While taking a break from my Misery Men series of profile pics, I’ve been trying to draw other things. Bear in mind that I’m in the process of learning to draw at all, through trial and error. Yes I could/should probably look up proper resources or watch a YouTube video on some basic techniques, but it’s kinda fun to just bumble my way through this?
It started with this living room scene with our Christmas tree that I included in the last weekly update.
In doing it, I learnt how the “oil paint” brush works in Procreate for iPad (used it for the fire on the TV). I also attempted two things that seemed like professional ideas to me: starting with a rough pencil tracing to block out the space before inking/coloring, and trying to render light emanating from the TV onto the tree, the Nintendo Switch beside it, and some of the floor. I guess all drawing is deciding how much realism you can/want to trade off?
The next day I started doodling a camera and decided to do this imaginary scene of a leather pad on a desk, with some objects that represent my hobbies and how I spend most of my free time. I wouldn’t say any single area took more effort than the other, but I figured out early on that everything would just be black and gray, and it seemed to work well.
The next day’s challenge was to draw a top-down view inspired by our bathroom sink, which I have plenty of time to stare at every day while brushing my teeth. I wanted to work from memory only, so again I started with a pencil outline to compose the space. Trying to do the marble texture on the counter was the hardest bit by far, and I still wasn’t happy with it after the first pass. You should see a widget above with a slider that lets you compare the sketch with the first draft.
From there I tried to make something presentable out of it. In addition to adding dried toothpaste everywhere, I moved some objects around, added shadows, put a mirrored medicine cabinet above, and added an ambient glow and the reflection of its underside fluorescent tube to the marble countertop, which was smoothed out.
Here’s the final state of it:
I know there are super impressive time-lapses out there of artists slapping incredible lighting effects onto proper scenes like their brains just know how to see light, but I’m just a little bit happy that I managed to figure this out myself as an amateur! Let me have it!
I may do some more, I don’t know when. But since I’ve enjoyed titling them with stage-whispered apologies and side comments, I’ll be calling this series Caveats In Paint (Digital) and that will be the name of my eventual exhibition to which you are all invited.
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