I found solutions to a couple of longstanding bugs and problems relating to date metadata saving on iPhone photos and battery drain on my Kobo, but published them as two separate posts so as not to clutter this update with nerdy troubleshooting.
Had a good couple of days in Bangkok. As others prepared me to expect, the shopping centers are a cut above anything in Singapore in terms of scale, brand availability, and features. And there are so many of them, from giant complexes full of small kiosks that feel like the old days of Sim Lim Square, where you have to stay alert or be taken for a ride (MBK Center), to luxe architectural marvels I can’t figure out the sustainable economics for.
Like in Tokyo, it was again nice to see so many bookstores thriving, sometimes two in a single mall, which is so not the case in Singapore.
I had some time to kill on my first afternoon so I went to the cineplex at Siam Paragon and saw Mickey 17 in a widescreen format called ScreenX that I’d never heard of before. It was also showing in 4DX (with chair motion and blasts of wind, etc.), and the other theaters supported IMAX and different 3D options. They sold popcorn in 8 flavors.
In this new issue of Notebook, they also look at the immersive content available on Apple Vision Pro and comment on these early explorations as being typical of a new form of cinema trying to find its place in the world. As novel as it was to watch Mickey 17 with ScreenX’s additional peripheral content, it obviously doesn’t compare at all to Vision Pro’s immersion, and probably isn’t necessary compared to watching the regular version of a 2D film. So I can’t blame our cinemas for not investing in these new formats to win people back.
Also at Siam Paragon, there was a large Nintendo store run by an authorized retailer that kinda gives real Nintendo stores a run for their money. Because they’re not bound by arbitrary brand rules, they can sell third-party products alongside the games and official merchandise, which has the effect of giving a fuller picture of the ecosystem and better celebrating Nintendo’s cultural impact.
Japanese culture has a large presence in Bangkok. I saw many brands and retailers that we don’t have here, like Loft, Matsumoto Kiyoshi, Hinoya Curry, and their Books Kinokuniya stores are massive and stocked with tons of manga and anime-related products. There were dedicated Gundam plastic model (Gunpla) stores, a Bandai Namco gachapon store, and even a major Jujutsu Kaisen exhibition in one mall with tickets costing about S$22 (I decided against it).
I ended up eating curry rice from Coco Ichibanya and Maji Curry instead of Thai food on a couple of occasions. Cocoichi is better there than it is here (not saying much), but isn’t quite the same as in Japan. Maji Curry, however, should be commended for their consistency. It’s just as good everywhere I’ve had it. That said, they offered me a choice between chicken and beef-based curry sauces, and that was definitely new.
The ICONSIAM mall was recommended by many people, but perhaps I was just all malled out by that point because I wasn’t feeling it. The Apple Store there is pretty cool, with very high ceilings and lots of natural light, but it had the effect of making the minimal product displays feel lacking. The Apple Store at CentralwOrld is much more interesting, with its circular design, spiral staircase, and two-story layout.
It might also be that minimalism is a rare creature in the Bangkok mall landscape. It can be seriously overstimulating, with hundreds of colorful decorative elements dangling from every surface, or crowded aisles like in the basement of ICONSIAM, which is a bewildering recreation of a chaotic street market, complete with roast crocodile meat on sale, and then you walk 50 meters and pop out next to a sleek Rimowa flagship store.
The traffic in Bangkok is a major drawback, pushing visitors to choose calling for a Grab motorbike instead of a car. That’s not a dice roll I’m ready for, so I spent several hours editing photos in the backseats of cars. For example, a 14km trip to the Museum of Contemporary Art took over an hour in the middle of the afternoon, instead of the 15–20 minutes you’d expect from looking at the map.
MOCA Bangkok
MOCA, by the way, has the most breast-obsessed permanent collection I’ve ever seen anywhere in the world. Well over 50% of the work on display features topless women, and I regret not taking more photographic evidence to prove it to you. But here are some paintings I saw plus the current special exhibition, Mammals, which was said to feature 1:4 scale models of animals, except the artist couldn’t resist adding human mammaries to each one for comparison.
The National Museum was thankfully a lot tamer, featuring Buddhist statues and unearthed ceramics that tell the story of Thailand’s history over the past few thousand years. These insane carved ivory tusks, though, I thought were worth sharing. They’re fairly recent, made in the 20th century by artisans from Myanmar.
Man, that Severance finale, eh? Woof.
Wait, I mentioned the shopping scene in Bangkok, but what did I actually come back with? A pair of jeans (that I could have bought back home, really), a Snoopy “Scenery Box” blind box that I first saw in Japan and have regretted not buying, and a MagSafe PopSocket from the current Peanuts Cherry Blossom series that is being featured in select countries’ Apple Stores right now.
I got busy with a little work for the first time in ages, helping Rob out with an interesting web project he’s taken on. Well, I say I’ve helped, but only he would know, and he’s too nice to tell me if I didn’t. It was a good experience in that I now know it’s not impossible to get going again quickly from zero; come to think of it, I did pretty much get thrown straight into it after my last sabbatical too. But I also know that sitting alone in my home office with nobody to collaborate with is not a lot of fun anymore.
Regular readers may recall that Michael (who, along with Yiwen, I sadly failed to meet up with in Tokyo despite having many weeks to do so) once told me that he’s probably never seen a cockroach in Japan. Well, they must follow me around or something, because I saw a dead one on the floor of the apartment building’s garbage sorting room just a few days into our trip. Now, after a few days back, I found a dead one at home. Measures have been taken, but my mental state is brittle glass. I got a quote for professional help (pest control, not psychiatry), and they want about S$900/year for peace of mind. I’m wavering. Maybe.
I thought I was done with travel for a while, but it looks like I’ll be going to Bangkok soon for (*small voice*) the first time in my life. Nobody can believe it when I say that because all Singaporeans are expected to love Thailand and to go shopping there several times a year or something. It suggests that I should be ashamed, like the time I went into a MOS Burger and declined chilli sauce with my fries, and the aunty (see, I am a local) asked incredulously, “No chilli? Are you a Singaporean?” Well ackshually! “I can’t tolerate proper spicy food, and I don’t see the point in flying to another hot and humid city!” — are reasons why I haven’t so far, but now I will, and I might love it. It’s just for a few days, and I’m under no obligation to deep-dive the city and make the most of it. There should be plenty of time for other visits if all goes well.
A couple of months ago, it was suggested that a couple of us friends should institute a regular dinner ritual because it’s too easy to withdraw and neglect relationships as you get old. I agree with this, and we’ve been doing it, but I still don’t know what fundamentally changes this with age. The easy explanation is more time being taken up by marriages and children and work and caregiving, coinciding with a decrease in overall social and physical energy. But there must be more to it. I used to think it was wild that my parents stopped going out to the movies, only visited the same few familiar restaurants and malls, and appeared to have a shrinking circle of concern. But now I’m here too. I used to know what was happening around town through some unconscious osmosis, but Orchard Road is an alien place whenever I pass through now. Perhaps it’s a decline in curiosity and, subsequently, neuroplasticity. We need to institute some rituals around that.
Media activity
Still reading The Satanic Verses. It’s disorienting, like swimming in viscous psychedelics. I said to my book club that it sometimes feels like watching Quantum Leap the way you, the reader, keep surfacing into new stories and identities and viewpoints — you break above the water, gasping just long enough to get your bearings on some new threads, and then you’re pulled under again. What an incredible achievement.
Not related at all, but man is Conclave an amazing film! Such a shame it didn’t pick up more Oscars. I enjoyed it so much I was hoping it would go longer than it did.
I put Jennie’s debut album on during a long train journey and while it was better than Lisa’s album (agree with that 5.2/10 Pitchfork review, btw), it was still kind of like an imitation of interesting pop music. I didn’t get the sense that Jennie is anyone, and that these were just some beats she’d curated from producers’ submissions.
Queued up directly after Ruby was BANKS’s new album, Off With Her Head, and I honestly FELT that transition. “Okay, this is getting good” soon turned into “oh, this is actually another album”. I know they’re not really in the same category (except for both having features from Doechii), but BANKS’s work sounded so much sharper, from the control of her voice to the quality of the production. So the Blackpink solo effort ranking still stands at Rose > Jennie > Lisa > Jisoo for me (with a wide gulf right in the middle).
Before diving into the deeper end of Japanese literature as previously mentioned, I thought I should warm up with at least one Haruki Murakami novel first. My gut said that it’d been maybe a year or two since the last one I’d read, but no, Goodreads informs me that I finished 1Q84 in May 2020! So I picked up Norwegian Wood from the library and finished it in a few days. I now want to watch the 2010 film adaptation because there’s so much spicy dialogue in this that I can’t imagine them using. Also, Rinko Kikuchi and Kiko Mizuhara play the two female leads, and that is the most 2010 Japanese casting ever.
My new Kobo Clara Color started acting up during this, freezing and needing to be rebooted, losing my current progress, and draining its battery rapidly overnight. I have a post from 2013 about how I fixed similar battery issues on my Kindle, and it’s one of the most visited pages on this site. Sadly, I didn’t find any tips online about battery problems with this Kobo model, so I just did a factory reset and things seem to be going okay so far. I suspect it has something to do with using Calibre to load EPUB files on it, if said files were not perfectly formatted.
My friend Cong is always saying Singapore lacks authentic Vietnamese food, specifically pho, but he recently found a place that he found good enough and that’s generous with the herbs and vegetables that are hard to find here. I went with him, Mavis, and Jose to check it out for lunch on Friday, and I can say that it was a fine bowl of noodles (but can’t speak to its authenticity). No gatekeeping; it’s called Lang Nuong 1980’s on Hamilton Road near Jalan Besar.
I’ve never put in the time to get good at shooting video and mastering all the techniques that go into making little films, so I rarely post video ‘stories’ on social media and vacations are only documented through stills in my photo library — isn’t it funny that we still call them photo libraries (e.g. iCloud Photo Library, Google Photos) even though they contain videos? This week I found myself experimenting a little with the form, thinking I might try to make myself what people used to call a “home movie” (before sharing your life with strangers was a thing) during my time in Japan.
When it comes to shooting footage, I’ve found Kino and Blackmagic Cam to be the best. They let you record 4K video in Apple Log, process the video in real-time using color-grading LUTs, and save them in a standard color space in compressed HEVC files. This is much better for almost anyone than using the default iPhone camera which saves Apple Log videos using ProRes, which results in massive files. I prefer Kino a little bit more because it includes a bunch of LUTs out of the box. It also has a more beginner-friendly UI, and takes care of most things automatically to get you more cinematic results.
One thing it doesn’t do, that I don’t think any app does, is use your location to influence your video settings. What do I mean? I may be oversimplifying, but here in Singapore (where PAL is the broadcast standard), you get flickering lights when shooting at the common 24/30 FPS speeds because our electricity grid operates at 50hz instead of 60hz. This causes lightbulbs to pulse at 100 times a second, and you see it happening at 24fps because 100 does not divide as cleanly by 24 as it does by 25. You can apparently counteract this through some combination of shutter speed/angle, but that’s beyond me. I just know I shot a bunch of footage at 24 FPS and there was flicker all over it. It’s 2025 and it sure would be nice if an app just knew what to do!
When it comes to editing, I played with a bunch of the most popular apps, including the super popular CapCut by ByteDance that I believe most IG/TikTok influencers use. It’s definitely a comprehensive tool, but wants you to pay a subscription for many of its most useful features — S$105.98/yr is a little steep for amateur dabblers like me imo.
I hadn’t fired up iMovie in a long while, and was surprised to discover a “Magic Movie” mode was added two years ago, and it’s not bad if you’re happy to give up fine-grained control. Just select a heap of clips, and it’ll string them together with a dynamic soundtrack (the music ends naturally when your video does), transitions, and a smattering of fonts and title styles you can choose from. Being a free Apple app, I think this is probably enough for most amateur dabblers… except it doesn’t support 9:16 videos. It’s an app for boomers.
That restriction probably won’t affect me as I intend to shoot my videos in traditional landscape orientation anyway, but it’s nice to have options. That’s when I discovered LightCut, a completely free Chinese app that looks suspiciously like CapCut and tries to opt you into a data-sharing program (you can say no, and also deny it Bluetooth permissions while you’re at it), but is otherwise a very attractive and powerful tool for the price! Like with CapCut’s paid AI features, it can drop your clips into suitable pre-made templates and make a pretty professional-looking video with little effort on your part. I think it’s a good alternative to iMovie if you need the flexibility of freely placing text on screen, adjusting the brightness/color of individual scenes, and so on.
On Wednesday, I decided to visit the National Gallery again and see the special exhibitions leaving next week. Here’s a low-effort “Magic Movie” of my visit, just a heap of random clips shot with Kino and assembled by iMovie. I finished the whole thing on my phone over a cup of tea at the café afterwards.
One thing I don’t like about being in a ‘video mode’ while walking around is that it takes you out of being in ‘photo mode’. I probably took just three photos that day, and don’t know if there’s any way around it except practice.
I still can’t decide what the best way to shoot photos on an iPhone is right now. I vacillate between shooting Bayer RAW with an app like Halide, shooting ProRAW with the Leica LUX app, ProRAW with the default camera app, and just embracing the iPhone’s “Photonic Engine” and getting 24MP HEIF files with the default camera app.
Bear with the neurosis, but as part of obsessing over the above question, I’ve been testing Nitro Photo, the new-ish pro photo editing app by former Apple Photo Apps group CTO Nik Bhatt. His last app was RAW Power, which I’ve owned for years but haven’t used that much, partly because I rarely shot RAW and partly because its UI is a little clunky. Nitro is a re-imagining of RAW Power, built from the ground up with modern frameworks and a redesigned UI. From a functional and technical perspective, I think it offers a level of control that no other app, short of Adobe Lightroom, does on iOS. Neither Darkroom nor the recently acquired-by-Apple Photomator have the ability to tune RAW/ProRAW images like Nitro. You can do things like adjust the tone mapping on ProRAW photos, for instance, to get a more natural look without Smart HDR effects, or control how the Apple RAW engine renders sharpness. I’ve ported over a few of my own presets over as LUTs, and am getting into it to the point that I might plonk down $100 and make it my main photo editor. The worst thing about it is still the UI, which I must stress is not bad; just a tad dated as touch UI conventions go. Darkroom is much more pleasant to use on a small screen, but the broken state of preset syncing there has really turned me off lately.
This is where you say, “But Brandon, if you shoot everything in ProRAW, doesn’t that take up a ton of storage? Especially if you don’t have an iPhone 16 Pro that can employ JPEG XL compression?” Well, yes, and that does bother me. So imagine my excitement when I discovered the NO RAW app, which claims to strip out the RAW data from photos that are RAW+JPEG bundles in the iOS file system, once you’re done with editing and know you won’t go back again. I knew deep down that it’s not possible for an app to do that on iOS, but had to pay S$3 to find out how it worked. The answer? It’s essentially a solution you can build on your own in Shortcuts.app: make a new copy of your image as a HEIC file (retaining metadata), and then delete the original bundled file. Boooo! My free HEIFer shortcut does exactly this, but for JPEGs. And NO RAW has the same “flaw” as my shortcut. Namely, that the correct chronological order will only be retained if you sort your photos by Date Captured. If you sort by Recently Added, then all of these former-RAW photos will appear at the bottom. I should have known, but I’ll still use NO RAW as it gets the job done and has a date picker UI that beats any shortcut, but I might update HEIFer to do the same if anyone wants it.
Media activity:
I finished watching the anime series Dead Dead Demon’s Dededede Destruction. I’d heard about it before, and then when Dandadan came out, I mistook it for this and only realized they were separate shows like many episodes later. They are eerily similar in name and synopsis: school kids dealing with an alien invasion. But Dededede is much less kinetic/comedic/wacky. 3.5/5 stars.
We finished Squid Game 2 and despite initially liking how it was handled, I got a little bored towards the end as the slow, dramatic deaths started to pile up. When will we get a third season, and will I care? Probably not.
I watched The Gleaners and I (2000) Because it’s leaving MUBI. It’s the kind of documentary you get when an experienced director picks up a novel tool (a digital video camera, in this case), and starts messing about around a topic that interests them. Here, Agnès Varda starts by interviewing people who still practice the lost art of gleaning — picking through recently harvested fields for uncollected produce — and ends up doing a cross-country investigation of waste and poverty. 4/5 stars.
I discovered the American YouTuber and illustrator Linh Truong aka @withlovelinh through a Japan travel/haul video she made last spring and found myself binging the last couple years of her content creator journey. She started doing vlogs in high school and has kept going with cozy life updates that interior decoration tips and other sorts of young adult life-hacking. She recently graduated from college, and it’s extremely sweet how many of her commenters say they’ve grown up with her over the years and are proud that she’s making it (1.2M subscribers and making sponsored content for Nintendo, Notion, et al).
Rainy season is reading season. After finishing There Is No Antimemetics Division for my book club, I also wrapped up Taylor Lorenz’s Extremely Online, which is sort of a brief history of social media and the influencer economy. I highly recommend the former for fans of SF stories involving time, unreliable memories, and the nature of reality; some members of the book club who are into Doctor Who likened it to that, but I wouldn’t know.
Then I decided to start getting into the mood for our holiday by reading some Japanese fiction. I began with Mieko Kawakami’s Heaven (a rough story about school bullying), which I thought would keep me occupied for a while, but before I knew it, I’d finished it along with Satoshi Yagisawa’s Days at the Morisaki Bookshop and More Days at the Morisaki Bookshop, two entries in the cozy Asian fiction wave dominating the local charts. Other entrants include Welcome to the Hyunam-Dong Bookshop and Before the Coffee Gets Cold by Hwang Bo-Reum and Toshikazu Kawaguchi, respectively. When the going gets tough, people start fantasizing about quitting their jobs and opening cafes or bookstores, and I think that explains the sudden popularity of this micro-genre. Incidentally, I bought a couple of these books for my mother on her recent birthday because I thought she’d enjoy the vibes, although already retired.
For the avoidance of doubt, all of the above books were three stars for me on Goodreads with the exception of Antimemetics, which got a 5-star rating. But the Morisaki Bookshop series makes reference to many great works of Japanese literature, and so I decided to try reading some Mishima on this trip. I’d read The Temple of the Golden Pavilion as a young adult, and it probably just glanced my frontal lobe at the time.
In a flash of pure coincidence soon after, I was scrolling through MUBI and came across Mishima: A Life in Four Chapters (1985) by Paul Schrader (who wrote Taxi Driver), an American Zoetrope biopic executive produced by George Lucas and Francis Ford Coppola. I watched it immediately, and it’s an incredible work of cinema — why isn’t this talked about more? It only covers the last phase of his life, up until his famous act of terrorism/suicide, which makes up only one of the four chapters. The other three are dramatizations of his work, literally staged on theatrical sets and shot with more care and inspiration than anything you could buy today with $100M in streaming service money.
In a further act of cosmic coincidence, I saw a Facebook post from Paul Schrader being shared on Twitter, having an AI moment of crisis when he found that ChatGPT outdoes him when prompted to provide “Paul Schrader script ideas”.
Writer of the legendary movie Taxi Driver is having an existential crisis about AI pic.twitter.com/5H89SWUKn9
Looking back on holiday photos from March 2023, I rediscovered my rediscovery of Hipstamatic, which had just launched its new subscription-based app at the time. Looking at those photos brings back fond memories; they are “ruined” in a good way — mundane everyday scenes somehow imprinted with the nostalgia of the moment through imperfect filters (it helps that I know that the original, normal photos lie underneath and can be accessed with a tap of the Revert button). My setup at the time was to use the Ricoh GR III as a main camera for all photos that needed to look good and accurate, and to reserve the iPhone + Hipstamatic for casual, silly snapshots. Otherwise, you have two tools competing for the same job. I’m now finding that idea attractive again, except both Hipstamatic apps are quite a pain to use, UI-wise.
I watched this video of “Best Apps in 2024” from the MKBHD Studio team, and decided to give Dazz Cam another try. It’s surprisingly powerful! Some of the vintage “cameras” you can choose from use RAW processes, and you can have it save both the original RAW file and the filtered results separately. So I may end up using this to “gimp” my iPhone rather than Hipstamatic. Plus, the subscription to unlock all its features is only $10/yr compared to Hipstamatic’s $40/yr. I don’t even think you need it as some of the free filters are good enough. I only wish it would use the underlying RAW and not the JPEG when importing an existing image from your library.
We had free tickets to the ART SG fair at the Marina Bay Sands over the weekend and dropped by for a quick look. It was crowded as hell and I was reminded why I don’t think these things are a great way for the general public to see art; it’s mostly a trade show geared towards buyers, and so the scale is too overwhelming for anything to really be appreciated. Not only that, but the selection this year didn’t really make much impact. I was looking out for more of the humor and playfulness I saw at the 2023 edition, something to make light and sense of the trauma we’ve normalized, but it was sorely lacking. I did like the pair in the featured image above, though, as they reminded me of some other works I’ve seen before, including the Act of Emotion digital series by Kelly Milligan.
Trump launched his own memecoin on Solana this weekend, days before the inauguration, and I believe it went up to a market cap of $70bn. That would qualify as a very funny and absurd art project, from ‘probably the greatest’ (scam) artist, if it wasn’t real and thereby depressing.
True to early January patterns in Singapore, it’s looking gloomy, rainy, and dare I say even a little bit chilly out there (lows of 22ºC). My memory of Chinese New Year each year, though, is that it’s always intolerably sunny and hot. So unless climate change has mucked that up, things will flip in a couple of weeks.
If you’re reading this on the web, you may notice the site sporting a refreshed design for the new year. This came out of a chat with Michael about tools for cross-posting to Bluesky and elsewhere. I said that it’s been a longstanding wish of mine to just post everything, including short “tweets”, here on WordPress and have them go out to social networks automatically. At which point I remembered that WordPress’s new annual theme was due out, and that’s what you’re looking at now: Twenty Twenty Five.
The basic architecture is the same, but there are several improvements that I’m happy about. For one, the home page now supports showing full posts, so you don’t have to tap through to read them. You can also hide page titles on specific pages, which I used to get around with a hack. The new default font (Manrope) isn’t bad, but I wasn’t happy with the line spacing and weights they chose, so those have been customized. Wordy bullet lists are also displayed in a more pleasing manner than before, which is great for these updates.
I moved some other components around to make more sense to me, but no one else will probably notice. I also took the opportunity to inject some classic sangsara.net yellow into the header, a callback to how this site looked 20 years ago. I literally had to go dig into my file backups to find a reference for the color code.
I’ll probably improve the About and Archive pages when I run out of other things to do.
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Have you ever started mentally packing your bags for a trip because it was too early to physically pack, but the anxiety of wanting to sort it out was getting too strong? That’s me now, and I’ve started to decide what devices and chargers I’ll need and how to organize them, and also what bags to bring for different purposes.
It’s at this point that I realized I’ve somehow become one of those “bag guys” — not so hardcore that I keep up with every new release from Peak or WaterField or côte&ciel, but more that I have way too many for a person who really stays in a lot.
A couple of days ago, I started seeing online mentions and reviews of the new S$40 Uniqlo ‘Multi Pocket Shoulder Bag’ and decided that it could beat Peak Design’s 10L Everyday Sling for carrying headphones, camera, Switch, iPad + keyboard, down jacket, and a bevy of other bits on the flight over. It’s lightweight, water-resistant, and so cheap as to be disposable/replaceable if damaged. It’s also structurally unassuming, and can be used for the “everyday carry” of just a few items if needed, whereas the Peak Design bag can’t flatten down on a crowded Tokyo train even if it’s mostly empty.
If the Uniqlo bag looks familiar, that’s because it’s a ‘dupe’ of a similar Porter bag that costs 20x more. I’m going out later today to pick one up, but can’t decide between boring black and ordinary olive. (Later: I went with black.)
A few more travel points:
I signed up for a YouTrip debit card and have frankly been impressed by how well the app/service works. I used to rely on my bank’s multi-currency account + card for overseas use, but it turns out that their exchange rates are awful compared to YouTrip’s, and even Wise and Revolut’s rates. YouTrip will exchange your SGD on-the-fly as needed, or you can exchange currencies ahead of time if you like the rate. My bank requires exchanging funds ahead of time, and if you don’t have enough to cover a purchase, the entire transaction defaults to SGD (incurring high fees), even if you have enough foreign currency to cover 99% of it. What are banks even good for?
With this, I sadly realized I could have been using YouTrip for every online USD purchase over the past few years, instead of my credit cards which come with 2–3% foreign currency transaction fees 💸.
I selected Saily for my eSIM needs (discount code for $3 off: BRANDO3576). It’s a new service by NordVPN, and 20GB of data in Japan currently costs $23 USD, which I of course paid with YouTrip. Being from NordVPN, it has a good app that lets you toggle ad/malware blocking on the server side, as well as spoofing your location via their network of IPs.
I tried to get an updated Covid vaccine and was denied by the GP because I didn’t fall into the risk categories (e.g. over 60 years of age). This was news to me, as I thought it was available to anyone who wanted it. The Ministry of Health’s website suggests as much, but now I’m annoyed enough by the back-and-forth that I won’t get one.
Many years ago when I was trying to learn basic Japanese, I found some free podcasts from JapanesePod101.com, and this week was surprised to find them still around, and active on YouTube. So I’m dedicating some time over the next few weeks to watching their videos and studying up on some vocabulary which may come in useful.
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I rewatched Tenet (2020) after hearing it was recently rereleased in IMAX theaters in the US, using the Vision Pro to recreate the large-screen experience at home. It was incredible, and the film was so much better than I’d remembered it. I rated it 3.5 stars on Letterboxd before, but I’ve now upgraded that to 4.5.
[Spoilers ahead] I read some other reviews that agreed ‘this film gets better with every viewing’, and I think it’s because you spend your first viewing trying to decode 1) what is going on, 2) how the time mechanic works, 3) what the next twist is going to be. Once those things are kind of understood, you can appreciate the craft and execution. How did they plan and stage those fight scenes, where one person is moving forward in time while the other is in reverse? And then taking that concept and applying it to driving, shootouts, and a whole bloody army? I don’t think I paid any attention to Kenneth Branagh the first time, or noticed how good Robert Pattinson really is, or the locations, or the madness of crashing a real airplane into a hangar. I was probably having a headache trying to understand catching a bullet with a gun.
I was looking through my archives to see what happened this time last year and found that I did a fun “music awards” post in late December, which I don’t have the energy for this time around. However, I can pick three personal favorites.
Song of the year: Not Like Us — Watching the Kendrick and Drake beef unfold in real time while on vacation in Hong Kong, waking up each morning to hear yet another song released while we slept, and then having this incredible, perfect banger drop at the end? It was a great time to be alive.
Album of the year: It’s a tie between Audrey Nuna’s TRENCH and Maggie Rogers’ Don’t Forget Me. Audrey stretched the fuck out of her sound in the most creative manner possible, to the point that Apple Music classifies the album not as Hip-Hop, but Indie Pop. Like a great Kanye album, it’s filled with little moments that anyone else would have turned into whole songs — this is an album of sonic riches and solid vibes. In contrast, Maggie’s is a streamlined, quickly recorded distillation of everything that makes her great, without extraneous electronic production or gimmicks. Just ten great songs with a band. I must have played it a dozen times when it came out.
A playlist
While I didn’t get around to making my customary “best of the year” playlist (usually titled Listening Remembering 20xx), I did finish compiling BLixTape #5, which is a bunch of songs I enjoyed between June and December. Taken along with the previous installment, it gives a similar picture, although not strictly made up of songs released in 2024.
Girl, so confusing featuring lorde — Charli xcx & Lorde
Eusexua — FKA twigs
We Are Making Out — Mura Masa & yeule
Scumbag — ROLE MODEL
Creatures in Heaven — Glass Animals
Petco — Cassandra Jenkins
In The Living Room — Maggie Rogers
Beaches — beabadoobee
So Glad You Made It — Fantastic Cat
Empty Spaces — Eliot Bronson
Our Town — Iris DeMent
Lately — Fiona Apple
Kaze Wo Atsumete — Happy End
Fear When You Fly — Cleo Sol
Wildfires — Sault
Darlin’ — Jean Dawson
This Is Who I Am (From “The Day of Tomorrow”) — Celeste
Free Fallin’ (feat. Kina Grannis) — Imaginary Future
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Japan, again
We got back from Langkawi on Monday and immediately started to stress about our upcoming trip to Japan, which has only been a foggy plan to hang out in Tokyo and eat a lot of curry rice, at least on my part. We’ve at least confirmed where we’re going to stay: a sort of serviced apartment unit that’s twice the size of a regular hotel room, for less money. How’s that possible? There’ll be no housekeeping, and the location isn’t as convenient as the hotel we were considering (but still within core Tokyo and walking distance to bus and train stations).
Since I don’t have any pressing need to return when Kim does, I plan on staying on a little longer on my own. Maybe another 10 days, which should be enough time to crawl every floor of Yodobashi Camera and drink my weight in highballs. Who am I kidding? It’ll be the middle of winter and I’ll probably stay in bed with my Switch and watch Japanese daytime TV.
People sometimes say it feels like I go to Japan a lot, but honestly it’s only every three years or so, on average. This will be the longest vacation of my life, and I’ll finally be like one of those people I’m always meeting who say unbelievable, envy-inducing things like, “I visit Tokyo three or four times a year, just to shop and eat”, and that casually tossed-out favorite: “Oh, I was just in Tokyo for a month”.
I’m looking forward to visiting the Tokyo Photographic Art Museum in Meguro, among many others. We gave it a miss the last time around, so it’s been at least six years since we visited. The same goes for the Tokyo Metropolitan Art Museum in Ueno, and the National Art Center, Tokyo.
Pure photographic exhibitions seem like a rarity here, so when we heard one was on now at the National Museum of Singapore, it became the plan for the second day of the new year. Amazônia, by Sebastião Salgado, is one of the best uses I’ve seen of the basement gallery space at the National Museum (usually turned into a linear maze with temporary walls). This time, it’s an open space with loose walls created by the photographs themselves. The show is a mix of these large, suspended landscape prints and smaller, intimate portraits of Amazonian tribes, some of them still living by their ancient ways and getting odd facial piercings that most modern-world deviants wouldn’t emulate.
Media Activity
We finished the second season of Shrinking, the lovable Apple TV+ series that probably does therapy more of a disservice than it intends to. Harrison Ford actually gives a shit here (unlike his other cash grabs), and it’s some of his best work. Recommended.
I saw two films involving (false?) choices behind doors.
Sliding Doors (1998) is a film I bought on a pirated VCD like 25 years ago and never got around to watching. I imagined it to be a slick 90s rom-com, but it comes in with slightly low-budget vibes. Maybe Gwyneth wasn’t a big star yet? There’s some slightly clumsy editing, and some shots don’t work. But you can feel the writer/director’s passion for this story coming through, and it’s an alright weekend film. 3 stars.
Heretic (2024) is the latest installment of Hugh Grant playing against rom-com type, and it seems to be an immensely popular career move. I largely enjoyed the film, which is part-horror, part-media history and religious lecture. That is, up until the ending. 2.5 stars.
It’s been a minute since I checked the National Gallery out, so I wasn’t sure what Peishan and I would find when we dropped by on Tuesday afternoon. Fortunately, there were some new SE Asian pieces either freshly out on rotation, or that I’d forgotten, and there was enough to see without having to shell out for the special exhibits.
There’s plenty of time to see them yet, as they don’t refresh things very often. I looked it up online later, and some of the stuff we saw will be on display for 3–4 more years. Apparently only 10% of the total collection (stored somewhere in Jurong) can be on display at any one time, so I don’t know why they rotate so infrequently. Show me more of the stuff before I die, dammit.
We went by because Peishan took the day off and we’d planned to have lunch nearby. It struck me that I haven’t been appreciating the privilege of my free time enough — I should be doing things like this on my own more often.
We saw a brilliant video artwork series of Thai farmers and villagers sitting on the ground out in the fields, contemplating large Western paintings set up in front of them, casually discussing what they saw. Just saying things like “The man is sleeping soundly. He looks happy because they’ve harvested so much food”. I wanted to stand there and watch it in its hour-long entirety when it struck me that there’s nothing stopping me from coming back another day to do that. To be one of those people who has a whole hour to spend sitting in front of one painting. So maybe I will!
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My mother-in-law (who has no stomach for violence or misery) came to stay with us for a couple of days, which meant that I could only watch the family-friendly movies from my collection and MUBI watchlist. We started with Charade (1963), a classic I can’t believe I’d never seen before. Audrey Hepburn was a phenomenon — utterly faultless and impossible to look away from. With Cary Grant we’ve got our modern day version in George Clooney, but I don’t know who could ever be like Audrey.
We also watched Futura (2021), an Italian docu-feature where young people across the country were interviewed about their hopes and dreams. To me, it only reinforced the idea of Europe in decline, and yet maybe that’s… okay? What’s so bad about living in the shadow of a greater civilization and inhabiting what’s left of their magnificent buildings. Someone’s gotta do it.
And then a movie that has been so hyped up by everyone who’s seen it that there was little chance it would live up: Paddington (2014). Nicolette, whose cats we also visited this week (see below), was a major promoter and reckons it’s a five-star film. I gave it 3.5 but plan to watch the sequel soon—I think it’ll fare better now that my expectations are properly calibrated.
I was left to my own questionable watchlist on Thursday and Friday, which meant seeing Festen (1998), the first official ‘Dogme 95’ film (painful in its overall ugliness); Ema (2019), a dance-centric exploration of fucked up families and urban frustration starring Gael García Bernal and Mariana Di Girolamo as two assholes who adopt a kid; and In the Fade (2017), a German revenge story with Diane Kruger avenging her son being blown to bits by modern-day Nazis.
The absolute standout film of the week was So Long, My Son (2019), a Chinese language film by Wang Xiaoshuai with a three-hour running time. It follows two families over a period of three decades, living with tragedy and being tossed around by the rapid, true-story evolution of Chinese society. I expected the time to pass slowly but everything was handled with such authenticity and emotional power that I hardly noticed.
On TV, we caught up on season 2 of Netflix’s Rhythm + Flow rap competition reality show, and none of the contestants are really standing out the way Flawless Real Talk and D-Smoke did in the first season. It looks like Netflix decided to cheap out and rush the audition process, basically only holding one in Atlanta whereas S1 held them in three cities. So it never feels like you’re seeing the very best talent the streets have to offer.
The main effect of watching the show so far has been an increased desire to play Kendrick Lamar’s new GNX album on repeat. It also made look up Old Man Saxon from S1, so was delighted to find that he released a new EP and single recently.
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It was Thanksgiving week in the US, and trust me I tried to find a Black Friday deal that I wanted to spend on, but the only things I’ve bought for myself on Amazon were cheap alkaline batteries from Japan (the Verbatim brand is alive and well there!) and several boxes of Yorkshire Gold tea.
It feels weird, spending hours online and hardly finding anything I want to buy. On Sunday we spent a few hours at the Paragon mall for some Christmas shopping and I found myself a new 6L Venture Sling by Bellroy. It was cheaper than the online Black Friday price, but only because they wanted S$16 for shipping.
I also considered this 4L Everything Sling from Moment, but I think it’s too small to be the Goldilocks bag I need. I have Uniqlo’s round mini shoulder bag like 98% of the world, but need something between that and a laptop messenger/backpack. Just enough to bring around some combination of e-reader, Switch, camera, power bank, umbrella, JisuLife fan, and water bottle.
The only things left might be digital game purchases that I might have time to play in December, such as Metaphor: ReFantazio, the latest masterpiece from the director of the Persona games, or Like a Dragon: Infinite Wealth.
While the Persona games are undeniable masterpieces, they’re also looooong. Sometimes it’s nice to just sit down and finish a game in one sitting, so that’s what I did with Thank Goodness You’re Here, which is published by Panic Inc. (Untitled Goose Game, Firewatch). It’s a cartoony comedic platformer set in Northern England, filled with authentic accents, dialects, and small-town imagery — what you’d expect from a British company named Coal Supper. I highly recommend it, especially if you can find it on sale during the holiday season.
People sometimes say that I’d make a good teacher if I ever tried it. I think good teachers are probably more patient than I am and love speaking in front of people a lot more than I do. But on reflection, those are both things I’ve gotten a little better at over the last decade, so maybe.
I got a little taste of it this week when I was given the chance to hear a class of college students make their final presentations for a design thinking course, and provide assistance in the assessment of their assignments. They were asked to identify a group with needs, understand them, and then design games that could be of help. They had to prototype and test their ideas before finalizing a working version. They all did pretty well, creating solutions that were surprisingly polished.
The general idea about deploying Generative AI tools in the workplace is that they don’t do much to enhance the work of already talented employees. But for the vast majority of average or below-average workers, LLMs elevate their productivity and quality of work to a consistently higher level, which is still a net positive for teams.
Apple’s current ad campaign for Apple Intelligence seems to take that tack too, resulting in a message that’s so far from the Macintosh’s promise of a “bicycle for the mind” that these ads are rightfully catching some flak. But in the classroom, I saw AI tools give students (with limited time and a lack of traditional design skills) the ability to execute their ideas at high fidelity. Making card games that look and feel almost like professional products, fully illustrated without the help of artists, is not something we could have pulled off when I was their age. I’m partly envious, but also afraid that on a wider scale, execution will be confused with education.
Earlier in the year, when I sat in on another class being taught by a friend, I was struck by how hard it is to control the chaos of a large room of modern students, and the same thing was true here. When you get over 40 laptop and iPad-equipped young adults in a room, having their attention is not a given. Side conversations are happening all the time, and listening to whoever’s speaking seems like a choice.
Maybe it was just my experience as an English student, but our class sizes were smaller, and discussions almost always followed a single track, led by a professor pacing around the room rather than anchored to a screen at the front. There were hardly any screens, come to think of it, just books and notepads. Now everyone’s on Figma, Canva, Miro, and a host of other infinite sheets of AI-enabled SaaS paper. I’m not saying we had it better, but I worry that the option to take things slowly and still excel is disappearing. When kids today say they’re stressed, it’s hard not to believe them, having seen the performative polish that’s now standard. We’re getting awfully close to expecting students to pop out fully formed and ready for the mines.
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Over the weekend, we decided to get our eyes tested at a Zeiss-approved optician’s, to order the official prescription inserts for Apple Vision Pro. This will let me use the device on days when I’m not wearing contact lenses. The need to have them on first has admittedly been only a very minor inconvenience, but now nothing will get in the way of hopping into the uh… spatialverse.
Of the three eye tests I’ve had this year, this was probably the most thorough one. The key seems to be patience (there’s that word again) on the part of the tester, in the sense that the testee should never feel hurried. They should be allowed to flip between options 1 and 2 as many times as they need to identify the sharpest and most comfortable images. As a result, I have a new prescription that shows my eyesight has slightly, but surely, deteriorated for the first time in over a decade.
My last test was in 2019, when I got my last pair of glasses from Zoff. Those were so comfortable that I stopped wearing contacts regularly and became a spectacles guy again. Now I wonder if wearing contacts actually helped arrest the decline of my eyes.
Anyway, armed with a new prescription and an appetite for vision correction, I went to the nearest Zoff outlet and ended up with a new pair of glasses. I learnt afterwards that the frames I chose were “trendy” and “perfectly suited for Gen Z styling”. Along with recent purchases of wide-leg pants and oversized tees, my fashion Bryan Johnsoning is complete.
Side note on Japanese express optical brands: I stopped considering Owndays because all their frames are small and narrow — they literally don’t have large options. Zoff at least stocks a few, and in general they overindex on “Boston” and “Wellington” shapes, so on both occasions I’ve been able to find something I like with almost no effort.
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Media activity
After taking a break for several months, I returned to Like a Dragon Gaiden: The Man Who Erased His Name on the PS5 and finished it. And this was a short game by Yakuza standards. I expected to feel pretty over the series by this point, but the emotional ending to Kaz’s story has got me quite excited to get started on the next game, Like a Dragon: Infinity Wealth, sooner rather than later.
I also returned to Luigi’s Mansion 3 on the Switch, which I started (and stopped) playing when I first got the console back in 2017. This game has just sat there for 6 years waiting for me to get back in, and all credit to Nintendo’s designers, it was stunningly easy to pick up where I left off.
There’s a ton of movies on MUBI due to leave in the next two weeks, so I started with Toni Erdmann (2016), which was nominated that year for the Palme d’Or. On the surface, it’s about a jokey dad whose daughter has become a miserable management consultant, and he decides she/they are not doing so well and could use a little cheering up. And yet as a film it was like nothing I’ve ever seen before: I laughed, I cried, I was bewildered. It’s simply art. 4.5 stars.
Another film that is leaving is a 2011 documentary by the late Austrian filmmaker Michael Glawogger, Whore’s Glory, which examined the lives of sex workers in Thailand, Bangladesh, and Mexico. The film’s biggest problem is its inappropriately “cool” millennial-era Western music soundtrack featuring Cocorosie, Tricky, and PJ Harvey. My 3.5-star Letterboxd review: “If anyone asks why I look sad, from now on my answer is ‘I saw Whore’s Glory back in 2024’.”
I haven’t held space to experience the new suddenly released Kendrick Lamar album, GNX, the way it deserves. Hopefully by next weekend.
Kim Deal of the Pixies has a new album out at the age of 63 and I quite like it. It’s called Nobody Loves You More.
I discovered a Japanese singer by the name of Kaneko Ayano while looking for artists with a similar sound to Happy End. She has an awesome ‘gimmick’ where every album is recorded and released in two different ways: acoustic and with a full band.
But for the song/video of the week, it’s Hanumankind’s Big Dawgs. I was listening to Apple Music 1 when it came on, and had to look it up immediately. He’s an Indian rapper from Kerala by way of Texas, and he’s just broken out now with this song after years of making music. His lyrical game is considerable, and as evidence I offer the existence of a YouTube comment calling him “Lendrick Kumar”.
I’m also embedding an older video I like, a freestyle performance, and a recent interview on Apple Music where it’s clear he’s an articulate and very driven young musician who’s going to be huge.
sangsara.net 