• LINE Pop-Up Store Singapore, May 2014

    LINE Pop-Up Store Singapore, May 2014

    Japanese-Korean messaging app LINE has opened their first pop-up store in Singapore, on a prominent stretch of the core shopping boulevard of Orchard Road. It will run for a month and reap immeasurable marketing value from the high visibility and sure-to-grow lines of fans eager to buy their cleverly designed character merchandise.1

    I dropped by on its first evening tonight with some colleagues, and we spent between $20–60 each. I would have spent $100, but put down a pack of 100 art postcards ($55) at the last minute. This is on top of the $40 I’ve spent on in-app purchase stickers over the last year or two of being on the platform. I don’t think any other messenger currently comes close in terms of having built brand loyalty or monetization potential that doesn’t involve serving ads or selling personal data.

    Standing outside and watching the crowd, I remarked to a UX designer colleague that no other messaging app could pull off something like this in the middle of town, not WhatsApp, not WeChat. He correctly observed that none of the others have strong IP from which to make their own merchandise to even sell in a store.

    “And it’s all this bloody kiddy stuff!”, I said, clutching a plastic bag filled with stickers and a pair of mugs that look like the faces of a bear and a bird. “It’s not kiddy,” he started to protest before going, “Oh alright, I guess it is.” Takeaway: “Kiddy” is largely irrelevant in Asia.


    18-to-29-year-old females are its “core target,” says (U.S. CEO Jeanie) Han, explaining that in Asia, once girls were using Line, boys followed – and then this young “hip” user base helped bring in older users “like a domino effect.”

    “People, especially young folks, are really adopting our stickers,” she says. “The ratio of people who are buying things online like our stickers is actually quite high in the U.S., as well as the people who are using our games inside our platform relative to the total number of users, so we’re quite optimistic in terms of our market in the U.S.” — Techcrunch, March 2013


    The crowd lining up tonight was about 2:1 female to male, which seems in line with LINE’s targeting strategy. There were a few people who definitely looked over 40, and everyone present was walking out with stuffed toys, diaries, notebooks, plastic folders, tote bags, mugs, badges and the like, all emblazoned with Brown, Cony, Moon, Leonard, Sally, James, and other characters I can name because I see and employ their images in chat conversations on a daily basis. LINE is lovable, obsessionable. Few others are by design.

    Against Facebook Messenger’s 200M monthly active users, LINE is said to have virtually the same MAU (out of 400M registered accounts). In comparison, WeChat (dominant in China) has 355M MAU, and WhatsApp has over 500M. I don’t consider WhatsApp and Facebook Messenger users to be the same thing2, and LINE has the greatest growth potential outside of its home country, especially in Asian countries with an affinity for Japanese culture, whereas the Chinese WeChat is likely to have a harder time. I’m pretty bullish about LINE’s success, even if their apps have a lot to improve on. For the record, LINE also reports significant revenues — $338M in 2013 — versus about $200M for KakaoTalk and $20M for WhatsApp.


    1. Within minutes of our arrival, I overheard a mom asking her two teenaged daughters, “What’s this about?”, to which they replied, “it’s kind of like WhatsApp.” 
    2. For one thing, WhatsApp is not functionally part of a platform, and probably won’t be merging with Facebook’s in the near future for various reasons. All the other messaging networks are at some stage of offering content, ecommerce, games, and enhanced communication services such as video-calling. 

  • Teas’ Tea at the local 7-Eleven (why doesn’t it say New York?); I welcome this new influx of Japanese beverages!

    View on Path


  • Orchids

    Orchids

    Back in the day, one side of my family was responsible for a lot of the orchids being bred in Singapore. My late grandma’s brother still has a collection growing at his place, which we just visited for Chinese New Year. Unfortunately, I don’t speak Teochew and communicating with that generation is generally impossible.

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  • 20140115-001918.jpg

    Probably my favorite shot from this weekend’s trip to Bali where my friends Christian and Jean got married. Captured and edited on an iPhone 5S, too. Compared to the functional but not album-worthy 2mp shots from the first iPhones, it’s hard to argue this isn’t the only camera most people need today.


  • In Bali for Christian & Jean’s wedding

    Bert took a photo of Jussi taking a photo of me taking a photo of Joel taking a photo of the Balinese sunset. Good times. – with Joel, Jussi, and Bert at Ayana Resort And Spa

    View on Path

    This is the photo I was taking:
    Shooting sunset


  • Rimba Hotel, Bali

    The Rimba hotel here in Bali is really nice too, if a tad unfinished. Under the same ownership as the Ayana Resort where we are staying; you take a free tram over and sit at the rooftop bar if you have nothing to do at noon like us. – with Jussi and Bert at Rimba Jimbaran Bali

    View on Path


  • ➟ How Netflix Reverse Engineered Hollywood

    Alexis Madrigal, for The Atlantic:

    What emerged from the work is this conclusion: Netflix has meticulously analyzed and tagged every movie and TV show imaginable. They possess a stockpile of data about Hollywood entertainment that is absolutely unprecedented.

    Using large teams of people specially trained to watch movies, Netflix deconstructed Hollywood. They paid people to watch films and tag them with all kinds of metadata. This process is so sophisticated and precise that taggers receive a 36-page training document that teaches them how to rate movies on their sexually suggestive content, goriness, romance levels, and even narrative elements like plot conclusiveness.

    The data can’t tell them how to make a TV show, but it can tell them what they should be making. When they create a show like House of Cards, they aren’t guessing at what people want.

    What a huge undertaking, and a demonstration of Amazon-like patience for a company like Netflix—slowly, quietly, build a long-view competitive advantage in technology and process that becomes impossible for others to copy, and that eventually enables a whole new range of products that are themselves hard to compete with.

    This sort of rich metadata is what I’d expect IMDB to have, but a categorization exercise of so much subjective material benefits from the guidance of a single hand, while self-policing committees take much too long.


  • Reviewed The Humans by Matt Haig




    As a story, the way it moves is unlike anything I can remember reading. Laugh out loud funny at times; very insightful about life and love; peppered with sentimental, inspirational schmaltz; and also a fast-paced page turner. It’s some kind of sorcery. It’ll make you sad and lonely, but also take you to a place where it doesn’t matter.

    Reviewed The Humans by Matt Haig.