70% of the vote which is pretty solid, but nobody’s surprised on account of how well liked and competent he is. It’s worth mentioning how painless the process was: my vote was in the ballot box less than three minutes after I showed up, and I was back home watching TV in 15.

    Appropriately, we started Jury Duty on Amazon Prime Video and I think it’s gonna be great. It’s a pseudo-reality show where one man thinks he’s on the jury for an actual case but the whole thing is staged and everyone else is an actor. I’m watching this and wondering if everyone’s following a tight script or just improvising based on their characters, because there are events happening all the time whether the mark witnesses them or not.

    That real-time play concept always makes me think of The Last Express, a classic but underplayed PC game by Jordan Mechner set on the Orient Express. It kicks off with a murder onboard and you have to move around the train investigating and staying alive amidst political intrigue and wartime spy stuff. Events are always happening, and if you’re not in the right place at the right time, you’ll miss crucial conversations. You can experience this for yourself on iOS but the app hasn’t been updated in five years and may be removed by Apple soon if they stick to their controversial plans.

    A lot of other TV was seen. We finally finished season 3 of For All Mankind, an extremely strong show on Apple TV+. I binged all of the anime Oshi no Ko which is as great as everyone says; I don’t think I’ve ever seen a stronger (or longer) first episode. It’s a 90-minute movie in itself. I’m now midway through another highly rated anime: last year’s Lycoris Recoil, on Netflix. And on Michael’s recommendation we started on a Japanese drama, My Dear Exes, which is very enjoyable so far, maybe because it doesn’t feel like typical Japanese TV. It’s snappier and funnier somehow.

    Oh, if Jordan Mechner sounded familiar earlier, it’s because he’s the man who created Karateka and Prince of Persia. And if you want to experience the making of a gaming classic, a new playable history lesson on The Making of Karateka is now out. And in a case of lovely things cosmically coming together, it was helmed by former Wired games editor Chris Kohler, who also wrote the article on Japanese curry that probably changed my life.

    Staying on topic, we went down to the Japan Rail Cafe (operated by the actual JR East railway company from Japan, for some reason) in Tanjong Pagar because I’d heard they were doing a tie-up with the Kanazawa style Japanese chain, Champion Curry, for one month only. I had my first Champion Curry back in March, after meaning to check it out for years, and while it didn’t unseat my current favorites, it was still decent by Japanese standards and incredible by Singaporean ones. They sold a small sized plate here for S$19.90 including a drink, but it was sadly inauthentic. The curry’s consistency and deployment over the rice is not going to qualify for a Kanazawa cultural medallion any time soon, but I guess it was good enough that I’d take it any day over most local competition. But I still hope they open a proper operation locally someday and accomplish what Go Go Curry failed to do.

    Champion Curry in Japan
    Champion Curry in Singapore

    ===

    I was suddenly inspired to make a new series of playlists, which will periodically capture what I’m listening to, sequenced like a proper mixtape. If I had the skills to make a DJ mix of them, I would! Here’s BLixTape #1 for my Apple Music fam.

    And the tracklist for people still on *ahem* lesser services:

    1. Gold -Mata Au Hi Made- (Taku’s Twice Upon A Time Remix) — Hikaru Utada (I said I wasn’t a fan of the regular version but this remix works!)
    2. TGIF — XG
    3. bad idea right? — Olivia Rodrigo
    4. You Are Not My Friend — Tessa Violet
    5. Dancing In The Courthouse — Dominic Fike
    6. For Granted — Yaeji
    7. Bittersweet Goodbye — Issey Cross
    8. To be honest (SG Lewis Remix) — Christine and the Queens
    9. Sprinter — Dave & Central Cee
    10. DON’T EVER DISRESPECT ME — NEMS, Scram Jones, & Ghostface Killah
    11. Iceman (feat. Morvasu) — Earth Patravee
    12. ETA — NewJeans
    13. Silent Running (feat. Adeleye Omotayo) — Gorillaz
    14. Kill Bill (feat. Doja Cat) — SZA
    15. a little more time — ROLE MODEL
    16. happy im — UMI
    17. Rainy Days — V
    18. Memory — Sezairi

    Making this involved a detour into the world of NewJeans’ music videos, which are pretty conceptually twisted and seem to comment on the parasocial relationships fans have with them. For example, in the mostly sunny poppy video for ETA, the girls might only be hallucinations seen by a sick fan, telling her that her boyfriend is cheating on her with someone at a party. So she ends up murdering him and the girl with her car! I guess this is what it takes to stand out now.

    Let’s end on a nice note with another video I came across on YouTube while checking out more electronic music. This guy Don Whiting also does a great job killing it on the road — performing a two-hour drum & bass set on a bike, accompanied by a huge entourage of other cyclists. It looks like an awesome day out, at a pace even I could probably handle.

  • Week 33.23

    Week 33.23

    Our fridge is dying. After some eight years of dutifully cooling and freezing our food reserves, it’s losing its mind. Like a soldier left to survive too long in the jungle, it can’t tell right from wrong anymore, and it’s probably a threat to someone’s life. It started midweek when I decided to get some ice-cream and found the unopened tub mushy and soft to the touch. Ditto blocks of frozen salmon — uh oh, not a good sign.

    I’ve realized in recent years that I get disproportionately upset when things go wrong in the household. They’re like waves rattling loose the stones in my psychological seawall; things at home simply need to be predictable, dependable, safe. Maybe it’s the result of some trauma. Maybe the outside world is just too much sometimes.

    A new fridge has been viewed and paid for now, it will be roused from its Korean factory-induced slumber this Monday and loaded up with every surviving vegetable and condiment. I get images of them as war refugees lining up to get on a boat. They’re the tough ones, made of more shelf stable stuff. Pour one out for their fallen brothers: the spoils of war.

    Do you know what new fridges cost these days? I certainly did not. I’m pretty sure our last one was under S$1,000, but they cost more now. Blame inflation, the chip shortage, whatever, but the ones under a grand now are the brands that probably don’t come to mind when you think refrigerators: Whirlpool, Electrolux, Sharp, and local OEM brands you wouldn’t think of at all. So now we’ll have our very first Samsung product, if you don’t count the displays and components they make for others.

    Coupled with the so-called seasonal downturn in the markets now underway (supposedly the August and September months before a US election year tend to see significant corrections), there have been quite a few conversations about everyone feeling poor and worried. More than usual, anyway. I know one has to take a long view of these things, but the lack of bright spots is a little daunting.

    CNA put out a two-part documentary on Singapore’s fiscal reserves, promising unprecedented access and interviews, which I found quite enlightening. There was a visit to a secret warehouse literally filled with tons of gold, and stories about how this war chest came into being from the early days of our independence. It had not occurred to me before that our reserves were used to weather the 2008 finance crisis and Covid without issuing more debt, a luxury most countries did not have. Nor that one of the reasons we’re able to enjoy such a low tax rate is that annual income from invested assets helps to offset spending on public infrastructure.

    Here are the episodes on YouTube:

    ===

    I had fun this week with TikTok’s “Aged” filter, which is certainly not a new concept as far as apps are concerned, but it’s probably the most advanced execution yet. Through a blend of machine learning with harvested personal data from millions of non-consenting people and regular ol’ voodoo, it shows you what you’ll look like as a pensioner (should pension funds survive the financial end times). Some people have tested it on photos of celebrities when they were younger, and the aged photos reflect how they really look now, so… this is probably how you’ll turn out! Might as well get comfortable with it.

    It turns out that old me will look kinda like one of my uncles, and I’ve been having fun recording aged videos in a wheezing voice and sending them to friends and colleagues.

    Some of the other trending filters on TikTok are pretty sophisticated mini apps that involve a prompt box for generative AI. It takes a photo of you and will restyle it as a bronze statue, an anime girl, or whatever you ask it to do. They are also incredibly fast, compared to other generative AI image tools, which suggests Bytedance is burning some serious cash to power these models and gain AI mindshare.

    I also came across a new product called BeFake that will try to take this one feature and turn it into an entire social media network based on posting creative generative AI selfies. It makes some sense — you don’t have to be camera ready (already a low bar with some of the beauty filters now available), and you can showcase wild ideas. Will this sweep the world only for people to get tired of unreality and swing back to finding “boring” posts interesting? Stranger things have happened.

    ===

    On Sunday we went to the ArtScience Museum (at the Marina Bay Sands) for a rare high-profile exhibition of digital art. Notes from the Ether says it’s focused on NFTs and AI, but it’s also got a lot of generative art that just happens to be encoded on blockchains. I was especially excited to see the inclusion of work by DEAFBEEF and Emily Xie (Memories of Qilin), and Tyler Hobbs and Dandelion Wist’s QQL project was also presented for anyone to play with.

    Obviously this movement is in a weird sort of place at the moment. Valuations for most projects are as volatile as shitcoins, and a few “blue chip” projects like the ones displayed are more stable, but only about as much as bitcoin. Because NFT art is defined in large part by the medium, which is currently inseparable from talk of price and value, it’s hard to have a viewing experience divorced from these considerations. You don’t really visit a Monet exhibition and think about how much everything costs. Which is why the Open Editions I mentioned last week are interesting, and likewise with this event, which offers you a free NFT at the end. You get to co-create an artwork with an AI engine by uploading a photo of your own to be transformed, and it’s minted as a Tezos NFT if you’d like. I thought it was a very cool collectible to remember our visit by.

    I don’t think I’ve ever seen more affordable tickets at this museum, just S$6 with a further 30% off if you sign up for a free “Sands Lifestyle” account, so there’s little excuse not to go if you’re remotely interested in this stuff.

    Since we were already there, we also hopped into Sensory Odyssey: Into the Heart of Our Living World which pairs 8K video projections of natural scenes with immersive sounds and scents. In one space you’re smelling fresh air and damp earth in a rainforest, and in the next you’re underground with mole rats. It’s very cool, but ruined by small children being allowed to run loose in front of screens (can’t really be helped), and elderly museum staff loudly declaring that “this is a night savannah, very dark, no need to be scared!” (can be helped with training) in such a way that any illusion of being in a savannah is totally pierced — unless you’ve gone on a safari tour with a gaggle of Singaporean aunties, of course.

  • Week 30.23

    Week 30.23

    In the early years of mobile connectivity, we counted ourselves lucky to get 1GB of data per month. Fifty bucks bought you a plan, a phone, and a two-year leash. These days? I’m sitting on an 88GB, 5G mountain for half the price. Thank you, technological progress. But since COVID and working from home, I’m only using a fraction of my allowance.

    Yet, like any good consumer, I want more. So I switched providers from Circles to M1, lured by a plan that comes with 150GB at the same price. But there’s a catch, M1’s a little disorganized and provided me no updates on when my number would be ported. Right now I have two eSIMs jostling for control in my phone.

    Their checkout process also insisted on a “delivery” date. Delivery of what exactly? I’d already gotten the QR code for my eSIM over email. Assumed it was just a holdover from the old physical SIM days, too much bother to scrub from the website. But no, someone actually turned up to my doorstep at the appointed time, just to verify I’d activated my eSIM, then had me sign off on it.

    Let me repeat: M1 sends a flesh-and-blood human to confirm I got an email, but can’t drop me a line to say when my number would switch over. I had to spend 10 minutes on a support call to find out that it’s scheduled for next week. Will the data bonanza make up for this frustration? We’ll see.

    ===

    On a mellower note, I started to make use of my dormant brain.fm account again, to provide background music while I read and work. Is it pseudo-science? Beats me. But I like most of the tunes and it seems to work. The app has been significantly upgraded since I last saw it, with many more genres of music to choose from, and the option to vary the intensity of their brainwave-enhancing signals (which sound like wobbles).

    I get absolutely nothing out of referring you, but if you use my referral link you’ll get your first month for $1.

    With a little help from brain.fm and last week’s recommended music from Alice Sara Ott, I finished Sayaka Murata’s Life Ceremony, and also Hervé Le Tellier’s The Anomaly, and Lee Child’s 20th Jack Reacher novel, Make Me. Of all those, I can recommend The Anomaly most wholeheartedly. It’s a book you probably shouldn’t know anything about going in. If you really must know, it has science and mystery elements, but that’s all I’ll say. I’m now reading real-life astronaut Chris Hadfield’s The Apollo Murders.

    Not bad for a guy who’d only finished one book two months ago, now 8 out of 12 down on his Goodreads Challenge.

    ===

    I’ve been listening to Tessa Violet’s new album, MY GOD!, and it’s a playful catchy affair. Incredibly, Blur have reunited with a new album, The Ballad of Darren, and I couldn’t find much wrong with it after one playthrough. Maybe it’s the halo of how good the last Gorillaz album was after a decade of underwhelming me, but I think Damon Albarn is back.

    I made a commitment to use my AirPods Max more — they’ve been neglected because they’re somewhat of a pain, both literally and figuratively: the headband’s a little tight for me and the Smart Case remains a questionable design, adding friction to the simple act of turning a pair of headphones on and off.

    Two things have improved the experience for me. First, a dubious Reddit post from another big-headed owner who suggested bending the metal frame open, briefly straightening them open to form a 180º line, to ease the squeeze. This could obviously damage them, so do it at your own risk. But I think it’s made a difference. This is something you can’t do with the plastic Beats Studio Pros, sadly.

    Secondly, an updated audiogram from the free Mimi hearing test app. The last time I did the test was 2021, and I got slightly different results this time. I highly recommend everyone does this if they’re old enough to worry about losing some hearing. Thankfully my ears are still pretty good.

    Saving your test results as an audiogram effectively personalizes your listening experience on AirPods and supported headphones, applying an EQ profile that compensates for the frequencies you’ve become less sensitive to. You’ll hear music the way you used to, once you dive deep into the iOS Settings menu and find the section on Audio Accessibility, and turn on “Headphone Accommodations”.

    ===

    Another app that played a part in this week is Darkroom, the photo editor for iOS and Mac that I’ve mentioned a few times. They launched a portal to showcase presets made by community members, and kindly put a spotlight on some of the ones I’ve made and shared. You can access this catalog through a new button in the app, too.

    As Twitter is living on borrowed time (this was the week their petulant man-child owner pushed out a hasty, clumsy rebrand to “X”), I decided to republish my thread of Darkroom presets to… Threads. Annoyingly, it’s still buggy and messed up the chronological order of my posts. Nevertheless, I think they’re all still there, and I’ll post future presets to the same link.

    New ones I shared to celebrate being on the presets portal:

    E1: This is my reproduction of the popular E1 filter in VSCO. I wrote that it adds warmth, color, and film vibes in a single tap, and it truly is quite a versatile everyday effect.

    MEM3: This is another strong effect from my nostalgia-forward MEM series. It lightens and fades images with a blue-magenta cross-processed wash. You pretty much lose all highlight detail, but it’s a good look for certain scenes.

    MEM4: I said that this creates a warm and dusty sunset feel, but it’s really also great for low-light scenes. Check out the last photo sample through the link. Again, you do stand to lose detail in contrast areas, so vary the strength to taste.

    ===

    Growing up in the 80s, I caught reruns of Takeshi’s Castle on Chinese TV channels with no context, and no ability to understand what was said. On reflection, I grew up watching a lot of shows visually rather than verbally, which continues to this day whenever I choose to watch movies on planes without headphones.

    Anyway, Takeshi’s Castle, for the uninitiated, was a long-running Japanese game show (?) featuring normal people tackling an obstacle course of heinous physical challenges that would make insurance men squeamish. It was a precursor of Ninja Warrior, American Gladiators, and yet a different beast: whimsical, insane, hilarious. Why the name? It was hosted by the infamous Takeshi “Beat” Kitano, who played the err… lord of the castle that 100 contestants each week tried to storm. Here’s the Wikipedia article.

    I’m pretty sure you all know this, anyway. It’s a cornerstone of modern media culture! Turn in your TV licenses if you don’t.

    So imagine my elation while browsing Amazon Prime Video in bed and suddenly seeing a new Takeshi’s Castle, a 2023 reboot! We’ve seen two of the eight available episodes, and it’s still gloriously fun. It’s still not rolled out globally, as some markets will get English voiceovers (the UK one will have comedian Romesh Ranganathan as one commentator), but I wouldn’t watch it any other way than in the original Japanese, and maybe even with the subtitles off for old times’ sake.

    ===

    On Sunday we visited the Illustration Arts Fest where some talented friends were showing their work. It was packed, and probably the most crowded place I’ve been in since Tokyo. Let’s hope I don’t get COVID again.

    The most common theme was cute cartoon cats. On stickers, posters, keyrings, enamel pins, you name it. Some other artists were out there, scratching their own freaky itches and looking for kindred spirits in the crowd. We bought a couple of things for the apartment, including these little guys below from our friend Reg at Ocio Ceramics. A dumpling and a frog. Cuteness sells.

  • Week 23.23

    It was WWDC week and hours before the keynote event started, I was telling people that the thought of an Apple XR headset made me tired. I knew that if it really was happening, that the world would never be the same again, and we would be starting a whole new cycle of change: changes in the way we interact not just with computers, but entertainment, services, each other, and the hundreds of companies in our orbits. That takes a whole lot of energy and enthusiasm (positivity?) to prepare for, especially if you’re in one of the industries that will need to be an early mover.

    And this is just my gut talking, but after the big reveal of the Apple Vision Pro, I felt that positivity surging through me. It was an exciting prospect — yes, it’s still a heavy thing strapped to your head, and it has the many limitations and intentional design constraints of any first-generation consumer product — but I felt that Apple thoughtfully got the experience foundations right (again). This looks like it could change the world in an exciting and additive way.

    I can’t wait to try it out and get my own, but it will probably be the end of 2024 before it lands in Singapore. That gives everyone plenty of time to think about and design for a spatial computing future. Do I think the price is justified? Sure! It’s not really comparable to any other product at any price, which is the beauty of their ecosystem play (again).

    On the downside, the technical achievements it contains are incredible, but will need to become more incredible very quickly. Over the next few years, it will need to become lighter, smaller, faster, cheaper to get us where this “vision” is pointing. Or perhaps they believe the parallel development of a photon passthrough technology (that is surely continuing internally) will pay off before then, and become the solution. I’m referring to true AR glasses, of course, rather than this VR headset that acts like glasses by having screens facing inwards and outwards.

    Side note on those outward-facing eye screens: it’s funny how that detail was completely leaked, and we knew it might have screens that showed your eyes to others, but nobody could come up with a way that it didn’t look awful. And yet, the real thing looks pretty good! Dimming and blurring a virtual avatar’s eyes so that they looked recessed behind frosted glass? Brilliant. Wanna put a pair of comedy Vision Pros on? Try this Snapchat lens — it’s super amusing when pointed at the TV.

    But let’s not forget the other things announced at WWDC. I’m super excited for iOS 17’s Journal app*, as I said several weeks ago; the new AirPods Pro adaptive mode sounds exactly like what I’ve been wanting for awhile; Freeform showed that it isn’t being neglected, with some great looking new drawing tools coming; and the Apple Watch really did get a good rethink of the UI! The Side Button will now pull up Control Center instead of the Dock I never use, and it’s being replaced with a new Smart Stack model that sounds good in principle. And that new Snoopy and Woodstock watchface? Plus a smarter transformer-based keyboard and dictation? A more easily invoked Siri? Wow! (Ten bucks says a transformer-enhanced Siri is in the works for next year.)

    Sadly, Apple Music only got light design refinements instead of the rethink I was hoping for, oh well.

    *The Verge’s Victoria Song is skeptical about Journal.app because it relies on AI to suggest journaling prompts, which as Apple’s Photo Memories have proven, can be inappropriate or tone deaf. Personally I’m just planning to use it as a lifelogging tool: where I went, what I saw, what I was listening to. I’ll probably write entries manually, no prompts needed.

    ===

    On Thursday evening I checked out the National University’s industrial design program’s graduation show with some colleagues who came out of the program a few years ago. There were some thoughtful projects and most were well presented. The kids are alright, etc.

    Then on Friday evening I went with some other team members to visit the Night Safari for the first time in probably many years. The iPhone 14 Pro’s camera let me down by defaulting to very long night mode shots even when there were moving animals. I’m talking hold-still-for-10-seconds type situations. I wasn’t using Halide as I wanted Apple’s smart processing to light up the dark as much as possible, but it didn’t seem to make the right trade offs.

    It continues to be super hot and muggy here; I was sweating my butt off both nights outdoors. Looking forward to the cool Melburnian winter weather in a couple of weeks.

    ===

    • Inspired by the album listening technique of Pearl Acoustics’ Harvey Lovegrove (mentioned last week) — put it on all the time in the background for a few days, and then sit down to listen to it once through properly, after it’s already soaked into your subconscious — I’ve been listening a lot to Cisco Swank’s new debut album, More Better. It’s a seamless blend of jazz, hip-hop, and soul that the New York Times quoted a fellow musician describing it as “black music. All of it.”
    • But it was a big week in music, and I haven’t had time to get into the new albums from Jenny Lewis, Janelle Monáe, Christine and the Queens, and King Krule. Okay I’ve heard the King Krule once through and it was good.
    • Speaking of music, Kim returned from her trip to the US and brought me back an unexpected gift: a pair of the new Beats Studio Buds+ with the translucent case! I was coveting them but probably wouldn’t have bought them for myself, and they’re still not available locally with no release date either. But since I have them now I can’t complain. #blessed
    • I started playing Astral Chain on the Nintendo Switch, a stylish beat-em-up title that came out very early in the console’s life and looks astonishingly good, period. I’m now putting Bayonetta 3 on my wishlist because Platinum obviously knows how to get incredible visuals out of this aging hardware.

  • Week 14.23

    Ugh, the post-holiday period is the worst. I’ve struggled through the week, and it was only a short four-day work week because of the Easter/Good Friday holiday. I’m in the mood for another break now, and thankfully we have a week in Australia later this year to look forward to.

    I started off Monday with a client video call in which I got frustrated enough by my bad lighting situation (sitting in front of blinds — either too much light, too little, or visible horizontal shadows across my face) to finally do something about it. During my aimless ambles down the aisles of Japan’s electronic superstores, I saw many shelves dedicated to remote work equipment, presumably a big sales driver for them over Covid-19, and considered bringing a ring light home. I didn’t, but I found good looking ones on Shopee and ended up with a rectangular soft LED panel on a tabletop stand for just S$27! It does five color temperatures, but I’m sticking with Daylight, and overall it’s been an awesome purchase I should have made ages ago. And it arrived in 24 hours.

    No surprises, but I’ve taken far fewer photos since returning. I still open Hipstamatic regularly just to keep my streak going, and it’s forced me to try and snap something every day. That said, I wonder if this habit, and the product’s reboot, will last. As I was discussing with Michael, they needed to put some momentum behind the launch and sustain it with updates and quality posts in the global pool. But from how it looked in their updates, the founders were (also) on holiday in Japan on launch week? Perhaps they were there to boost some community events, but I looked at the Japan-only photo feed regularly and I was one of the most prolific posters. Not a great sign. They just released an update this weekend, at least, with a new Uji-inspired lens and film.

    A new fun thing to do with Midjourney emerged this week: a /describe command which takes a photo you upload and has the system describe it back to you in the form of Midjourney prompts, which you can then submit to generate a “broken telephone” remix of your original image.

    If you think computer vision/image recognition has gotten scarily good recently, you’d be right. AI is part of this chain somewhere, and look no further than this Memecam web app which blew my mind last night. Snap a photo of something, and it recognizes what the image contains, and uses GPT to create a joke and final meme, Impact font and all. It actually writes jokes about anything, instantly. That AI-generated Seinfeld stream could technically become good, viable (if not wholly original) comedy in the near future.

    ===

    Hey, two quick moments of consumer ecstasy I need to share!

    • We’ve got the HomePods in Singapore at long last. I don’t know what took Apple so long, but you can now officially buy them here, and the prices are slightly lower than I would have expected, at S$139 and S$429 for the mini and full-sized second-generation HomePods respectively. My Sonos speakers are now unplugged and we are a fully Siri-ed home. I’d previously bought two minis for the office and bedroom off the gray market, and those are now joined by two large ones in the living and dining areas. Reader, they sound glorious. It’s a rich, tangible, and emotionally satisfying experience for your favorite music. There was a point in time where Apple loved the word “magical” and used it liberally. Even for mundane things like keyboards that worked reliably. But these, these are kinda magical.
    • Nespresso launched a new kind of pod locally, one designed to approximate “filter-style” coffee, which in my mind is basically a pour over. They’ve been out for a few months in limited European markets, it seems, but still not widely available. They have a new design where you peel off a sticker to reveal an in-set dot grid which the liquid passes through — the foil is not punctured as a a result. You’re meant to press both the Lungo and Espresso buttons in sequence, resulting in a 150ml extraction, which they call a Gran Lungo. Lol. Anyway, it tastes pretty good. The longer cup is thinner and more delicate than if you used a regular pod to do an Americano or long black, with hardly any crema. This innovation allows for floral and fruity roasts to come through, if you like that sort of thing. I..I..I think it also results in more caffeine.
    • Boss coffee is now natively available in Singapore! Used to be you’d find imported cans in Don Don Donki (the local name for Don Quijote) and some other Japanese supermarkets, but it looks like Suntory is properly trying to bring “The No. 1 Ready To Drink Coffee Brand in Japan” to Singapore now. But I remain unconvinced these stubby plastic bottles and generic labels are the way. The little cans and their designs are iconic, and better for the environment since they can be recycled.
    Spotted in a 7-Eleven

    Last week I mentioned buying black tees from FamilyMart, and then got into a few brief discussions about fashion/luxury apparel this week, wherein I reflected that while I’m happy to pay high prices for technology and things crafted out of metal, I can’t feel that way about fabrics and leather. They wear down, so why not just embrace their replacement and buy cost-effective, expendable products from basic brands? Then the Twitter algorithm put a bit of trivia in front of me that the plain white tees worn by Carmy in The Bear got attention from viewers who wanted to buy them, and that they were actually pretty expensive ones made by Japanese brand, Whitesville.

    So… if you know me, you may know where this is going. Yup, this is the guy who loved PCs, hated Macs, and now has a house full of Apple products. To be clear, I wasn’t suddenly curious about the idea of buying ostentatious Veblen t-shirts with designer logos, just… better ones that would hold up longer and not look as cheap. So I now have an order of basic black tees coming in from Mr Porter that cost 5x what I normally pay for them. Gulp. I’ll work out if this actually makes sense and let you know.

    ===

    The Super Mario Bros. Movie is a fun trip in IMAX. We enjoyed it, and I’m looking forward to finally playing Super Mario 3D World + Bowser’s Fury and New Super Mario Bros. U Deluxe (I have to look up these names every single time) on my Switch soon.

  • Week 5.23

    We got our fourth vaccine shots today. Based on historical results, I’m going to be ill tomorrow and she’ll be fine. It’s been about four hours and I’m already feeling a little lightheaded and tired.

    It feels like it’s been raining here almost continuously since late December — dark all the time, and practically every day we get storms that last most of the day or night. And so it feels unusually cool and damp indoors, and our dehumidifiers have been working overtime to get clothes dry and keep mold at bay.

    This Chinese/Lunar New Year period is often associated with blazing, cloudless skies, and sweating through one’s new red clothes while shuttling around to visit relatives, which makes this year an outlier. And it’s not just me saying it! Several taxi drivers have used this observation as a conversation starter these past few weeks.

    And every year, there’s an outsized “Hong Bao” lottery draw that generates long queues at betting outlets. I bought a single ticket for fun while in a convenience store one night, and in the process of getting the link above have discovered that I’m sadly not one of the three winners of the S$12M prize. Or a consolation prize, even.

    ===

    I generated some cityscape illustrations using a mix of anime and artwork keywords with Midjourney (no artist names), and got some surprisingly great compositions — good enough that I’m using one of them as my phone’s wallpaper now. And then just to mix things up, I asked it to put Godzilla in the cities, and that actually worked.

    ===

    TV
    We finished all 10 episodes of Echo 3 on Apple TV+, a quasi-action series involving a group of special forces types conducting some personal business in Columbia. It’s not a straightforward, fast-moving Jack Ryan sort of show, although it could have been. Its typographic title styles actually reminded me of 80s-era Golan–Globus films — a look and feel and attitude I wish Hollywood would unironically revive. But no, Echo 3 has arthouse ambitions and slows things down with gauzy dream images, flashbacks, and psychologically troubled characters. Which I can’t say I cared that much for! 3/5

    We’ve now been subscribed to HBO for a full week and only started using it yesterday. The Last of Us is good television after all, not leaning too much on the game beyond key pieces. My main complaint so far is that shots of the wider world look too much like how I remember the game: CGI rather than realism.

    Something odd is happening here in terms of anime licensing. SPY×FAMILY started out on Netflix, then new episodes appeared simultaneously on Amazon Prime Video. I thought this title sharing was a weird one-off, but now Chainsaw Man is no longer on Prime Video only; it’s also on Netflix. If only this disruption of exclusivity happened more so we didn’t have to subscribe to every service.

    Incidentally, I finished Chainsaw Man despite not really having any appetite for demon-hunting stories — this one is wild, weird, and really well done.

    Music
    Speaking of strange behavior, I discovered the #youngstar playlist on Apple Music at some point last year and enjoyed its focus: emerging J-Pop acts that have gained traction first on alternative channels like YouTube and TikTok. But when I checked it out today, I found an international version of the playlist, with English songs only.

    Checking in with Michael, I realized some localizing or geofencing was afoot because he still saw the Japanese version (with a US account, in Japan). Highly annoying that we aren’t given a choice which version we see; is it so difficult to just publish separate playlists like “#youngstar (Japan)”, “#youngstar (International)”? So we’ve done that, manually, for anyone else who wants them. You can send us the checks, Tim.

    The English-language #youngstar playlist still shows up on the J-Pop category page as a relevant item. I want to fix this, call me.

    Singling out one song off the Japanese playlist, I enjoyed XG’s Shooting Star and then found myself sucked into their YouTube channel for awhile. For a group that’s only put out about four full songs, they have a ton of content, from training sessions and mixtape-style demos to random behind-the-scenes videos like one where two members practice a rap segment for about seven minutes. The polish on the Shooting Star video reminds me of early Blackpink, and I think these girls are going to be huge (they have 1.1M YouTube subscribers now). It helps that they sing in English, Japanese, and Korean. How do you even source talent like that, and seven of them? Headhunters and recruiters in every other industry need to learn from the music business.

  • Week 3.23

    • This post is delayed on account of the Lunar New Year weekend; hope you had a good one if you celebrate!
    • After two years of restrictions and fear (not to mention peace and quiet), we returned to the old chaos with a few family gatherings and house visits. Unfortunately, one of my favorite parts of the whole thing, a large reunion dinner on the Eve with some of our most senior relatives, was still off the table on account of their mounting health issues. I wonder if we’ll ever get a chance to see everyone on that side of the family all together again.
    • I brought my GR III out to capture some of these moments, and fortunately Ricoh released their previously mentioned new Diary Edition model just the day before, which meant the firmware update for older models to get their new Negative film-inspired “Image Control” mode was also released. After some experimentation, I’ve settled on these settings: Saturation +1, High Key +2, Contrast +1, Shadow Exposure -1. Am looking forward to using it for more everyday snaps in 2023.
    • While hanging around with some relatives in the afternoon of Day 1, a few of us downloaded the Dimensional personality test app and began answering its slew of profiling questions to compare our toxic traits, love languages, and all that. It co-opts a bunch of well-known existing frameworks like the MBTI and so on into one gigantic pile of traits. Does that constitute a unique and proprietary offering? I don’t know, but it’s fun enough and free. Be warned, completing all available questions can take over an hour.
    • Speaking of apps, my advance pick for 2023’s game of the year launched this week on Apple Arcade: Pocket Card Jockey Ride On. It’s a remake of the Nintendo 3DS eShop exclusive now fixed up with better graphics and subtle gameplay tweaks. If you never played the original, do yourself a favor and give it a try. It’s an addictive solitaire-based game; the main downside (for me) is it’s time-based and needs some concentration and so isn’t something you can play while in a noisy environment.
    • My Mastodon use has fallen off a little. I actually prefer Twitter’s algorithmic timeline to a chronological one because I tend to follow too many people to keep up, and need some help sifting out the “best” content from the rest. Mastodon is beginning to give me the uncomfortable feeling of a full inbox, but perhaps I should simply follow fewer people.
    • The general rule around here is to avoid talking about work — although it is usually such a big cost center for my time — but we had a new colleague relocate from Shanghai, and it was nice welcoming them to town and having a couple of impromptu beers on a weekday night.
    • Last episode, I mentioned seeing some Tezos NFT art at Singapore Art Week. Well I came across one of the pieces for sale (entitled D-909 Groove Arcade) and decided to go through the trouble of creating a Tezos wallet and getting some funds in so I could buy it. It’s one edition out of 167, and so was only like USD$20, but I’m super happy to have it. Can art be absolutely adorable and funky at the same time? Provably yes!
    D-909 Groove Arcade
    • I also continued generating non-existent videogame screenshots using Midjourney, expanding the fictional timeline to include modern-day remakes of old games. I should spend more time pushing this idea further but so far I’ve only done it in spare moments or when I should really be doing something else.
    Civilization: Flat Earth
    Duck Hunt Remake, PS4 (2018)
    Drone Hunt, NES (1984)
    Theme Hospital: COVID Edition
    Need For Speed: Self-Driving Edition
    • Everything But The Girl is back after what feels like decades, and the video for their new single is an incredible piece of choreography and one-take execution. I could only think of the immense pressure on each person not to fuck up. Dimensional seems to concur, reporting that my main motivation is Security.

  • Week 2.23

    We kind of started planning our trip to Japan later this year, but there’s still a lot to figure out in terms of what to do, and where to spend our time. It seems a lot of the popular hotels and destinations are selling out fast, if not already sold out, because of the resumption of travel out of China. I’m going to use this as a test of two new collaboration features in iOS and macOS: shared Safari Tab Groups, and the new Freeform whiteboarding app. In theory this should allow us to gather links to interesting ideas and plot them out together across our devices over several days.

    On Friday afternoon, I was excited to see an article saying that one of the best bowls of ramen I’ve ever had was finally coming to Singapore. In fact, it was their opening day, and we decided to just go down right after work to try and get a seat. After about 20 minutes of queuing (which was nothing compared to the maybe three hours we spent in line for the main restaurant in Tokyo), we got into Nakiryu at Plaza Singapura, and were sorely disappointed. For starters, their signature Szechuan-style Tan Tan/Dan Dan noodles were sold out. We ordered shio and shoyu ramen instead, and they were roundly mediocre. The service was also spotty and uncoordinated.

    It’s a pattern that the local franchisee Japan Food Holdings (who’ve done the same thing with Afuri and others) seems to be repeating: bring in a brand people are excited for, then do nothing to capture the original taste and quality. I suspect if you did a side-by-side comparison of the ramen from several of their brands, you’d find they’re just selling the same product under different names. Sadly, they’ve probably got the connections to get these deals and as long as the money flows in, the original companies don’t care how badly it’s done outside of Japan.

    ===

    SEA Focus NFTs: Art by @ykhaamelz, music by @discokid909

    Singapore Art Week is back and we attended two events: SEA Focus and the creatively named Art SG. The former’s at Keppel Distripark where the Singapore Art Museum’s temporary spot is, and features a little NFT art corner sponsored by Tezos. In contrast to the other exhibits, I found the work in there refreshingly playful, modern, vibey.

    Art SG

    At Art SG (a large and mostly serious gallery fair over two floors at Marina Bay Sands), I also found myself reacting more to the digital or digitally inspired work. There was a large print of a CloneX pfp, attributed to Murakami, mounted on a wall that I saw from across the hall and made a beeline towards. The Pace gallery (which I only happen to know because of their collaborations with Art Blocks) space featured teamLab’s NFT project, and a James Turrell projection. The teamLab one is cool: anyone can download and run the artwork (an app) on their PC or Mac. These are regarded as authentic and valid copies of the work. However, one can also own an NFT of the work (there are only 7), and these collectors can change the text seen in the art for everyone else. Oh, and they’re $200,000 each.

    Unknown work at Art SG (forgot to take notes!)

    Elsewhere, I saw a work that was a white flag printed with a surrender message that I’d read before but didn’t know where. I googled the text but nothing came up. Later, I found a tweet from early 2022 referencing it: an on-chain exchange between two MEV… “searchers”? The tweets only have between a couple hundred and a couple thousand likes, so it’s probably not a widely known thing. But I definitely saw and remembered it from last year, which means I’ve spent too much time spectating in a very small fringe community. And my time spent appreciating generative art has definitely ruined traditional abstract art for me.

    The Field #290

    Speaking of which, I was excited to add an edition of The Field by Beer van Geer to my collection this week. It’s an interesting (animated) work in that all 369 pieces are different views of the same “territory”, starting at random points, zoom levels, and rendered with different palettes, but viewers of any section can move away from those starting points and explore. As I understand it, the field itself was created from noise data created by aggregating hundreds of images from the artist’s body of work, trying to derive a sort of pattern map or artistic fingerprint from their ouevre. Isn’t that so much more exciting than static paint on canvas??

    ===

    Ricoh announced a new special edition of the GR III compact camera, called the “Diary Edition”. Yeah it sounds like one of those translated-from-Japanese names that sounds slightly awkward in English, but I like it. As a name, you can’t get much clearer about the concept of a camera that you’re meant to carry around to intentionally document everyday life, and it even comes with a new “negative film” look that will also come to older GR III models via a firmware update. Whether or not this behavior is one that users will actually embrace when they already have smartphones, I don’t know. I suspect not, outside for a few glorious weirdos. But the atmosphere and quality of these photos could hardly be more different than your smartphone snaps, unless you go the film route.

    As a new colorway, I also love the look of the Diary Edition.

    Here are a couple of photos I took with my GR III on the way to the art fair:

    ===

    • We watched a couple of spy TV shows, of which Jack Ryan’s season 2 was the undisputed best. We’ll start on season 3 soon.
    • Miyachi’s second album, Crows, is out. I heard it through once and it’s a bop. I don’t know what he’s rapping about but I’m sure it’s slightly problematic.
    • I finished Arcade Spirits but can’t recommend it if you’ve got many great games in your Switch backlog. To recap, it’s a Western visual novel about running a video game arcade. Some of the background art is basic and not very polished. I was struck several times by the thought that a game creator today could create far better generic bar/beach/arcade interior background art in seconds using AI. And they probably will/are already. So as an artifact of our pre-AI phase, Arcade Spirits stands out as a bit lacking in the production quality department.

    Here’s a tweet showing a game prototype someone purportedly threw together using AI tools to create the graphics, icons, and voice acting!

    • Quite coincidentally, I started experimenting with Midjourney prompts on Monday trying to get the EGA/VGA PC game look of the Sierra games I played in the 80s and 90s. I found a good solution and started using it to visualize screenshots of #fictionalgames from the golden era of PC games, ones that never existed, or that might be made today with modern concepts.
    Police Quest 5: Capitol Invasion
    Quest For Glory 6: So You Want To Be A Private Military Contractor
    Where in the Bahamas is Carmen Sandiego?
    Leisure Suit Harvey: In the Land of the Casting Agents
    Command & Conquer 2022