Tag: Photography

A Sudden Crop of New iPhone Photo Apps
iPhone photography apps hit a sort of peak with Hipstamatic, Instagram, Camera+, 645 Pro, and Snapseed. The past few months have seen a few quirky apps being released (Gridditor being one that comes to mind), but most have been crappy knockoffs of the very successful but sadly neglected Camera+*, or silly ones for decorating your shots with candy-colored doodles or cartoon stamps.

Very little for the serious photographer determined to replace a compact camera with an iPhone… until these came along!

•••

Blux Camera: The first app I’ve seen to offer the equivalent of what’s called “Auto Scene Mode” on most point-and-shoot cameras. The app applies a compensation scene mode based on what it thinks you need (taking local weather into account too). I’ve been waiting for someone to do this, but Blux seems to go even further with 14 filters, tilt-shift effects, and a futuristic, customizable UI that might prove too fiddly in actual use. Still, it looks very good and it’s free for a couple of days.
Edit: Having tried it now, it’s not worth the trouble. Too much high-tech flash, not enough substance and usability. I’d put this at the top of the cheesy knockoff category.

Alt Photo: This one has some real pedigree, like VSCO Cam, coming from maker of pro Photoshop plugins, Alien Skin Software. It has one of the best-looking brightness adjustment algorithms I’ve seen in an iPhone app (Mattebox has another great one), not to mention some nicely tuned filters designed to emulate film looks.

Perfectly Clear: This just got a big 3.0 update today, with a fully redesigned UI and higher quality results. This is a one-function app — it tunes up lackluster photos with more clarity, color, and brightness — and it does it well. There’s now also the ability to remove noise for no extra charge; it used to be an in-app purchase. It even claims to recognize and brighten eyes, smoothen skin, and whiten teeth. That last one sounds like a joke, but there it is on the page.

Scout Camera: A camera replacement app with a few nice filters, and the welcome ability to see and shoot in 1:1, 4:3, 3:2, and 16:9 aspect ratios, all live. It’s a shame you can’t change filters on a photo after you’ve shot it, and that you can’t import your own photos into its lightbox for editing. Hopefully the developer is looking into these things, because you can get those aspect ratios from 645 Pro too, and there’s little reason to make this your first choice in a pinch.

Beamr: From the makers of JPEGmini, one of the best photo technologies I’ve seen in awhile (it crunches down high quality JPEGs to half their size, and your eyes won’t see the difference) comes this new photo sharing app. The app description is a bit confusing, but I think it uploads your full-size photos using the aforementioned tech, and then creates a flippable online magazine — oh god, those are back? — that you can send as a link to friends and family. The selling point here is high quality photos, not the recompressed junk you see on Facebook or other sharing sites.

Photoset: Another sharing app, this one from Tumblr. It lets you very quickly create a layout of several photos by dragging them around, and then publish them to a webpage on Photoset.com or to an existing Tumblr blog. Pretty cool, and much more versatile than using something like, say, Twitphoto for impromptu sharing.
- I say Camera+ has been neglected despite having recently been updated because of how unusable its filters look these days on brighter iPhone 5 photos, and because other much needed refinements never materialized. It’s like there’s nobody there looking out to keep it #1.
October 29, 2012
iPhone 5 Camera Comparison vs. Ricoh GR Digital III

The new iPhone 5 features an improved camera, mainly in the area of image signal processing in the A6 chip, which reportedly allows it to do intelligent sharpening, noise removal, and pixel binning for low-light situations. The lens elements have also been rearranged, resulting in a slightly different field of vision from the iPhone 4S. There’s also the new sapphire crystal lens cover which resists scratches — unfortunately, I already have a tiny speck of dust on the inside of mine, which I’ll have to get them to clean at some point.

I’m more interested in seeing how the iPhone 5 competes with other point and shoot cameras than with the iPhone 4S. Here are two scenes taken with the Ricoh GR Digital III (my review here), a high-end compact comparable to Panasonic’s LUMIX LX3/5/7 series, and Canon’s S90/95/100 cameras.

The photos below are direct from camera and have not been fixed or enhanced. The GRD III is something of a prosumer camera, and if handled correctly, i.e. with manual controls and lots of fiddling, is capable of some great results. For parity with the iPhone 5, these photos were taken in fully automatic mode, letting the camera figure things out.

Ricoh GRD 3

I had to take this shot twice because the Ricoh chose a very shallow focus, directed on the leaves in the middle, which left the stone duck and foreground leaves blurred out. It’s a little underexposed, but the larger sensor gives some beautiful detail to the fern.

iPhone 5

The iPhone 5 analyzed the same scene, and chose to keep a relatively deep focus for a usable shot the first time around. The photo is also noticeably warmer (pleasant, but perhaps inaccurate) and brighter. This photo is good to go without any editing, which is how most users want it. No problems with sharpness in the details.

Ricoh GRD 3

The GRD had trouble focusing again, and ended up with a spot in the middle (above and to the right of her nose), which keeps the dog’s legs in focus but not the face. Although what fine details that were in focus got captured with a good amount of clarity, the photo is pretty dull and boring on the whole. Your aunt would not consider this a keeper without a trip to iPhoto.

iPhone 5

Again, brighter and warmer. I don’t think the iPhone makes everything warmer, only in shade and indoor lighting conditions. None of the daylight shots I’ve seen so far look overly warm. Sharpness is consistent across all areas of interest, and noise is acceptable for ISO 400. Fine fur details are not as well resolved as in the GRD photo, but this may be down to JPEG compression. Using an app that allows setting lower JPEG compression, such as 645 Pro, may compensate for this.

For most purposes, I can’t see why the iPhone 5 wouldn’t be an adequate camera replacement. In terms of straight-from-the-camera usability, these photos are astounding compared to the GRD III, which used to cost in the region of USD$500-600 (it has now been replaced by the GRD IV model).

I’ve gone on a few trips where I ended up taking all or most of my photos on an iPhone 4/4S, with few regrets. Focusing on the 4S was a little touchy, and it tended to take photos before focus had fully locked, if you hit the button too soon; this seems to work the way it should on the iPhone 5.

September 23, 2012
Everpix, The Rise of Centralized Cloud Photos, and The Decline of Flickr

I signed up for Everpix last night and have been thinking about it all morning, even as I’ve yet to get my photo collection uploaded to it.

In essence, Everpix is an online repository of every digital photo you’ve ever taken, supported by a background Mac utility that keeps it in sync with your iPhoto/Aperture/Lightroom, and an iPhone app that syncs your Camera Roll, and allows you to view your library in the cloud. Crucially, it also syncs with your online photos on Flickr, Instagram, Google+/Picasa, and Facebook.

Every photo is private by default, and making an album (called a Moment), or part of it, public, gives you an obfuscated URL that can be shared with others. You can also publish photos ‘offshore’ to Facebook Albums, Twitter, and possibly other destinations.

Philosophically, this is almost everything I want my Flickr account to be right now, but that they are so, so far away from achieving. I signed up for Flickr Pro to have an online backup of all my photos, with the ones I want to share set to ‘Public’ visibility. In the past few years, the internet has moved on, and we now share photos on other stickier social networks. There’s been a fair bit written in the past week about Flickr’s decline as a destination, and it’s because photographers at all levels are getting more views and feedback through Facebook, G+, and even other photo sites like 500px and Smugmug.

Adobe had a go at cloud photos with a product called Carousel that was recently renamed to Revel (why?), but that effort tried to be an entire workflow, with a desktop photo management app that had half-baked Lightroom editing tools built in. Adopting a product like that involves a complete change of tools. Good for beginners, but bad for anyone comfortable with what they have.

Everpix promises to meet us halfway. Use whatever you’re used to, and have all those photos in the cloud, with easy publishing to any and all online destinations through beautiful web and mobile apps. All publishing actions take place between Everpix’s servers and the other web service, so the user experience is simply that of instantaneous uploads. It’s the best of both worlds: backup and effective sharing.

You can tell this is an important facet of the service because one of their core features is “Auto Curation”. Click a button, and the service picks what it thinks are your best photos, with clear faces, even exposure, and other secret sauce traits. Another click, and those are shared online.

More than just disrupting Flickr, it also shows us what Apple’s iCloud Photo Stream could be, but understandably isn’t just yet. Rolling out free, unlimited storage and access to millions of iOS users would test their billion dollar war chest; the inevitable failures, their invaluable credibility. Everpix is a small startup in beta that I’ve decided to entrust with access to all my photos; I’m hoping their pricing structure, when revealed, will be reasonable enough to pay for.

February 24, 2012
Going to Tokyo Again, Figuring Out a Camera Configuration

After all that, seeing a single color photo just fires some pleasure center in the brain, so I don’t know… maybe I’ll change my mind again.

But if anything, going black & white will free me from the temptation to do this to every photo.

January 25, 2012
In mobile photography, "Instant takes precedence over Perfect"

1:24:36 PM Ci’en Xu: Was up last night posting Berlin photos.

1:24:51 PM Ci’en Xu: Sometimes it feels like in this day and age, editing is more redundant.

1:25:03 PM Brandon Lee: How do you mean?

1:25:56 PM Ci’en Xu: I remember the days when Flickr was kinda like a big social network, and people were more obsessed about the rules of photography and how you edited them, etc.

1:26:17 PM Ci’en Xu: I guess now with mobile, instant takes precedence over “perfect”.

1:27:06 PM Brandon Lee: Yeah you’re right.

1:27:31 PM Brandon Lee: Which is why I like Mattebox… it kinda makes you feel like getting it right in-camera is important again, and maybe even enough.

1:28:02 PM Brandon Lee: When you leave everything to the phone to do automatically, there’s always the sense that you must insert yourself into the process, and that can only happen in post.

1:28:19 PM Ci’en Xu: But I still like editing, even if just to let you linger on your photos for a little while longer.

December 14, 2011
Bintan x Mattebox x Camera+

December 13, 2011
Smartphone usability and my parents

I just watched my mother try to take a photo with her Nokia smartphone for the first time. An orchid in the home was blooming, and it was the closest camera within reach. She only uses it as a regular phone, and as the least technically-minded member of the family, is strangely the only one not using an iPhone. Needless to say, she was baffled by the Symbian OS. A primary hardware feature on the device, and the icon was buried in a submenu. Afterwards, she asked my father where to find the file so she could email it to herself, and he couldn’t readily answer her.

His last phone before the iPhone 3GS was a Nokia E90 Communicator, a top-of-the-line Symbian workhorse business machine. He’d spent so much time understanding how it worked, that the iPhone’s simplicity initially confused him. He’d ask how to access the file system so he could manage his data. Coming around to a task-centric model (photos are always available in the Photos app; music lives in the iPod data well, managed with iTunes) took awhile, but now that he gets it, the Nokia way is unfathomable. Managing a nested file system on a mobile device is no consumer’s idea of fun.

There’s always been the image of Macs being for stupid/lazy people who can’t work “real” computers and handle complexity in the user interface. Now the iPhone has inherited that reputation in the face of competition from Android, a system that David Pogue calls “best suited for technically proficient high-end users who don’t mind poking around online to get past the hiccups” in his review of the new Droid X. This became clearer as I got older, but I don’t consider most people over the age of 40 who struggle with technology to be stupid or lazy. It comes down to privilege, familiarity, and priorities.

One of Apple’s most prominent user experience attempts at improving accessibility involves mimicking real-world interfaces, such as using a yellow notepaper background and handwriting fonts in Notes, and superfluous flipping page animations in iBooks. Marco Arment has a good post on this: Overdoing the interface metaphor. It’s a divisive strategy that works well in the early stages of familiarization, but soon becomes a hindrance as one grows more proficient/confident. One of the best metaphors I’ve ever encountered on a mobile device was the lens cover on one of my old Sony-Ericsson cameraphones. Slide it open, and the camera application started up. Along with a physical shutter button, it was perfect, and my mother would have understood it instantly. Such a design benefits even experienced users who know how to start the camera up from the main menu. It’s easy to see how a physical feature can offer that experience, but the real challenge is finding that middle ground in software.

* I ended up taking the photo with my Panasonic LX3.

July 1, 2010
May 15 photos

Here’s a selection of the photos I said I would post from my photo walk a couple of weeks back. The entire set is on Flickr. I’m quite happy that the iPhone photos hold up well against the LX3’s.

May 30, 2010