sangsara.net

Tag: Television

  • Week 35.24

    Week 35.24

    First, an update on last week’s air conditioning saga. During another service visit, the professionals confirmed what my online research had suggested: a malfunctioning thermistor was the reason for inconsistent cooling. To test it out, they swapped sensors between two indoor units, and now that the cause has been confirmed after a couple of days, they have to come back yet again to replace the broken one (S$161).

    Shortly after, I was coincidentally served this cocky tweet about how “reasonably smart” people with internet access can now challenge an expert about their specific problems, because 1) the information is out there, and 2) the customer has more invested in the outcome than the vendor. For the record I tried hard not to preemptively suggest it to the experts, but when they diagnosed a ‘thermistor problem,’ I wasn’t the least bit surprised.

    New house problem: We found a dead cockroach and it’s been bugging me. I made a poll on Instagram Stories and asked how many people have seen a roach in their homes in the past year, and was surprised the results were pretty much 50-50 (n=29). It might be down to how many people have apartments with integrated rubbish chutes or face open-air corridors. In any case, there’s always something wrong and I need the universe to give me a break or better mental health.

    ===

    I joined my first-ever book club after hearing about it from some folks I met in inSpaze. They meet in the app for an hour every week, and have what I assume is a typical book club discussion if not for the fact that (nearly) everyone is in a Vision Pro.

    They’ve just started on a new book, Guy Immega’s Super-Earth Mother, which I couldn’t find in the library’s catalog and had to buy off the Kobo store. The title is my least favorite part, as it could turn some readers off. I didn’t expect to enjoy it as much as I did, but I ended up finishing it in just a couple of days. I was later chastised for this, as we’re supposed to be reading it together over three weeks.

    It’s about a billionaire’s mission to send an ark of human DNA across the universe in the care of an AI (Mother-9), and how its efforts to colonize other planets goes. That premise immediately reminded me of the back-half of Neal Stephenson’s Seveneves, but this is a very different effort. I think I described it in my Goodreads review as “a compact and accessible space epic”.

    What’s making this extra special is that one participant is a friend of the author’s, and they’ve been filling us in on little Easter eggs and references to real-life experiences. There’s also a chance that Mr. Immega might join us for a short Q&A in a later session.

    This external push to read broke my summer reading block. I had stalled on Neal Stephenson’s Interface for months, but after finishing Super-Earth Mother, I breezed through another hundred pages and am enjoying it immensely.

    Kim’s pretty old Kindle Paperwhite finally died, and I got her a new Kobo Clara BW (she declined the Color model, which I still think was an extra $30 worth spending), which is a very nice and slender reader in person. I am now envious of its USB-C charging and Dark Mode support, and am trying to stop myself from buying a Libra Color to replace my first-gen Libra. At over S$300 dollars, even if I’ve read 100 free books on mine so far (I haven’t), I’d still have paid $3/book for the sheer utility of an e-ink screen, which seems silly to me because one can read perfectly well on an iPhone. Or a Vision Pro, even.

    I tried that, btw. Having giant floating pages in front of you is actually not terrible. And in doing so I hit upon another realization about the Vision Pro. Photographers are always saying that you should print your photos to appreciate them, at as large a size as you can, but how many of us really do? Most photos end up being seen on phones, and maybe laptop-sized screens. But now there’s a way to view our favorite shots at wall size and have a gallery-scale experience at home. And, I suspect, discover more flaws and limitations that will push us towards buying better gear. It’s tragic how much of the last decade we documented in piddly 12mp photos because iPhones were more convenient than dedicated cameras. Ugh!

    ===

    Media activity

    • We caught up on Sunny. This is a show that, on paper, seemed designed to light up my neurons. Robotics, AI, a Japanese setting, a “darkly comedic” mystery, a story about clashing cultures, an A24 production. But it’s not for me at all. I came across the above clip on how causality, consequence, and coherence (my terms) are essential in telling a story people can care about, and sadly Sunny fails to adhere to those rules.
    • But also on Apple TV+ is Pachinko, which has just returned for its second season, and I thoroughly enjoyed the first two episodes out now. I understand that it’s one of the most popular shows on the service, and I hope it finds an even wider audience.
    • The consensus online seems to be that Apple TV+ is full of great shows that people just aren’t discovering, and Bad Monkey is one of them. Again, I think the show’s title is the weakest link here, and you should be giving it a chance. Vince Vaughn does his thing, the dialogue crackles, and things move with causality, consequence, and coherence. It also kicks off with the discovery of a severed body part.
    • We rewatched Twister (1996) and then saw Twisters (2024). The original is an actual classic, directed by Jan de Bont (who also did Speed), and features a team of tornado chasers with actual, palpable camaraderie. You feel like you’re going along on an adventure with them, and part of that happens because the script bakes in ample downtime where they strategize, tell war stories while eating steak and eggs, and hang out in motels overnight. The sequel is almost embarrassing in how it tries to check a series of “mirror the original” boxes — there’s the in-over-their-head outsider whose terror is played for comedy, the traumatic past weighing on the female lead’s motivations, her magical gut feel that can predict weather better than the science-dependent nerds. But despite all that, it can’t reproduce the magic. Still, as a standalone movie, Twisters is not all bad, and Glen Powell is definitely becoming one of the most likable and bankable men in Hollywood. 4 and 3.5 stars respectively.
    • We also watched Office Space (1999), which I realize I’ve never really seen properly at all. It’s an anti-work masterpiece, with many themes and grievances that seem to be reemerging today. Sure, it came out around the time of The Matrix, when rebellion against cubicle offices was at its peak, but I can’t recall many films in the past ten years that have so strongly espoused quitting your dumb job, burning your workplace to the ground, and finding purpose somewhere else. 4 stars.
    • Gregg Araki’s Mysterious Skin (2004) was leaving MUBI, so I decided I’d better see it. Boy, what a downer. I looked at reviews on Letterboxd and here are some excerpts from the positive ones: “This is a flawless film, but don’t watch it.” “This is not a movie I should’ve watched.” “I will never recover from this.” “What if I just walked into oncoming traffic”. 4 stars from me, but I tried not to think about it too hard. It might be a 4.5.
    • Also leaving MUBI was the French film Summer Hours by Olivier Assayas. It’s a quiet and beautiful story about the familial unraveling that happens when a parent dies and there is ‘bric-a-brac’ to be split up and hard discussions to be had. Sad subject matter, but nowhere approaching the rock buttom of Mysterious Skin’s tragedy. Also 4 stars.
    • I tried again to start watching Assayas’s Irma Vep TV series, but various interruptions have stopped me from finishing the first episode. I know it’s not a straightforward remake of the original film, but Alicia Vikander’s character is so different from Maggie Cheung’s that I’m intrigued to see what he’s trying to say about her/them/filmmaking with this new take.

    Featured photo (top): A superb dinner we had at Beyond The Dough on Arab Street. It’s one of those places that brings obsessive Japanese craft to traditional pizza. They are amusingly two doors down from a Domino’s outlet.

  • Week 34.24

    Week 34.24

    It seems like there’s always something wrong, and I feel like it’s one problem after another these days. The same night as my near-death experience (previously on…), I came home to find that our bedroom’s air-conditioning had died instead. It would put out only semi-cool air, then just regular air, in a cycle that lasted all night. The next day, I dragged a standing fan into the room to make things a little more livable. A few nights later, when Kim returned from Australia, we started to sleep in the living room where the air-conditioning still works.

    What followed was a series of visits by different servicemen, each finding something legitimately “wrong” but none ultimately solving the problem. There was the simple fact that the unit was clogged and dirty — despite another company just having “cleaned” it two months ago. They did a regular wash (S$66), but had to return on Wednesday for a deep chemical overhaul (S$150), and a washing of the outdoor compressors ($50). When that didn’t solve it, it was discovered that the outdoor compressor was flashing an error message, and the entire power PCB (printed circuit board) needed replacement ($711.50). FWIW it’s a Mitsubishi Starmex system; future buyers beware.

    One week later, and the problem still hasn’t been addressed, and we’re still sleeping in the living room.

    I need to mention how this has lived in my head as a much bigger problem than it objectively is. After getting home from the hospital, I just wanted to lie in bed and have everything be absolutely NORMAL. To have no outstanding problems in the world — just being in a state of calm to mentally recover. But immediately, something was wrong in the home, a psychological intrusion in my metaphorical safest space. This has just made me an anxious freak all week, feeling low and spiraling into worst-case scenarios. Like, what if they find there’s a problem with the piping in the walls and need to hack them out in our bedroom? What if this is going to cost even more money than what’s already been spent? I do believe this is all likely in the coming week.

    Another source of anxiety is the actual repair visits themselves: not only is there cleaning up to do after (which I couldn’t really with a foot injury), but our compressor units are installed outside the bedroom window, over a fragile “roof” that probably can’t take a person’s full weight. To work on them, a technician has to climb out (one even did it without safety gear) and stand precariously on a tiny parapet, dangerously close to either tumbling into our living room or down several storeys. At work, seeing all the things that can go wrong is my superpower, but it’s not a useful one to have right now.

    On the bright side, my foot is much better already, and I’m able to walk normally enough to go out for short periods. I expect I’ll be back to normal in another week. Whenever the feelings of doom reach a critical point, I remember that I’m actually alive and uninjured, and a lack of air-conditioning rarely (but not never) kills anyone, and then I get a spiritual HP reset. I just need to think like that all the time and take it easy.

    ===

    Once I was able to hobble well enough, we went to see Trap (2024), which lived up to my expectations of a fun little outing. As of right now, Shyamalan’s second wind as a maker of tight little B-films based on killer elevator pitches is looking pretty sustainable, and I’m hoping for many more. Next, I’m gonna finish watching the final season of Servant, his series on Apple TV+.

    We also had time for a quick lunch with Uma of Goggler Malaysia, a media criticism outlet after my own heart that I encourage checking out even if you, like me, have nothing to do with Malaysia on a regular basis. They do a fun podcast and publish spot-on film and television reviews. We talked about his new Apple Vision Pro and I outed myself as someone who’s never seen any of the Godfather films. But I’ve taken the first step: buying the entire trilogy on the US iTunes Store at the current sale price of US$9.99. I’m planning to watch it in the AVP’s Cinema environment someday soon.

    Finally, we visited the Olafur Eliasson exhibition at the Singapore Art Museum (Tanjong Pagar Distripark) with Cien, Peishan, and James. I say finally because this visit has been postponed three times on account of our various illnesses and accidents. Unfortunately I was not moved by anything, and it felt like a series of science experiments crammed into a small soulless space that lends no gravitas or beauty to an artist’s work.

    I remember the original SAM fondly, and hope the museum will move back into its former space off Orchard Road although that’s looking more unlikely. The news can sugarcoat it all they like, but calling a remote concrete slab beside a container port ’eminently suited for contemporary arts purposes’ is a stretch. I’d love to see the so-called ‘positive feedback from visitors’ they’re receiving. Art doesn’t belong out somewhere you need shuttle buses for people to encounter it. The museum’s rightful place is wherever ordinary people are already going.

    Olafur Eliasson’s ‘Your curious journey’ at SAM
    These were from an Indonesian pop art collection at Gajah Gallery
  • Week 32.24

    Week 32.24

    It was Kim’s birthday and to celebrate, we went out for some great yakiniku at a place called Yakiniquest (the name gets points for trying, I guess) where the service was great but the food was incredible. It was probably one of my Top 3 wagyu experiences, along with Matsusaka beef in Kyoto (we walked into an acclaimed, booked-out restaurant and were given a table that had just no-showed), and of course, Kobe beef in the delightful, jazz-adopting city of the same name.

    As an extra surprise, I orchestrated Cameo shoutouts from celebrities on two of the reality shows we unapologetically enjoy bingeing together: Below Deck Down Under, and Gogglebox. I put them on our media server and turned the TV on in the morning, telling her new special episodes had just dropped overnight. She bought it, and it was a fun moment.

    The rest of the week was spent in the tight embrace of the Apple Vision Pro’s dual loop band. One of the things I hoped to get out of being an early adopter of the AVP (both the product and the platform) was a closeness to this new spatial computing form as it germinates, to have a sense of “spatial nativeness” develop in my brain. A sense of its conventions and limits that would help me intuit how to navigate and create new experiences for it, should I ever want to. Which means always being on the lookout for new apps (both programs and applications) and trying them out.

    This week I spent time in a social app called inSpaze, built exclusively for the Vision Pro. As a result of that positioning, and the lack of current competition on the App Store, it’s become the de facto place to hang out and meet other Vision Pro owners to swap stories and recommendations. Try to imagine a cuter, visual Clubhouse, where you spend time in virtual living rooms you can decorate and personalize. In addition to chatting, you can look at photos and 3D models together, listen to music, and play card/board games.

    It’s worth pointing out that you don’t get a normal webcam view of each person, because you’re all wearing Vision Pros. So like all videoconferencing apps on the system, it uses Apple’s Personas: photorealistic avatars based on face scans you do when setting up your Vision Pro, that use its many sensors and cameras to mirror what your real eyes and face are doing.

    If joining a roomful of random strangers from around the world and jumping into whatever conversations they’ve got going on sounds like an introvert’s worst nightmare, that’s because it probably is. I did it anyway, and found it slightly thrilling but also chiller than expected. For one, the use of Personas creates psychological distance; it’s you, but it’s also more a puppet that looks like you. I commented on this and others agreed it made them feel safer.

    What struck me most, though, was how nice and welcoming the community feels, because we’re all early adopter nerds enthused to be sharing this novel experience. It reminds me of the internet when I was a teenager, where the thrill of meeting someone from across the world was pure and untainted by the danger and cynicism that later crept into online spaces. And of course, there’s the fact that a community gated behind a S$5,299 purchase is more likely to be well behaved.

    One nice touch that allows truly cross-border communications is the real-time translation that puts subtitles under each person speaking. In the daytime here, I’ve met a lot of Chinese speakers, and this feature has helped me to follow some conversations I otherwise wouldn’t have.

    It was during one of these afternoon sessions that I met one of the key people behind the app, and we got to talking about their opportunity, business model, and product that got me thinking more about the challenges that smaller developers are facing with this new platform. It’s a well-reported fact by now that AVP sales are low by Apple’s standards. While that’s easily explained by the steep entry price and the challenge of defining a new product category, it still poses a chicken/egg dilemma for creators.

    Solo developers and very small teams doing this on the side can probably justify toying with small apps and selling them for a few dollars, but anyone building something ambitious on the level of a social network or massively multiplayer game, for a total addressable market in the low six-figures — AND having to bankroll it for the next couple of years while Apple works on the cheaper model and second generation Pro — is being asked to take on more risk.

    I have no doubt that Apple will persevere and iterate until this category succeeds, like they always do, so it’s not a question of whether Apple Vision has a future. It just needs to convince developers and their investors to stay faithful, and seed the demand. It’s going to be tricky, and I’d like to see Apple advertising hard for the next 18 months to keep spatial computing visible and galvanize the ecosystem. Even if people can’t find the means to buy the product, they should want to.

    As further proof of the magical, early-internet vibe, I logged into inSpaze early one morning and met a varied group of American users, including a hospital administrator and VR-obsessed truck driver. After many in the room logged off, I found myself speaking with a Canadian man who casually mentioned working with tech podcasting luminary Leo Laporte over a decade ago. As he continued, it dawned on me that he was Ray Maxwell, an 80-year-old polymath whose name I would often hear on Leo’s This Week in Tech (TWiT) network, where he once had his own podcast about aviation and various science topics.

    As a one-time avid listener of TWiT, I can’t overstate how starstruck I felt as Ray told me stories from his expansive career: time spent at McDonnell Aircraft in the 60s, adjacent to where the Gemini space capsules were being built; color science engineering at a company later acquired by Kodak, recommending SF stories by his friend (two-time Hugo award-winning author!?!?) Spider Robinson; and how he’s recently been into capturing spatial video for the Vision Pro.

    I recognize that the early days of any new frontier, team, or relationship are a special thrill that can’t be expected to last, so it’s up to us to maximize and enjoy every moment. Feel free to reach out if you’re getting into spatial computing and want to swap notes!

    ===

    Music

    It must be the peak of the summer release schedule, because so much new music has come out this week.

    The new Glass Animals album is one of those that starts with a banger and keeps the energy going until you’re five songs in and picking up your phone to check the tracklist in disbelief. It’s called I Love You So F*ing Much and it’s soaked through with space beats, vocoders, and addictive melodies.

    I knew they had a cult following before 2020’s Dreamland introduced them to everyone, but I foolishly never got deep into it because the phenomenally successful Heat Waves overshadowed every other song. On hindsight, that tune would have done the same on 99% of albums — it’s the longest charting song in the history of the Billboard Hot 100. Now I’m excited to soon experience their two older albums for the first time, ZABA and How to Be a Human Being.

    ROLE MODEL is back and he’s shed his hipster-emo guise for a cowboy hat after breaking up with Emma Chamberlain (I just found out). Kansas Anymore is filled with the same lite and lovable pop earworms that I enjoyed on his last album, just a lil’ bit twangier.

    beabadoobee’s This Is How Tomorrow Moves is finally out, and I’ll admit that while I’ve liked all her past releases, none of them have ever made it into heavy rotation for me. I think this will be the one that does it. Early singles Ever Seen and Take A Bite were strong songs in her usual nostalgic 90s alt-rock style (with charming videos by her boyfriend, Jake Erland), but the newest one Beaches is perfect! In any of the last three decades, Beaches would have been an instant classic. She made it while working with Rick Rubin at his ‘Shangri-La’ studio in Malibu.

    Rick Rubin continues to fascinate me as a kind of guru or shaman of the music industry, somehow wielding enormous influence without any formal musical ability himself. He’s somehow able to hypnotize or imbue artists with the confidence to create their best work, just by sitting with them and giving feedback. He wrote a book about his creative process that some reviews call an essential bible, while others say it’s a collection of trite cliches. I suppose I’ll have to read it for myself soon.

    I also found myself enthusiastically nodding along to Killer Mike’s new album, entitled Songs For Sinners And Saints by “Michael & The Mighty Midnight Revival”. It’s loaded with funky beats, soulful playing, gospel choirs, and some very sharp rapping.

    It’s safe to come out now. The Smashing Pumpkins have finished releasing their three-part concept rock opera, whatever it was called. They’re now back with a proper album that promises the good old guitar-driven songs they were loved for back in the day. It’s called… er, Aghori Mhori Mei, a title that doesn’t inspire any confidence that Billy Corgan is back on his meds. My god, the edgelordism is only accelerating with age! Here are some lyrics chosen at random: “Milk such blood / To fare thee lost from all but way / And awaken the sea I light / Our slumbers save the sleep / Wherefore we climb…” Kerrang has given it 4/5, at least. I kinda enjoyed it on a musical level but wasn’t listening closely. I’ll keep trying.

    Vultures 2 came out and I didn’t even know. I think I tapped through to Kanye’s artist page in Apple Music just on a whim and was surprised to see it at the top. Nobody wants to support him anymore with all the shit he pulls, but he’s probably better off with no one knowing about this album, if my two playthroughs so far are any indication. It’s a shoddy mess, with some songs having the seeds of greatness in them, but just withered and stunted on the vine. North West features on one song again: the awful “Bomb”, which has her repeating level 1 Duolingo Japanese phrases like “ohaiyo gozaimasu, konnichiwa” over a truly busted beat. According to one recent IG post, he’s still ‘updating it daily’ on streaming platforms so maybe check back in a few months to hear the album’s final form. Or don’t.

  • Week 31.24

    Week 31.24

    It’s been about three months since I embarked on a break from full-time employment, but my subconscious seems determined to remind me of what I left behind. I’ve had about a half-dozen dreams about work: either I’m being called back to help fix something “for just a few days” and finding I can’t leave, or I’m being given some “urgent” problem that is really a big overreaction — I must stress none of them were actually based on real situations or people, which is the weirdest part. Each time, I wake up and realize it’s not just that the problems aren’t real, but I haven’t got ANY problems like them at all, and it makes the whole thing worth it despite opportunity costs.

    With Kim’s leg injury improving, my focus shifted from caregiver to caretaker of my own neglected digital life. The first task was reviewing my digital security practices: passwords were reset, new tools deployed, and unlikely edge cases considered and guarded against. Take this as your reminder to please sort this stuff out for yourself! You must get a password manager. Use 2FA and unique passwords for every website, no exceptions. Protect yourself with a Recovery Key for your iCloud account, and add some trusted people as Account Recovery contacts and Legacy Contacts so you/they can access your data in the event of a hack or your demise.

    Next: email migration! Whoo!

    Four years ago, I switched from Gmail to Hey.com, a $99/yr email service that offered an opinionated user experience which meant leaving behind nearly two decades of history for a fresh start. They don’t support you bringing your email archives along. They don’t even let you use your own choice of email app; their web app and hybrid apps are all you get. I wrote two posts about it back then, saying I would probably not continue with my free trial. But I ended up doing it anyway, and for the most part I’ve really enjoyed trying a new approach to such an ancient, core component of online life.

    For one thing, I never got spam in my inbox. Hey unfortunately lets a lot of spam through, but they land in a separate zone called “The Screener”, along with any mail from an unknown address mailing you for the first time. From here, you can either let them in or block them. It’s a small difference, reviewing a bunch of possible spam on a separate page versus seeing them mixed in with all your legit mail, but feels huge because your inbox becomes a serene, protected space. Admittedly, taking care of “The Screener” has become daily work because spam always gets in.

    From what I’ve seen of Gmail in the past four years whenever I log in for a peek, it’s a post-spam apocalyptic wasteland. It looks like Google has just given up on detecting and filtering spam because some data-driven PM decided it won’t hurt their bottom line.

    Since my current Hey subscription ends in September, I looked into whether it might be time to switch again. Three key reasons: Apple Intelligence, performance, and $99/yr is money I don’t need to spend on email right now.

    Apple Intelligence: I’ve never liked the Apple Mail app on iOS. It felt a little underdeveloped for handling the different needs of modern email — without the tagging and search filters of Gmail, or the segregation of personal mail, newsletters, and receipts that Hey.com built their UX around.

    But the new AI-powered Mail app in iOS 18 looks exactly like what I want, and I’ve decided to embrace the power of defaults. I’m bearish on some aspects of generative AI, but this stuff is where it shines. Because Apple Intelligence will be able to understand what emails are about, it can summarize and prioritize messages while sorting them into categories like “Updates” and “Invoices”, so you can tackle them with different mental modes. I’m hoping that AI will also bring spam filtering that really works. Sadly, because Hey.com intentionally won’t support IMAP and SMTP, I can’t use them with Apple’s new app and have no choice but to leave. The Hey manifesto also contains strong wording that suggests they won’t be adding any AI features soon.

    Hey.com’s performance: It was never blazing fast to use their apps because they’re hybrids with seemingly little caching, and it annoyed me to death every time I ‘backed out’ of a link to find that the whole thread of newsletters I was reading had refreshed and I was back at the top again, but lately things have gotten even worse. About a year ago, the Basecamp/Hey founders went on a crusade against cloud hosting services and decided that they could self-host their services and save millions. I have to assume their infrastructure is extremely Western world or US-centric, because speeds have become terrible for me here in Singapore. I’m talking about noticeably slow performance waiting for EMAILS TO LOAD. I got even more confirmation of this when I tried downloading my 1.6GB .mbox archive to move elsewhere: it was capped at 100kb/s and took me over five hours. I can normally download a file of that size in maybe a minute?

    Ninety Nine United States Dollars A Year: Yeah, I can’t justify paying this much to have my email load slowly AND miss out on exciting AI features. I’m already paying for iCloud+ with tons of storage, so it seems logical to just use iCloud Mail as well. Bless Hey though, they let you keep your @hey.com email address for life even if you leave, so I’ll continue using mine and forward everything to my Apple address.

    A note about concentration risk: I’m aware there are risks in letting one company handle your entire digital life. All it takes is one successful hack locking you out of your iCloud account and it’s game over. For that reason, I would recommend NOT using the new Apple Passwords app coming in iOS 18 if you know how to select and use a third-party one. It’s a great default for people who wouldn’t use a password manager otherwise, but if you can have another basket for that egg, do it. Email is particularly important to keep separate, as most of your account passwords can be reset in the event of a hack if you still control your email address.

    But like I said about the Vision Pro and its integration with Apple Services like Arcade and TV+, I’m finding myself getting even deeper into their ecosystem and liking it fine. Where I once subscribed to differentiated, prosumer-serving alternatives to Apple’s ‘good enough’ apps, these days I prefer their simplicity and constraints.

    I switched from Evernote to Apple Notes several years ago and haven’t looked back. Side note: I’ve been on an anti-Notion campaign ever since I saw an unsuccessful rollout in my last team; it’s another overpowered tool for fiddly people who like to overcomplicate their tasks. I’ve used iCloud Calendar since leaving Gmail. I’ve even ported a lot of ancient files from Google Drive and Dropbox to iCloud Drive. And now email, arguably the most crucial service of all.

    “Hang on, Apple Intelligence in the Mail app isn’t out yet and might not be until the end of the year! How will you live until then?”

    Thanks, little imaginary reader, I’m glad you asked! I’m using Spark Mail in the meantime, which I’ve dabbled with in the past using my Gmail account. It’s a mail client with a bunch of smart, AI features (for a price) that are pretty close to what Apple promises. For one, a smart inbox that works quite well at sorting your different mail types, and a feature called “Gatekeeper” that works just like Hey’s “The Screener”. Their asking price is less than Hey’s, but more than Apple’s (free, if you already pay for iCloud+).

    Just a couple of days into using Spark with iCloud Mail, and two things stand out: One, it’s so nice to use a native email app, and two, I’m actually reading my newsletters again. In Hey, newsletters are collected on a a separate, infinite-scroll page called “The Feed” which suffers from an ‘out of sight, out of mind’ problem. In Spark, received newsletters sit inside the main inbox, just collapsed into a single line. This seems to make a difference. It’s a visible nudge to check them out, and because they load and react instantly, you can actively triage them and unsubscribe/block/delete if you find yourself asking why you ever signed up for one. Where Hey’s endless stream of newsletters can get overwhelming, Spark’s (and I assume Apple’s) approach is more like a physical magazine or newspaper with a finite amount of content, which most people prefer.

    I should have taken my own advice in 2020 — it turns out Spark’s approach was always the better fit for me. I even made visual aids to explain it!

    This diagram above is how HEY is laid out, if you think of each column as a screen. In the Imbox and Paper Trail, each email is a single line item, while they are larger previews in The Feed, which is designed to give a peek into newsletters so you can decide if you want to expand and read them. This doesn’t work for me because I don’t want to keep all of Graniph’s new product announcements, but I do want to see them.

    And this is an illustration of how I’d prefer to handle my email. A single inbox view encompassing important emails and personal letters, newsletters, and updates/receipts/notifications from other services. Spark … is the closest thing I’ve found to this.

    All in, it’s been a week of fiddling with things that seemed to work just fine, but hopefully I’ve simplified and improved them for the future and not introduced more things to maintain.

    ===

    Media Activity

    • Before I could move off Hey Email, I had to finish my backlog of favorite newsletters. One of them was Craig Mod’s “Return to Pachinko Road” series from earlier this year. Over 18 days, he walked 694,942 steps and wrote close to 50,000 words in daily email updates. I read them while waiting those five hours for my mail archives to download. He’s such a good writer, and I can’t recommend enough that you sign up for his newsletters and/or membership if you can spare the money (regretfully, I can’t right now as a member of the unemployed class).
    • MUBI’s collection of films by Abbas Kiarostami is leaving the service over the next couple of weeks, so I prioritized watching them, starting with the Palme d’Or-winning Taste of Cherry (1997). God, I was not prepared for it on a Monday afternoon and fell to pieces during the old man’s monologue in the final third. Fortunately, I watched it on the TV because I don’t think Vision Pros have an IP rating. 5 stars.
    • Next was Through the Olive Trees (1994) which was very charming — the Iranian actors’ performances are fantastic, and perfectly naturalistic in keeping with the cinematography. I initially score this a 4, but it’s now a 4.5-star film for me.
    • The Wind Will Carry Us (1999) shares some landscapes and in-car camera angles with Taste of Cherry, but where the latter is heavy with life’s troubles, this one centers hope and rebellion against the narratives we find ourselves in. One could even read it as an anti-work parable: forced on a business trip of indefinite length, neglecting his family’s pleas to return home for a funeral, summoned to give gravely inconvenient (hur hur) updates to his boss at all hours, a workaholic asshole learns to relax, enjoy the local milk, and finally give his assignment the finger. 4.5 stars.
    • Fresh off Presumed Innocent, we were looking for another legal thriller to watch and discovered neither of us had seen The Firm (1993) starring Tom Cruise. Welp, it turns out there are no courtroom scenes in the film at all, and he’s a tax lawyer. Still, a very enjoyable 3.5 stars.
    • The Paris Olympics are on, and despite not caring much for sports I’ve found myself unable to resist watching competition on a global scale. Mostly tennis, but also archery, shooting, diving, gymnastics, and some athletics.

  • Week 30.24

    Week 30.24

    An enduring memory/scar I have from my university days is watching a documentary on the UK’s Channel 4 called Fat Girls and Feeders. It was about women who were extremely overweight (the term ‘morbidly obese’ may not be strong enough), to the point of being completely dependent on others for everything, and the (non-fat) men who liked and kept them that way. These women were immobile prisoners, either confined to bed or needing support to get around their homes, which were fitted with handlebars and accessibility fixtures everywhere. It was a saddening story of abuse and sadism in the guise of a consensual kink.

    But why am I mentioning this? Well, the week got off to an awful start with Kim slipping at home and pulling/spraining/tearing a leg muscle, badly enough that she couldn’t put any weight on it without wincing. So she’s spent the last six days lying in bed resting and icing it, and I’ve been the nursemaid and caregiver helping her to the bathroom, making dinner, fetching water, just being on call for whatever. And having gone through this, let me just say! Those feeder guys are really sick if they find this fun!

    Thankfully, the swelling has gone down and the pain is moderating. She can now get up and walk around slowly on her own, but sitting in certain positions still hurts. It’ll probably be a few more weeks before life gets back to normal, but this was an eye-opening preview of elderly life and if we don’t make it rich enough to afford the best AI robocare, then I hope I die before I get old.

    ===

    • 📺 We’ve been watching Netflix’s new Japanese reality series, The Boyfriend. I’d hoped it would be a spiritual successor to my beloved Terrace House, only with gay men, but it doesn’t quite capture the essence of what made TH great. Perhaps because of what happened with TH, the commentary panel here never goes too hard on the ‘contestants’, but more than that, I think it’s just a different sort of show. Terrace House was more about watching young people learning to live together and develop over a longer period, whereas The Boyfriend is overtly about “finding love” and takes place over just a few weeks.
    • 📺 We also resumed and finished Season 8 of Below Deck after a break of several months. My usual complaints about Captain Lee’s leadership apply: he’s not hands-on at all, communication is poor, and his boundaries/consequences aren’t clear and can’t be taken seriously. However, because this season took place in Feb–Mar 2020, just as Covid was brewing, seeing the crew get increasingly ominous updates from family abroad and ultimately being shut down two charters early makes for an interesting document of a very strange time.
    • 📺 The season finale of Apple TV+’s true crime/courtroom drama Presumed Innocent came out on Wednesday, and I think they stuck the landing. It’s one of the better shows on the service, and has apparently been renewed for a second season, which I assume will feature a completely new story and setting, in the manner of True Detective.
    • 📺 I’ve started on Season 1 of The Big Door Prize, also on Apple TV+, and think it’s rather good. It’s about a small town that receives a mysterious machine that tells you what your potential is, and soon everyone is reevaluating their lives and having crises. But it’s also a comedy with surprising emotional depth.
    • 🎬 I watched the seminal short film La Jetée (1962) on MUBI and immediately thought, ‘Oh this is quite like 12 Monkeys’, and unfortunately saw its twist ending coming. I wrote “√12 Monkeys” on Letterboxd, thinking I was very clever. Then I looked it up and hey, 12 Monkeys was explicitly inspired by La Jetée, so that makes sense. Despite that, it’s a must-watch because the form of it (a slideshow of black and white stills with a voiceover) is ingenious and works so well to create a slippery narrative vehicle: is this all a document? A memory? An oral story passed around in a broken future? —4 stars.
    • 🎬 I also watched The Bat Woman (1968), a truly terrible B-movie, only because it was due to leave MUBI. It reminded me of some schlocky sci-fi Singaporean films from the 60s that I’ve seen at film festivals; the acting is either hammy or wooden, the special effects are often just literal toys, and the story is a nonsensical farce. A rich lady solves crimes as Batwoman, which is also her Lucha wrestling persona (I suppose to sidestep any copyright claims), and helps the police catch a mad scientist who is trying to breed a fishman monster. It ends with a sexist joke: Batwoman, in her civilian clothes celebrating victory with two male partners, screams and hides upon seeing a mouse while the men laugh. —1.5 stars.
    • 🦻 Very little music was played this week, but I enjoyed a run-through of Jesse Malin’s first album, The Fine Art of Self Destruction, in preparation for Silver Patron Saints, the tribute album due out in September to raise awareness and funds for his recovery. It will feature covers by Bruce Springsteen, Willie Nelson, Bleachers, Counting Crows, Dinosaur Jr., Lucinda Williams and Elvis Costello, The Wallflowers, Spoon, and many more.
    • Oh I nearly forgot! XG released Something Ain’t Right, the first single from their second mini-album (out 8 Nov) and it’s another banger!
  • Week 28.24

    Week 28.24

    My weekly ‘Going to the Apple Store’ streak continued on Monday when I accompanied my dad for his demo of the Vision Pro. Rather than use my unit with an imprecise fit, I thought it’d be better for him to get the proper experience, and sure enough, he had completely different strap and light seal sizes from mine. He’s had some experience with immersive headsets, mainly from flying his FPV drone and other vehicles, but in terms of interacting with spatial UIs and XR objects this was a first. He came away very impressed, apart from the usual complaints (weight, price). He wasn’t planning to buy one going in, but I wonder if he’s thinking about it now.

    Aside: One hobby I’ve been meaning to play around with in the Vision Pro is sculpture, which is much more intuitive (read: idiot friendly) to do in 3D space with your hands than on an iPad with a Pencil. There’s just not a great app for it that I’ve found yet, although it’s possible at a blobby sort of level in AirDraw — Finger Paint, so I’m starting there.

    If Apple still made their AirPort wireless networking hubs (many smart people still say to this day that discontinuing them was a strategic error), I might have had cause to visit a store again next week. Since they don’t, I bought a set of TP-Link WiFi mesh routers instead and set them up over the weekend. One of the power adapters was faulty out of the box, but fortunately our old system’s were compatible, so that’s sorted.

    Aside: There was a tense moment on Friday night when a ‘pop’ was heard just before the power cut out in one section of the home. It turned out a wall-connected USB charging hub had burnt out, fortunately without damaging anything. It was a Lencent brand 65W GaN thing that I bought off Amazon Prime last October, with a 4.6-star rating. I was complacent to attribute trust based on its Amazon profile rather than my own knowledge — I’d never heard of Lencent and haven’t since — and won’t be making that mistake again. It’s only slightly more reputable Chinese brands from here on out!

    FWIW I’ve had mixed experiences with Anker, but they’re probably the best/safest from a brand equity perspective. I’ve also seen a lot of people using Ugreen products. I have a charger and a couple of cables from them, but their website has typos like you’d find in a phishing email.

    Our old pre-COVID system was WiFi 5, and we had nearly 30 internet-enabled devices on it, which I think might have contributed to recent connectivity issues. I have bored Kim to tears with explanations and theories all week, so I’ll spare you. In short, I spent $400 I hadn’t budgeted for to upgrade us to a WiFi 6E mesh that claims to have self-learning AI and support for 200 devices. The app is miles better than our old Netgear Orbi’s, letting you configure nearly everything from your phone — it’s bizarro world over at TP-Link because the web-based admin panel has nearly no settings. Anyway, we’re future ready and could move up to 2Gbps internet when our current contract expires.

    ===

    • 🎮 I’m still checking into Zenless Zone Zero daily to claim log-in rewards and farm materials. I’m observing that this routine is actually a barrier to getting more stuck into proper games. Devious.
    • 🎮 Nevertheless, started on a charming and well-written visual novel about the afterlife called Ghostpia: Season 1, on the Nintendo Switch. I saw launch ads for it during our last trip to Japan and bought the global release late last year, but I’m only starting it now. I think it’s pronounced Ghost-o-pia in Japan, and the name implies “ghost town”, like the Latin topos for place, as in utopia. It’s the rare visual novel that doesn’t ever feel like it’s wasting time or insulting your intelligence.
    • 📺 Started watching Sunny, Apple TV+’s new show starring Rashida Jones and a robot that kinda looks like a Pepper 2.0. It’s an A24 production, set in a surreal other-universe Japan that feels like a variant of the world in Severance. Such an odd vibe, which I suppose adds to the “nothing is what it seems” mystery here. She’s an American expat whose Japanese engineer husband and son supposedly died in an accident, leaving her an advanced AI robot to figure things out with.
    • 📺 Absolutely thrilled that Jinny’s Kitchen has returned for a second season on Amazon Prime Video, sending Korean celebrities to run a restaurant in Iceland this time. Like before, each episode is essentially a two-hour movie, and there’s something about this formula that makes even the most mundane moments (restocking a fridge, taking orders, dicing vegetables) so watchable. Other reality shows can only dream of including this much detail on a weekly basis without losing an audience.
    • 🎬 Saw In the Realm of the Senses (1976) on MUBI despite warnings from Nic not to watch it. Is it uncomfortably, unbelievably graphic? Yes. It’s also a very powerful and competently made film based on a bananas true story. 3.5 stars.
    • 🎬 Saw Heroes of the East (1978) next, a classic Shaw Brothers kungfu flick by Lau Kar-Leung starring Gordon Liu, both in top form. It’s actually a cross-cultural martial arts romcom, with action scenes so good I don’t think we know how to do them anymore. One of the best I’ve seen, up there with Dirty Ho (1979). 4.5 stars.
    • 🎬 Saw Friends and Strangers (2021), a very enjoyable indie Australian film. Gorgeous photography, care evident in every shot. The story meanders and discharges detail wherever it feels like it, leaving so much off screen, and the result is “dreamy”? Aside from the Australian identity crises, I was surprised it felt a bit like Singapore, where everyone knows someone you know, and nobody has figured out what life’s about. I much preferred the first half with Emma Diaz in it; the second felt like a portrait of bumbling male incompetence that no one needs to see more of, really. 4 stars.
    • 🎬 Saw Beverly Hills Cop: Axel F (2024) and wasn’t as disappointed as I expected to be! It took a little warming up to, but Eddie Murphy looks like he’s having fun again and that’s enough for me. 3 stars.
    • 🎬 If you’re in the mood for a mellow drama shot entirely on an actual luxury cruise ship on an actual voyage, Steven Soderbergh’s Let Them All Talk (2020) has got you. Meryl Streep, Gemma Chan, Candice Bergen! Oh it’s about a writer trying to write a sequel to her best work, and catching up with two old friends she hasn’t seen in decades. 3.5 stars.
    • 🎬 I also really enjoyed Upgraded (2024), an Amazon Prime Video original romcom about the art world starring Camila Mendes, Marisa Tomei, and Giles from Buffy The Vampire Slayer (Anthony Head). It’s derivative AND fun! 3.5 stars.
    • 🎧 Tons of new music this week but I haven’t had time to hear Eminem, Cigarettes After Sex, Tori Amos, or Travis yet. I’ve heard Griff’s debut album, Vertigo (polished pop from Sigrid’s side of the aisle), and Clairo’s Charm (a lush, beautiful vintage sound).
  • Week 27.24

    Week 27.24

    This Fourth of July, I eagerly awaited the launch of Zenless Zone Zero, the new action-gacha-anime game from the Singapore-based, Chinese-owned developer HoYoverse (also known as MiHoYo).

    Gamespot’s review noted that their smash hit Genshin Impact has grown too large as an open-world game to be effectively played on mobile, and is now best on consoles and PC. Their last game Honkai Star Rail was more mobile friendly in comparison, since it’s a turn-based combat game (yawn), and ZZZ comes in somewhere in between.

    It’s got fast-paced dodge and counter gameplay with a sizeable cast of playable characters — most of them needing to be ‘won’ through awful gacha mechanics that will bankrupt weak-willed fans (not me, I hope) — interspersed with pretty animated cutscenes, comic panels, talking head visual novel-style dialogue, Sokoban puzzles, and a charming town where you can shop, do fetch quests, and engage in all that RPG-lite fun.

    If I sound a bit skeptical, it’s because I think this could have been a great paid game instead of a cynical free-to-play profit machine. I’m actually having a great time with it so far, mostly playing on the PS5. Just on the basis of its modern (read: non-fantasy) theme and setting alone, I think I’ve finally found a live-service game I can get into. It’s extremely polished, mindless fun designed to please a certain kind of millennial nerd: the city of New Eridu celebrates film buffs (your character runs a video rental store), ramen lovers, gamers, hackers, and its whole vibe is techno-stylish yet cozy. Right now, you mainly do battle in a few repetitive environments, but if this game is half as successful as HoYoverse’s other titles, they’ll probably add a lot more over the next couple of years.

    The Fourth also brought the surprise release of Kendrick Lamar’s music video for Not Like Us, and the wait was worth it. What a victory lap, as if Drake’s grave wasn’t already bottoming out all the way to the earth’s core. It’s packed with visual jokes and callbacks to Drake’s lines/lies, memes, and other moments from this historic battle. Do they still give out MTV video music awards? Surely not, but if they did, this should win some. It should be Song of the Year at the Grammys.

    ===

    This week with Vision Pro

    Last week, I said that I’d gotten too narrow a light seal for my Apple Vision Pro and was due down at the store to swap it for a better fit. It’s been a minute since I visited Apple Orchard Road, and the space still looked as great as on its first day seven years ago. They’ve set the store up with a dedicated Vision Pro seated demo area, using the new curved couches and white demo tables as documented by Michael Steebler, Apple Retail historian extraordinaire.

    Since I don’t intend to move mine around much, I decided against the official Apple travel case (S$299), and found a great deal on the Spigen Klasden Pouch. It was somehow just S$62 on Amazon with free next-day Prime delivery. That’s a lot less than the $119 USD retail price on Spigen’s own site. I used that to bring my unit down for my appointment, and in the middle of my conversation with the specialist, a man interrupted to ask where I got my case! I looked at the Apple employee beside me and said, “Erm, I don’t think I can answer that within the Apple Store, but you should consider the official case; it’s a fine product!” 🤡 I need to stay in their good graces; I’ll be visiting again next week when I accompany my dad for his 30-minute demo.

    Over the weekend, I got one more Vision Pro accessory delivered, hopefully the last chunk of change I’ll need to spend on this thing: the ANNAPRO A1 Comfort Head Strap that I’ve seen several people on Twitter promoting. It’s meant to be used with the Solo Knit Band and fits over the “audio straps” on either side of the unit, creating a second load-bearing point on your forehead (as opposed to the Dual Loop Strap which sits at the top of your head). I’ve found that this removes almost all pressure from around your eyes and cheeks, as advertised, transferring it to your forehead instead. This isn’t a magic solution for the Vision Pro’s weight but it may be preferable for many people. After all, it’s a proven design similar to that of the PSVR headset. I’m gonna use it as my default for awhile and see how it goes.

    An app recommendation: I discovered that Longplay, which I’ve been using as a living room music controller on an old iPad, has been updated for visionOS. On top of using it as a music player in a window, you can enter an immersive mode that surrounds with a giant wall of your album covers to choose from. The screenshot above is blurry outside the focal point because of the Vision Pro’s foveated rendering, but rest assured when you’re using it, everything you look at is sharp and you never notice blurriness in your peripheral view.

    ===

    Media activity

    • I did a quick playthrough of Love On Leave on the Nintendo Switch, having bought it on sale a few months back. It’s a slightly ecchi visual novel that I only wanted because of its premise: a burned-out salaryman quits his job in the city and decides to take a two-week vacation in the countryside town where he spent some time as a child. That sounds nice, doesn’t it? Unfortunately, the inn he wanted to stay at is closed for the summer, so he has to live with three sisters who were his childhood friends instead. The eldest’s a momma type, the second is a tsundere martial arts type, and the youngest is a spoilt gamer/streamer college student. I spent most of my time fishing and farming.
    • We watched Lulu Wang’s miniseries, Expats, on Amazon Prime Video. It’s headlined by Nicole Kidman, based on a novel, and set in Hong Kong on the eve of the 2014 protests. I thought Wang did a fantastic job with The Farewell (2019), leaving the right amount of things said/unsaid for emotional impact, but this TV effort is a little clumsier. Still, overall worth seeing at just six episodes — the penultimate one is a film unto itself at 1hr 40mins, and spends time with the Filipino domestic workers who are only background characters up to that point. The show’s description tells you that it’s about three expat women (one white, one brown, one yellow) connected by a tragedy, and it’s so easy to forget that their helpers are technically expats too. 3 stars.
    • Rewatched Gravity (2013) in 3D with the Apple Vision Pro after buying it on sale for just $7 USD, and it was even better than I remembered it being a decade ago. And it was remarkable then; a miracle film with so much implied complexity that one can’t imagine how it was made. Yet, the movement is so simple and pure, the whole film is essentially a single continuous scene. Like Mad Max Fury Road, it doesn’t build or boil, it just goes hard from the start and doesn’t let up. 5 stars.
    • Saw This Much I Know to Be True (2022) on MUBI. It’s a concert film (but in a studio) + documentary about Nick Cave and the Bad Seeds, working through their newer material — 2019’s Ghosteen and 2021’s CARNAGE — during the pandemic. A lot of it deals with the death of his son in 2015, and showcases Cave’s working relationship with Warren Ellis, who looks like an insane homeless math professor who wears nice suits and expensive watches. I especially liked one part where he describes them in the studio as producing loads of horrible stuff with occasional transcendent moments, “but they’re just snippets in an ocean of bullshit”. A perfect description of the creative process. 4 stars.
    • Saw Irma Vep (1996) on MUBI. Weird, funny, enchanting. I don’t think I’d ever seen young Maggie Cheung in a film before this, certainly not speaking English, and it’s something else. She’s magnetic, unbelievably apart from the world. You can feel it when she comes in frame for the first time; suddenly everyone else is a normal person and she’s clearly the movie star she’s supposed to be playing (herself). 4.5 stars.
    • While logging the above on Letterboxd, I discovered that Olivier Assayas made a TV sequel/reboot of Irma Vep in 2022, also titled Irma Vep. It stars Alicia Vikander and is apparently an unflinching assessment of his own failed marriage to Cheung after the original movie, and revisits its themes in the light of our current day disdain for cinema. But I could be wrong. It’s on my list to watch soon.
    • On Sunday we managed to see a hat trick of recent LGBTQ-themed movies!
    • It started with Challengers (2024): The ending is on some anime finishing move shit, you see it a mile away and they drew it out a little too long. Apart from that, this is the tennis romance drama the world has been needing. It’s also shot so so beautifully. 4.5 stars.
    • Then Love Lies Bleeding (2024): Damn, this movie does what it wants. Unfortunately half the time it wants to be a frustrating oversexual drama set in small town hell (you could set a Reacher novel here), but the other half is a beautiful drugged out fantasy I don’t really get but must respect. 3.5 stars.
    • The last one was All Of Us Strangers (2023), a film that Hideo Kojima raved about on Twitter, and after seeing it, I know why: it touches on two of his favorite themes. I won’t say the second one because it’s a spoiler, but the first is men’s butts. Those aside, the core of the film is a really interesting, beautiful narrative device for exploring loss and lost time, one I don’t think I’ve encountered before, handled softly and naturally with great performances (from one guy that looks like Harry Potter and another who looks like The Incredible Hulk, pre-transformation), and it really makes it worthwhile. 4 stars.
  • Week 26.24

    Week 26.24

    The week seemed to slip by with not too much to show for it until Friday, as I waited for the delivery of my Apple Vision Pro. I watched a couple of films, subscribed to the New York Times again, and made some plans for a personal creative project.

    In the meantime, I also made some memes for Instagram.

    I also resumed wearing contact lenses daily after years of relying on glasses, because I didn’t want the Zeiss lens inserts for Vison Pro. It will take a little adjustment; I definitely don’t miss the end-of-day dryness and irritation.

    Okay, so!

    The unboxing experience for this high-end device is suitably premium, despite being made from predominantly recyclable paper materials. You lift the cover — it releases with the usual deliberate, satisfying motion — and there it is, positioned as if on display in a museum, supported by a molded rest. All the accessories are neatly organized in a compartment underneath. There is an indulgent amount of unused space in this box; no squashing of the Vision Pro into egg carton cutouts like with some Sony products!

    A nice Quick Start book instead of the leaflet you get with iPhones

    Side note: I think I may have gotten measured for the wrong size of light seal (21W) as the sides feel narrower and less comfortable than 33W for me. I have an appointment at the Apple Store next week to hopefully get it swapped.

    First encounters

    I’ve already mentioned the magical and immersive experience of using it. Knowing that, it was still a shock when I ran the pre-installed Encounter Dinosaurs app (directed by Jon Favreau) for the first time.

    Some U.S. reviewers reported actually feeling the virtual butterfly land on their outstretched fingers at the start of the experience, to which I thought, “no way”. And yet when it happened to me, I swear I felt four distinct little pricks on my skin as its little legs shifted. That unfortunately primed me to feel what happened next even more acutely. The dinosaurs appeared on screen, with a fluidity and resolution that was greater than I expected, making the PS5 look like “video games”. I don’t think it’s an overstatement to say they were lifelike.

    You are warned at the start that the animals can “see you” and will react to your actions. As the largest dinosaur stepped out of its frame and stalked towards me, towered over my seated body, then stared me in the face while exhaling through its nostrils, I felt my body go into a fight-or-flight mode. No joke. I started to sweat. I avoided making eye contact, and turned my head away hoping it would back off. The presence you feel is unbelievably tangible, and I know I will NOT be attempting any horror games in the future.

    Art of the future

    A much calmer experience I can recommend is Museas, which is a completely free journey through art history made by a single person (Miguel Garcia Gonzalez, who calls himself “a supply chain professional by day and spatial computing engineer by night”). You can see landmark artworks at phenomenal scale right in your home, or in “immersive environments”. These suddenly float your body in massive virtual spaces, surrounded by complementary imagery, with the original artwork in front of you. Think of them as frames, just 360º ones. For example, when viewing Hokusai’s The Great Wave Off Kanagawa, you see a florid Japanese garden scene all around, while a narrator explains the artwork.

    I suspect they’ve used generative AI to create these descriptions of the artworks’ history and meaning, the voice that reads them (it sounds to me like the actor Jared Harris, who plays Hari Seldon in Foundation), as well as the 360º immersive scenes. If so, the technology has clearly allowed a single person to achieve something that feels professional beyond their means. The voice is natural and doesn’t feel off to me at all. The immersive environments aren’t perfect, but they’re for your peripheral vision — you’re meant to focus on the original art. The wall text is accurate as far as I can tell. Was this labor that could have paid the salaries of a few more people? In theory, but it’s more likely this project wouldn’t have gotten made at all without AI.

    When I think about you I shush myself

    Apart from these new experiences that weren’t possible before, I think the primary application of the Vision Pro for me will be a personal cinema hall. I sat down with the Theater app to watch Adam Lisagor’s 3D recording of John Gruber interviewing Apple executives Joz, Craig, and J.G. at WWDC (regular 2D recording here), and for nearly two hours I was immersed and focused in its virtual space, surrounded by faintly illuminated empty seats and aisles. I felt notifications come in on my wrist, my phone was across the room, and I ignored all of it the same way I would watching a film in a real theater.

    I think the Vision Pro is the antidote to the iPhone that some thought the Apple Watch would be. Turns out the answer to destroyed attention spans, multi-screening, and screen addiction wasn’t to make it easier to leave your phone in your pocket by redirecting things to a watch, it was the skeuomorphic recreation of a giant screen in a dark room. I think this is the ideal way to watch Important Films. And as nice as our new TV is, I don’t think it compares in visceral terms. Tradeoff: focus and immersion vs. comfort and the ability to drink beverages.

    Media activity

    • Finished watching Constellations starring Noomi Rapace on Apple TV+. Mild spoiler: I complained on Threads about the way it handled a plot device thusly: “Sci-fi shows where science-literate people find themselves trapped in parallel universes, and literally don’t know the words “parallel universe” to explain to other people what’s happening, please gtfo”
    • Season 3 of The Bear is out this weekend and like most people (I did a poll on Instagram), we’re getting through it. That first episode? Wow, really special television.
    • Saw Aloners (2021), a film that tackles modern nowhere lives built around go-nowhere jobs, where even if you meet people worth connecting with, your social muscles may already have atrophied too far. Starts strong but doesn’t land the character development at the end for me. Also: is this a chaotic opposite world version of Perfect Days? I said on Letterboxd: “Say less” is the unofficial motto of Korean arthouse cinema. 3/5 stars.
    • Saw Zero Fucks Given (2021). It follows a young woman escaping grief and complexity by going headfirst into the soul-sucking worker bee life of a budget airline attendant, taking each day as it comes, never looking a day ahead as much as she can help it. Lovely work, and Adele Exarchopoulos is a talent. 3.5 stars.
    • Saw Uncle Boonmee Who Can Recall His Oast Lives (2010) through MUBI’s visionOS app, and I chose to watch it on the dark side of the moon. It was incredible to look up and see stars, look around and see a desolate rocky surface, and then at a giant floating screen ahead of me. The movie was also strange, unreal, and disorienting like being on the moon — it won a Palme d’Or when it came out, cynically I think because a Thai film like this was exotique. I enjoyed its atmosphere and ideas a lot, just not the stilted acting. 3.5 stars.
    • I don’t know where else to mention that I fulfilled a personal goal by minting a McDonalds Singapore NFT after Jose alerted me (with two hours to spare) that they were releasing a new Chicken McNuggets series. Their first release last year was of Grimace, and holders enjoy a stream of special perks. Interestingly, they are ‘soulbound’ NFTs, meaning they cannot be sold or transferred from the initial wallet that received them. Don’t ask me why McDonald’s Singapore is doing this (I doubt they do either), but I want it and I got it.
    • I’ve been long Camila Cabello since 2019 when I called her “possibly the most competent pop star and the new Rihanna”, but I have to admit I was nervous about her new album C,XOXO after recent racism accusations and piggybacking on Charli XCX’s party girl image and Brat aesthetic on social media. Thankfully, I’m on my third listen and it’s an enjoyable record apart from Drake appearing on two tracks (putting on his Jamaican accent, for chrissakes). She’s a big Drake defender, but even if she wanted to cut him after recent events, the album is only 32 minutes long and wouldn’t have survived it.