I discovered that Midjourney has an alternate set of models called Niji (aka Nijijourney) dedicated to creating anime-styled imagery. It’s astoundingly good. It has four stylistic modifiers: standard, cute, expressive, and scenic. Look at all the implicit context and environmental storytelling in these scenes. I really wonder where they came from.
An izakaya where bears and humans drink together“Cute” versionThis was meant to be Singapore but I don’t see any evidence of it
I also found Draw Things on the App Store, for both iOS and macOS, which can download an array of open source AI image generation models off the internet and run them locally on your devices — no fees, no internet connection required. Grab it while you can. Of course they are nowhere as advanced or fast as the paid services, but you know they’re going to get there soon, especially if Apple continues to crank up their proprietary silicon. Incidentally the anime-focused version of Stable Diffusion is called Waifu Diffusion.
My Retroid Pocket Flip arrived from China and I was relieved to find it quite a solid product. The build quality is good, no looseness or wobbles; the D-pad and all buttons feel great; the screen is incredibly bright; and the giant 5,000mah battery and active cooling make it more than just an Android phone with physical controls attached. It’s a really nice way to run emulated ROMs. I used to love playing Lumines and Every Extend Extra on my PSP, like over 15 years ago, and being able to revisit them again on this little $164 USD device is quite a thrill.
Processed with VSCO with kc25 presetProcessed with VSCO with kc25 preset
If I hadn’t impulsively pre-ordered this while in Japan, literally while walking to our anniversary dinner in west Shinjuku, then I would definitely be buying an Anbernic RG35XX right now for a mind-blowing $56 USD. It’s a Game Boy Pocket-inspired device with a bright 640×480 screen and the ability to emulate all 32-bit consoles, and maybe even the N64. I can’t believe how cheap and good these things have gotten, and there are so many of them on the market too.
I finally finished watching the Korean revenge drama series The Glory — it took awhile because Kim wasn’t interested and so I only get to see it on my own time. It’s the rare TV show that dares to wrap up its core story in the first season, and The Glory gets some very satisfying closure in. The remaining threads could make for an interesting second season (now in production), but also it could have been canceled and everyone would be okay.
We started watching Drops of God on Apple TV+, which starts off with an immediate deviation from its manga source material about the world of wine: a Japanese male main character has been replaced by a French female one. This adaptation is an international joint production that switches between English, French, and Japanese, and each episode begins with a reminder ‘not to adjust your television’. Anyway, I think they’ve managed to keep the main idea while toning down the big, overdramatic ah hah! moments you’d expect from manga/anime. It still has people honing and demonstrating their near-superhuman skills (taste and smell, in this case), which is always fun, even when said skills aren’t the usual martial arts, boxing, tennis, math, golf, you get the idea.
Everything But The Girl’s comeback album, Fuse, is officially a hit. It debuted at #3 on the UK charts, a stunning career best for Tracey Thorn and Ben Watt. It’s so good to see musicians from <wheezing> our generation </wheezing> coming back after a long hiatus to demonstrate absolute mastery of their craft (as opposed to embarrassing themselves, e.g. U2, The Smashing Pumpkins).
Michael also mentioned the greatness of Karma Police out of nowhere, which led me to play the song in my head, and I commented that it simply sounds like nothing else. I tried asking Apple Music to make a radio station from similar songs but it was totally wrong, just songs from bands in the same wide category, but none of them actually sharing the same vibe or brilliance. Somehow this led to me revisiting Keane’s very strong first album, which I have many strong emotional attachments to. It came out in 2004, I think, and I must have played the hell out of it.
As the last AI-written post mentioned, the post-vacation photo deluge is real. Looking through them again to make a shortlist for showing family and maybe printing out on Instax, I’ve rediscovered some good shots I could share… but do I want to? And where? And why? Our current task is just to build a shared album with some of the better ones between the two of us. That, and remembering that this is the fun and meaningful part of taking photographs; the journey, not the neat photo library.
The price of Instax Mini film has risen since my last purchase (inflation?) going from maybe 75 cents a shot to 91 cents, and that’s if you buy a hundred at a time. It makes the price of Instax Wide (larger prints) seem reasonable at about $1.40 a shot, and I’m trying to tell myself not to buy an Instax Wide printer or camera.
It was a busy work week, and I had to make an overnight trip to Malaysia for a meeting — my first time back in the country in nearly two decades, if I’m remembering correctly. This is something that shocks other Singaporeans, like when I say I’ve never been to Bangkok. But dudes, if I’m going on a holiday, I’m getting away from this oppressive heat and humidity! What isn’t shocking is how Malaysians will take every opportunity to make fun of Singapore’s food.
The trip involved flying 1.5 hours in a propeller plane operated by Firefly, out of the two alternative airports: Seletar and Subang. The planes are small, with just 4 seats across each row, and the propellers are louder than jet engines. Definitely take your AirPods Pro. But small airports mean less hassle — you can arrive an hour or less before your flight — and more convenient access to parts of Kuala Lumpur than if you fly into KL International.
In a case of wishful thinking, I brought my Switch along anticipating an evening alone in the hotel room to get some gaming in. In reality, it was late by the time I checked in and needed dinner, and maybe I played Lumines for 15 minutes the next morning.
We had a small dinner over the weekend for a couple of us with April birthdays, and James mentioned playing a new game out on Switch that I’d somehow missed: Dredge. It looks like a delightful Lovecraftian fishing/adventure game, and one I will definitely get when I’m ready. At the moment I’ve just started on Super Mario 3D World and am loving its compact little puzzle worlds. If the rumors are true and a follow up to the Switch is coming this Christmas, I have limited time to clear my games backlog. Maybe another sabbatical is in order?
I finally finished watching the Cyberpunk: Edgerunners anime on Netflix and while I enjoyed aspects of the clearly expensive production, like some of the character designs, I can’t recommend it. Mostly because it’s a cynical, derivative dystopian downer with lots of gory body modification (personal turn-off) to make it gritty?
We finally started watching Beef on Netflix which has been getting a ton of praise for tackling, like, every issue? Asian-American identity, class divides, mental health, imposter syndrome, work-life balance, and so on. It’s good! Wild, but good.
Ryan Adams put out yet another cover album, as in a cover of an entire album, this time for Oasis’s What’s The Story Morning Glory? and while it should be a home run given how well he pulled off that cover of Wonderwall years ago, the whole thing is a bit disappointing. Changing key melodies for worse ones for no good reason, inconsistent production from song to song, and kinda turning a fun album into a drag.
I’ve decided, like several people I follow, that I will probably not be paying for a Hipstamatic subscription after my free trial ends. The social network suffers from technical and UX issues, from as small as how slow the gratuitous card flipping animation makes it to browse your feed, to the broken friend-finding functionality — to say nothing of how low quality many of the photos being shared are, for which some blame must be laid at the feet of the garish filters which were supposed to be the whole point. I fear there isn’t really a revival of interest in many of these early era looks, just a desire on Hipstamatic’s part that one happens. That said, I love some of the classic ones, like the “Model 100” (the original John S + Ina’s 1969 lens + film combo from Hipstamatic circa 2009), but too many of them make good photos worse. And you can actually use some of the best ones with the free plan — which is what I’ll continue to do.
Ugh, the post-holiday period is the worst. I’ve struggled through the week, and it was only a short four-day work week because of the Easter/Good Friday holiday. I’m in the mood for another break now, and thankfully we have a week in Australia later this year to look forward to.
I started off Monday with a client video call in which I got frustrated enough by my bad lighting situation (sitting in front of blinds — either too much light, too little, or visible horizontal shadows across my face) to finally do something about it. During my aimless ambles down the aisles of Japan’s electronic superstores, I saw many shelves dedicated to remote work equipment, presumably a big sales driver for them over Covid-19, and considered bringing a ring light home. I didn’t, but I found good looking ones on Shopee and ended up with a rectangular soft LED panel on a tabletop stand for just S$27! It does five color temperatures, but I’m sticking with Daylight, and overall it’s been an awesome purchase I should have made ages ago. And it arrived in 24 hours.
No surprises, but I’ve taken far fewer photos since returning. I still open Hipstamatic regularly just to keep my streak going, and it’s forced me to try and snap something every day. That said, I wonder if this habit, and the product’s reboot, will last. As I was discussing with Michael, they needed to put some momentum behind the launch and sustain it with updates and quality posts in the global pool. But from how it looked in their updates, the founders were (also) on holiday in Japan on launch week? Perhaps they were there to boost some community events, but I looked at the Japan-only photo feed regularly and I was one of the most prolific posters. Not a great sign. They just released an update this weekend, at least, with a new Uji-inspired lens and film.
A new fun thing to do with Midjourney emerged this week: a /describe command which takes a photo you upload and has the system describe it back to you in the form of Midjourney prompts, which you can then submit to generate a “broken telephone” remix of your original image.
If you think computer vision/image recognition has gotten scarily good recently, you’d be right. AI is part of this chain somewhere, and look no further than this Memecam web app which blew my mind last night. Snap a photo of something, and it recognizes what the image contains, and uses GPT to create a joke and final meme, Impact font and all. It actually writes jokes about anything, instantly. That AI-generated Seinfeld stream could technically become good, viable (if not wholly original) comedy in the near future.
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Hey, two quick moments of consumer ecstasy I need to share!
We’ve got the HomePods in Singapore at long last. I don’t know what took Apple so long, but you can now officially buy them here, and the prices are slightly lower than I would have expected, at S$139 and S$429 for the mini and full-sized second-generation HomePods respectively. My Sonos speakers are now unplugged and we are a fully Siri-ed home. I’d previously bought two minis for the office and bedroom off the gray market, and those are now joined by two large ones in the living and dining areas. Reader, they sound glorious. It’s a rich, tangible, and emotionally satisfying experience for your favorite music. There was a point in time where Apple loved the word “magical” and used it liberally. Even for mundane things like keyboards that worked reliably. But these, these are kinda magical.
Nespresso launched a new kind of pod locally, one designed to approximate “filter-style” coffee, which in my mind is basically a pour over. They’ve been out for a few months in limited European markets, it seems, but still not widely available. They have a new design where you peel off a sticker to reveal an in-set dot grid which the liquid passes through — the foil is not punctured as a a result. You’re meant to press both the Lungo and Espresso buttons in sequence, resulting in a 150ml extraction, which they call a Gran Lungo. Lol. Anyway, it tastes pretty good. The longer cup is thinner and more delicate than if you used a regular pod to do an Americano or long black, with hardly any crema. This innovation allows for floral and fruity roasts to come through, if you like that sort of thing. I..I..I think it also results in more caffeine.
Boss coffee is now natively available in Singapore! Used to be you’d find imported cans in Don Don Donki (the local name for Don Quijote) and some other Japanese supermarkets, but it looks like Suntory is properly trying to bring “The No. 1 Ready To Drink Coffee Brand in Japan” to Singapore now. But I remain unconvinced these stubby plastic bottles and generic labels are the way. The little cans and their designs are iconic, and better for the environment since they can be recycled.
Spotted in a 7-Eleven
Last week I mentioned buying black tees from FamilyMart, and then got into a few brief discussions about fashion/luxury apparel this week, wherein I reflected that while I’m happy to pay high prices for technology and things crafted out of metal, I can’t feel that way about fabrics and leather. They wear down, so why not just embrace their replacement and buy cost-effective, expendable products from basic brands? Then the Twitter algorithm put a bit of trivia in front of me that the plain white tees worn by Carmy in The Bear got attention from viewers who wanted to buy them, and that they were actually pretty expensive ones made by Japanese brand, Whitesville.
So… if you know me, you may know where this is going. Yup, this is the guy who loved PCs, hated Macs, and now has a house full of Apple products. To be clear, I wasn’t suddenly curious about the idea of buying ostentatious Veblen t-shirts with designer logos, just… better ones that would hold up longer and not look as cheap. So I now have an order of basic black tees coming in from Mr Porter that cost 5x what I normally pay for them. Gulp. I’ll work out if this actually makes sense and let you know.
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The Super Mario Bros. Movie is a fun trip in IMAX. We enjoyed it, and I’m looking forward to finally playing Super Mario 3D World + Bowser’s Fury and New Super Mario Bros. U Deluxe (I have to look up these names every single time) on my Switch soon.
We traveled from Kobe to Hiroshima via Shinkansen, then went back to Tokyo for a few days until a red eye flight back to Singapore on Saturday. As with most holidays, it didn’t feel long enough; I could have used another week. But I’m thoroughly pooped from all the walking and general lack of sleep. It was wonderful to see Japan again after five years, and our chat with the old taxi driver who spoke English with us on the way to Haneda Airport indicated that Japan might almost be as happy to have us tourists back. I fantasize about dropping in for another week within the next year, but who knows how long it’ll be again.
Hiroshima felt very different from Kobe, partly because of its terrible history, and the gravity of it which pulls every experience towards a discussion about peace, awareness, and suffering. It has quite a few museums, and they all inevitably address the atomic bomb in some way. I had bad dreams each night. I’m not normally one to believe in this sort of thing, but there is so much death there and so recently, that my first thought was “bad vibes”.
While we were there, though, the sakura bloomed fully across the city and it was beautiful to see.
We visited a Picasso exhibition at the Hiroshima Museum of Art (beautiful building, galleries were a bit dingy though in the basement), and also lots of art and exhibitions dedicated to remembering the atomic bomb at the Hiroshima Peace Memorial Museum and the Hiroshima City Museum of Contemporary Art (MOCA). We didn’t have energy or syllables left for the Hiroshima Prefectural Art Museum. MOCA was wonderful though, newly renovated after two and a half years and opened for less than two weeks when we visited.
Did you know Picasso created a series dedicated to the horrors of the atomic bomb attack on Hiroshima? No? What are these then, AI-generated photos from Midjourney v5?
After many years of being a Go Go Curry fan curious about Champion’s Curry, the Kanazawa-style curry franchise that Go Go supposedly ripped off down to the signature yellow, I finally got a taste of it. And… it was sadly disappointing. It’s soundly beaten by Go Go’s richer flavor and dedication to excess — there’s no preset that comes with the works. On this trip, if I had to rank curries, Hinoya might come first, followed by Coco Ichibanya, closely followed by Go Go in third and Champion’s in last place.
I saw a Japanese toothpaste ad of some sort that demonstrated people brushing their teeth in a curious way: holding their brushes like pens or chopsticks. Is that how everyone does it? I’ve never seen it. Perhaps it’s time for a new Japanese Wisdom Fad to go global: the secret art of teeth cleaning. Anyway I tried it out for a laugh and was surprised by the ergonomic improvement! Holding the toothbrush in pen grip means your elbow stays close to the body rather than sticking out, and your forearm is perpendicular to the ground. This gives you more power in the up-down motion by moving your entire arm rather than your wrist. Combine that with the added directional precision from being able to move your fingers, and it feels easier to do those small away-from-the-gumline strokes you’re meant to do, versus holding in an overhand grip.
Please excuse the iPhone finger sketch
You may remember that I became quite fond of watching a live street webcam in Shinjuku about a year ago, leaving it up on the bedroom projector as a sort of video wallpaper or magic window into another world while I read or did other things. Well, we finally got to stand on that very street and see ourselves on the screen! With tourism back, the street is much busier than it was a year ago, uncomfortably so, but now I finally know what the inside of the ramen restaurant looks like, and confirmed my suspicions that there’s a gap under the steps of the KBBQ place where the rats probably hang out. We waved at the camera and tooks a couple of photos from a street-level POV. What’s great was that there were many other people obviously there to see the cameras too… my weird little Kabukicho webcam community!
I ended up not finding very much to buy in terms of electronic souvenirs. I don’t need another camera or headphones, as mentioned a couple of weeks back, and I couldn’t even bring myself to buy a phone case that I don’t need and that will be obsolete in half a year when the iPhone 15 comes out. I did however get a little $12 plastic robot at Don Quijote that plays their unforgettable jingle with the push of a button. It’s going to get a lot of use in my home, I think.
Wait that’s not correct, we got a portable massage gun called an Exagun Hyper from the Doctor Air brand. Not an insignificant factor in this decision was the advertising campaign featuring Ryoko Yonekura, also known as Doctor-X in the TV series of the same name. She was clearly hired for that reference alone and seems to relish it. I’m kinda sure they even pronounce Doctor Air with the same flourish that “Doctor-X” is usually delivered with.
If anyone in Singapore is wondering why Netflix removed the first six seasons of Doctor-X and now only has Season 7, it may be a licensing issue with Amazon. Seasons 1–5 are now on Prime Video locally, so you have a chance to catch up and hopefully Season 6 will turn up someday. Be warned though, this is not strictly speaking good TV. It’s a cheesy, overly dramatic manga-style live action show about a doctor with miraculous surgery skills and no social ones. Like House but turned up even further.
I also got some tees and socks from FamilyMart, because I’m always on the lookout for good black t-shirts and their white/green/blue brand socks were an internet sensation a year or so ago. Oh, and some sake straight from their Kobe breweries. That’s about it for physical souvenirs.
What I have brought back intangibly, though, is a renewed enthusiasm for gaming on mobile and the Nintendo Switch — I didn’t bring my Switch along and now I’m dying to play through my backlog. It’s hard to explain but the media and cultural environment there for gamers is immersive. You see giant ads for Splatoon 3 in the subway. Billboards and TV spots for mobile games like Dislyte and Genshin Impact. Late night shows on TV where people play trading card games. Most of these games aren’t even Japanese in origin, but they’re part of the landscape and it’s encouraging? Inspiring? To feel your hobby validated as a visible part of society. Nearly none of that is the case in Singapore, the irl city.
A selection of (sakura-centric) photos from this week follows. Please rotate your iPhone to landscape because WordPress’s masonry layout somehow doesn’t work on narrow screens!
You may have heard that Hipstamatic X has relaunched with a social network, and is now simply the de facto Hipstamatic app (the original is available as Hipstamatic Classic); completely ad free and user supported via an optional subscription, with a focus on very 2010 principles such as posting square photos only, a 99-person follow limit, and heavy filters that seem at odds with current aesthetic trends.
I’ve been in the beta for awhile but found it too similar to the original Hipstamatic X, and the added social network had little utility for me when it was in beta. Now that it’s out, and I’m in Japan on holiday, I’ve found it a fun nostalgic toy that recalls earlier trips when my iPhone was my main camera and I’d occasionally risk losing a few shots by choosing Hipstamatic over the regular camera app. That was back when the processed photo was all you got — these days the processed photo can be reverted to the original underneath, which is quite liberating.
I’ve been shooting regular old photos with my Ricoh GR III, which left my iPhone 14 Pro with an ambiguous role: better than nothing in a pinch but not good enough yet to rival an APS-C sensor, even with computational smarts, or perhaps because of them? So many photos look artificially sharp and HDR-like by default and don’t capture the mood accurately. I know it’s tuned on what most people want from a photo (brightness). But with Hipstamatic (and a complication shortcut on the Lock Screen that launches it immediately), the iPhone suddenly feels like a very different tool.
Hipstamatic acts like an intentionally inaccurate camera. Its lurid colors add a veneer of personality to mundane scenes, and if lucky, or carefully prodded via the paid darkroom editing mode, enhance good compositions and subjects by catapulting them into an attractive un-reality. They’re (somewhat) like William Shatner acting, like The Darkness’s I Believe In A Thing Called Love, like George Miller and Margaret Sixel going HAM with Mad Max: Fury Road. But the stakes are low. You just have to snap away and see where it takes you. It’s the very opposite of a GR or Q in your hand. Nothing matters except having some stupid fun — and if you care about the network, posting them up to see if anyone will put a skeuomorphic “yummy” or “that’s fire” stamp on the back of your virtual print.
Jose made a keen observation when I told him it was back and I was enjoying it. He said the original Hipstamatic was novel because its frames and filters were a throwback to analog prints and toy cameras. And now in 2023, it’s a throwback to the throwback that we’re enjoying.
We spent four days in Tokyo and three in Kobe. Lots of walking and aching old legs. Lots of eating and drinking with mild hangovers. Kobe has been a surprise: a delightful city that feels close to nature despite an industrial background. Friendly, warm, and helpful people. Affordable prices. It feels like a great place to buy property and partially retire in. We had our first proper Kobe beef meal and it didn’t disappoint, and dropped in on a live jazz bar that felt like a small, well cared-for living room. I recorded a couple of songs using Voice Memos on my iPhone and the quality turned out pretty great. The microphones on this thing are perhaps more impressive than the cameras (see upcoming post on Hipstamatic — the iPhone 14 Pro may not compare well enough to a proper camera but it has a place if you use it as your fun camera).
Anyway I’ll let some photos do the talking. All but two of these are from the Ricoh GR III. One of them is straight from iPhone’s 3x telephoto camera, and the other was edited with Hipstamatic. Can you tell?
Please rotate your iPhone to landscape because WordPress’s masonry layout somehow doesn’t work on narrow screens!
Do you remember Paper by fiftythree, the sketching app that was at one point the very best digital ink engine on iPad? Actually, it kinda still is. I recently decided to use it again because Apple Notes and Freeform have really ugly lines, and Procreate is overkill for anything besides making art. I subscribed to Paper Pro (a very reasonable S$13/yr) which finally lets me sync my skeuomorphic notebooks across devices. I used to sketch scenes and take silly notes on vacations with it, and I’m doing it again now on my iPhone. Paper’s focused simplicity and lovely UI makes it possible, and enjoyable.
Someone remarked that maybe travel brings out the artist in me, to which I replied no, it’s probably more like “not working” makes me happier and more creative?
On the eve of our journey I was playing with the new v5 model in Midjourney (it’s incredible at photorealism) and had the idea of rendering soldiers jumping away from dramatic explosions, but the explosions are ramen. The final images reminded me of the award-baiting print campaigns I saw in my early career as a copywriter. It used to cost thousands of dollars and weeks of several creatives’ time to plan, photograph, and digitally edit these scenes. But here I was lying in bed with the idea of turning them into Pot Noodle ads, and would you know it? I was able to make every word and misaligned pixel of these on my phone in a matter of minutes. The world has changed so much.
We’re in Japan!
We got on the wrong train from the airport which cost us maybe an extra 15 minutes, and it was after midnight by the time we checked into the hotel. But on the street nearby, a cheap ramen restaurant open 24 hours on weekends. A bowl of tonkotsu ramen, a side of fried rice, and a mug of Kirin beer for S$10 — unbelievable value partly thanks to the depreciating yen 🥲
The next day was cold and rainy, and I met Michael for a coffee and long chat — our second ever meeting, and the first in eight whole years. 2015 oddly doesn’t seem that long ago. I think the cafe overcharged us. But at least we remembered to take a photo this time.
Maybe due to the lack of sleep, change of climate, and sudden increase in daily steps, my body rebelled in the evening with a fever that had me shivering under the covers. Obviously I was afraid it was Covid. I woke up feeling much better the next morning apart from a backache, so perhaps it’s just a mild flu. The Covid test came out negative, so I dragged myself out to visit Yodobashi Camera in Akihabara for old times’ sake and see what was new.
The camera section has shrunk down to half its former size, if not more. Side note: the Bic Camera in Ikebukuro has about eight floors of stuff, and no cameras. The Ricoh GR display in Yodobashi is about two feet wide, in their home country. The industry really looks to be in a sad state. And yet, several crowded shops devoted to old and analog cameras exist.
I had lunch at Coco Ichibanya and it was very good. How the Singaporean franchisee has managed to hold onto their business is astounding — they do such a bad job of it. One thing that’s changed is touchscreen ordering at each table. That, and plastic dividers between each patron, seem to be Covid-era innovations that have also made Japan more tourist friendly.
It’s only been a couple of days but something feels different about this visit. Maybe I prepared myself too well for never traveling again under Covid and now this feels like being woken in the middle of the night, disoriented. Maybe I no longer fantasize about moving out here and living a sleepwalking, alien life. Or maybe it’s the fact that many of the things I used to enjoy seeing and buying in Japan can now be found back home (more expensively, of course), or aren’t actually desirable anymore. Case in point: I saved at least an hour today bypassing the hundreds of headphones in electronic stores because between the AirPods Pro and Max, I don’t really need other headphones. Over the past ten years, the things I get excited about have dwindled and become software. Dedicated hardware toys like music instruments and Boogie Boards are just apps or features on an iPhone. They may still sell CDs here but I just stream the songs. Japanese games are plentiful (check out the Nintendo Switch aisles), but I can’t read them so… maybe in the next life. On one hand, less stuff and a neater, more minimal life. On the other, less shopping, silly delight, and souvenirs.
Please rotate your iPhone to landscape because WordPress’s masonry layout somehow doesn’t work on narrow screens!
It’s been a fairly busy week at work, and it might just be the beginning of a longer stretch of stressful problem solving and multitasking. But we are off to Japan in two weeks! It’ll be my first vacation since Covid began, the last being Taiwan in late 2019.
I’ve forgotten how to do some of this stuff, from packing to making lists and generally getting in the right mind space to be comfortable going away. It’s also been an expensive week because I’ve had to buy a new suitcase (one of ours got broken last year when Kim had to travel), travel insurance, new power banks, new clothes for cold weather (no, the current cool and rainy spell we’re experiencing in Singapore, with hitherto impossible lows of 21°C, don’t really count), and pre-booked Shinkansen tickets which cost as much as domestic flights.
Two decisions which are easier this time than they usually are: what headphones and camera to bring.
The new AirPods Pro (2nd generation) are so much improved in noise canceling ability and sound quality than I have no reservations about using them as my only pair of headphones. Tokyo is a short flight of about seven hours, and their batteries should last the whole way with a short recharge in the case during meal service. Normally I’d pack a pair of over-ears, but I see no need here.
Since we’re traveling light, I could say I’m just going to rely on my iPhone 14 Pro (I’ve actually done that once; don’t know what got into me), but the Ricoh GR III is small and convenient enough that it will cost me very little to try using it as a main camera. Can’t the iPhone compare at 28mm? It’s probably closer than it’s ever been this year, but the GR sensor-lens system should still have the edge in pure optical quality terms, and there’s no substitute for the shift in mindset and focus you get when walking with a camera in your hand.
One tip we found on YouTube: there’s a new digital service from the Japanese government called Visit Japan Web where you can pre-declare your immigration and customs forms and save time filling in those arrival cards. You can do it all on your phone and get two QR codes to show at the airport. This should be the default everywhere.
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We saw Knock At The Cabin, M. Night Shyamalan’s new film, and enjoyed it. I shouldn’t mention the premise, as not knowing much is always part of the fun, but it cobbles together elements of other films and reworks a few tropes.
While talking about it afterwards, I realized that Shyamalan has two superpowers: he knows how to steal good cinematic tricks and make them great (for awhile I mistakenly thought JJ Abrams did too), and a knack for creating turning points in his films where your perception of the world flips or your immersion intensifies. That can be something like suddenly believing in one of the two dueling narratives (e.g. Is X real? Is this the present and not the past?), or the kind of big twist he became famous for. Often these two things happen at the same time.
I told Kim that I can’t think of one particular scene in The Sixth Sense without tearing up, and literally did so at that moment, which seemed to startle her. It’s the one with Toni Collette and Haley Joel Osment talking in the car, where the son says something that undeniably proves to his mother that he really does see dead people, which she absolutely did not believe up to that point.
It doesn’t matter whether you as the viewer already believed or not; their performances are so extraordinary, the scene is so deftly written, that you can’t help but experience the world-reversing revelation through her eyes. It also comes with a manipulative emotional gut punch (a bit ham-fisted, but whatever), which is why it’s stamped in my memory so hard. And The Sixth Sense is great because it does this over and over. It’s a triumph in the way musicians’ first albums are — years of stored-up ideas and raw energy packed into one work.
Anyway Knock At The Cabin had at least one of these moments for me, and Dave Bautista is a treasure. I’ve read reviews comparing him and The Rock as two former pro wrestlers turned actors, but it’s clear these days Bautista is the Actor. Strong 3.5 stars out of 5.
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We finished seeing every episode of Seinfeld. I can’t think of a better show about awful people. I’ll always love it.
We started watching Succession at long last, and it’s also a show about awful people but I don’t enjoy it much at all. There’s no payoff; they’re just all pathetic human beings with rich people problems? Perhaps they suffer greatly in the following episodes and you’re supposed to get a kick out of that. I’ll try to make it through the first season.
Sharper on Apple TV+ is a good 4-star film billed as a neo-noir, whatever that is. In this case, sharper is a noun, one carefully explained on an opening text card so as not to give too much away. If you don’t already know what the word means, don’t even look it up, just see the film.
I did a speed run through a 12-episode anime called Darwin’s Game on Netflix because it’s leaving the service this month. I got through it in a couple of hours. Not recommended unless you love battle royale style stories where people play supernatural “death games” organized by some sadistic game master, a la Alice In Borderland and too many others.
I made only one thing with Midjourney this week, a series of Tokyo-ites posing for street fashion photos.
sangsara.net 