I revisited some drawings I made awhile ago and deleted some, finished one, started doodling another. They’re pretty terrible but it keeps me feeling like I’m doing something on days where I’m objectively doing nothing else of value.

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Splatoon 3 has been my only game on the Switch this week. I’m getting better at it, but the short multiplayer matches are kinda unsatisfying. Over too soon, and with a team of four randoms playing together without the benefit of voice chat, you never get that feeling of great teamwork. I guess I’ll need to go out and make some new friends in real life and convince them to buy Switches and play with me. None of my current ones seem interested.

Just on a whim, I installed Apex Legends Mobile and started playing it with my Backbone controller. It’s… not bad? But Battle Royale games simply take too long and there’s no simple deathmatch option, so I may be back to Call of Duty before too long now that I’ve got the shooter bug again.

Netflix Games has a new title called Lucky Luna from Snowman, the makers of Alto’s Adventure and Alto’s Odyssey. It’s kinda like Downwell + Celeste but casual and atmospheric rather than punishing and frustrating. I mention this because I played it a little while, but also we’ve been thinking about adopting a cat, and one named Luna popped up through a family contact around the same time, and I thought it was a nice coincidence (but not a sign).

There’s a new Death Cab album called Asphalt Meadows which I bet no one saw coming? I heard it through on my commute and it did nothing for me. Formless songs that don’t seem to be about anything interesting. The new Blackpink album has also been played a few times, and it has a couple of strong songs but mostly feels way overproduced while also lazy in places (the annoying “whipitwhipitwhipit” lyric + nursery rhyme melody line in Shut Down).

If you want more catchy songs that don’t try to say very much, the new Mura Masa album demon time is very good. Collaborator Channel Tres (who guests on the delightful track, hollaback bitch) also released a collection of musical NFTs with the lo-fi musician omgkirby this week on Opensea. I actually minted one, because what NFT slump??

The new AirPods Pro have obviously been on my mind as a serial Apple product collector, and as more reviews keep coming out saying how much better they sound, the fight just keeps getting harder, my friends. But with any luck, I’ll be able to make it to Christmas without them. I mean, I’m typing this while listening to music out of my bloody iPad Pro’s speakers and still having a good time, so I should be able to do it.

One of the things I aspire to, and that new AirPods Pro would help me achieve (of course), is to be a listener of podcasts. I just haven’t ever been able to turn this into a sustainable habit because when I have headphone time on the train or around the home, it’s music I want. But the news that Adnan Syed, the murder suspect subject of season 1 of the Serial podcast, was freed after his conviction was overturned brought my mind back to this goal. Someone told me the Serial team is going to cover the new developments.

I tried to listen to their second season back in the day, about some army guy or whatever, and just couldn’t get into it. Maybe because the life and times of some army guy or whatever doesn’t appeal at all. After Jose told me Season 3 was about observations on the criminal justice system after spending time in one courthouse for a year, I decided to give that a go. Episode 1 was good listening: a case where the victim of a bar fight ended up the only person arrested and put on trial.

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On Sunday evening we went to see the Lee Kuan Yew musical now on at the Marina Bay Sands theater. It’s a simplistic reduction of an important man’s life, and there’s a lot to unpack. Why does this even exist, and in musical form? Alexander Hamilton had a couple hundred years to grow cold first; this first debuted in 2015, the same year LKY died. The poster bills it as “history, his story, our story”, but to what degree is it accurate? Is this really a historically sound account? Why does every actor sing in an affected British accent, even the ones who have exaggerated Singaporean accents when they’re speaking? Why are the songs so rough? Why is there literally only one woman in the cast of 21?

But hey on the positive side, it’s a super impressive production in technical terms, all hybrid video projections and moving stage pieces! Most of the dramatic parts are entertaining and the music is performed by a live band. It’s surprisingly affordable (from $50) and made for a good night out. I also ran into my friend Xin who I haven’t seen in years!


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