Week 30.26

  • Kim has fallen ill and is taking me down to Maybe-Covid town with her. Before it turns really bad, I figure I should bang out a short update. I eventually broke my Duolingo streak, my Finch streak, and some days I feel like ‘this might be the week I break my weeknote streak’, because it’s bound to happen someday. But when? Not today, at least. Let’s go:
  • On Thursday I managed to meet up with Brian for a couple of beers and a curry after running a minor errand in town. He’s finally moving on from our former employer, to an interesting insights role that should keep him both busy and amused, which is a minor miracle in this economy.
  • We also got out to dinner with a bunch of Kim’s friends on Friday before the illness took hold (who hired this dramatic tone and can we send him home?). The hosts had a Nintendo Switch with Overcooked loaded up for their kids. After watching her two children play with total focus, another mom who could really use some wine-alone-time said excitedly, “I think a Switch will be appearing in our home shortly!” I was perplexed that the child-distracting benefits of a videogame console had not previously occurred to her, and regretted not being more of a pain to my parents all those years I wanted a SNES or Mega Drive at home.
  • So here we are instead, spending adult money to chase a childhood feeling. I bought Assassin’s Creed: Shadows on the Switch 2 a couple of weeks ago because it was on sale, despite knowing that it would be technically more impressive and performant on the PS5. Well, I needn’t have bothered worrying about frame rates because the game itself is dogshit. It was during a mission where I was meant to kill a few people, and discovered a bug where one of them was loitering outside the challenge’s boundaries (literally beyond an invisible wall I could not cross), that I decided to write off the USD$35 I’d spent and delete this piece of Ubisoft garbage.
  • I finished reading Book 3 of Solvej Balle’s On The Calculation of Volume series, and I haven’t decided if I’ll continue — there is one more book out in English, and there are a total of seven planned. I thought the first book was fine, but these last two have leaned more boring and uninteresting. What kept me reading was an (unintended?) parallel with unemployment that I noticed: being stuck in a day that repeats endlessly is what a sabbatical or retirement feels like at first. Work is the engine that keeps your days moving whether you like it or not. Remove it, and you’re living outside the time everyone else shares. Tara, the protagonist, can’t rely on anyone to understand her experience or keep her company, so she fills her days with idle curiosity — studying history, watching the sky and her backyard, letting time slip by until she loses track of it.
  • [Spoilers follow] Perhaps I’ll read the next book just to confirm my suspicion that this story arc intentionally mirrors the different stages of a post-work journey. At the end of Book 2, Tara suddenly meets another trapped person, which kicks off a period of relief, elation, and connection in Book 3. And then they meet more trapped people, forming a sort of retiree community that tries to navigate their way through this. Some want to return to how things were before, which I suppose is a desire to reintegrate with society and regain relevance, while others don’t believe it’s possible anymore. Some want to simply find a way to live, and some feel a responsibility to use their unique position to improve the world. Given that Balle has lived as a sort of writer-recluse in her small Danish village while putting these books together over many years, I don’t think I’m far off the mark.
  • I want to recommend the app that I used to create this week’s featured image above: tone. I found it through the Japanese developer’s Twitter, which was legible because of how that platform now automatically translates tweets in other languages to English. It is actually a very useful feature that will nevertheless probably be proven at some point in the future to have caused even greater deterioration of society and mental health. Anyway, it changes photos in various ways to look like they were reproduced with vintage printing techniques, not through a simple filter, but a multi-stage process you can actually inspect. Not the first to attempt this, but a really nice implementation of the concept. It’s free, with an optional in-app purchase to unlock more colors.
  • A ton of new music dropped in the past couple of weeks but I’ve been listening to the Takehiro Honda Trio’s This Is Honda (Jazz), and Radiohead’s The King of Limbs, which I’ve somehow hitherto ignored. Oh Charli XCX’s new album Music, Fashion, Film has some great sounding moments (and some painfully shallow lyrics), and its second track, SS26, is a pop masterpiece. It also says something about the times we live in, and my general intelligence, that I wondered for a minute if the album’s cover featuring John Cale, Marc Jacobs, and Martin Scorsese was AI slop.


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