Tag: Singapore

  • Week 24.24

    Week 24.24

    ✅ Saw Seinfeld live

    His 2024 tour had just one Asian stop, here, before heading to several Australian cities. We decided to splurge on S$300 tickets late last year for the one-night-only show on June 14. After all, when are you ever going to see Jerry Seinfeld again? It’s a once-in-a-lifetime, bucket list opportunity.

    And he was pretty good! I can’t believe he’s 70 and still working the circuit. Although the face says he’s aged, the material suggests he’s still the same unserious, childish complainer we love. Some bits on modern subjects like AI and smartphone addiction screamed ‘boomer!’, but his timeless takes on marriage, the lack of innovation at the Sun-Maid Raisin Company, and putting old dish sponges out of their misery, were solid gold.

    ===

    I attended an inspiring memorial service for my uncle, who passed away a few weeks ago. It was a large and well-attended affair, on account of him having been a prominent member of the local medical community.

    Relatives are usually these distant figures we only see during Chinese New Year reunions. But under the surface, there’s a lifetime of stories we never hear, and it’s a pity. If not for the history lesson and stories that his son shared, I would never have known about how he was born in China 90 years ago, arrived in Singapore at the age of 10, suffered tragedy at the hands of the Japanese, and became an award-winning multihyphenate equally accomplished in matters of art and science. That generation really was built different; the risks they took seem unreal when compared to our modern lives (but tbh they couldn’t handle a zillion social notifications destroying their mental health either).

    ===

    It was WWDC week and while I don’t have to comment on Apple stuff, I kinda always do, so let’s keep traditions alive. They unveiled a slew of software features coming to every platform, and I was most excited to see that Journal, Notes, and Freeform are still being improved and haven’t become forgotten hobbies. As a word-centric computer user, they’re the ones I rely on most — the Math Notes demo on iPad was super cool but I couldn’t begin to use it.

    I’m not convinced the Photos app redesign was necessary or an improvement for most users. Its single-page design seems like a conceptual simplification that might add more complexity in real-life use. I haven’t lived with it yet, so I hope I’m wrong.

    I’m convinced Messages will continue to absorb all popular chat features until it eventually catches up to where Telegram was about four years ago. And that’s all it needs to do, really.

    They announced that Apple Vision Pro will finally be sold outside the US, with Singapore as one of the first countries to get it, alongside Japan and China. Wow, that’s a hell of an upgrade to our starting lineup position. Back in Week 5, I correctly predicted that the global rollout would start in June, but I also said that the product would see annual updates — the consensus on tech Twitter now is that there won’t be a new model until 2026. Which… makes me think that I could get one after all? Getting two years of use out of a S$5,500 device is a lot more palatable than getting just one. Once you add the cost of AppleCare+ (S$749), a travel case (S$299), and prescription inserts/contact lenses though. Hmm.

    On Apple Intelligence: I was happy to see them begin by laying out their design principles (we do this on a lot of my projects, but they are rarely communicated to the public), which are critical for this particularly suspicious and misunderstood technology, for which Apple needs to differentiate their approach and model. Some, like Google, already have access to your data but can’t be trusted not to monetize it with ad targeting. Others, like OpenAI, may only have what data you choose to share but can’t be trusted not to train their models on it. Apple is unique in that it doesn’t seem to want to do either.

    Finally, we’re getting a smarter Siri that’s an actual agent, i.e. able to string together various tasks in pursuit of a goal, and take action on behalf of users. So much for the Rabbit and all that bullshit. Doing as much locally as possible is the only responsible way to do AI agents. And Apple’s private cloud compute solution, which looks to be yet another privacy engineering breakthrough, is probably the second-best way.

    The image generation stuff was probably the most contentious part. I’ve seen upset takes from artists but no one can put this stuff back in the bottle. The only way to stop AI art is a full-scale public revolt, and that requires everyone getting a good look at it first. It’s the four packs of cigarettes your dad forces you to smoke after he catches you sneaking one. When we’re all tired of seeing gross AI styles, human-created art might be appropriately valued.

    But I don’t think Apple is on this exact mission, so I was surprised at the examples they chose to showcase. The Genmoji of a surfing dinosaur looked terribly similar to Meta’s own AI chat stickers in style and quality (cheap). But being able to create Genmojis and illustration-style images for documents all across the OS, for free, is no doubt a big deal. I think many people will generate their first AI images with Apple Intelligence.

    ===

    Media activity:

    • I just finished R.F. Kuang’s Babel and loved every page. If you’re into university-set adventures, deep dives into language and literature, the aftershocks of British colonialism, and tales of the Chinese diaspora, this one’s for you. I had no idea that she also wrote Yellowface, which I’ve heard many people rave about. Props to Kuang, she gets a lot more out of being Chinese than me. 5/5 stars.
    • Bought Like a Dragon Gaiden: The Man Who Erased His Name for S$31 on PlayStation’s summer sale, and immediately started playing it. I thought I’d had enough of this series for awhile, but I’m six hours in and having so much more fun than in the preceding game. Part of it is even set in the same Yokohama map as Yakuza: Like a Dragon, but running around here is so much better without the annoying turn-based combat. Recommended if you like absurd storylines played with the straightest of faces.
    • Started watching Constellations on Apple TV+, which has sadly been canceled after one season. The first two episodes lean into a space horror vibe which had me seriously tense, but it’s lightened up a bit now in episode three. Recommended for fans of Noomi Rapace, Dead Space, sci-fi mysteries.
    • Watched A Quiet Place Part II and was let down because I remember enjoying the first one, but this sequel is a much lesser use of mostly the same ingredients. Plus that annoying post-apocalyptic trope about how the human survivors are worse than the monsters. PUHLEASE. 1.5/5 stars.
    • Watched Hit Man on Netflix, the first Richard Linklater film I’ve caught in years. It kept me guessing (and I had a lot of wrong guesses where it was heading), and has a lot of fun with the concept. Glen Powell is going to be a huge star, isn’t he? 4/5 stars.
    • Alex Garland’s Civil War was like most of his films: plenty to look at, not much to say. It shows what a civil war in the US might look like, but doesn’t care to fill anything in, mirroring the photojournalists it follows. Early on, Kirsten Dunst says “we just shoot the pictures, others can ask why”, or something to that effect. Well, isn’t that convenient for you, Alex Garland. 2.5/5 stars.
    • Discovered the band Fantastic Cat after seeing a vertical video somewhere of them inviting Adam Duritz of Counting Crows to be on their new song. It may have been a clip of the video for the song, actually. Following that I checked out Now That’s What I Call Fantastic Cat and really enjoy its pre-my-birth country rock sound. A quick internet search revealed that they’re a supergroup of four singer-songwriters that I unfortunately have never heard of.
    • Am listening to Charli XCX’s very popular new album, BRAT, and it might be her best work yet. I’m also listening to A.G. Cook’s new Britpop album and since he produced half of her album, it can get confusing.
    • Have also been following the drama of Taylor Swift allegedly releasing numerous editions of her albums on the eve of other female artists’ album releases to block them from the top spot on charts. She apparently tried it with Billie Eilish’s album, and now she’s done it to Charli with a UK-only release of two new editions of The Tortured Poets Department, each with different demos or live versions tacked on. She’s free to defend the throne but there are apparently 34 different versions of that album out now. Even The Guardian has weighed in and declared Charli the winner on artistic grounds. This releasing of multiple variants to milk fans feels gross to me. Back in my day, musicians just released one version of an album (okay, plus maybe a Japan-only one with bonus tracks) and it had to fend for itself on the charts for years!
  • Week 13.24

    Week 13.24

    During a chat on Good Friday — a public holiday here that I’d always assumed was less common than Easter Monday, but it turns out that’s not the case! — I realized Michael was in the middle of his workday in Tokyo and I was probably being a distraction. Our conversation started with him asking what I knew about Ethereum these days, and ended with how scaling leadership and quality in large organizations is hard, which might be related topics when you think about it. When a blockchain becomes too costly and congested, the solution is to spin off nimble L2 side-chains, just like how companies try to establish secret skunkworks teams that operate outside the rules. Both of these are an admission that we’re really bad at handling complexity.

    I put the long weekend to good use by sitting down to do some adulting with a semi-thorough look at finances, lifestyle, and possible futures. The process that works best for me is one I only realized later in life (and often forget and have to rediscover again): thinking aloud in writing. It looks like a long bullet list, occasional paragraphs, and maybe a table in Apple Notes.

    As I formed a loose decision-making framework, I asked ChatGPT to think it through with me and find any gaps in my logic or assumptions. It justified its monthly fee by calling out things I had failed to consider on more than one occasion. By the time a picture emerged, I was in disbelief. When did I start spending (or expecting to spend) so much? What idiot signed up for so many monthly subscriptions? Shockingly, ChatGPT did not suggest that I cancel it.

    It was at this point that my daily Co—Star notification popped up with an enigmatic line: “Shatter your old intellectual loops.” Hmm! What could that mean? “What you do with your money is your choice,” the detailed horoscope reassured me. While I don’t believe in this stuff, I respect how it can add randomness to one’s internal monologues. Harder still to do is read from the other perspective and see if it still says what you want to hear. It seemed to pass the sniff test this time.

    >> Sidenote: I’ve found myself using ChatGPT less lately because Perplexity is so damned convenient. It beats ChatGPT and Microsoft Copilot (née Bing) for combining AI and search to answer questions. Arc Search is alright if you have a “web research” kinda job to be done, but if I just want to ask “What is X?”, Perplexity is fast and offers sources and links for further reading. A big part of this convenience is the availability of widgets and Lock Screen complications on iOS. Yes, I do know this shit is destroying the web and I hope somebody stops/solves it soon. Still, I need answers!

    After making some progress, I went out for a walk that felt great despite the insane heat and humidity we’ve been experiencing over the past few weeks. It’s impossible to step out and not immediately be sweaty; in fact you’ve probably been sweating indoors already. Strangely, at one point, with nothing nearby except water on one side of me and a forested patch on the other, I felt waves of cool air blowing past me, close to the ground. This continued for several good minutes, and it felt like when someone leaves the door to an air-conditioned room open and it flows out. Perhaps it was so hot above that even air just 1ºC cooler coming off the river felt remarkable? I thought to myself, “Am I injured and bleeding out? How is it cold?”

    Speaking of sudden shifts in temperature and bleeding, are we really ‘still early’ when more than one person in a week starts a conversation about crypto? I had drink plans the evening before Good Friday, which made for a Pleasant Thursday, and a lot of the chat was about NFTs and memecoins. I have shifted my stance on the latter from ‘not touching that nonsense’ to ‘everybody needs a little casino time’, and so currently own some “Jeo Boden” coin, a little “Dog Wif Hat”, and as of yesterday, some “Costco Hot Dog”. The last one is funny and so might do very well: you know how their hot dogs are famously pegged at $1.50 no matter what the economy does? Well the coin is about 9 cents now, and the idea is that it’ll pump to hit $1.50, because it must! (Disclaimer: I’m in for insignificant amounts of money, please don’t go nuts.)

    My overall outlook on web3 has moderated a little since the last cycle and can probably be summed up like this: We know Computing is good, we’re quite sure Decentralization is good, and we’ve seen interesting ideas around Tokenization, but all the “crypto” solutions built on those three ideas today have got something wonky and unstable about them. It’s hard to see most alts having any lasting value.

    ===

    Media activity:

    • We’re halfway through Season 2 of Below Deck Down Under (SPOILER) and the infamous sexual assault incident that was kinda viral on Twitter when it happened has now happened. Awful stuff, and I think Laura’s reaction afterwards was just as bad. I’m glad that was taken care of. Captain Jason is the goat.
    • I’ve been watching a little Jujutsu Kaisen after seeing an incredible fight scene clip online. This was a shonen show I’d long ago decided I didn’t care for, like Demon Slayer and all that shit, but seeing the quality of animation in that clip changed my mind. Sadly, I think it was actually from the movie, and the regular TV show hasn’t gone that hard yet. I think I’m up to episode 10 and I’ll keep at it.
    • I started Netflix’s adaptation of Three Body Problem while Kim was out for a couple of nights. It’s much better than I’ve come to expect from Netflix, and it’s moving fast from my vague recollection of the first book (the only one of the series I read). I can see myself finishing it over the next few weeks.
    • I came across Adrianne Lenker’s new album, Bright Future, in my Apple Music recommendations and decided to hear it even though I couldn’t recall her name at all. It was really good, and if I had to say, it’s indie folk rock? Emotionally, although not so much musically, it reminded me of Gillian Welch’s Americana alt-country. Then Perplexity informed me that Lenker has a band called Big Thief, which sounded kinda familiar? Did I dismiss them out of hand at some point because I didn’t like the name? I put their debut album, Masterpiece, on during my aforementioned walk and was blown away.
    • It turns out I heard Big Thief’s latest album, the annoyingly named Dragon New Warm Mountain I Believe In You, back in 2022 but never went back to it. It’s a title you could use as a password.
  • Week 12.24

    Week 12.24

    If you’re reading this on the web, you might notice that this site is now running WordPress’s new ‘Twenty Twenty Four’ theme, with a more traditional blog-like homepage (it has a sidebar) linking to single-column post pages. Navigation remains unchanged, but typography and minor details are improved.

    I’m happier with this than I was with the blocky grid of last year’s ‘Twenty Twenty Three’ theme, because this comes with the freedom to put up shorter posts without Titles or Featured Images. Over the years I’ve gone back and forth on microblogging here, or having all tweets mirrored here, but it’s never stuck. But at least I have the option again, especially since I haven’t properly posted on Twitter in a year and most people I want to follow are still scattered across Threads, Bluesky, Nostr, and Mastodon.

    ===

    We celebrated a little life milestone this week with a nature walk, a “Gold Class” viewing of Dune Part Two, a nice bottle of French Malbec, and a perfect Canadian pork chop with a side of the butteriest mashed potatoes. A mix of simple and simpler pleasures.

    I’ll expand: We were recently in New Zealand, and took a couple of walks in nature reserves. I’ve never bothered to attempt the same in Singapore because it’s ridiculously hot, but visiting the Rifle Range Nature Park in West Singapore was interesting for the stark contrast offered versus our recent experiences. Every step on its paths is sure footed by design; suspended walkways take you through the forest without trampling plants, and they’re so convenient all the monkeys we saw were using them as well, rather than walking in the dirt. You get the sense that everything is regularly inspected and all dangers have been scrubbed. It reflects the usual criticism of Singapore being a theme park, which is only a problem because living in a safe environment breeds complacency. At several points on the easiest routes at Te Mata Park in New Zealand, slipping off a path and tumbling into a ravine was a genuine possibility. I wonder what other metaphorical tumbles Singaporean life has not prepared me for.

    The new Dune is as superb as all reviews have indicated, and I could not imagine rating it any less than 5 stars in Letterboxd. The art direction and photography are flawless, and it looks twice as expensive as it is. Never once while watching did my brain check out and think, “oh, that’s CGI”. The only change I would dare suggest is Austin Butler’s casting, as he’s not anywhere as menacing as the movie treats him. His character is already a nepo baby who just enjoys killing defenseless slaves and servants, and Butler didn’t bring the presence to suggest he’s also one of the most dangerous people in a universe full of freaks.

    Another 5-star film for us this week was Wim Wenders’s Perfect Days (2023), which won a Best Actor award at Cannes last year for Koji Yakusho’s nearly wordless performance. I enjoyed it tremendously as a loving tribute to the city of Tokyo and its toilets (really), a meditation on repetition and routine, an ode to proud and purposeful work, and a parable about how avoiding the messiness of life might obscure living itself. The soundtrack is a Gen X dream. Visually, it’s filled with beautiful everyday moments so mundane as to be overlooked by most of us going about our daily busyness. The way all its themes and music choices come together in the film’s final minutes is worth half a star alone.

    Continuing the theme of Japanese films about appreciating life, we watched Living (2022), the transposed-to-England remake of Kurosawa’s Ikiru (1952). I’ve never seen the original, but it’s now high on my list. Bill Nighy is fantastic in the role of a civil servant who learns he’s dying and wonders what it’s all about, and plays his deconstruction with impressive vulnerability. I looked at the trailer for Ikiru afterwards, and while Takashi Shimura’s performance in the same role is regarded as iconic, it was a little theatrical and may not have aged as well.

    Anyhow, the message in both these films is timeless: stop working so hard at meaningless things, smell the roses (or watch the shadows cast by leaves — ‘komorebi’ in Japanese, as the end credits of Perfect Days tells us), and make a difference to another human being’s life.

    Take a little forest bathing break with this video I captured.

    ===

    Additional media activity:

    • We finished Season 1 of Below Deck Down Under at last, and I was glad to learn that Captain Jason and Chief Stew Aesha return for Season 2, which we now must see. The leadership and teamwork these two have put Captain Lee and Kate of the mainline series to bottomless shame.
    • The new Call of Duty mobile version of Warzone has finally come out, after being delayed for about a year. As a somewhat devoted player of the original Call of Duty Mobile title, I’ve been waiting with very high expectations for this. Unfortunately, the launch has been a bit of a dud, with many complaints from the worldwide community. For one, Android devices seem incapable of running it well. On my iPhone 15 Pro Max, it runs at peak performance and the graphics are truly console quality; I was running around maps that I knew instinctively, but my brain was exploding from how different and detailed everything looked. Sadly, the phone runs hot and it drained the better part of my battery in maybe an hour. I’ll wait to see if they improve anything before calling it quits.
    • The new Kacey Musgraves album, Deeper Well, is not bad at all. It even has a song called Anime Eyes which drops a line about a “Miyazaki sky”. Very weird times we live in.
    • I started using a new social app that tries to be a Letterboxd for music: Musicboard. Unfortunately, it doesn’t automatically log/scrobble your listening activity, so rating music and broadcasting your taste is a manual affair. You also can’t start playing an album directly in Apple Music from within the app — it only supports Spotify at the moment.

  • Week 4.24

    Week 4.24

    A little while ago, I learnt that an ex-colleague of mine has received a stage 4 cancer diagnosis, and he’s only a few years older than me. Despite the fact that more “young” people seem to be getting cancer, it was still a deep shock because Tony was always incredibly fit and dedicated to his health. He’s been writing openly about his thoughts and experience on his Medium account, which I read before meeting him for lunch with some other former colleagues this week. It was tough seeing him in poorer shape, but true to his personal brand, he seemed extremely pragmatic and matter-of-fact about it all.

    We worked on the same team for about a year back in 2018, but were only on one project together as peers, leading design activities and client workshops together over a few months. I count myself fortunate to have had that experience, and learnt a lot from his confidence and wealth of technical knowledge when it came to UX matters — which was not my area of focus. Even then it was clear he had a knack for facing reality, and a passion for making sure the younger generation had their eyes open to the inequities of working life. Not always a popular topic, but life sucks. He mentioned that whenever he finds the strength these days, he works on his own design education materials that prepare students for non-ideal situations, and I thought that made perfect sense for him.

    Many of the things we talked about over lunch echoed other conversations I’ve been having with other friends. Maybe it’s the return of tech layoffs in the news, but negative sentiments seem as high as they were during Covid, with the questioning of boundaries and priorities taking place again. Tony understandably tried to impress upon us that some things aren’t worth having as regrets, and that we should make better choices while we still can. When I asked him what else he does now on days that aren’t lost to medical interventions, the answer was surprisingly similar to how I spent most of my year off work: reading, writing, and drawing.

    Peishan shared this Guardian article about people with cancer who’ve found the clarity to spend their remaining time meaningfully, and I thought Mark Edmondson landed the point that some people have trouble getting: the work that gives you purpose today isn’t the only purpose you’ll have.

    People (usually millennials) also mention the difficulty they have switching off from work. On a daily basis, but also when they go on vacation — taking half the holiday to get into holiday mode is a terrible inefficiency. I recall it took me months to unwind from a state of nearly burning out and to stop worrying about my “sabbatical ROI”. We should be like newer hybrid vehicles that can shut their engines down when idling at traffic lights and spring back to life quickly when needed, but instead us older cars only know how to burn gas all the time. I want to be a disused school bus just rusting in a field, bright yellow and unbothered.

    ===

    • I visited the Prix Pictet photo exhibition that’s part of Singapore Art Week (maybe it’ll be the only event I attend from this year’s edition) and found it beautiful but gosh it was mostly depressing. The theme was “Human” but it may as well have been “Human Suffering” — from communities devastated by the effects of mining and metal poisoning, to the plight of illegal refugees trekking 66 miles through jungle in search of better opportunities, they seemed to comment that there’s not much joy in being human these days. I joked halfway through that I hoped there would be a series of mundane birthday party photos at the end. There wasn’t.
    • Kim spent most of her week preparing an elaborate, successful Indian dinner from the Dishoom cookbook, but that’s really a story for her own weeknotes if they ever happen. The takeaway for me has been that, after seeing how the proverbial samosa is made, the Indian takeaways we usually get are probably quite unhealthy and we need to cut down.
    • Nintendo is having a January sale on the Switch eShop and I considered getting the remake of an apparent classic time loop visual novel, YU-NO: A girl who chants love at the bound of this world, yes, that is its title. It’s apparently the spiritual forebear of games such as Steins;gate, but after watching a short gameplay video on YouTube, I decided that since life is too short, I really didn’t want to punish myself. An anime adaptation was made a few years ago, so I will simply watch that instead.
    • We are enjoying the new British police drama Criminal Record on Apple TV+. Peter Capaldi is really good in it, although all the police work and cornering of baddies with their secrets is carried out really incompetently.
    • Can you believe that The Smile dropped a new album a couple of days ago and I had to find out from YouTube instead of Apple Music? Seriously, I’m looking at my For You page and it’s not mentioned under New Releases. This music video, where the band plays a new song for an auditorium full of young children — most of them bewildered or bored out of their minds, but with a couple really into it — is such a simple and charming concept I can’t believe I can’t name another time it’s been done.
  • Week 52.23

    Week 52.23

    Greetings from beautiful Chiang Mai on this last day of the year. It’s my first time here, and I’m sure it won’t be my last. If anything, I’m kicking myself for not coming sooner — it’s currently a very cool and walkable 25°C at 11am, and temperatures go below 20°C in the evenings; Microsoft Copilot with Bing tells me it’s the safest city in SE Asia (wha?); and the food and coffee have been top notch so far.

    We’ve also been to a cool cocktail bar with live jazz in a basement speakeasy-like space, and another “live house” with a mix of bands playing each night. Coming from Singapore where jazz clubs are a rarity, and almost exclusively the domain of old people, it’s been surprising to see many young people in attendance, although I can’t be sure they enjoy the bands. They seem to pay more attention and clap louder for the pop cover bands.

    One amazing performer I heard was Joshua Lebofsky, originally from Canada, who sang and played a straight hour of jazz standards and pop interpretations on piano at The A Ter (theater). They were fantastically musical and soulful variations, and I was glad to be able to tell him so afterwards; sadly he hasn’t got a social media presence, but there’s an album from 2006 on Apple Music: Play A Little Prayer.

    If we lived here, I would be a regular patron at these places for sure (especially at prices roughly half those back home). The non-existence of a vibrant jazz scene is such a shame for Singapore, because we have quite a few talented jazz players who end up being session musicians for mandopop performers most of the time, probably due to the economics of the music scene. I guess these are the third-order consequences of necessarily narrow education policies in our early years.

    We also went on a walking street food tour and a cooking class at a small organic farm and school (where I was snapped in a farmer’s hat looking glum at having been dragged along, but ultimately it was a good time and the food was, like all of it, quite excellent). An intriguing culinary detail here is how Hainanese immigrants created their own localized chicken rice combining the steamed chicken with deep fried chicken cutlets and an entirely different chilli that’s dark and savory, with fermented soybeans and fish sauce?

    Here are some photos, all from my iPhone 15 Pro Max. I made a new Darkroom preset to handle the light and scenery here, and I think it’s a versatile look I’ll probably be using for a long while. I’ll probably share it here next year after some fine tuning!

    Anyway, Chiang Mai. Come by, it’s lovely enough to consider buying an apartment in, but I’ve only been here a couple of days.

    ===

    On the 45-minute minibus ride back from the farm last night, I managed to throw together my end-of-year playlist with some not-too-shabby transitions (I recommend turning crossfading on; 3 seconds). This is partly a diary of associated memories and partly what I’ll remember as the year’s best songs. This process usually takes much longer but everything came together on a stomach full of coconut curries and fresh herbs and spices they had us pound in a mortar ourselves.

    Here’s Listening Remembering 2023 on Apple Music.

  • Week 51.23

    Week 51.23

    Merry Christmas! Let’s talk about music this week.

    I received the Beats Studio Pro headphones as an early present, in the Sandstone color, only 22 weeks after I wrote about how I thought they were set to be a fantastic update to the aged/obsolete/frankly embarrassing Beats Studio3 Wireless model. In that post, I said I would not be buying them for myself on account of having enough headphones. No promises have been broken, and I can confirm that they sound really good and are comfortable even with my big head. If you’ve found others like the B&O H95 or B&W PX7 too small to fully enclose the bottom of your earlobes, these may do the trick.

    I often try to convince myself that a pair of AirPods Pro should suffice for my/anyone’s needs, that a pocketable pair of smart, well-engineered buds are more than enough. Who needs HomePods or other home speakers, over-ear headphones, soundbars, etc.? But just as you can feel the bass from a towering set of speakers in your chest, a pair of big drivers blasting air into your ears do feel something different.

    Since I had the week off, I spent hours testing them out, thinking about what music I enjoyed the most this year. I sometimes do an annual wrap-up playlist with all my favorites, in lieu of making playlists throughout the year like I should. But this year I’ve made three: BLixTapes 1, 2, and 3, so I’ll see if I feel like it next week.

    In the meantime, I think I’ll name some personal “winners”!

    2023 sangsara.net music awards

    Best comeback: Damon Albarn (Blur, Gorillaz)

    Please note these are personal picks, and I’m not saying Albarn disappeared, but for a long time I’d written him off completely — a remnant of the 90s and mid 00s who still puts out funny tuneless projects every few years that I play through once then delete from my library. When that time came around again with this year’s The Ballad of Darren and Cracker Island from his Blur and Gorillaz bands respectively, I played the albums and was stunned. Did he get his mojo back?! The jams get your feet tapping, the lyrics are somewhere between conceptual backstory and dadaist poetry as usual, and the pretty moments are so pretty they just pop into my head some mornings as I brush my teeth.

    Honorable mentions:

    • Everything But The Girl, Fuse: How often do you hear from a band after 24 years of hanging up the name, and the new stuff is up there with their best work? Sure, Tracey Thorn and Ben Watt kept busy with other projects but I never expected them to release new music together. This coming out of the pandemic was one of its silver linings.
    • Bob Dylan, Shadow Kingdom: Revisiting one’s old material with the benefit of age and experience made Joni Mitchell’s Both Sides Now (2000) a revelation for me when it came out, and while I still don’t know Dylan’s work well enough after all these years to appreciate every nuance of these new versions, I’m planning to put in the work.

    Best reissue: Jesse Malin — The Fine Art of Self Destruction

    The 20th Anniversary Edition of this seminal album sadly took on a different meaning a couple of months after it was released. Jesse Malin suffered a freak “spinal stroke” in New York and became paralyzed from the waist down (an update in December revealed an unfortunate lack of progress, with him now seeking stem cell treatments in Argentina). The Fine Art was somehow a formative album for me, although I had no reason to identify with its East Coast bohemian city life vignettes. I suppose it’s universal the same way Springsteen is. This new edition includes 2022 versions of key songs, and although Malin’s voice is virtually unchanged, you can hear the years on his shoulders in these slower, introspective readings.

    Honorable mentions:

    • Portishead, Roseland NYC Live 25: This came out of nowhere, a remastered 25th anniversary edition of an insanely historic performance, and now with three tracks that were previously only in the film. I remember buying it on VCDs (remember those?) from the local HMV. If only they’d remixed it in Spatial Audio… I would die to experience this like a real concert.
    • R.E.M., Up (25th Anniversary Edition): I already mentioned this one in Week 45.23. As I noticed these last two albums with 25th anniversaries, I thought “huh, 1998 sure was a special year”. And thanks to Apple Music showing other playlists where a song is included, I discovered this one: At Home With Jack Antonoff, which is entirely dedicated to the magical moment that was 1998. Check it, The Smashing Pumpkins put out Adore, Neutral Milk Hotel made In The Airplane Over The Sea, and Natalie Imbruglia sang Torn?! What was in the air?
    • Daft Punk, Random Access Memories (10th Anniversary Edition): I actually wrote a couple of sentences about this album when it came out in 2013 and accidentally found the post while searching for a more recent mention. Still a masterpiece, now in Spatial Audio.
    • Daft Punk, Random Access Memories (Drumless Edition): And this crazy rerelease idea. As I said a few weeks ago, who the hell would have thought making a version without the drum tracks would result in such a wholly new experience?

    Best single line:

    Thank God I’m fly!
    TGIF, XG


    Best bars:

    I’m down to click out you hoes and make a crime scene
    I click the trigger on the stick like a high beam
    Man, I was Bentley wheel whippin’ when I was nineteen
    She call my number, leave her hangin’, she got dry-cleaned
    She got a Android, her messages is lime green
    I search one name, and end up seein’ twenty tings
    Nadine, Christine, Justine, Kathleen, Charlene, Pauline, Claudine
    Man, I pack ‘em in this phone like some sardines.

    First Person Shooter, Drake feat. J. Cole


    Best new (to me) artist: yeule

    I racked my brain trying to think of another Singaporean-born artist who has achieved critical acclaim overseas singing in English (we have quite a few who make it in Mandopop, in Taiwan and so on), but couldn’t think of another besides yeule, a London-based non-binary 25ish self-taught musician who studied fashion but also paints and streams and has a way with theatrical makeup. Their latest album, softscars, got an 8.5 from Pitchfork, and the last one got 8.3. That’s a hometown hero medallion as far as I’m concerned, and for the record I really like these records. There are interviews online that suggest a tumultuous childhood, and looking at how they’re covered in tattoos and generally act and look like someone who would give an Asian parent a coronary, I can imagine the difficulties faced growing up here were potent inputs for artistry. They also have an extremely-online underground idol type of presence, with a community distributed across platforms — I’d never joined a musician’s Discord server before this one, but why isn’t more of a thing?

    One of the things I realized this year was how the ways we as fans connect with artists we love have crossed a line, and the tools and channels we use seem to be encouraging the development of parasocial relationships. This is something that maybe evolved from Asian pop and idols, e.g. handshake events, but I believe is going to become very mainstream from here.

    Honorable mentions:

    • Kassa Overall: A super talented drummer who performs a funky modern mashup of hip-hop and jazz. An indie Anderson .Pakk? Btw I discovered the Seattle radio station KEXP while looking for yeule’s performances, and discovered a wealth of great music on their YouTube channel, as well as a ton of new bands to look into. Fortunately, Kassa Overall also played a set for KEXP and it’s — to use a term Scott Forstall once tried to make happen — absolutely blow away. And that logo with his name on all the band’s hoodies!
    • Samara Joy: Another jazzy discovery from late in the year, and possessor of an incredible vocal instrument you need to hear. Here’s her album Linger Awhile on Verve Records.

    Best album: XG — New DNA

    I waited months for the New DNA mini-album. I watched hours and hours of “documentary footage” on YouTube, following the members as they struggled through five years of frankly brutal and manipulative training under their manager Simon’s direction. I learnt all seven of their names. I watched each new single and video drop, and then watched reaction videos. I watched fancams and BTS specials (but drew the line at braving a heatstroke at their Formula 1 concert here). From the moment I first heard them in February, I knew they were different. They’ve doubled their following on YouTube since (currently with 2.41M subscribers), but I think they’re still being slept on. J-Pop groups are never this polished, and K-Pop ones are never this accessible. With every song in English and a style that effortlessly unites hip-hop, electronic, and 90s R&B, these girls deserve to be massive in 2024. I wish New DNA contained all their previously released singles, which would have made a beefier release and maybe helped them break out, but I suspect that’s just the millennial in me talking. Everyone knows nobody listens to whole albums anymore, which makes this category very sad.

    Honorable mentions:

    • Sufjan Stevens, Javelin: It was close, I wanted to call this the album of the year. Deeply moving, and kinda makes up for not having any new music from Joanna Newsom.
    • Kevin Abstract, Blanket: I never listened to Brockhampton, of which Abstract is a member, and I don’t remember his previous album ARIZONA BABY doing anything for me. But Blanket is something else. Like yeule’s softscars, it draws on 90s alt-rock to create a new sound that goes beyond labels.
    • boygenius, the record: I miss the days when we had more supergroups.
    • Vagabon, Sorry I Haven’t Called: I really need to play this more often. It’s a soulful, elastic collection of ingenious songs and the opener, Can I Talk My Shit?, is one of my favorites of the year.

    ===

    Other media activity:

    • I finished reading The Paris Apartment and gave it two stars on Goodreads. Please don’t.
    • We binged the Dead Ringers TV miniseries on Amazon Prime Video. Wow. Rachel Weisz does that incredible thing actors do when they’re bored of playing one character and want to play a set of twins. You literally forget they’re not two people. Also the bloodiest show of the year, not for the squeamish.
    • Slow Horses is back, and we’re nearly done with Season 3. It’s still very very good, and even better than the last season. I’ve only just discovered they’re based on a series of novels by Mick Herron, of which there are eight, so that’s my 2024 reading challenge sorted.
  • Week 47.23

    Week 47.23

    Oof, this was a tiring week. Navigating change, physically recovering from a vaccine’s side effects, and having conversations about Christmas gifts, that shit will wear a blogger out. Helping me navigate all this was my astrology GPT, Co—Sign, who would tell me how to deal with challenging situations and to trust in my own nature, even if some decisions felt like bad ideas by other people’s standards.

    Of course, the week started off with more twists in the OpenAI management saga, which seems to have ended now with Sam and Greg back at the company, not at Microsoft, and the formation of a new board underway. This pleases me because OpenAI was a company/brand with significant momentum and destroying value of that sort for no good reason doesn’t sit well with me (this may or may not be a reference to something else happening in my life). I’m glad I won’t have to port my collection of GPTs to another product like Poe or whatever.

    I used Gen AI to bone up on Silicon Valley mind viruses like EA (effective altruism) and e/acc (effective accelerationism), which I’d kinda grokked in passing but not spent any time specifically reading up on. I have to say I feel myself falling in the accelerationist camp — given current world events, we’re not exactly proving ourselves a worthy species, so we may as well hasten our demise or salvation in every aspect from the upheaval of labor to economic principles. Incidentally bitcoin hit a new high for the year this week, going over $38,000 for a brief period.

    I’ve buried the lede, but AI voice recognition and synthesis technology has enabled my favorite gag of the year: this Chinese dubbing of Van Morrison performing Caravan with The Band. It’s sublime; a French chef’s French kiss. It caught me in a moment of weakness and I couldn’t watch the whole thing through because I was dying of laughter. Van shouting “turn your radio up” in Mandarin will live rent free in my head from this week forth. This video is so precious to me I’ve saved a copy on personal cloud storage just in case the tweet goes down.

    ===

    I was excited to hear that the Muji store in Plaza Singapura had reopened after an extensive renovation, now twice its original size and the largest in South-East Asia. We went down on the weekend to take a look, and it had things normally seen only in Japan: plants, bicycles, an embroidery service, renovation services, a wider range of furnishings, frozen food, and regional specialty goods (including $350 silk scarves). Not your average Muji! In fact, it’s billed as a “Global Flagship Store”, and I hope their gamble pays off and Singaporeans vote for more of this with their wallets.

    ===

    • Up to episode 4 of Pluto on Netflix now and it’s really the best anime series of the year for me. Just on those late 90s cybernoir SF mystery vibes. This is what the Ghost in the Shell Standalone Complex reboots should have been like.
    • Also up to episode 4 of Blue Eye Samurai and I’ll admit it’s gotten better. More complexity, somewhat interesting stakes, but the CG anime look with fake low-fps stuttering is getting a little annoying. If I had a modern TV I might actually turn on motion smoothing just to make it a more authentic experience.
    • I tried real hard to avoid buying a 4K HDR TV during the Black Friday sales and succeeded. Gotta save up funds for the dark days ahead.
    • Speaking of premonitions, we saw episode 2 of Lessons in Chemistry on Apple TV+ (mild spoiler alert) and let me tell you, my cinematic Spidey sense tingled and I called the event that happens at the end of the episode minutes before it happened. I’m usually quite bad at anticipating TV twists, but something about the atmosphere and pacing and shots just told me what was coming.
    • We also saw the first two episodes of Monarch: Legacy of Monsters on Apple TV+ and were left impressed. It’s the new series involving Godzilla and other monsters that either belong to Toho or Warner Bros now? Really, the monster custody is unclear to me. But halfway through, as new characters were being introduced in flashbacks, Kim assumed an Asian woman was the mother of a younger Asian woman we’d already seen. And I said, “maybe it’s just an unrelated Asian woman”, to which she laughed, “there are never unrelated Asians”. Which I took to mean in American shows, not the real world, and sadly she’s right.
    • Many people have been raving about Andre 3000’s new instrumental album with flutes, New Blue Sun, and I’ve tried to get into it, I have. But it’s literally put me to sleep a couple of times, so I’m assuming it’s just not for me.

    (This week’s Featured Image is a Dall•E representation of a Chinese Van Morrison impersonator performing in a Muji store.)

  • Week 44.23

    Week 44.23

    I’ve been on the edge of a flu, with intermittent fatigue and headaches and a warm scratchy feeling at the back of my throat that makes me remember being ill and nauseous, but it hasn’t gone full blown. Maybe I’ve actually got the flu, but the vaccine I got a few weeks ago has inspired my immune system to resist and now my body is locked in a hundred-year war. I write this on Saturday with a full-day social test (wedding party) to attend tomorrow that will probably push me over if this doesn’t get better.

    While on the subject of health: I suppose you’re officially old when you buy yourself a blood pressure monitor. It was a conversation about strokes that got me on it, and it was a very quick impulse purchase that went from idea to research to purchase in under half an hour.

    I think this is the Omron model I got. I didn’t know they made them this small nowadays, not to mention that you can measure BP from a wrist! It connects to your phone via Bluetooth, and the Omron Connect app also syncs with the Apple Health app — which was the selling point for me. Omron’s app looks overly complicated and isn’t very pleasant to use, but it doesn’t matter since you can just overanalyze and freak out over your data more comfortably in Apple Health alongside your other health metrics.

    ===

    The only music news of the week that mattered was the release of the final Beatles song, Now and Then. This was the third and last John Lennon demo on the tape that gave us Free as a Bird and Real Love back in 1995. The audio quality on this one wasn’t good enough for it to be finished back then, but now it’s relatively trivial to separate vocals from instruments using tools built on machine learning — one music YouTuber reviewing the song literally demonstrates it himself using an online service — and so Paul and Ringo were finally able to complete the song using guitar bits George recorded in the ’95 sessions, making it probably the last song we’ll ever get with all four Beatles on it.

    It’s a lovely song and I’m glad we’re around to enjoy this historic moment of celebration and closure. I don’t mind posthumous vault releases as long as they’re done with love, care, and good intentions, and the short film above goes to lengths to assure everyone that John would have gotten a kick out of this. Real Love is one of my all-time favorites, just for the beautiful melody in its chorus and refrain, and the existence of these three songs together are like a treasure from a parallel universe where the Beatles never broke up (a scenario that the Apple TV+ show For All Mankind tantalizingly visualizes for a moment in one episode). It’s extra heartbreaking that all three songs read to me like products of John’s regret and wish for reconciliation.

    The incredible clarity they were able to get out of the tape recording, though, makes me want new versions of Free as a Bird and Real Love, remastered with modern technology. I don’t care who complains about opportunism or George Lucas-ism, it should just be done to close the chapter off neatly and in the best possible way for fans. Get it done, money men!

    ===

    Other bits:

    • Normally when you see too many sequels and the drawing out of stories, it comes with lowered quality, formulaic laziness, and/or the jumping of sharks, but Only Murders in the Building topped itself with the third season and now I can’t wait for a fourth. (Spoiler) I didn’t expect them to really go down the musical route with proper abandon, but they did and that bloody Pickwick Triplets patter song was stuck in my head for days. And they only got bloody Meryl Streep to be part of it, Christ.
    • Okay, but you know what IS a scummy money grab? The Backbone controller company pushing their old designed-for-Android USB-C models at the launch of the new iPhone last month, telling early adopters to step right up and get them (and then messing up the release so many of us received ones without the iPhone-supporting firmware), KNOWING FULL WELL they had a 2nd-generation model waiting in the wings that would support the new iPhones even better! Old inventory cleared at full price, the new model then quietly dropped, with redesigned dimensions that mean the camera bump no longer presses up against the chassis, bending it, and even supports being used with a case on. I was a big supporter of their work, but no longer. They’ve apparently been deleting critical posts from their subreddit, if you can believe such foolishness.
    • Three months ago I switched mobile telcos from Circles to M1, lured by a bigger data package for the same price. Shortly after that, M1 migrated many users to new plans (it was not a very smooth process either, fraught with confusion and poor communications), and sort of reneged on a basic tenet of my “contract” (technically it’s a contract-free plan): once free, 5G would now be a paid add-on after six months. Fudge that, I said, and now I’m back with Circles for (yet again) even more data and a lower monthly price to boot. The porting process was also flawless compared to my experience moving to M1.

    While looking for the above link to my own recent post, I chanced upon older entries talking about local telcos and got sucked into reading notes from my younger self. It’s one of the greatest joys of keeping a blog, and yet I rarely take the time to. I’ll post a few links now.

    • As the iPhone and Android wars heated up, I asked in 2015 what telcos could possibly be thinking by advertising Xiaomi devices alongside iPhones in their weekly newspaper advertising spreads. I said they were legitimizing cheaper Chinese devices that customers could easily buy through other retail channels for a couple hundred bucks, which would come back around to hurt telcos by dispelling the idea that one should sign a two-year contract (with high margins baked in) to get a good phone. I think I was right? Who gets a phone with a contract these days?
    • Back in 2006, I noted the opening of the Fifth Avenue Apple Store in New York and called it the most beautiful storefront I’d ever seen and wanted to visit someday — it would be 10 years before I did. And then there was this post from 2017 when Singapore finally got our first Apple Store.
    • Reader, I was even there when the fresh and ultra-luxe ION Orchard mall opened its doors in July 2009 — a fact that seems mindboggling today; hasn’t that building been there forever? At the recent team barbecue at a colleague’s condo overlooking Orchard Road, we were discussing some of the visible buildings and I discovered that our youngest team members are so young they don’t remember how the site of ION Orchard used to be a grassy mound of park-like open space. They were rightfully incensed when told that it used to be a popular picnic spot for Singapore’s domestic helpers until ION’s construction drove them away.
    • That just reminded me of the famous murder case where a bag of body parts was found dumped near that park.
    • In a 2016 post, I said that the future of gaming looked like cloud saves, cross-platform compatibility, and game designs that allowed you to play for both hours on a console or minutes on mobile. Back then, my signal was universal binary games on Apple TV that also ran on your iPhone. In 2019, Apple Arcade launched and that model was a core requirement for developers: all games had to support Mac, Apple TV, and iOS. And this week, Resident Evil Village launched for iPhone 15 Pro, as well as Macs and iPads with M1 chips or newer, the first in a new wave of console-quality titles you can both play at home and on-the-go. I think it’s a direct threat to whatever the Switch’s successor will offer, but the picture won’t be complete for a few more years.
    • Reading my posts from the year of living well (on sabbatical) is so bittersweet. On one hand, I was a bum reading books, watching films, and drawing all day. On the other, it was not unfulfilling? The little bit at the end of this weekly update from Jan 2022 reminded me how great a game Disco Elysium was and that I should replay it someday soon.

    (This week’s featured image was created by DALL•E from the idea of “The Beatles Resurrections”)