According to the Been Outside app I started using last week, I’ve been out of the house for a total of 34 hours. That seems like too much if you ask me.
Zane Lowe has an in-depth interview series on Apple Music that I’ve never watched before, until a clip with Damon Albarn started going viral (that term feels so old). In it, Damon demonstrates how almost the entire backing track of the Gorillaz’s single Clint Eastwood was lifted from a demo preset on his Omnichord plastic keyboard. You can see that moment and the whole interview here on YouTube. The show is not so easy to find in Apple Music’s app itself. It’s filed under “Radio”, and if you go to the Gorillaz artist page, it’s not shown with the other music videos, but through a separate tile for “The Zane Lowe Interview” which looks like it could be an audio podcast, but it’s actually video.
Anyway I’m usually not too excited about Gorillaz releases and I don’t think I’ve made it through one of their albums in years, but the interview made me curious about this latest one, Cracker Island, and it’s alright! Skinny Ape stood out on my last listen through.
This week also saw the release of the 20th anniversary edition of Jesse Malin’s The Fine Art of Self Destruction, which I’ve been waiting months for. On top of the original album, he’s recorded new versions of some songs, but sadly not all. I’d expected all-new interpretations of the whole suite, but well, maybe that didn’t make sense without a coherent theme to approach them with.
I’ve been on the waitlist for Artifact, the news app from the founders of Instagram, and in a nice surprise this week, they opened it up to everyone. It’s basically a successor to Flipboard, without the flipping, and with magic AI dust sprinkled on top of it to attract buyers? Too cynical? I don’t have a great way to surface personalized news at the moment since I’ve cut back on my Twitter use, so I’m hoping this fills the gap.
Back in the 90s when Event Horizon came out in theaters, I was too afraid to see it. It was billed as an extreme sci-fi horror film with demonic themes and mutilation, and I was probably like NOPE! I saw a screenshot of it a few months ago that made me want to download and see it, but I only got around to it now. Time has reduced it to (or maybe it always was) a campy, schlocky, gory fun afternoon watch that’s more a 90s CD-ROM FMV game than anything, but the design of the ill-fated spaceship’s interiors is seriously god-tier work. It evokes so much NOPE at a glance: Ancient Evil glyphs etched into walls, steel pillars with tight tiling like a prison bathhouse, and a rotating mechanical gateway to hell that is definitely not good news. 3.5/5 at best.
Whenever I see a movie, I try to log it on Letterboxd, which is like a Goodreads for films. Now I’m happy to have discovered Marathon, which is like a Letterboxd for television. It’s a good looking app and if a show has enough viewers, you can see their ratings not only for entire seasons but individual episodes. If nothing else, it’s a useful way to keep track of what you’ve seen, need to finish seeing, and how much time you’ve spent on shows. You can find me on all these services as “sangsara”, I think.
Setting up Marathon helped me remember we were halfway through For All Mankind on Apple TV+ and need to get back into it. We also started on the latest season of You on Netflix, which managed to be more terrible than ever and yet still left me interested enough to keep going at the end of episode 1.
Alright! We kept things short this week. Not a lot of Midjourneying done but I’ve got a couple to see you off.
Sleeping in the cloudsBoss Baby BoomerInspired by Jewel Changi Airport
Tl;dr: I moved to a new Mastodon server and signed up for a fun omg.lol account. Plus some thoughts on AI after playing around with ChatGPT this week.
The operator of my queer-friendly, anti-Nazi Mastodon server (mastodon.lol) decided to shut it down after receiving too much hate and harassment. I don’t blame him for prioritizing his own safety and peace, and any disappointment is aimed at humanity in general. But this episode highlights the problems with Mastodon that I’ve been thinking about since adopting it. Namely, ground-up decentralization creates weaker nodes, and the UX friction of asking new users to choose a great first server that they can stick with for life. I joined mastodon.lol a scant three months ago!
I also only found out about the shutdown by pure luck, chancing upon his announcement toot as I scrolled the timeline. We have three months before it goes offline. Without a sorting algorithm and/or the time to read every single post, it’s more likely people are going to miss the message than see it.
My new address is @sangsara@social.lol, a paid Mastodon instance run by the omg.lol service which I learned about from Michael who also uses it. If you were already following me, you should have been automatically shifted to the new address. But migration on Mastodon doesn’t carry over posts, only followers and bookmarks, so my 67 entries will be wiped when the old server shuts down.
I could have gone with one of the big, semi-official servers like mastodon.social or mastodon.online, but as soon as I started exploring omg.lol, I kinda fell in love with its idea of a scrappy nerdy community built around a series of web tools. I used to buy silly domains and dream about turning them into useful services — but lacked all of the skills and vision to actually pull it off. But here for $20/yr, you get a bunch of things riding off that great domain name: a personal web address with a profile page, an email address, a blogging service and /now page if you want, a statuslog service, pastebin, a permanent URL tool, access to their IRC/Discord server, and now, Mastodon.
Based on this experience, I also decided it was time to redesign the About page here, which is my one true profile page on the web.
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I had a conversation late last week about generative AI and how it can steal many creative jobs away, but also increase access to higher quality creative work. It reminded me of that Steve Jobs interview where he said the way we “ratchet up our species is to take the best and to spread it around to everybody, so everybody grows up with better things”. If you put copyright and capitalism aside for a minute, because illegally trained AI leads to a sort of creative socialism, you can imagine how this plays out. There’s a ton of top-notch, high-budget creative work out there, but it’s not evenly distributed. What happens when any dive bar can have a Wednesday night promotions poster on the front door that looks like it was designed by TBWA? There will be a chaotic leveling and raising of all boats, and then any humans left standing and still able to think will figure out what’s next.
ChatGPT has gone incredibly mainstream in a short time, and while I’m usually one of the first in line to try this sort of thing, that wasn’t the case here. I read about it, saw the screenshots shared online, but never actually signed up to try it myself until this week. I was too engrossed in the imaging/Midjourney side of things, and maybe some part of me that identifies as a copywriter knew that this was going to be a threat and I wasn’t in a hurry to face it.
Now that I’ve played with it, though, including some amusing and convincing conversations about the nature of design and intelligence, I’m more excited and concerned than ever. It’s not only that generative AI tools will replace skilled human jobs and force a rethink of ethics, ownership, and labor in society — it’s that we’re not ready for the pace at which it will happen. We have not had the time and space to discuss this as communities, families, and countries.
Text runs the world, and a text genie is squeezing its way out of the bottle. Legal documents, performance reviews, applications for access, convincing arguments for sales and solutions, and professional emails (that are now just a style to be applied to quick bullet points) will be passed off and leveled off. And those are just the use cases I’ve tried this week! Powerful tools are being put into untrained hands overnight, and as we’ve been hearing everywhere, companies are rushing to irreversibly build them into the digital engines that run everything. From search and Microsoft Office to project management and customer service. Some of it is safe and logical, and some could do with a little more thought.
I did get a kick out of David Guetta’s enthusiasm, though. There is so much potential here for fun and creativity, if you’re also the kind of guy who can give an unironic shoutout to a murdered man’s family.
One of the things I “trained” ChatGPT to do in one long session was help me to write better Midjourney prompts. Here’s a series we made of objects that look the way they sound. It was a difficult challenge to attempt, requiring an understanding of abstract synesthesia that was beyond either AI, but I’m not too upset about the results.
Media:
If you can separate the art from the artist, Ryan Adams has yet another new album out. This one is a track-by-track cover of Blood on the Tracks (Apple Music), kinda like what he did with Taylor Swift’s 1989.
We are caught up to episode 5 of The Last of Us and it’s strikingly good. Jose asked if I noticed a key character in episode 3 was also the hotel manager in season 1 of The White Lotus and I had not. When they say an actor disappears into their role, I suppose this is what they mean.
I got started on Persona 5 Royal (Switch). I played the original version on the PS4 and abandoned it maybe three or more years ago, blaming a lack of time in front of the TV and the non-portable nature of the experience. No excuses now. Except… I have put it on hold after the tutorial because I’m not sure I want to spend the next 60 hours on this just yet. It’s a young person’s game and I need something a little more casual.
Despite probably seeing The Third Man many times over the years, I don’t remember it clearly at all. Here’s my Letterboxd review: “I have probably tried to see this film about three or four times. Tonight I succeeded, and it is the sum of all previous attempts, including vague memories of staying awake in film class in university. What a strange and meandering film, with intriguing technical aspects and unexpected emotional depth, and an ending scene for the ages. I thought four stars but I’ll be damned if I didn’t give it all five.” It has only strengthened my resolve to see more old folks and read more old books. This foray into the contemporary over the past decade has been a waste of time!
Do you think Seth MacFarlane has modeled himself on Orson Welles in some ways?! There’s a physical resemblance + the multihyphenatism.
I saw Black Panther: Wakanda Forever. What a crock of shit.
We got our fourth vaccine shots today. Based on historical results, I’m going to be ill tomorrow and she’ll be fine. It’s been about four hours and I’m already feeling a little lightheaded and tired.
It feels like it’s been raining here almost continuously since late December — dark all the time, and practically every day we get storms that last most of the day or night. And so it feels unusually cool and damp indoors, and our dehumidifiers have been working overtime to get clothes dry and keep mold at bay.
This Chinese/Lunar New Year period is often associated with blazing, cloudless skies, and sweating through one’s new red clothes while shuttling around to visit relatives, which makes this year an outlier. And it’s not just me saying it! Several taxi drivers have used this observation as a conversation starter these past few weeks.
And every year, there’s an outsized “Hong Bao” lottery draw that generates long queues at betting outlets. I bought a single ticket for fun while in a convenience store one night, and in the process of getting the link above have discovered that I’m sadly not one of the three winners of the S$12M prize. Or a consolation prize, even.
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I generated some cityscape illustrations using a mix of anime and artwork keywords with Midjourney (no artist names), and got some surprisingly great compositions — good enough that I’m using one of them as my phone’s wallpaper now. And then just to mix things up, I asked it to put Godzilla in the cities, and that actually worked.
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TV We finished all 10 episodes of Echo 3 on Apple TV+, a quasi-action series involving a group of special forces types conducting some personal business in Columbia. It’s not a straightforward, fast-moving Jack Ryan sort of show, although it could have been. Its typographic title styles actually reminded me of 80s-era Golan–Globus films — a look and feel and attitude I wish Hollywood would unironically revive. But no, Echo 3 has arthouse ambitions and slows things down with gauzy dream images, flashbacks, and psychologically troubled characters. Which I can’t say I cared that much for! 3/5
We’ve now been subscribed to HBO for a full week and only started using it yesterday. The Last of Us is good television after all, not leaning too much on the game beyond key pieces. My main complaint so far is that shots of the wider world look too much like how I remember the game: CGI rather than realism.
Something odd is happening here in terms of anime licensing. SPY×FAMILY started out on Netflix, then new episodes appeared simultaneously on Amazon Prime Video. I thought this title sharing was a weird one-off, but now Chainsaw Man is no longer on Prime Video only; it’s also on Netflix. If only this disruption of exclusivity happened more so we didn’t have to subscribe to every service.
Incidentally, I finished Chainsaw Man despite not really having any appetite for demon-hunting stories — this one is wild, weird, and really well done.
Music Speaking of strange behavior, I discovered the #youngstar playlist on Apple Music at some point last year and enjoyed its focus: emerging J-Pop acts that have gained traction first on alternative channels like YouTube and TikTok. But when I checked it out today, I found an international version of the playlist, with English songs only.
Checking in with Michael, I realized some localizing or geofencing was afoot because he still saw the Japanese version (with a US account, in Japan). Highly annoying that we aren’t given a choice which version we see; is it so difficult to just publish separate playlists like “#youngstar (Japan)”, “#youngstar (International)”? So we’ve done that, manually, for anyone else who wants them. You can send us the checks, Tim.
The English-language #youngstar playlist still shows up on the J-Pop category page as a relevant item. I want to fix this, call me.
Singling out one song off the Japanese playlist, I enjoyed XG’s Shooting Star and then found myself sucked into their YouTube channel for awhile. For a group that’s only put out about four full songs, they have a ton of content, from training sessions and mixtape-style demos to random behind-the-scenes videos like one where two members practice a rap segment for about seven minutes. The polish on the Shooting Star video reminds me of early Blackpink, and I think these girls are going to be huge (they have 1.1M YouTube subscribers now). It helps that they sing in English, Japanese, and Korean. How do you even source talent like that, and seven of them? Headhunters and recruiters in every other industry need to learn from the music business.
This post is delayed on account of the Lunar New Year weekend; hope you had a good one if you celebrate!
After two years of restrictions and fear (not to mention peace and quiet), we returned to the old chaos with a few family gatherings and house visits. Unfortunately, one of my favorite parts of the whole thing, a large reunion dinner on the Eve with some of our most senior relatives, was still off the table on account of their mounting health issues. I wonder if we’ll ever get a chance to see everyone on that side of the family all together again.
I brought my GR III out to capture some of these moments, and fortunately Ricoh released their previously mentioned new Diary Edition model just the day before, which meant the firmware update for older models to get their new Negative film-inspired “Image Control” mode was also released. After some experimentation, I’ve settled on these settings: Saturation +1, High Key +2, Contrast +1, Shadow Exposure -1. Am looking forward to using it for more everyday snaps in 2023.
While hanging around with some relatives in the afternoon of Day 1, a few of us downloaded the Dimensional personality test app and began answering its slew of profiling questions to compare our toxic traits, love languages, and all that. It co-opts a bunch of well-known existing frameworks like the MBTI and so on into one gigantic pile of traits. Does that constitute a unique and proprietary offering? I don’t know, but it’s fun enough and free. Be warned, completing all available questions can take over an hour.
Speaking of apps, my advance pick for 2023’s game of the year launched this week on Apple Arcade: Pocket Card Jockey Ride On. It’s a remake of the Nintendo 3DS eShop exclusive now fixed up with better graphics and subtle gameplay tweaks. If you never played the original, do yourself a favor and give it a try. It’s an addictive solitaire-based game; the main downside (for me) is it’s time-based and needs some concentration and so isn’t something you can play while in a noisy environment.
My Mastodon use has fallen off a little. I actually prefer Twitter’s algorithmic timeline to a chronological one because I tend to follow too many people to keep up, and need some help sifting out the “best” content from the rest. Mastodon is beginning to give me the uncomfortable feeling of a full inbox, but perhaps I should simply follow fewer people.
The general rule around here is to avoid talking about work — although it is usually such a big cost center for my time — but we had a new colleague relocate from Shanghai, and it was nice welcoming them to town and having a couple of impromptu beers on a weekday night.
Last episode, I mentioned seeing some Tezos NFT art at Singapore Art Week. Well I came across one of the pieces for sale (entitled D-909 Groove Arcade) and decided to go through the trouble of creating a Tezos wallet and getting some funds in so I could buy it. It’s one edition out of 167, and so was only like USD$20, but I’m super happy to have it. Can art be absolutely adorable and funky at the same time? Provably yes!
D-909 Groove Arcade
I also continued generating non-existent videogame screenshots using Midjourney, expanding the fictional timeline to include modern-day remakes of old games. I should spend more time pushing this idea further but so far I’ve only done it in spare moments or when I should really be doing something else.
Civilization: Flat EarthDuck Hunt Remake, PS4 (2018)Drone Hunt, NES (1984)Theme Hospital: COVID EditionNeed For Speed: Self-Driving Edition
Everything But The Girl is back after what feels like decades, and the video for their new single is an incredible piece of choreography and one-take execution. I could only think of the immense pressure on each person not to fuck up. Dimensional seems to concur, reporting that my main motivation is Security.