Tag: Apple Music

  • Week 52.22: The end of year playlist edition

    Hey y’all. I worked three days this week (was crazy, back to back calls during the Christmas season wha…?) and then felt good enough during the next two days of vacation time to sit down and make a year-in-review playlist again. For some reason I skipped this tradition last year — probably having too much fun in my time off? Previous installments here for reference: 2017, 2018, 2019, 2020.

    So if you’re on Apple Music, here’s L–R 2022, featuring cover art made with Midjourney, in a year dominated by generative AI improvements.

    Quick liner notes:

    • I was happy to see Utada Hikaru returning with a new album, and such a good one at that. I went with Bad Mode as the featured song but there are many great cuts. Aside: we finished the First Love series on Netflix. It fumbled the ending after a pretty good buildup. The last three episodes should be deleted and replaced with a new take.
    • I discovered Stromae this year (I somehow missed the 2009 club mega hit Alors on danse) and what a singular talent he is. With his knack for melodies, writing (albeit translated for me) and intricate beats, and a great singing voice, he deserves to be so much bigger.
    • There was much to be thankful for in hip-hop, with new material from Black Thought, Kendrick, the RZA, Anderson .Paak, Stormzy!? If only Donda 2 were a real album on real channels, I would have included a track but oh well Ye does Ye.
    • Drake and 21 Savage stepped on a Daft Punk classic with Circo Loco but I can’t hate it. Another contender that didn’t make the list was DJ Khaled’s Staying Alive also with Drake, but if you’re gonna rip off a song at least sample it too.
    • Local band Sobs did an incredible cover of Gwen Stefani’s Cool which I thought rivaled the original in deserving to exist. I heard them play it live in October at the Esplanade too.
    • I cheated a little with the inclusion of Jens Lekman’s Black Cab but hey it’s a new recording! He’s deleted the originals and reworked a couple of albums (I still have the old MP3s thankfully). The song is one of my eternal favorites, firmly planted in the mental territory of my mid-20s.
    • It all ends with one of my favorite tracks from the new Taylor Swift and Jack Antonoff album, the most beautiful quiet evening at home vibe to ever be captured in a studio.

    ===

    I sorta finished two games this week and started on a new one.

    Robotics;Notes was a real letdown of a visual novel: lots of filler writing to trudge through, and an opaque system of affecting outcomes. I won’t explain, but it’s basically impossible to play out the different paths without a walkthrough. For fans only. I abandoned it after completing the first ending.

    Indie darling Unpacking was a lot more fun, despite being literally a simulation of unpacking boxes after moving homes. It was satisfying to see how much narrative they managed to suggest just by having you handle a person’s belongings over a couple of decades.

    On Jose’s suggestion, I picked up Citizen Sleeper for the Switch (currently on 30% sale for the holidays) and was blown away by how immersive a text-driven RPG game can actually feel in 2022. It’s a sci-fi story set on a space station, if that helps you decide any.

    Related to gaming and growing up empowered and inspired by games, I started reading Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow after encountering a passionate mention of it in Dan Hon’s newsletter, and so far so great. If you grew up in the 80s and feel that games shaped your experience of the world, put it on your list.

    I later discovered that it won Goodreads’ user-voted best fiction work of the year award, which is astounding because no one else has mentioned it to me?!

    ===

    Merry Christmas!

    We had good Christmas Eve, Day, and Evening meals in various family configurations over the weekend with no accidents or cooking disasters, apart from several items of food getting forgotten in the fridge (beef brisket, gingerbread houses, etc.), which were probably signs of excessive ambition and unnecessary procurement anyway. I’m deathly full and ready to skip a few meals in the coming week (spoiler: we’ve got a staycation planned on Monday and it involves eating out).

    See you next week.

  • Week 40.22

    We had a funeral ceremony at work to say goodbye to the brand we all joined, which has now been subsumed into a larger new corporate brand. Everyone who could physically make it turned up and we ate pizzas, drank beers, and told stories about the last five years. We didn’t exactly put the fun in funeral but it was a thoughtful and appropriately introspective end.

    I brought my new and underused Ricoh GR III along to document the moment. If I’d purchased the IIIx I originally wanted instead, I’m not sure it would have worked as well. 28mm and 24mp is a pretty good setup for capturing everything and then being able to crop in to interesting parts if needed. The only thing better would have been a 48mp Leica Q2.

    Why didn’t I just use my iPhone and its new 48mp sensor? Firstly, I wanted to be intentional about it, and having a dedicated tool in hand prompts you to keep looking out for pictures. So I did end up taking more photos than anyone. Secondly, the vibes are not comparable. Comparing them with colleagues’s photos, the ones from iPhones are clear, sharp, and clinical. The Ricoh alternately underexposes, blows out highlights, focuses on the wrong thing, and occasionally white balances like daylight film when you’re indoors. These “choices” and limitations are beautiful, as is the rich detail from its large APS-C sensor; no neural network is filling in the blanks here. iPhones document things the way they happened; dumber cameras still somehow capture the way we’ll actually remember them. Or I’m just old and like things to look old too.

    Edit: It seems vintage digital cameras are making a full-on comeback. I should never have thrown away those IXUSes and FinePixes.

    As I type this, we are watching Apple Music’s “live” stream of Billie Eilish performing at the O2 Arena. It’s been billed on the Browse page as a live performance (not inaccurate), but since it starts at 10am SGT (3am in the UK), this was clearly not going to be live in real time. So it turns out this is a pre-recorded concert film from the end of her tour, just now making its premiere on the service. It’s a good one though!

    I mentioned before that we’ve been thinking of getting a cat. I also posted a photo of a ragdoll that a friend owns, whose home we’d visited as a sort of allergy test. I never really knew about cat breeds before this, but ragdolls seem lovely and are reportedly as chill and affectionate as they come. Things are escalating quickly: we submitted an inquiry to a breeder about the possibility of adopting one of their “retiring” adults, and this week had a call with them about the details.

    But they don’t have any suitable retirees at the moment, only a kitten with a congenital physical anomaly — still in good health for the moment — which may develop into a problem requiring more care later in life. As people with no recent cat-owning experience, it’s not a decision we can make lightly.

  • Week 33.22

    It was National Day week. I half-watched the parade on TV, hoping it might stray from the usual formula. Nope, same old military parade. The COVID years were more interesting — in the same way Apple had to make expensive and polished presentation videos to replace their in-person events, we got a mix of prerecorded material and ‘live’ small-scale performances beamed from venues across the country. I liked that much better than watching thousands of people waving flags in the heat.

    We’ve obviously heard the reports of brutal heatwaves everywhere, but it’s probably not any hotter here than it usually is in August (too damned hot). I had to go out most days this week and I figure 10 minutes of walking outdoors is the limit. Any more and the sweatiness would border on socially unacceptable.

    It’s worse on men and fat people, and on that note… we continued on from last week’s birthday-related celebrations with too much eating out again. In a single day: an unagi lunch with my parents at Uya, an omakase-type dinner at an izakaya called Kamoshita that I saw Hunn checking into, and then cocktails at The Tippling Club. Later in the week, Beauty in the Pot, which never leaves you feeling very healthy.


    Inspired by our viewing of Groundhog Day last week, I decided to buy Loopers for the Nintendo Switch. It’s a Japanese “kinetic novel” which promises a similar premise. Kinetic novels are a subgenre of visual novels, but ones where there are no choices to be made; essentially there’s no “gameplay”. You just click through and experience a written story with accompanying illustrations and voiceovers. I expected a long and convoluted time travel narrative but it was over in about three hours. Hard to recommend at $25 USD but not the worst idea if it ever goes on sale. 3/5 stars if you already like this sort of thing, 1/5 for everyone else.

    On TV, we caught up to the second season of Only Murders In The Building (still ongoing), which starts off worryingly weak but begins to get some of its mojo back from episode 3. I spent most of the time wondering why Selena Gomez’s speaking voice sounds strange and strained, and it turns out it’s a question others online have also asked. One suggestion is it’s related to her lupus, but it sounds like an armchair diagnosis from people who get paid for clicks.

    We also watched The Bear, an 8-episode drama about running a restaurant/burnout/addiction/family/team management/craft. Several real life friends recommended it, but surprisingly I never saw a single tweet. The filter bubble needs adjustment. The first few episodes are like if Uncut Gems was set in the food service industry: stressfully fast and overlapping conversations (shouting matches?) and general chaotic energy, but it’s worth it. It’s all worth it.

    I used my AirPods Max for the first time in many months. Turns out having to take them in and out of the floppy carrying case (which turns them on/off) is a major usability obstacle for me. It’s not as carefree and seamless as popping open the case for my AirPods Pro or Beats Fit Pro, so I just never reach for them on a regular day. Probably the best way is to never use the case, lay them ready to go on the desk all the time, and charge frequently.

    Thanks to a scene in The Bear in which Van Morrison’s Saint Dominic’s Preview song plays, I checked out the album of the same name for the first time. It was good but not really what I needed at the time, which led me back to his Astral Weeks album which I heard through twice while commuting.

    I was very excited to accidentally learn that Danger Mouse and Black Thought just released an album together: Cheat Codes. According to YouTube, a couple of songs came out awhile ago, but I had no idea. Despite many discovery features in Spotify and Apple Music, there’s a gap in letting us know about new/upcoming music from artists we might like. Seems like a basic thing but there must be commercial, label-related reasons why this still doesn’t work in customers’ favor.

    In the meantime, there’s the MusicHarbour app which I don’t use enough because of how long it takes to sync new data on start up, but does actually do the job of tracking new releases based on artists you have in your library. It didn’t alert me to Cheat Codes because I didn’t have music by “Black Thought” in my library, only “The Roots”.


    Hah, did you think I’d let a week go by without more AI-generated imagery?!

    I’ve set up an OpenSea collection called Blee+ where I’m minting some of my better experiments so far as 1/1 NFTs, priced in ETH. You can buy one for about 40 bucks in today’s money.

    In addition to MidJourney, I’ve also started using Stable Diffusion and have been very impressed with what it can do. I suppose the model is closer to Dall-E, as it’s better at visualizing literal concepts such as “a poster” or “a page from a graphic novel”, whereas MidJourney would just kind of grok the style but not necessarily the format and conventions of the medium.

    Here are some abstract typographic prints I’ve generated, which are far and away more beautiful to my eye than the generative art attempts to do the same that I’ve seen, e.g. Para Bellum on Art Blocks.

  • Week 31.22

    I opened last week’s update wishing for an Apple Music playlist that recreates detective Harry Bosch’s jazz music collection for those of us who’re okay with digital in place of vinyl. Well I’ve found one: BOSCH JAZZ by Bobby T. It’s 111 songs (nearly 12 hours), lovingly put together by an obvious fan — you know an amateur playlist is going to be good when they’ve bothered to make their own cover art.

    There’s so much new music out, I’m going to need a commute again to get through it all. I’M KIDDING! I think I’d rather be unemployed. But Ryan Adams seems back to his old ways, just musically, one would hope, releasing a third album called FM available on his site now and on streaming soon. If you count Romeo & Juliet as a double album, then he’s put out four already this year. Also, King Princess with Hold On Baby, which I’ve heard through once and wasn’t entirely satisfied by. The first half of DOMi and JD BECK’s NOT TiGHT on Anderson .Paak’s new label, though, sounds amazing and entirely tight. Plus there’s new Perfume, Maggie Rogers, and Billie Eilish…

    I saw somewhere recently that the use of ellipses, as in the punctuation mark above, is a boomer (not really, but just everyone who isn’t young) thing. It’s made me very self conscious lately.

    ===

    Wednesday was my day off which I spent playing games and drone flying with my dad in a very pleasant return to the sabbatical era.

    It never occurred to me 1) to call them reading slumps, but it’s a perfect name for this state of being all read out after going through too many books too fast; which happens to me annually, or 2) that it also happens to other people. I read the first third of Seveneves (enjoyed it fine) and then suddenly left it alone for weeks. No progress this week either.

    Instead, I picked up Life Is Strange: True Colors for the Nintendo Switch on sale, having enjoyed the first series many years ago. True Colors is still episodically arranged, but released as a single installment. I’m about halfway through, and would recommend it as a light gaming experience (no skill required) with good writing and some actual emotional weight. It features an inclusion and diversity situation that seems unrealistic for the small town it’s set in (you play a Chinese American girl and get to determine her sexual orientation, you’re surrounded by people of color, mental health issues are discussed), but I love that they’re simply showing and not telling. Bear in mind the game looks a decade old on the Switch, so just get it on your platform of choice. I prioritized portability and a lower price.

    End of Sunday update: I’ve just about finished the main game now. It felt shorter than I expected, but was still about 10 hours? I would have enjoyed a more epic and twisty mystery, but the point seems to be soaking in the quiet small town moments, music, and interactions with new friends. And feeling depressed. There are a few sucker punches in here.

    Have also started on a new mobile gacha game, ALICE Fiction by Wonderplanet. Years ago, this company released another title that borrowed the aesthetic and some of the narrative set up of Mamoru Hosoda’s Summer Wars, recently mentioned here as one of my favorite anime films. Sadly, while they had the idea then, the execution in Crash Fever did not pay off. This time, they seem to have brought a much bigger budget and many more influences. The result is a more generic but probably quite crowd-pleasing anime-ish puzzle game. While there’s the old tiresome squad battle thing going on, it’s underpinned by a color-matching game mechanic that I don’t mind at all. In fact, this linear gem conveyor belt thing is definitely familiar. I may have encountered it before in some game on the Xbox360. Anyway, it looks great and is worth a look if you’re into any of this.

    It’s worth mentioning that ALICE Fiction’s conceit, seen in the second App Store screenshot, is that it’s set in the metaverse. Not new, we’ve had this for ages, e.g. Sword Art Online and its many game adaptations. But I’ve been seeing an increase in mediocre open-world games that bill themselves as a/the metaverse, for obvious marketing and investor-attracting reasons. I expect this trend to accelerate, with hundreds of companies willing some faux-metaverse into existence, creating extreme confusion as to what it really means, so that by the time we actually have one it will (thankfully) be referred to as something else entirely.

    ===

    Looking for a new show on Amazon Prime Video, we found Chloe, a co-production with the BBC with a premise that sounds like you’d struggle to get with it, but by god does it work somehow. In part thanks to Erin Doherty’s shapeshifting performance of a pathological shapeshifter, and in part due to deft direction that creates effective suspense. It’s not something to watch directly before trying to sleep.

    ===

    Midjourney upgraded their algorithms and the new V3 system creates even more impressive images than before. I’ve been playing with creating food photos lately, trying to make unlikely pairings such as Spam slices sprinkled with 24K gold flakes. Also a series on Conscientious Consumption, where you are bludgeoned over the head with symbols of the environmental and moral costs of what you’re eating.


    Oh, I’ve also been using the VSCO app’s fairly new Dodge & Burn brush feature and loving it. Fairly mad that in this day and age of touchscreens, all the other popular photo editing apps don’t let you just reach out and light pixels. Instead, we have radial/linear masks in Darkroom, and other clunky controls. VSCO has been flirting with the bottom of the barrel lately (Hipstamatic firmly owning said bottom), but the addition of this one classic tool has helped its chances of survival significantly.

    Just putting this here to say I love the Ricoh GR III
  • Week 5.22

    Welcome back, it’s the last week of the year for people who love the moon. I decided to draw two Misery Men who look like a pair of oranges (which are traditionally exchanged as gifts during the Lunar New Year), and they are proactively numbered #87 and #88 (a famously lucky number in Chinese culture). Numbers 83–86 are done, but will be released later.

    From an artistic standpoint, I think I learnt something new with the little tael hat on #88. The intention was to make it shiny and gold; I could see it in my head but wasn’t sure how to make it happen on the screen. In the end, trial and error got me close enough to be happy.

    Last week, Michael linked to this two-hour video explaining why NFTs and Web3 are a scam at worst, and based on unstable premises at best. Since then I’ve encountered it more on Twitter and set aside the time to watch it. I think everyone touching the space should watch it, whether they’re involved out of personal interest in the tech/money/culture, or on behalf of clients who want to explore it. It covers a lot, but if I had to oversimplify my takeaways, I’d say that I mostly agree with his views — there are glaring flaws in the architecture of the prevailing networks today, enough to suggest a collapse or dystopian outcome if they grow to become infrastructure that the world depends on. I think there are many opportunities to be scammed out there, alongside a lot of space-wasting junk (content, apps, bots) that only exists because of the potential for asymmetrical upside. Maybe natural selection will sort it out and hone the landscape into a workable form, or it won’t. One place I don’t agree: he spends a little time at the start dismissing Bitcoin, but the rest of the video builds a case for why it’s something completely different from “crypto”.


    People say Chinese New Year is generally a time of eating too much, which hasn’t been the case for me because I don’t particularly care for much of the seasonal food, except pineapple tarts. However, dinner on two consecutive days this week was Korean BBQ, as in loads of fatty pork belly, closer to a kilogram than not. We finally got a new smart scale after the old one died a few months ago, and it’s not something I want to confront right now.

    Ironically, I got the new Beats Fit Pro, presumably so named because they 1) fit ears well and 2) are for fit people who work out. In brief, EarPods/AirPods have never fit me well and always feel on the verge of falling out, at least on my left side. But I haven’t gone back to other buds because of their Apple ecosystem convenience, audio features, and pocket-sized case.

    The Beats Fit Pro fix the fit with wingtips that you know Apple would never put on AirPods (that would require acknowledging inconvenient truths about human anatomy), while offering every other benefit of the AirPods Pro. Okay, the case is a little bigger, but it’s manageable. They also have the latitude to sound more fun (whereas Apple would prefer being neutral, aspirationally audiophile) and come in several colors. After being acquired for the platform that would become Apple Music, it seemed at times like the Beats brand might not survive long under the master’s roof, but I’m glad it has.

    Also, this “Behind The Design” video strikes me as one of the best product videos to come out of Apple lately. It simply starts with a strong problem statement and then shows you how they solved it. Then it’s just good music, pretty exploded 3D visuals, and shots of the headphones in use by above average looking people.


    Media activity:

    • Went back to Hades on the Switch in lieu of starting a big new proper game. It’s good.
    • Watched The Puppet Master on Netflix, a 3-part documentary on an extraordinarily bold and psychotic conman who ruined some people’s lives in an unbelievable way. Worth watching just to remind yourself it can happen.
    • Started Den-noh Coil on Netflix, a landmark anime series from 2007 that I’d never heard of before. It has an art style that looks of its time, but the story and central technologies (AR/XR glasses on everyone creating a parallel world) could have been written for today. I’m only three episodes in, but I think I’m gonna love it.
    • The Beatles’ legendary rooftop performance, restored and featured in the Get Back series, has been released as its own album (Apple Music), mixed in spatial audio with Dolby Atmos. Just great on a new pair of headphones.
  • Week 1.22

    It’s another year, and the start of a new series of weekly notes to myself and anyone who might be eavesdropping. I don’t believe in new year’s resolutions, but maybe I should change up how I do these. They could stand to drop some words or look a little sharper.

    I sometimes end the year with a post about the music I enjoyed and a playlist of my favorite songs released over the year, as an indirect means of reflecting on what happened. I didn’t do that in 2021, because… well, despite having had a few months of rest, I just didn’t have the energy to do a good job of it.

    Scrolling back in my Apple Music history, however, I made a mental selection of albums I remember enjoying enough to say I enjoyed them, and here they are in no particular order apart from the top spot. Any playlist I made would have involved one song from each of these anyway.

    The Best (tied)

    The Rest

    Reissues


    It was the week after Christmas… woof. A lot more eating amidst the tiredness that tends to follow so much social interaction. I spent my downtime trying to draw a little bit, which I wrote about in this post a couple of days ago.

    I also slayed the dragon called the Goodreads Annual Reading Challenge, with a paltry-by-some-standards-but-still-alright-if-you-ask-me 24 books read. Like most challenges, it’s unfortunately turned into a stupid online performance metric that doesn’t reflect any actual value, with some people I see setting goals that go into the triple digits. Outside of a literature degree program, it seems a little much. I’ve set my 2022 goal to 24 books again, because I plan to get on some novels that are about as thick as three regular ones, so a simple count doesn’t really serve to quantify the effort or resultant thoughtfulness, if any.

    Nintendo sent out their version of Spotify’s Unwrapped awhile back, and I was shocked to see my total gaming hours on the Switch quite low at only 71 hours. It was over 200 hours in 2020, mostly due to Animal Crossing New Horizons. To try and remedy that, I’ve bought a bunch of new games on sale but haven’t gotten around to any of them yet. Instead, I’ve been grinding NEO: The World Ends With You, which has been mentioned before as the sequel to a Nintendo DS game I loved.

    Disco Elysium came by way of a tweet that recommended it. Pretty sure I glanced at it before but decided it wasn’t my thing. Couldn’t have been more wrong, going by the very strong first four hours I’ve experienced. I suppose it’s an RPG game like classic Fallout was, but your vault survivor is an alcoholic noir detective and there’s no combat at all. I picked it up for my Mac in the Steam sale; reviews of the Switch version warn of very long loading times.


    Some friends brought their kids over and I helped take photographs. Pixelmator recently released a free update that adds iPhone support to their previously iPad-only Pixelmator Photo editor, in addition to some new tools. I wanted to see how it would do with the DNGs out of my CL.

    After some experimenting, I am sad to report that their ML-powered Auto Enhance corrections tend toward overexposure, and when paired with the built-in presets, the results are almost always garishly colored with too much contrast. You always have to adjust the intensity of the recommended changes and disable auto white balance altogether, and after all that it just didn’t work for me with the portraits. I finally crawled back into the arms of Lightroom whose Auto mode is at least designed to recover details and provide a neutral starting point for edits.

    I have to say though, for iPhone photos (HEIF/JPEG), Pixelmator Photo is not half bad, provided you tone things down as mentioned. Here’s an example I took on a walk earlier today. I’ll keep trying to use it because I like some of the UI changes they’ve made, but tbh if Darkroom ever adds a good Auto mode, it’d be my go-to editor for life.

  • Week 34.21: I keep looking at my mood ring (it says too much caffeine)

    • There’s a spot on the carpet where I like to sit most days while watching TV or using the iPad, and it’s gone flat from my lounging about. At the start of the week, I told myself I’d play the hell out of Neo: The World Ends With You, which I was once so excited for. I didn’t even start it up once. So I guess now’s not the time.
    • Tetris Beat on Apple Arcade (App Store) did come out, and my hopes were extremely high for a Tetris game set to music, dependent on players dropping tetrominos to the beat. Unfortunately it still needs some polish: there are sync and calibration issues for players transitioning between speakers and wireless headphones; UX gaps; and poor support for iPad and iPhone users with controllers. Even the basic touch and slide controls don’t feel just right. I’m hopeful that it’ll get better with updates.
    • I finished watching the new Evangelion movies with 3.0+1.0 Thrice Upon A Time (Amazon Prime Video), which was easily the best of the series. I think it works and transcends its “flaws”, of which there still are plenty, because Anno finally found the will to contrast heaviness with a hint of joy and kindness. Afterwards, I sat through the credits in emotional shock, and immediately resumed my stillborn viewing of the original NGE series on Netflix. Still making my way through those.
    • Lorde’s new album, Solar Power (Apple Music), is finally out. I avoided hearing it for the first couple of days, afraid that it would let me down. Now on my fourth playthrough, and happy to report that I love it.
    • Also discovered this song from Asian American rapper Miyachi, which utilizes the Family Mart audioweapon jingle to great effect. Also check out his new single Chu-Hi (YouTube), about the joys of Japanese hard seltzers, and his street comedy (?) series, Konbini Confessions, which seems to be an elaborate promotion for the song.

    • For what feels like ages now, I’ve been reading Firebreak by Nicole Kornher-Stace. This week I made it past the halfway mark. It’s alright but goes on for a bit longer than it needs to for such a thin storyline. It’s world building, I suppose, but this sort of caricaturized capitalist future where supersoldiers fighting an eternal corp vs. corp war are turned into marketable BTS-type idols that everyone loves and buys merch for, even after they die, doesn’t really need or stand up to this much exploration imho.
    • I drink coffee daily, and at night I think about waking up the next day so I can drink coffee again. This Friday’s App Store refresh highlighted an app called HiCoffee, which tracks your caffeine intake, visualizes how much is in your system at any time, and whether it’s at risk of disturbing your sleep. For those who remember Jawbone’s wearable UP trackers, they used to have a complementary app called UP Coffee that did something similar (The Verge). Despite my miserly ways, I happily unlocked the premium functions for S$10 just because it’s very nice work. There’s a host of iOS widgets and Apple Watch complications for displaying your caffeine levels, and the built-in coffee database has info for all of Nespresso’s pods, Starbucks’ drinks, McCafe, Dunkin, and many more.
    • As if to confirm my beliefs, the universe or its algorithms then delivered me this excellent Guardian article on caffeine and its effects on the body and society. It’s got some interesting bits, like the history of coffeehouses in the UK, and the insight that maybe the rituals of consuming caffeine lend an unconscious order to how we tackle our work throughout the day, ebbing and flowing between focused and creative work as it wears off.
    • Prompted by a friend’s reports of how well their investments in the Luna token were doing, I looked into the Terra ecosystem out of Korea and was impressed by its vision — insomuch as someone with little background in economics can certify a financial flywheel logical and brilliant. I don’t know what I don’t know, but it sure looks good to me.
    • The universe struck again and I found myself out to Korean BBQ the next day with some colleagues, where we drank a beer called Terra. Afterwards realized it was my first time eating out in more than a month: dining out was forbidden back in July, and then full vaccination became a prerequisite for entering restaurants, and Kim only recently got her certification. The initial moments were a little disorienting. As many have already observed, you can indeed forget how to sit across from a group of people and eat together. Thankfully, I didn’t know I missed it till now.
  • Week 26.21: A milestone

    We’ve made it to the halfway point of 2021! And because I started in week 27 of 2020, that makes a year of posting weekly updates to this previously neglected blog. Has it been worth it? It will be. This morning I suddenly recalled how I used to have a TV card (it was a thing) installed in my PC back in uni, which allowed me to tune into trashy British programs over the air (I was bored in my dorm room because we didn’t have broadband, you see). It was just one of those memories so heavily buried that they seem unreal. So I went back and read some old blog posts from around that time. Instantly, that whole period came back, and there’s nothing like meeting your younger, better-in-some-ways self again via a journal entry. I recommend it.

    This week in books: I finished Project Hail Mary which I was enjoying as of the last check in, and it held up all the way to the end. I’d like to recommend it to everyone, because I believe its sciencey bits are so accessibly written that anyone will get the general idea and stay locked into the story, whether or not they have some aversion to stories set in space or involving science and technology. These people exist; I’ve met them! It was also a welcome change in terms of style and pacing, having come off a Neal Stephenson where every page asks to be chewed slowly and thought about. In comparison, PHM is like sausage gravy through a straw.

    I’ve mentioned before how playing video games is a often good way to pass time, whereas reading books is a good way to spend time. I was reminded of that this week as I poured a few more hours into Persona 5 Strikers, realizing all the way that I was not particularly enjoying the combat gameplay, barely enjoying the animated scenes and story (although I like the world and characters), and despising its barely concealed time-stretching mechanics. That is to say, the designers have contemptuously extended gameplay time without having to offer any value, so that you the player are told to go from Area A to Area B to talk to everyone you can find to get a password (a McGuffin) before returning to Area A. Completely unnecessary, and made more painful by how long loading times are on Nintendo Switch. My solution: the next game I play will be a visual novel.

    Other bits:

    • It was Amazon’s Prime Day and I got us some bath towels and Buffalo Trace bourbon at ridiculous prices.
    • I don’t often play mobile gacha games, but a new one called Alchemy Stars stood out because of its line-drawing/color matching gameplay. It’s a little like Grindstone with an anime backdrop.
    • We started watching The World According to Jeff Goldblum on Disney+ and the first episode covered sneaker culture. I guess I knew people spent thousands on rare sneakers but I hadn’t really thought about the psychology of it; the rush of chasing, anticipating, and then unboxing something. They could easily be swapped out for any other scarce collectible like NFTs or Pokémon cards, or lootboxes that promise them.
    • I’ve always envied people who find the hobbies/obsessions just for them (damage to finances and relationships aside). I’ve never met a game I loved so much that I would spend hundreds or thousands of dollars on buying its in-app purchases. Or shoes, bicycles, etc. I know people who do, though. They seem to buy almost thoughtlessly and without regret. Which is not at all like me with headphones and cameras. Those hurt long before and after the unboxing. I probably just have an opposite disorder of not allowing myself to fully anticipate and enjoy anything.
    • We went out to eat just once (it was enough) upon the lifting of lockdown restrictions this week. It was one of those all you can eat Korean barbecue places. We sprang for the better stuff, and we’re fatter people for it.
    • The last project I worked on has gone live in its first iteration, and it’s looking alright. Whenever I remember, I like to go look at user reviews to see if we improved anything for the better.
    • I spent most of Sunday afternoon watching live performances from the Later… with Jools Holland archives on YouTube.
    • A.G. Cook released a massive amount of material last year across two albums (7G and Apple), and I only just found out. Listening to those coincidentally put me in the mood for local singer Cayenne’s new solo EP, which is kinda PC Music-ish hyperpop.
    • That reminded me to look if Hannah Diamond had anything new, and so I found this brilliant music video from last September. The foundation of its 9-minute runtime is a screen recording of her photoshopping a self portrait.