We’re about six weeks from Christmas when it feels like it should be six months. This year’s time progression has been slippery; because I had clear point in the middle when I started to take time off work, it feels a little like two years in one, and yet much less. I’ll bet it’s the same for everyone buried under lots of work and not going out enough anyway, because a lack of New Stuff happening each day just makes them go by faster.
I read something somewhere about the mental health toll that working from home is taking on people, and of course someone quoted said the lack of human contact was bringing them down. Something in my head said, “well now you know how work felt for everyone who doesn’t love being surrounded by lots of people, but had to do it anyway for all of their lives”, but I’m sure that’s already been said. I land somewhere in the middle: I can do either infinitely and hate them equally.
I met Khairul for a coffee earlier in the week, for the first time in maybe a year. He’s been exploring new interests and possible personal projects during his time off. So it was great to talk with someone in virtually the same boat, and we both gave each other some homework to research and think about before the next chat. After that we took a short walk around Chinatown where my first-gen Ricoh GR got some use.
Speaking of projects, I was inspired by this Twitter thread of Venkatesh Rao’s wherein he goes down the web3 rabbit hole and ends up minting NFTs out of his old blog/newsletter artwork. What happened with me was initial dismissal, curiosity, then buying a couple of NFTs to see if I was wrong, before moving onto other topics (currently trying to grok DeFi 2.0 bonds) without considering that I could make some NFTs of my own, just for kicks. I hardly have the skills for it, but why should that stop me?
So now I think I‘ll do it, starting with a collection of these Misery Man doodles I started drawing by accident a couple of years ago, which became a joke signature/tag of sorts I’d leave on whiteboards around the office. I’ll probably draw a bunch of variations, maybe a hundred, and put them up on OpenSea soon.
I spent a little time on Decentraland this week checking out the alternative metaverse. It’s rough by modern game standards, but it’s cool that anyone can create assets and straight plug them into what is essentially an MMO, or sell them on an open marketplace. I wandered downtown and saw buildings that companies had built as shrines to themselves, on plots of virtual land that they’d bought and now hold as NFTs. It’s early days because no one really knows what to do with them. One company recreated their org chart in the lobby as photos on shelves, and if you go upstairs to a cathedral-like space with glass and high ceilings, you can browse their website in a Jumbotron-sized window.
Speaking of giant things, KAWS’s Holiday artwork is now in Singapore as part of its world tour, albeit embroiled in some legal mess that means it can’t officially open to the public yet. That said, it’s still up, and it looks great (better?) from afar. I love the idea of a giant character chilling out in different cities, but it loses that magic for me the closer you get. We had the opportunity to visit before it was meant to open, and yeah if there was merch on sale, I’d say definitely go. If you’re just nearby on the Helix Bridge, that works too. I brought my D-Lux 7 out for that. The iPhone is great and all, but as I said to Joseph in a chat yesterday, everything is so crispy and bright and HDR these days, it’s a relief to shoot with a “real” camera based on aging technology now and then.
We’re watching Only Murders In The Building, a 10-episode series set in New York, with some strong Manhattan Murder Mystery wannabe vibes. Instead of Woody Allen, Alan Alda, and Diane Keaton, you get Steve Martin, Martin Short, and Selena Gomez. And oh, they’re making a podcast of their amateur murder investigation as they go. It doesn’t always feel consistent — there are some admittedly cool ideas choppily shoved in but they mess with the tone and pacing — but I’ll take what I can get because cozy, fun weekend viewing is rare these days.
On Monday we had the day off, so it was off to IKEA for some shopping (reasonably crowded for a weekday) and then the ArtScience Museum at Marina Bay Sands (not very crowded) to check out two exhibitions. One was kinda video gamey, curated by Tetsuya Mizuguchi of Lumines and Rez fame, and the other was about Sound: artworks visualizing it, historical inventions, and novel ways of experiencing it.
The most powerful bit was probably at the end of the above mentioned Orchestral Maneuvers attraction. 40 loudspeakers, each one playing a discrete recording of a single vocalist, working together to literally surround you with a choral musical work. You know what stereo separation sounds like, and even what spatial audio with Dolby Atmos sounds like, but this was on another level for recorded sound. You could walk around and change the mix, as it were.
Thursday was another day off, with the Diwali/Deepavali public holiday here. We didn’t do anything of note apart from going out to eat way too much Chinese hotpot. I still think of our visit to Taiwan just before Covid-19 hit, and how we ate at this Wulao hotpot restaurant multiple times. If there was stomach space left at the end of a night after cocktails, Wulao. No plans for lunch the day after, Wulao. I’d previously never gotten into that sort of food before, so it was making up a lifetime of ignoring hot tofu skin, coagulated duck blood, and other things that don’t sound so nice when typed out.
We saw the new Apple TV+ movie, Finch, starring Tom Hanks. Two of the biggest films on the service star the same guy, which is slightly odd. Anyway, I enjoyed it just fine. They also did good work on the CGI because I often forgot that a certain element wasn’t actually there in real life. 3.5 stars.
Someone mentioned a mutual acquaintance had gotten a job at Facebook, and a quick look on LinkedIn indicated that they are hiring aggressively for the local office, which led to a discussion (okay maybe more of a rant on my part) about people who make the Faustian bargain of working there. Then I came across this piece in The Atlantic saying perhaps it’s time we regard the company as a hostile foreign power rather than just a corporation. Still, calls like these have been made for years, and I think the simple fact is that Facebook has reached a state of untouchability. Money breaks down enough resistance to ensure that they’ll always be able to hire; hell, we all have a price. I see little hope of them being dismantled by either customer outrage or legal process. We can only hope for an unforced error. May the Meta era push for ecosystem ownership be full of them.
Radiohead’s newly rereleased KID A MNESIA albums have been on rotation. It was an amazing period for their music, although I’d still have to give the crown to OK Computer. I remember having a copy of Amnesiac that came in a little red hardcover art book. I wonder where that went.
This is the first post to be late since I started over a year ago. Apologies to myself; I/you were busy all day yesterday on Monday, which I guess I’ll only explain in the next report.
Apart from walks around the neighborhood, where I was surprised at my surprise to see a few Halloween-decorated houses because who does that right now + it’s nice that we think we could or should, I went out exactly once this week: to meet Cien for brunch and coffees on a weekday. Doing this after a long time kept in the cubicle cage leads one to wonder, “who are all these other people lounging, chatting, walking dogs in athleisure, looking jobless?” It’s perhaps a process of normalization for the brain; this gestures at ongoing freedom is a legitimate community too, transitory or not.
Transitory is probably going to be some dictionary publisher’s Word Of The Year.
After lunch, about an hour’s walk in blazing sun and humid air, getting wound around on top of our own footsteps, lost in the Tiong Bahru area while taking photos with my underutilized CL. I shall try to make it something I don’t leave home without these days.
I came across this article about the New Balance 990, a classic “dad shoe” the likes of which are now cool on account of looking uncool, I think. Back in the day, they were coveted in some circles for being the high-end of the low at $100, the best shoe that NB knew how to make in the USA, and so a bit better than “premium mediocre” actually; they would have been more comfortable and better-made than most. Well, I’ve recently had to toss out a few pairs of sneakers after wearing them black and broken after many years, so I immediately ordered a fresh pair of these after reading. They arrived in two days from an outlet in Chinatown. They look so dorky but I like them.
A cousin’s Chinese wedding dinner over the weekend. The first I’ve attended in Covid times: the rule is now five to a table rather than the customary 10. Where courses would normally be displayed in the center and doled out for sharing, accessible for any who wanted seconds, it’s now individual portions delivered directly. All expected, all logical, an improvement to the experience in many ways, deficit in other intangible ones, hindering interaction and breaking connection with our traditions and past — “that’s just how it’s always been done”, until one day, no longer.
As NFT floor prices crashed across OpenSea over the week, I found myself irrationally tempted to buy into some formerly (and really, still) overpriced collections. I had to talk myself down, but I’m glad I managed. Outside of Bitcoin and DeFi, there’s a lot of potential in the so-called crypto space with token-based projects and DAOs, namely new models of ownership and running a business, but this stage looks like pure spaghetti-on-walls and speculation. I accept that it’s part of the process, but I want to fast-forward to the next bit where it happens without so much get-rich-quick motivation. And the less is said about play-to-earn, the better.
On Netflix, we’ve been watching El inocente, yet another Harlan Coben TV adaptation. I think this will be the last one because it feels too much like the other we saw a few weeks ago: mechanically reliant on outlandish coincidences and undisclosed (to the viewer only) pasts to provide the twists it thinks are necessary to keep you hooked. Well, maybe they are.
For the first time since it stopped being necessary to line up for hours outside a telco HQ or Apple Store to get one, New iPhone Day (Sep 24) came and went without a DHL employee appearing at my doorstep. Dear reader, I was late to the finish line this year and my unit only arrives in early October. I begin each day by wondering if I should do the right thing and cancel it. We know I won’t.
Adding weight to that argument is the fact that the iPhone 13 Pro has a camera bump so comically large that it interferes with accessories such as Apple’s own MagSafe Duo Charger, and my beloved Backbone One game controller. For the latter, the company has quickly designed a spacer/adapter, which customers can fabricate on their own. I’m hoping to be able to buy one since I don’t have access to a 3D printer. Even without accessories, the bump is enough to cause substantial see-sawing when the phone (with or without a case) is placed on a table and the corners are tapped. I know because my wife has her iPhone 13 Pro already and this power imbalance does not feel comfy.
I neglected to mention in a previous week’s post that we did get around to seeing The Matrix Revolutions, and it was just as disappointing as I’d recalled. My disappointment at the time was so strong that it effectively wiped all details from my memory (while I vividly remembered the first two). I think it can be blamed on an overall lack of fun, visual craft, and other core ingredients that made the first movies so loved: well-choreographed wire-fu, novel special effects, a mystery that we are made to care about seeing solved, and big action set pieces where incredible, iconic things happen — a bunch of flying tentacled robots drilling into an underground city doesn’t count.
I came across this still image from the film that looked like something right out of Neon Genesis Evangelion, and decided to google the two franchises together to see if there were any links. That’s when I found this cool “trailer” that someone made for Evangelion 3.0+1.0 (warning: lots of spoilery scenes used) cut to the music from the The Matrix Resurrections’ trailer. Damn, the new EVA looks so epic.
Unfortunately, this week’s viewing time was effectively squandered by the mysterious decision in our household to watch Love Island Australia, which is absolutely stupid and 30 episodes long. I think we’re into the final third now but I’ve long stopped paying it most of my attention, and use the time to rack up progress in the Temple Run match-3 game from Apple Arcade. Why melt your brain in only one way at a time?
We did see the first two episodes of the Foundation series on Apple TV+ though, and it looks very promising albeit still clearly a television thing. I can’t stop thinking about some of the gobsmackingly beautiful/chilling frames in the Dune film we saw last week, and I wish someone would make a TV show that strives to that level of abstraction and perfection.
I finished two books: Unity by Elly Bangs, and The Test by Sylvain Neuvel. Both are worth reading. Unity is a better dystopian SF adventure novel than Firebreak which I read recently — the comparison comes to mind because both contain a program to turn orphans into super soldiers — and blends some fun concepts like hive minds and body snatching, with a dash of Ted Chiang’s short story Understand. Meanwhile The Test is a very short novella you could read on a Sunday morning, and the less it’s described, the better.
I’m still a habitual Goodreads user, but signed up to check out its sexy new competitor, Literal.Club. It’s already a faster and nicer experience, but since it’s still in invite-only mode, lacks the friends and years of book review data that will keep Goodreads around as long as Amazon wills it. Add me at @sangsara if you’re on!
Oh, and thanks to the announcement of a new Kirby game coming next year on the Switch, I chanced upon the depths of the series’ dark and complex lore. At first, it seemed like a hoax: what, this cute and cuddly Nintendo thing for kids is actually a horrific end-of-times apocalyptic tale with gene splicing and satanic worship and the death of countless civilizations, except the protagonist is so innocent and pure that everything rendered through his eyes looks like how the games end up looking to us? That’s sort of the gist, and there are a bunch of explainer videos on YouTube. I won’t recommend the ones I’ve seen, as they’re kinda incomplete, but here’s a popular one I intend to watch soon.
Covid cases here have gone kinda nuclear, from a couple hundred a day just weeks ago to nearly two thousand cases yesterday. So we’re back to two-person groups (you can still eat out in a pair if you want; life’s not completely shut down) for the next month, and more working from home for those who still have jobs. Stay safe out there.
The week passed without much direction, pockets of time invested in various pursuits without any idea of their worth or contribution to a larger whole, psychologically enjoyable but with an undercurrent of guilt and worry. In other words, I’ve been a lousy bum.
The existence of a Gossip Girl reboot for today’s teens would make any Millennial feel old, but it… feels like it’s written by one of us? That’s not really a compliment. So while it’s trashy fun with scenes that would have been shocking on TV 20 years ago, the way it tries to incorporate current social media and cultural trends, and how it sounds while doing it, feels inauthentic. Haha, here I am complaining that Gossip Girl doesn’t feel real like it used to. I mostly spend every episode trying to figure out who each actor resembles most.
On Monday evening we took a walk in the neighborhood. By Tuesday afternoon, many of the homes we passed would have been flooded up their driveways. It was the single heaviest day of rainfall in any August ever, I believe the news said. It was a normal August’s entire month of rain in a single day. As apartment dwellers we were unaffected, but watched online videos of overflowing canals and mall basements in borderline horror. (It’s now the following Monday morning and we’ve got reports of flooding around the island once again.)
For much of the week, I was looking forward to Friday for the (re)release of Asphalt 8 on Apple Arcade, with all its in-app purchases removed and replaced with a more traditional “premium” progression model. The game is 8 years old now, but it looks just fine and is still being played and refined regularly — the free-to-play edition was updated last week, so it must be doing good numbers. As I said in a review I left on the App Store, this is a welcome return to Asphalt’s roots, as anyone who played its original incarnation back on the Nintendo DS (Wikipedia) would know. I paid $60 for it then, which was roughly a dollar per polygon.
It’s a testament to Gameloft Barcelona’s work (or my degeneracy as a gamer) that I can be literally sitting in front of a PS4 and Switch but spend hours playing a mobile racing game on my iPad instead.
The next Apple Arcade release I’m looking forward to is yet another Nintendo DS revival: Zookeeper World. If you haven’t had the pleasure of playing Zookeeper, it’s essentially an animal-themed Bejeweled with a sort of blocky pixel art aesthetic, cheap but lovably annoying tunes, and a multiplayer mode where you mess with your opponent’s vision. This was also a $60 game back in the day, and I remember playing it to death in university on my DS Phat. It was such a blast that several of my non-gamer housemates ended up buying DSes just to play Zookeeper!
At the week’s end, I hung out with some friends at a cafe all afternoon and discovered with the help of my HiCoffee app how it feels to exceed the recommended amount of caffeine in a day: pretty fucking awful. I had what felt like a coffee hangover the next morning and had to cut down to a single shot for the day.
Tech-wise, I spent time looking at NFTs and being tempted to do something stupid (pretty sure I won’t) and getting my feet wet in the Terra ecosystem. In particular the Anchor and Orion projects, which enable high interest rates for savings, of around 19.5% and 13.5% pa respectively. To use Anchor, you’ll have to set up a Terra wallet and deposit UST (their USD stablecoin), but Orion makes it easier by bridging your Ethereum stablecoins like DAI/USDT/USDC over to Anchor while still returning higher rates than anywhere else. I think they’re incredibly interesting and worth looking into if you’d like to experience something that sounds too good to be true but actually seems to work. This is not financial advice, of course.
Now if you’ll excuse me, Donda (Apple Music) just came out and needs listening to.
I got my first dose of the Moderna vaccine. Although most people say the side effects (fevers, full-body aches, headaches, oversleeping) are really only felt with the second dose, I was apprehensive. It turned out okay, kinda mild muscle ache on the one bicep and some tiredness that I can’t be sure isn’t just my normal sluggishness.
Community infection cases have been on the rise. The new measures I mentioned last week have kicked in, so there’s no more dining out or meeting in groups, which is expected to bring numbers down in another week or two. Until then, this is how it looked this week.
Infections in the community: Mon: 21 Tue: 27 Wed: 34 Thu: 27 Fri: 30 Sat: 22 Sun: 21
My vacation time started on Tuesday, so the four weekdays were mostly spent lazing about and looking at screens. I watched my money go up but mostly down. I continued checking my work email and following up on a few messages, out of habit. So this process of unwinding looks to take awhile; I don’t really feel like my break has properly begun.
I started journaling privately again, to have a record of how I’m spending my time. Perhaps these public posts will become shorter and more to the point over time as a result?
I got back to playing 2064: Read Only Memories on the Switch after a long time. My initial reaction to it was disappointment, mostly in the clunky non-touch UI and annoying voice acting, so I put it aside after half an hour and haven’t touched it in maybe a year? I figured I should get some mileage out of the purchase and tie up loose ends before playing other games. I finally finished it on the weekend. It’s better than I thought it’d be, but wouldn’t recommend you get it if you already have a healthy backlog of games to get through.
This week was also the release of the new iPad Pro models. My 11” in silver arrived Friday, and wow it’s a nice change from my last one. Face ID in concert with the Magic Keyboard makes me really glad I got this and not the iPad Air. You can just open it up, tap the space bar, and the thing unlocks and you’re in (like on a MacBook with Apple Watch).
Finally able to enjoy spatial audio with a screen bigger than my iPhone’s, I sat down to watch two episodes of The Falcon and the Winter Soldier on Disney+, and let me tell you, it actually justifies Apple’s use of the word “magic”. I can’t wait to hear the new Atmos mixes for albums on Apple Music. Yes, it made me kinda regret not getting the 13” model with the XDR screen. Maybe next time.
Speaking of Apple Music, Muji has put nearly all their BGM albums up for streaming. I bought a couple of them as CDs back in the day — you may recall their corrugated cardboard sleeves for sale on the shelves beside those wall-mounted CD players by Naoto Fukasawa. I tried looking these up years ago and was disappointed there was no way to get them digitally. Prayer answered.
In TV land, we found a way to watch the latest season of Gogglebox, which I still highly recommend to everyone. One of the episodes started to show the new season (#6) of Line of Duty, and we had to stop there because we hadn’t seen it yet. Netflix only has up to season 5 right now. One entire Sunday later, and we finished the whole season and are now completely done with the series.