1. My friend Rob is back in town for a visit. We worked together at the last place and shared moments absurd and amusing. He went home for reasons, and didn’t have a chance to get back here until now. We had a drink or seven on Saturday and it was like seeing your friends at school after the holidays; seamless and yet we’ve gone through so much change. I could hardly believe it’s been five years.
2. Our bedroom TV watching got a big upgrade from propped up iPad to projector. It’s not a best-in-class 4K one or anything, just a mini Anker Nebula Apollo the size of a UE Boom Bluetooth speaker. Its first task was Amazon Prime Video’s new Jack Reacher series, simply titled Reacher. As a reader of the pulpy action series (on my 18th book now), I was happy from the moment I saw the key art featuring a massive giant and not someone like Tom Cruise. I joked that casting is 80% of making a Reacher show, but they really did a good job with it. May many seasons follow.
3. My first NFT purchase was from the Fang Gang collection back in September. Was it logical? Fair value? Probably not, but it was an interesting space and having some entry point is better than none. After some reflection, I’m now much less interested in randomized PFPs made from a handful of mix-and-match traits, so I’ve traded off my “Fangster” for a “DJ” from the 0xmusic project. Far more interesting, it’s a bit of code that composes an infinite stream of generative music, playable in a browser. Unlike most visual NFTs, it’s stored entirely on-chain and will persist as long as the network itself. Listening to a song that no one else will ever hear again, playing from a dynamic and eternal station woven into the internet, is one of the cooler art+tech experiences I’ve had.
A happy Lunar New Year (previously called Chinese New Year but LNY is more inclusive) was had, as much as was possible under the circumstances. Where once we could have a reunion dinner with 30–40 of my closest relatives (some still unknown), thanks to still burning pandemic fires — we recently hit 13,000 cases in a day — now just immediate family members around one table. Instead of large and raucous household gatherings on Day 1, now intimate sit-togethers. Still, having a spectrum of different LNY experiences in one lifetime is not a terrible thing. Never thought I’d miss those reunion dinners though.
I got some more samples of Misery Men merch in and made tweaks to improve print and product quality. The recycled cotton “eco tote bags” in particular were not very sturdy, so they’re gone in favor of regular ones with denim handles that can apparently hold 20kg of stuff. Take a look.
My shirt was clinging to me in the pre-rain humidity as we trudged out onto the field. I would later find that I’d stepped in literal horseshit. The people running the place wore masks and dark sunglasses under hats and visors, so you really couldn’t see them at all as they looked you over. Were they wondering if I had any prior experience? Why I was so sweaty? No, they’d overlooked our booking and had forgotten we were coming.
We were bringing our nephew out for an introductory archery experience as part of his Christmas gift. He was running around and excited for it. Kids seem to be impervious to environmental discomfort when they’re having fun. I shot a few arrows. It’s a disturbingly easy weapon to operate. After about half an hour and 20 tries we were markedly better than when we began, hitting the middle of the target often enough. Thanks to our strict gun laws, I never worry about encountering an armed lunatic in everyday life but now I may have to start worrying about bows and arrows in the wild. There were little Korean children, no more than eight years old, practicing beside us and consistently hitting targets maybe 30 meters away. Frightening.
Media activity:
We saw Simon Kinberg’s latest disaster, The 355. I don’t know how the script got approved, or why the actors agreed to be in it. An utter waste of about two hours.
Unfortunately, Mamoru Hosoda’s new animated film Belle did not live up to expectations either. In direct contrast to Summer Wars, it spends too much time and exposition establishing the world and not enough on the characters, so I didn’t care at all for the story, which was sadly a mess.
I finally finished Plum Rains by Andromeda Romano-Lax, which mashes up elements of Pachinko and I, Robot with a heartbreakingly dry core about the migrant worker experience.
As a palate cleanser, I’m now reading Jack Reacher #18: Never Go Back. I’ve been waiting for this one a long time, because a couple of books back, Jack started flirting with an army major over the phone (she’s currently occupying his old job at his old unit), and he’s been making his way across the country to see her, interrupted by several books’ worth of coincidentally encountered wrongdoing that needed setting right along the way. Of course, as soon as he arrives on the army base, she’s missing and he’s being framed. Good times!
Still playing Hades, but have started a new visual novel on the Switch: Worldend Syndrome. It was on sale for USD$10 and reviewed well. Positives include nicely animated backgrounds and fully voiced dialogue, while the main negative would be a supernatural horror element that I hope is just misdirection and it’s only a regular ol’ psychotic, murdering schoolgirl that we’re dealing with.
Welcome back, it’s the last week of the year for people who love the moon. I decided to draw two Misery Men who look like a pair of oranges (which are traditionally exchanged as gifts during the Lunar New Year), and they are proactively numbered #87 and #88 (a famously lucky number in Chinese culture). Numbers 83–86 are done, but will be released later.
From an artistic standpoint, I think I learnt something new with the little tael hat on #88. The intention was to make it shiny and gold; I could see it in my head but wasn’t sure how to make it happen on the screen. In the end, trial and error got me close enough to be happy.
Last week, Michael linked to this two-hour video explaining why NFTs and Web3 are a scam at worst, and based on unstable premises at best. Since then I’ve encountered it more on Twitter and set aside the time to watch it. I think everyone touching the space should watch it, whether they’re involved out of personal interest in the tech/money/culture, or on behalf of clients who want to explore it. It covers a lot, but if I had to oversimplify my takeaways, I’d say that I mostly agree with his views — there are glaring flaws in the architecture of the prevailing networks today, enough to suggest a collapse or dystopian outcome if they grow to become infrastructure that the world depends on. I think there are many opportunities to be scammed out there, alongside a lot of space-wasting junk (content, apps, bots) that only exists because of the potential for asymmetrical upside. Maybe natural selection will sort it out and hone the landscape into a workable form, or it won’t. One place I don’t agree: he spends a little time at the start dismissing Bitcoin, but the rest of the video builds a case for why it’s something completely different from “crypto”.
People say Chinese New Year is generally a time of eating too much, which hasn’t been the case for me because I don’t particularly care for much of the seasonal food, except pineapple tarts. However, dinner on two consecutive days this week was Korean BBQ, as in loads of fatty pork belly, closer to a kilogram than not. We finally got a new smart scale after the old one died a few months ago, and it’s not something I want to confront right now.
Ironically, I got the new Beats Fit Pro, presumably so named because they 1) fit ears well and 2) are for fit people who work out. In brief, EarPods/AirPods have never fit me well and always feel on the verge of falling out, at least on my left side. But I haven’t gone back to other buds because of their Apple ecosystem convenience, audio features, and pocket-sized case.
The Beats Fit Pro fix the fit with wingtips that you know Apple would never put on AirPods (that would require acknowledging inconvenient truths about human anatomy), while offering every other benefit of the AirPods Pro. Okay, the case is a little bigger, but it’s manageable. They also have the latitude to sound more fun (whereas Apple would prefer being neutral, aspirationally audiophile) and come in several colors. After being acquired for the platform that would become Apple Music, it seemed at times like the Beats brand might not survive long under the master’s roof, but I’m glad it has.
Also, this “Behind The Design” video strikes me as one of the best product videos to come out of Apple lately. It simply starts with a strong problem statement and then shows you how they solved it. Then it’s just good music, pretty exploded 3D visuals, and shots of the headphones in use by above average looking people.
Media activity:
Went back to Hades on the Switch in lieu of starting a big new proper game. It’s good.
Watched The Puppet Master on Netflix, a 3-part documentary on an extraordinarily bold and psychotic conman who ruined some people’s lives in an unbelievable way. Worth watching just to remind yourself it can happen.
Started Den-noh Coil on Netflix, a landmark anime series from 2007 that I’d never heard of before. It has an art style that looks of its time, but the story and central technologies (AR/XR glasses on everyone creating a parallel world) could have been written for today. I’m only three episodes in, but I think I’m gonna love it.
The Beatles’ legendary rooftop performance, restored and featured in the Get Back series, has been released as its own album (Apple Music), mixed in spatial audio with Dolby Atmos. Just great on a new pair of headphones.
First, some bad news. The Shake Salad vending machine that was meant to propel me back to better health… has vanished from the neighborhood. I suppose it didn’t make enough money to pass the trial, despite my best efforts at propping it up. Back to hot dogs and fried chicken, then.
And speaking of food in the neighborhood, one of the best restaurants near us is closing down, so that’s another option gone, although it was always on the pricier end and more of a nice night out kinda place. We paid it a final visit earlier in the week and it was full (on a weekday). A shame they couldn’t make it work.
I sold a couple more Misery Men NFTs and decided to get slightly more serious about the project. I’d started off playing with NFTs as a technological format, but needed to draw stuff to make it happen. Eventually that’s led to me becoming more invested in the drawing part, and now it seems a shame if that’s all these are. I know some people who don’t know anything about crypto but like the characters anyway. Since I’m having fun larping as an artist, it seemed time to expand horizons.
The first step was to stop posting on my own Instagram account, which led to setting up a new dedicated account which you may now follow at @misery.men.
Wondering what the next step should be, I thought it would be great to make some real-world merchandise. The last time I did this was back in my university days, offering some questionable t-shirt designs off CafePress. Obviously the dropshipping landscape has exploded since then, so I should be able to start pretty quickly, right?
I looked into it on Thursday and went with Printful, one of the larger operations. However, they don’t actually offer you a storefront; they’re just the backend fulfilling your orders, although they can interface with your platform of choice e.g. Shopify or Squarespace. Since those come with regular monthly costs, I decided to go with Etsy, which I always thought was a sort of handicraft eBay. Turns out you can sell anything there, and Printful will handle the heavy lifting (and shipping).
The Misery World™ Etsy shop was up and running by the end of the day with a handful of products I’d put together using the existing artwork. Oh wait, that’s not accurate. Logotype needed producing, and a couple of art-inclined friends/colleagues kindly reached out to give feedback. Unsolicited, if that gives you any idea of how disquieting the initial version must have looked to professional eyes.
On Friday, in need of a URL to point both the new Instagram and Shop to, and a site to hold it all together (this domain didn’t seem like the right place), I bought the MiseryMen.com domain and set up a landing page and blog. That’s practically a new brand and sales channel set up in 48 hours with just a double-digit capital outlay. What a world we live in.
I’ve made one product sale so far, and hey, as a struggling and unknown creator, that’s nearly made the whole exercise worth it! 🥲
On Saturday, we popped over to the Keppel Distripark area to take in S.E.A. Focus, an exhibition that was part of Singapore Art Week 2022. There was an NFT gallery sponsored by Tezos, how à la mode. I took some pictures so I wouldn’t have to talk about my feelings.
Media activity:
Not a whole lot! I guess it was more of a creative week than a consumptive one.
Some more Disco Elysium…
A few episodes of a TV show that I’ll talk more about when I can…
A British crime drama on Netflix called Paranoid that’s just okay…
And listening to Utada Hikaru’s new album Bad Mode, which has greatly exceeded my cautiously lowered expectations. It’s good to see them continue to work and put out what they want.
Ladies and gentlemen, you are now hearing from an actual commercial artist, technically speaking. My Misery Men NFT project reached a new milestone: the sale of two works (#45 and #51) on OpenSea this week! 🍾🍾
I’ve been on a break from drawing them since Christmas, but have now resumed “production duties” and will be releasing more leading up to a pair of Lunar New Year ones in early February. One of the new releases is #79, which was fun/therapeutic to make by plonking down hundreds of dots with the Apple Pencil until all the space was filled up.
A little more on my amateur art endeavors. I’ve been trying to get a feel for digital watercolors in Procreate, but the results are anemic and frankly embarrassing. I’m happy to own that, so here’s an example. Safe to say this will not be my main medium, will stick to my day job (oh wait), maybe more of a words person, et cetera.
Caveats in Paint (Digital) #4: View of an office building (function assumed) seen on one of my walks (rarely undertaken), 2022.
Yesterday we took our littlest niece out for her animal-themed Christmas present: a visit to an art studio that has cats running around for inspiration and/or distraction. She whipped up a colorful, abstracted cat with acrylics in about 15 minutes and then spent the next two hours playing with real ones. I slapped paint around and ended up with this below. It’s… jarring to move from digital to physical. Not only do you not have Undo and Fill tools, but you have to plan your layers differently. Ugh!
A few years ago, I made a conscious effort to lose weight by eating better, and discovered that salads are not really horrible and can be quite satisfying as a lunch item. I think I ate salads nearly every day for about a year and lost 10% of my body weight.
It was helped along by an abundance of salad shops in my office area, both reasonably and luxuriously priced. Where we live now, there haven’t been any options, and making my own every day is kind of a last resort I’m saving for the late Elvis or Marlon Brando stage.
BUT! Last week I encountered a new salad vending machine in the neighborhood that isn’t bad/expensive at all. You choose a base and dressing, with the option to buy add-ones like chicken, smoked duck, eggs, and baked salmon. It’s from a company called Shake Salad, and stock is somehow replenished daily. It is ALRIGHT and I ate a salad for lunch four days in a row this week. I think the machine is here as a trial, so I want to be as hospitable as I can and prove the viability of keeping it around full time.
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Media activity:
Finished Psycho-Pass 3 on Amazon Prime Video. Was not left as excited as I was with the first season a decade ago. Perhaps sign of maturity. Will eventually watch the three-part “movie” sequel to this series.
Marvel’s Eternals was an awful waste of time.
Still reading Plum Rains.
Finished NEO: The World Ends With You. Was not left as excited as I was with the original DS game 15~ years ago. Maybe down to its design, but it doesn’t feel like a full-priced console game. More like a portable/handheld game. Thanks to the Switch, those lines are now blurred. But it really has about a couple hours of content stretched to 30 hours thanks to repetitive battles and pin grinding. If there’s ever a sequel to this sequel, I’d like to see a real evolution of mechanics and storytelling.
Played more Disco Elysium on the Mac. This is hands down the most impressed I’ve been with a game in years. Now that it’s out for consoles, I hope everybody (except minors) gets a chance to play this. The atmosphere, world building, writing, and voiceover performances are best in class. It’s also very funny, despite the bleak subject matter, thanks to your detective’s absurdly broken moral compass. Once, I paused to tell my wife about a joke and couldn’t get it out for laughing every time I tried to start. I ended up in tears.
So I had to read up on the team behind it; the writing surpasses most novels I read last year, but I never saw the author’s name mentioned anywhere. His name is Robert Kurvitz, an Estonian writer, and the story of how it got made sounds amazing and documentary worthy. Kurvitz and his band mates came up with the world in 2005, and then wrote a novel set in it, which was published in 2013. When that failed to sell, he spent three years in alcoholic depression (much like the main character), and eventually emerged to found a video game company (with no game dev experience) to bring it to life again. They somehow managed to secure funding, hired a team, and created this insane, beautiful, sprawling adventure and won multiple awards in 2019. Instead of stopping there, they went back and polished it, recording every line of dialogue, and released the enhanced Final Cut version in 2021 for no extra cost. Recording sessions for the narrator’s voice took eight months (the performance by Lenval Brown is excellent).
Most people attempt a “Dry January”, but I’ve taken that literally with my latest obsession. We inherited a Novita dehumidifier on Monday, and within hours it was sucking liters of water out of the air in our apartment. Living in Singapore, you take the constant 80–95% humidity as a given. I don’t know any Singaporeans who have dehumidifiers, and it’s always (anecdotally) the expats who seem to buy them.
If you get good airflow through your home, then mold probably isn’t an issue, but things still feel horribly moist all the time. Air-conditioning makes up for it, but I’ve found now that keeping humidity around or below 60% seems to make for a cooler feeling environment. A couple of days after, thoroughly sold on the concept, I bought another smaller De’Longhi unit for our bedroom in Lazada’s “Prosperity Sale”.
This has made going outdoors more disagreeable; the contrast now upon stepping out is akin to that moment when you disembark from your plane in Changi Airport after having been in a temperate climate, and it feels like being encased in a giant block of jello at 50% opacity.
I took two walks this week. The weather service promised a really cool month but nope, hot and humid as ever.
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Media consumption:
I read David R. Palmer’s Tracking, the published-decades-later sequel to Emergence, which I enjoyed many years ago. Earlier book followed adventures of 11-year-old genius named Candy who survives an apocalyptic event and learns she’s technically a mutant, for lack of a better word. Came out in 1984 and probably still a fun read, written as a collection of Candy’s own journal entries.
The new installment is sadly not as good, overburdened with many uninteresting technical details and intent on stretching the limits of credibility even for a story involving super-gifted humans. 2.5 stars, for fans of the first one only. Please don’t start here.
Still on a Matrix/Wachowski kick, decided to revisit Sense8 which I only saw a couple of episodes of and abandoned years ago. Am now caught up to where I was before. Expectations lowered, it’s okay? Dialogue is pretty much the first thing you think of, though. Perhaps developing mutant future-scrying powers of my own.
Continuing with Psycho–Pass 3 on Amazon Prime Video. Each episode is twice the length of a standard anime series’, and it’s hard to stay focused. Maybe because the pace is slow, the mysteries are tedious, and many of the original season’s logical flaws are still present. Although it tries to seem deep, this is still a style over substance show, I think.
Finished Dexter: New Blood this week with the season finale. 10 episodes was a good target length for this story arc, and I’m glad they wrapped things up pretty neatly. I don’t know that anybody needed a return to Dexter, but clearly it made You possible, and maybe one more future spin-off where we’ll root for a serial killer.
Still grinding my way through NEO: The World Ends With You. Am right at the end, and all the battling has gotten tedious. The game is little more than a combat engine with some limited exploration and loads of 2D illustrated conversation scenes. In my rush to finish it, I’ve probably ruined the fun for myself.
Wheel Of Fortune on the Switch was on sale for $8 USD. It’s really a bit of Ubisoftian crap, but fun to play with couch multiplayer as an alternative to trivia games where some people who don’t spend their lives learning useless factoids might feel disadvantaged.
It’s another year, and the start of a new series of weekly notes to myself and anyone who might be eavesdropping. I don’t believe in new year’s resolutions, but maybe I should change up how I do these. They could stand to drop some words or look a little sharper.
I sometimes end the year with a post about the music I enjoyed and a playlist of my favorite songs released over the year, as an indirect means of reflecting on what happened. I didn’t do that in 2021, because… well, despite having had a few months of rest, I just didn’t have the energy to do a good job of it.
Scrolling back in my Apple Music history, however, I made a mental selection of albums I remember enjoying enough to say I enjoyed them, and here they are in no particular order apart from the top spot. Any playlist I made would have involved one song from each of these anyway.
It was the week after Christmas… woof. A lot more eating amidst the tiredness that tends to follow so much social interaction. I spent my downtime trying to draw a little bit, which I wrote about in this post a couple of days ago.
I also slayed the dragon called the Goodreads Annual Reading Challenge, with a paltry-by-some-standards-but-still-alright-if-you-ask-me 24 books read. Like most challenges, it’s unfortunately turned into a stupid online performance metric that doesn’t reflect any actual value, with some people I see setting goals that go into the triple digits. Outside of a literature degree program, it seems a little much. I’ve set my 2022 goal to 24 books again, because I plan to get on some novels that are about as thick as three regular ones, so a simple count doesn’t really serve to quantify the effort or resultant thoughtfulness, if any.
Bought a bunch of games on sale over the holidays.
Doom Eternal, Saints Row IV, Steamworld Heist, Worldend Syndrome (all on Switch), and Disco Elysium (Mac). Hopefully I’ll get to them by next Christmas.
Nintendo sent out their version of Spotify’s Unwrapped awhile back, and I was shocked to see my total gaming hours on the Switch quite low at only 71 hours. It was over 200 hours in 2020, mostly due to Animal Crossing New Horizons. To try and remedy that, I’ve bought a bunch of new games on sale but haven’t gotten around to any of them yet. Instead, I’ve been grinding NEO: The World Ends With You, which has been mentioned before as the sequel to a Nintendo DS game I loved.
Disco Elysium came by way of a tweet that recommended it. Pretty sure I glanced at it before but decided it wasn’t my thing. Couldn’t have been more wrong, going by the very strong first four hours I’ve experienced. I suppose it’s an RPG game like classic Fallout was, but your vault survivor is an alcoholic noir detective and there’s no combat at all. I picked it up for my Mac in the Steam sale; reviews of the Switch version warn of very long loading times.
Some friends brought their kids over and I helped take photographs. Pixelmator recently released a free update that adds iPhone support to their previously iPad-only Pixelmator Photo editor, in addition to some new tools. I wanted to see how it would do with the DNGs out of my CL.
After some experimenting, I am sad to report that their ML-powered Auto Enhance corrections tend toward overexposure, and when paired with the built-in presets, the results are almost always garishly colored with too much contrast. You always have to adjust the intensity of the recommended changes and disable auto white balance altogether, and after all that it just didn’t work for me with the portraits. I finally crawled back into the arms of Lightroom whose Auto mode is at least designed to recover details and provide a neutral starting point for edits.
I have to say though, for iPhone photos (HEIF/JPEG), Pixelmator Photo is not half bad, provided you tone things down as mentioned. Here’s an example I took on a walk earlier today. I’ll keep trying to use it because I like some of the UI changes they’ve made, but tbh if Darkroom ever adds a good Auto mode, it’d be my go-to editor for life.
Merry Christmas to any readers! I had a good one with lots of eating, lots to be thankful for, and everyone fortunately safe and healthy. The Instax mini Evo camera I got as a present to myself proved useful on Christmas Day at dinner with my family. Although the quality is poor in low light, I got to leave behind little prints for the fridge door, and gave souvenirs to my aunt and uncle too. There was a sleepover, day drinking, and a kid stood on my shoes because she wanted to be walked on top of them. In all, I count about five events over the weekend. Pooped.
For other photo-worthy moments, I got a lot out of FiLMiC Firstlight, a camera app that I hadn’t touched in a couple of years and recently rediscovered. It has a lovely, warm, film-inspired filter called Leopold (based on Kodachrome, I think), and behaves unlike the HDR-happy iPhone camera of today. Images come out with heaps of contrast and deep blacks, and generally don’t need any correcting in post. On reflection, I should just set my iPhone Camera.app to use a “Rich/Warm” photographic style.
Firstlight’s ‘Leopold’ film style
The Misery Men NFT collection is now up to #78, which was a Sad Santa. I held a giveaway and got 12 takers, so it was minted as a — I don’t know the right word for this — series of 12 editions? 12 prints? Anyway they were sent out on Christmas Day, and hopefully everyone who isn’t a bot is happy with them. I’m taking a break from the daily drops and will resume in the new year. There are already a few finished ones in the can, and some of them are pretty good by my standards.
Misery Man #78: Shackled to the wheels of capitalism for all eternity.
It was also the week of The Matrix Resurrections, which we saw in a regular Golden Village cinema after a gut-busting visit to Five Guys (my first one in this country). Dim screen, muffled audio, noisy patrons… it reminded me of why I no longer like going to theaters (Gold Class screenings are the exception, fixing all the above). Nevertheless, I enjoyed the film despite having many of my expectations subverted. I’ll need to see it again properly, but I expect to still agree with my initial assignment of 4.5 stars. Side note: Cien and Peishan saw it the same evening in the same cineplex and hated it.
Wes Anderson’s The French Dispatch was also much enjoyed. It’s an insane directorial flex; every shot and sequence is beautiful and meticulously composed, existing just to indulge a particular sense of humor and beauty. Both films shine with the joy and energy of creators who have nothing left to prove, but where one is happy to keep iterating on a style even at the risk of self parody, the other reclaims its own fandom and fabric for self satisfaction. And I’m here for it, as the young ones say.
Once again, nearly no video games were played, but I picked up Steamworld Heist and Saints Row IV on sale for my Switch. The latter is probably a decade old now, but was irresistible at $2.79 USD, down 93% from its standard price.
Instead, I got more reading done and am closer to my Goodreads Reading Challenge target. Finished Iron Widow (3.5 stars at best) and The Power (a solid 4), both mentioned last week. It looks like I might make it, if I can finish The End of Men next week. Quick recap: all three books deal with the decline, displacement, and/or death (literally) of men due to overwhelming Qi force, mutant powers, and a gender-specific virus respectively. I’m also here for this as men probably have it coming.
One last thing. A year ago, I got a Backbone One controller for my iPhone and loved it. It made for a more console-like experience with many games, and it was more comfortable to use and more capable than a Nintendo Switch. So why did I buy another Switch this year? Let’s not answer that directly, but it may be no coincidence that I’ve been unable to use my Backbone since moving to the new iPhone: the larger camera bump isn’t compatible. The company then designed a simple adapter and provided the plans for 3D printing one on your own. Never having gotten around to convincing myself of a 3D printer’s utility in the home, I had to place an order for one of their officially manufactured ones, and have been waiting on it since September. It finally arrived this week and I’m happy. But if supply chain problems are gonna continue next year, perhaps getting a 3D printer isn’t such a bad idea!
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