Categories
General Photos

For some reason I kept calling him Sun Yet Sun

Uptime report

After not going on vacation or any breaks all year in 2019 (poor me, I know), I’m now coming off about three weeks of leave that began around Christmas. We spent some time in Taiwan, my first visit, and then I’ve been mostly chilling out on the couch absorbing a good measure of reading material, films both good and terrible, and games from the infinite backlog. I often dream of living out this life for an extended period — half a year at the very least, going past the point of crushing boredom and beyond, hoping to transcend such ideas and just tip over into blissfully inert hikkikomorish life — but now I think it’s unlikely to ever happen.

The closest I ever came was a period of freelancing over a decade ago, when I’d sometimes feel quite content with my modest bank account and calculate how it could be stretched for months if I just cut down on everything and went into a sort of social and nutritional hibernation. It was pre-Netflix, but I was living that life anyway, drowning in film and anime day and night. I think I did a much better job of being an employment refusenik then; I would probably freak out today if I was staring at a life of baked beans across the balance sheet. Deliveroo makes you soft.

So although I’ve not yet had enough of the leisurely, solitary life this time around, I think the inactivity has been getting to me. I’ve not done nothing, but this capitalist world has some part of me convinced otherwise because it’s creeping up in the unusual form of mini anxiety attacks: a sort of waking nightmare state in which I’m certain I’ve forgotten how to do things I took for granted when the momentum of routine life was behind them, “simple” things like leaving the house, speaking to other people, and remembering how to do my job.

I suppose I have a low-grade case of cabin fever. Or maybe just real fever. In the last couple of days I’ve found myself breaking out into a sweat apropos of nothing. Let’s see if I make it to the weekend.

Taiwan

I was told by several people to expect a Chinese version of Tokyo, which I disagree with although I can understand where they were coming from. Taipei’s restaurants, cocktail bars, convenience stores, etc. do take cues from their Japanese cousins, and there’s a non-coincidental reverence for the Japanese way there if I’m not mistaken. But it’s ultimately its own thing, and if Taiwan had a Merlion-like symbol, only more tangible and actually useful, it would be their night markets, frequented by both tourists and locals from what I saw. They’re not really for me — every 10 meters, I’d be hit by the smell of stinky tofu and it just ruined my appetite — but hey I get the appeal of the whole thing.

What did work for me was the hot pots. I’ve always been of the opinion that shabu-shabu is the one true hot pot, and couldn’t see the appeal of Hai Di Lao and its ilk in Singapore… but now after having been to Wulao in Taipei, I think I’m ready to accept that a Chinese incarnation of hot pot can be amazing.

I also took a bunch of photos with my neglected Fujifilm X100T, easily more than four years old now. It’s still a champ, and the lovely JPEG film simulations meant I could decide to spend very little time on edits and just let them do the work. Apart from the very slow autofocus, there’s a case to be made that no one really needs the new X100V iteration rumored to be launched next month. So I tell myself. The nice thing about being a naturally nervous freak having newer cameras and then bringing an older one out is how casual and carefree it lets me be. Bumps and scrapes don’t have to be big deals.

I only reached for the iPhone 11 Pro when it was dead dark (an f2 lens and APS-C sensor are still no match for Night Mode), raining (iPhones are better weather-sealed than almost any camera), or there wasn’t time to fumble the Fuji out of my bag (pocket beats shoulder strap). When you put it that way, the iPhone seems insanely hard to beat, but the Proper Camera was still noticeably better in many ways. In hard sunlight, my phones have always struggled with overexposure, with blown highlights and grittiness in the details even when you manually stop down. This year’s crop aren’t much of an improvement there, even with Smart HDR. So… here are some photos, most of them from the Fuji.

Categories
General Photos

Tasmania, April 2018

I knew nothing about Tasmania before setting off; not even that it’s a whole separate island from mainland Australia. My schedule leading up to the trip was too busy for me to even think about it, let alone look it up on a map. Because everything had been planned by my in-laws, I just had to show up. All I knew was that I’d probably get a few good landscape photos out of it, and be horrified by the lack of fast internet access.

On the first point, it turned out to be quite a beautiful place indeed, if not very convenient to get around. You’re in for hours of driving between small towns if you want to visit the main attractions, and some of the windy roads literally border on death traps—you can slip down the side of a mountain with a swerve.

Categories
General Photos

Autumn in Japan, and some observations

We paid Tokyo and Osaka a visit last fall, following up on my life’s goal of visiting Japan at least once every two years, and nothing disappointed — not the food, people, weather, galleries, nor multi-storey complexes designed to make me buy media and electronics. As Craig Mod alluded to recently on Twitter, Tokyo is a place that fulfills the city’s promise as a tool for human life.

https://twitter.com/craigmod/status/951372392986681344

The thing I love about its density and intensity is how that translates into support for all manner of subcultures and obscure hobbies. Today, you can barely find a functioning and interesting bookstore in Singapore, while in Tokyo it’s not just bookstores that thrive. One can wander into massive stores selling model train and forest diorama-building supplies, or records curated from a specific period, or vintage camera parts emporiums. We’re not large enough to incubate that kind of diversity, and the city dweller’s life suffers for it.

The retail industry in Singapore is in decline, or so the news outlets tell us every day. I wonder if they ring the same alarm bells in Japan. Online shopping and its infinite inventory can fill the gap a brick & mortar apocalypse would leave behind, but digital ~~replaces~~ overwrites our collective memory of browsing and inspecting these items in a physical space. I think it’s really important we don’t lose that, because, as one of my company’s founders is fond of saying, technology might change fast but people fundamentally don’t.

Categories
General Photos

Melbourne, June 2017

In the midst of a busy June, between jobs and dealing with a massive electrical wiring failure where we live, there was time for a week in Melbourne where it’s currently winter. Being one of the few places in the world where it’s cool right now may have had something to do with that decision. As much as I love Japan, there isn’t enough curry rice or fresh sushi in the country to make another summer visit worthwhile.

I’d decided before leaving to only shoot in B&W, but just couldn’t keep it up after a few photos. The warm, fall-like colors and architectural textures just sort of demand it. Also, I had new VSCO Film X filters (Kodak Gold 200!) to play with. I’ve found myself really enjoying shooting RAW on iPhone and stretching the dynamic range. Along the way, I noticed that I’d pretty much stopped using the iPhone 7 Plus’s Depth Effect after the first few months. I’m not sure why that is. I guess it’s not very accessible or prominent in the UI? Ideally, it would behave like Auto HDR and just capture both normal and edited stills when you’re using the tele lens.

We didn’t really have time to do anything out of the ordinary. A few exhibitions here and there, a couple of bars, some coffee, and visiting friends. But it was the right kind of city for the break I needed. In particular, rediscovering the joy of bookstores! The book retail scene in Singapore is at its lowest point ever now, with the only large chain left being Kinokuniya, and small bookstores with deliberately curated and stimulating selections are simply non-existent. I bought a couple of interesting books, and then promptly loaded up ebook versions on my phone for convenience. I can’t deal with the hassle of paper products, but I really like the store experience.

1FEB5416-7EC8-48B8-9F68-B3C1FCAB66D7_result1D224E16-8FEB-47D1-B3C5-D057298F7BB7_result4D11C488-8833-4DC1-8B3A-6EA7F3BB44A1_result5739CE05-CEF8-4585-B235-01F787265572_result0AB0E3B2-143A-455E-95D1-10D52508BA98_result1DBA5D16-BF2D-4C26-9AB3-074369346A99_result0F55D819-0BDD-4F4C-A636-A7B671548A8A_result8AF66874-DB85-427D-8AB6-EE653FAA3642_result40B61A94-B776-4FF4-9454-1A878B106574_result9A6013D7-31B5-4521-A5EB-917FC7D2F93D_resultE4E48366-A30D-456C-9BAF-E2B928162DEE_result01D221B3-6E5F-4EAC-B291-6530B7821902_resultD453E4BA-8E15-427A-B672-48FE26F5342D_resultA9688224-9595-4627-92D3-52496683227E_result8566B631-CD52-4B83-AF69-F3218D694DC3_resultB53CECEC-AA82-4C47-A85D-5A2B26BFB185_result

Categories
General Photos

31 Days of Black & White

I spent the month of January shooting photos only in black and white. Not just the ones I posted on Instagram, but everything in my camera roll got converted and saved in black and white. When I scroll through my timeline in the future, this block of 60 or so shots is going to stand out.

I got the idea from @espresso on Twitter who shot monochrome photos for the entire year of 2015. That’s dedication. It only came to my attention in December when he started mentioning how much he looked forward to color again in the new year. You can see his Storehouse collection of photos here.

It was absolutely worth it. You can always learn a lot in any creative endeavor by putting restrictions in place; I think because it’s too easy to try to grow in many ways at once, especially when taking photos, you can go from landscapes to close ups to street scenes in a single day, and play with a dozen photo processes and apps at a time. Taking away some options can make you focus long enough in one direction to notice something new. Taking color away immediately makes you think about lines and composition and texture. All the habits you’ve formed around what looks interesting and when to raise your camera are rendered unreliable, and you’re made to look at everything through new criteria that you’re forming through practice.

It reminds you that the absence of color is actually a powerful tool that has gotten too closely associated with making statements or establishing mood. It’s a legitimate way of directing attention, and a different set of skills when doing post-processing. And it frees you up from taking photos of every meal, because it’s quickly apparent that most won’t turn out very appetizing.

If anything, a month might be too little time, especially with the demands of work and other hobbies. Now that it’s over, I intend to keep doing it, maybe at a 1:3 ratio with color photos.

Everyone should try it out some time (with the #bwchallenge hashtag). I highly recommend the Darkroom app, as always, because it gives you a ton of control over how tones are converted and shifted, going beyond the emulation of simple color lens filters.

Also check out my friend Cong’s feed, who did the challenge with me and stuck with it even through a trip to Osaka, which took some guts.

Edit: Forgot to add an observation. A lot of these photos were taken with my iPhone, and I found that turning a photo black and white negates the weaknesses of small smartphone sensors. Noise and muddy colors in dark scenes are no big deal, and the quality of available light (in gradations) seems to increase when you combine the color channels.

   
    
    
    
    
    
    
    
    
    
    
   

Categories
General Photos

First Photos From a Fujifilm X100T

I was in the market for a Sony RX1R because I’d heard that the price had come down to as low as $2,400 SGD at third-party retailers, whereas Sony’s own retail stores still sells them for about $3,800. I know that’s a lot of money for a fixed-lens camera, but it was intriguing. I bought a Ricoh GR earlier this year as a birthday present to myself, and have only used it sparingly. The guilt! How could I justify a camera for Christmas too?

This particular fit of consumer madness began when a friend started looking at the new model, confusingly named the Sony RX1RII, or RX1Rm2, and which costs $5,000, for his own needs (isn’t that how it always starts?). He eventually decided to go even further upmarket with a Leica, but that’s a different story.

In the end, I hesitated too long because of the asking price and the unbearable judgment of my already adequate camera shelf, and discovered earlier this week that the older RX1R was no longer available at every third-party camera store I called and visited. My guess is Sony wanted better control of the price, and to remove competition for the new $5,000 model. It’s better, but it’s not $2,600 better.

So after a bit more research and the use of a friend’s Fujifilm X100S for a few days, I got the beautiful X100T you see above. It’s nearly a thousand dollars cheaper than the Sony would have been. It’s not a fair comparison because the sensor is APS-C sized instead of full frame, but its 35mm prime lens barrel is a lot shorter and less conspicuous as a result. Fuji’s color reproduction and JPEG quality is also quite lovely, and I’m happy with the way things look straight out of the camera. I often find the Ricoh GR series’ 28mm field of view too wide for most purposes, and with many other compacts now starting at 24mm (like Sony’s RX100), it feels great to finally shoot with The Standard.

A quick recap of the specs, if you have the time:

  • Fixed 35mm f2 Fujinon lens
  • 16mp CMOS sensor with phase detection autofocus
  • An integrated hybrid viewfinder that switches from optical to electronic with the flick of a switch (only the new RX1R has an EVF)
  • Built-in WiFI for transferring photos to a smartphone via Fuji’s barely functional app
  • Software emulation of Fujifilm’s classic film stocks (perhaps more in name than reality): Provia, Velvia, and Astia
  • A little bigger than the RX1R, although more compact on the whole thanks to a smaller lens
  • An ND filter and electronic shutter mode for really fast captures in bright light

Here are some shots from a photo walk I took yesterday, which happened to coincide with the Hello Kitty Fun Run. I never knew it was such a big deal. Two observations: Having a camera around your neck makes you more liable to be asked to take someone’s photo, and if people notice you pointing one in their direction, they’re more likely to flash you a peace sign.

img_2680img_2672img_2673img_2658img_2655img_2660img_2707img_2705img_2711img_2689img_2701img_2727img_2686img_2685img_2716img_2719img_2721img_2733img_2723img_2706